Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.

Communist Relics in Bucharest

Most travel agencies selling trips to Romania agree on the fact that Bucharest is surely not the best this big Country in the easternmost part of Europe has to offer in terms of archaeological or historical significance, nature or art.

Actually the town, originally founded in the 15th century, is today mostly made of modern buildings – meaning it was extensively redesigned and rebuilt in the 1980s. This happened as a result of a huge earthquake in 1977, killing thousands in Bucharest and destroying or damaging many buildings. The earthquake, and the will of the most famous Romanian communist dictator Nicolae Ceausescu, triggered the realization of an incredible architectural master plan, centered on the huge House of the Republic – the second largest building in the world after the Pentagon – which in turn called for the demolition of a good 30% of the existing buildings in Bucharest, including churches and many historical highlights.

This conspicuous palace stands out as one of the world’s most imposing examples of communist architecture, thus making for an interesting destination for those interested in the ‘heritage of Communism’ in Europe. Well, the Palace of the Parliament – as it is called today – is so imposing that everybody coming to Bucharest will probably spot it and pay a visit.

But Bucharest has more to offer for those interested in the traces of the luckily bygone era of communist leadership.

Opened to the public in 2016, the private residence of Nicolae Ceausescu and his wife Helena, both executed on Christmas day in 1989 during the quick but very violent revolution which led to the end of communism in Romania, can be fully visited today as a museum. Built soon after Ceausescu took control of the already established communist regime in 1965, it is an interesting example of eclectic architecture from the 1960s, designed by the Israeli architect Aron Grimberg-Solari. All the original furniture is on display, and many items belonging to the most hated couple in Romanian history can be admired as well.

As usual in communist Countries in Europe, before 1989 the National Military Museum received much attention, growing up to host a collection of weapons, tanks and aircraft of considerable size. The place, located close to central Bucharest, is surely worth a visit especially for those looking for unusual Soviet weaponry!

Another easy-to-find communist-themed site is the Palace of the Free Press, the only imposing building in Stalinist style in Bucharest, built in the early 1950s for the propaganda-press. A big statue of Lenin used to seat prominently ahead of the façade. It was removed in 1990, to celebrate the end of the dictatorship. Many emblems of communism – hammers, sickles and stars – decorate the walls of this now mostly unused relic.

Finally, the very central palace of the Ministry of Internal Affairs, which since the 1950s until 1989 was occupied by the Romanian Communist Party, is a distinctive example of rationalist architecture from the late 1930s, with much to tell about Cold War history. It was from a balcony of this palace that Nicolae Ceausescu gave his famous last speech, just days before he was arrested and shot (see this post).

This post is about all these sights. Photographs were taken in June 2017.

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Sights

House of the Republic – now Palace of the Parliament

No words can describe the size and bulkiness of this building. Together with the Bulevardul Unirii – the boulevard leading to the front façade – with its residential and ancillary office buildings clustered around the palace, each the size of a big shopping mall,  the ensemble is really unique even for the usual pomp of communist Countries. Everything here was built in the 1980s on the design of the young Anca Petrescu, who at that time was in her thirties.

From the boulevard to the square ahead of the façade you can easily spend some time trying to find a good way to photograph this building.

The façade is not flat, and this makes it not excessively imposing inspite of the real width and height. Furthermore, a terraced garden, gently ascending from the street level to that of the front entrance above, somewhat reduces the perceived height of the building.

Access for the public is from the northern side. From there the palace is possibly more imposing, for the façade comes down abruptly to the street level, differently from the front.

The inside is by far the least convincing part of the design. Here you clearly perceive the ‘megalomaniac’ attitude of the Ceausescu, who asked for a building with more than 600 rooms, for which no realistic function could be imagined at that time – nor can be guessed today. You can see a succession of halls in diverse styles, some of which may find a place in an old railway station, some in a congress center, others in a luxury hotel, some in Buckingham Palace, a few in a church, and so on… A collection of stately rooms, some of them really immense, all lacking any focal point – a throne, a dinner table, a work of art. As a matter of fact, this severely oversized building is used today only for a minimal part as a governmental building. Most of the rooms are used for congresses, marriages, company meetings and international summits. But you clearly feel the place is basically uninhabited, and except for the crowds of tourists, mostly unused.

As a part of the tour you can get access to the balcony on the front façade, from which you can enjoy a nice view of the city, and in particular of the perspective created by the boulevard ahead of the palace.

All in all, in my view this palace is much more interesting from the outside, where you can appreciate the size and good proportion of the master plan, and the interesting particulars of the late-classicist communist style. The inside is where you perceive most the unsuitability of the palace for any practical function. You may be stricken by the number and proportion of the rooms and the plenty of high quality materials used for construction and decoration, but you may also get bored soon by the endless sequence of unused – and unusable – halls, corridors and flights of stairs.

Getting there and moving around

For a western tourist taxi is the most efficient and cost-effective way for moving around in Bucharest. Depending on where you are taken first – the north entrance or the front façade – you may choose to take a walk around the building, or a part of it, before or after your tour of the inside. Visiting inside is only possible through a guided tour. Reservation is totally recommended, for this is probably the most visited attraction in town. Furthermore, if you are put in a waiting list you may be forced to stay close to the ticket office in the basement for more than you might want, with nothing to see and do. You can make a reservation through their website or ask your hotel to do it for you. A day in advance may be enough, for entries are at high frequency. Security with metal detector is part of the treatment. For taking pictures inside you need to buy a permit at a small fee. The visit inside takes really long – more than an hour – and it may turn out very boring especially for children, for there are no ‘highlights’ inside.

Palatul Primaverii – The Private Residence of the Ceausescu in Bucharest

The name of the residence translates into ‘Spring Palace’. It was built in the mid-1960s when Nicolae Ceausescu came to power. It was intended from the beginning as a private residence for the dictator, his wife and their three children. Differently from the Palace of the Republic, it is not absurdly sized especially for todays standard, about the size of an average Hollywood villa.

From a historical standpoint this place is very interesting, for as an official residence of the president of Romania, it hosted meetings with leaders and politicians of many foreign Countries, most notably Richard Nixon, the first American president to pay a state visit to Romania. Furthermore, this house has a lot of typical ‘Cold War style’ features. It was not publicized at all inside Romania, where only a restricted group knew of its existence before the revolution in 1989-90. Coming close was made impossible by a guarded perimeter with a few checkpoints all around a large area of the town, where embassies and notable members of the Communist Party had their residences. Inside there are an underground bunker for protection and an access to a network of tunnels leading to the palace of the Central Committee of the Communist Party and other decision centers in Bucharest. The villa was taken during the revolution, but anything was left basically as it was – the intruders, who in 1989 were suffering from a famine plus from heat, electricity and water starvation, took away all the food.

The eclectic style of the building, integrally designed by the same architect, is also an interesting specimen of luxury architecture from the 1960s.

On the ground floor, the first rooms are the studio of the dictator, where most important meetings were held, with the walls covered with wooden panels. Then an ancillary room with a chess table, a central lobby with a fountain and stairs leading to the upper floor and to the basement, a large drawing room and a dining room can be visited close by. On the same floor are also the private rooms of one of the two sons of the Ceausescu couple. From the main drawing room it is possible to reach an inner garden with peacocks – not the original exemplars, but Nicolae loved these birds, which used to live here also before 1990.

In the basement it is possible to find a winery and a nice middle-ages-themed, count-Dracula-style canteen with a fireplace. A private movie theater seating about 30 is part of this area. The projectors in the back – Philips, not from the Eastern Bloc… – together with an archive of rare movies have been carefully cataloged, and are now part of the inventory, similarly to every item in the house.

Nicolae Ceausescu was born to a family of workers, and was a shoemaker in his youth. After he came to power he progressively adopted a more and more luxurious lifestyle, but he could never relinquish his very humble origins. The room he reportedly favored most in his fancy villa, and where he liked to spend most of the time, was a passage in the basement, with some simple chairs, a small table, and a very small light close to the roof. Some speculate this was the setting which mostly resembled the house he had lived in as a kid. Another explanation may be a secret armored door in this room, giving direct access to the bunker…

The bunker with a crisis room is where Ceausescu operated in the tumultuous days of December 1989. He finally decided to try to reestablish power with a speech which turned out to be his famous last public appearance, a few days before he was arrested and executed. Here was the entrance to the network of tunnels leading to other palaces in Bucharest – today it has been bricked up. A walk along a service corridor in the underground allows to have a glance to the many service rooms in this area – including a laundry, a room for an independent power supply system and much more.

Another strange ‘private passage’ is where a gallery of many portraits of the Ceausescu can be found, together with hunt trophies and hunt-related gifts from some African leaders and close friends of the Romanian dictator. Nicolae was reportedly not good as a hunter, but he liked to nourish the idea of being so, and he was often photographed with trophies he rarely caught himself. Paintings portraying the couple were already there when the Ceausescu used to live in the house.

In a wing on the top floor are the private rooms of the two other children of the Ceausescu.

In another wing are the apartments of Helena and Nicolae, with a bedroom, study, bathroom and dressing room for each of them.

The separate bedrooms were not used much, for they used to sleep in a common bedroom with a nice balcony and a view of the front garden.

There was also another common bathroom, lavishly decorated, which was reportedly used more often by the couple. The same is true for a smaller dressing room with wardrobes for both, which was typically used by the couple. Here and in the main wardrobe close by it is possible to find the many dresses belonging to the Ceausescu. The smell of old fabric here is really horrible, but the sight of their clothes adds much to the perception of this place as the ‘lion’s lair’.

In a third wing of the top floor it is possible to find possibly the most beautiful room of the house, which is basically a ‘garden-room’, with plants and a nice peacock-themed mosaic wall and fountain – a nice example of decoration from the 1960s.

Descending again to the ground floor you can continue your visit with the huge wellness area, with a sauna, Turkish bath, infra-red lamp, equipment for various wellness and beauty treatments – some of them were probably fancy in those years, but now they seem exotic and more like old-style medical stuff… There is also a barber shop.

Finally, the indoor swimming pool. This is very big and deep even for todays standard, and the zodiac-themed mosaic decoration of the walls is luminous and really gorgeous. There is direct access to the garden through a porch.

You can access the inner garden and reach the front entrance of the property walking along a nice covered passage.

All in all, this is possibly the site I liked most during my stay in Bucharest. I would surely recommend a visit for the great historical and architectural significance of the place. The place is very authentic, and you can perceive it distinctly from the many personal items scattered around the house and from the appearance of the rooms, which have come almost unaltered from the end of the 1980s.

Getting there and moving around

The Spring Palace is in the northeastern quarter of central Bucharest, in what is probably one of the nicest parts of the town, with high-level residential buildings, most of them built very recently, foreign embassies, well-kept parks and schools. If you are visiting the area of Parcul Herastrau or Parcul Bordei you may choose to come to the mansion with a nice walk. Otherwise the best way to come here is with the usual taxi. Visiting is possible only with a guide. You can opt for a regular group tour or a personal tour. The latter was my choice. You can book it in advance (one day in advance in my case) through their website. The guide was very kind and knowledgeable, and the 1.5 hour visit really interesting and full of details.

National Military Museum

This museum is composed of two main parts. The permanent exhibition in the main building covers the military history of Romania from the first settlements to the present day. For those with an interest for the complicated history of this Country, the relationship with the Ottoman and Russian Empires, the foundation of the Kingdom of Romania in the 19th century, its role in both World Wars and the advent of communism, this museum offers much valuable information. Little is said of what happened during and after the 1989 revolution. There are just scant signs in English, and the Soviet-style of the exhibition is a bit outdated. Anyway there is much stuff of interest to be checked up.

Outside to the back of this building it is possible to visit a rich collection of weapons, ranging in time, type and size. A conspicuous part is composed by cannons and howitzers, some of them mounted on railway trolleys.

There are of course more ancient cannons, from the 18th and early 19th centuries, stored very close to some torpedoes and naval mines.

A focal point of the exhibition is a 2P16 Soviet tactical missile system with movable launcher. Also on display there is what appears to be a version of a SCUD-A system in fully erected position.

On the outside there is also a collection of tanks, radio equipment, a Soviet SA-2 anti-aircraft missile and a MiG-15. Some of the cannons are ‘made in Germany’.

The ancillary buildings host a collection of uniforms, coaches and a small collection of aircraft and engines for aviation, including the reentry vehicle of the only Soyuz mission flown by a Romanian astronaut.

Taken alone, this outdoor collection is much interesting for everybody, and especially for the kids. I would recommend also a visit to the inside for more history-minded people.

Getting there and moving around

The museum is located less than a mile from the Palace of the Parliament. The neighborhood, while totally central and safe, is nothing special, so I suggest going there by taxi for saving time. Visiting of the entire complex may take 1-1.5 hours on a self-guided basis.

Casa Scinteii – now House of the Free Press

This is the only building designed in the style of Stalin’s classicism in Bucharest, and it looks like a cousin of the skyscrapers in Moscow and other similar towers in Europe (see this post). The name refers to ‘Scinteia’ – meaning ‘spark’ – the official propaganda newspaper of the Romanian Communist Party, which had its headquarter here. Ready by the mid-1950s, the building was placed at the end of a majestic perspective going from the triumphal arch through a park directly to the statue of Lenin – removed in 1990 – and to this building.

Today a nice modern monument has replaced Lenin, and the area, quickly reachable from the airport, is among the most sought after by international companies. Many new buildings have been built in the neighborhood, making the contrast with this partly abandoned Soviet relic even more striking.

From a distance the building looks imposing but well proportioned. At a closer look, it reveals its communist soul through many hammer and sickle insignia, together with some stars in the decoration.

Getting closer you realize that there are bushes on the roof, many shutters are stuck halfway down, the windows are covered in dust, everything indicating a state of partial disrepair. The building is probably looking for a new owner, but the excessive size and the inconvenient heritage it bears perhaps are making things more difficult.

Getting there and moving around

Located to the north of the city center, close to the expo and on the northwestern corner of Parcul Herastrau. You can reach the area with a pleasant walk from the triumphal arch of WWI (Arcul de Triumf) or through the park, or you can get directly to it with a taxi. The place is mainly closed and anyway not open to the public, but you can have a walk around freely.

Palace of the Ministry of Internal Affairs

This palace, completed in the early 1940s, hosted many institutions during its history, including the Central Committee of the Romanian Communist Party, with the executive office of the leader of the Party. It is located in the totally central Piata Revolutiei – Revolution Square – in front of the former royal palace, now hosting the museum of fine arts.

The place was the central stage of the revolution in late 1989. The balcony on the front façade of the building is where Nicolae and Helena Ceausescu tried a final move to regain control over the Romanian people. Here they faced the public for the last time, and for the first time they were openly contested. The video recordings of that historical moment, together with the similarly famous videos of the Berlin Wall torn down, stand out as vivid symbols of the end of the communist era in Europe.

What followed the last speech was a short period of confusion, with the armed forces and the revolutionary faction shooting in the streets. The Ceausescu fled the building by helicopter, only to be arrested the following day, rapidly put on trial and executed soon after. More than one thousand lost their lives struggling to definitively push dictatorship to an end. Vivid traces of the fight can be seen on the façade of this building, in the form of bullet holes above some of the windows.

Getting there and moving around

The place is totally central, and easy to reach by walk if you are staying in one of the many international hotels in central Bucharest. Visiting inside is not possible, but you can come very close to all sides of the palace.

Wünsdorf – Nazi/Soviet Supreme Military Command

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For war historians and urban explorers Wünsdorf does not need any further presentation – a central place in the military history of the 20th century, famous for the many abandoned military buildings, from stately headquarters to interred bunkers. The name of this small town appears even in the very modern and interesting Military Museum of Dresden, where it is easy to find an original sign – in double alphabet – from the time when Wünsdorf hosted the Soviet military headquarters in the communist German Democratic Republic.

This report is based on photographs I took in spring 2017 in Zossen and Wünsdorf during a customized visit to the place I arranged with a local guide. For visiting information scroll down to the bottom of the page.

History – in brief

The small town of Wünsdorf, about 15 miles south of Berlin, has a serious military tradition, dating back at least to the beginning of the 20th century. At that time a large military complex with many barracks was set up by the order of the German Kaiser Wilhelm II – a central player in WWI – in the neighbor town of Zossen.

To this ‘Belle Époque’ era belongs part of the housing still in place today, as well as some of the largest and most aesthetically pleasant buildings in town. Among them, a former training camp for athletes of the army, and some big command buildings.

Following the dawn of the Nazi era, the place gained further relevance, with the institution of the German Supreme Command of the Armed Forces, also known as ‘Oberkommando der Wehrmacht’, or ‘OKW’ in brief. This was presided by general Wilhelm Keitel for all the duration of WWII, and represented the ‘top of the pyramid’ in terms of military decisions, as general Keitel reported directly to Hitler.

The staff of the OKW could be accommodated in purpose-built bunkers here, designed to withstand severe air bombing action, as well as to be disguised as normal country houses from above. These were known as the ‘Maybach bunkers’.

Besides bunkers for housing military personnel, a large communication bunker, known as ‘Zeppelin bunker’, was built to the purpose of connecting the brain of all military operations with the various divisions scattered over Europe and fighting on more war fronts.

When WWII finally came to an end, the Soviets captured the region, and that was the onset of a full new chapter in the history of the town. The reference name ‘Zossen’ was dropped in favor of ‘Wünsdorf’. The area of the two villages was totally cut-off by a 17 km wall, guarded with a top security level. Inside, housing for around 40,000 staff was prepared in subsequent stages, adding many purely Soviet-style residential buildings to what was still in place from before and during the Nazi era.

The supreme command of all Soviet forces in the occupied territory of Germany – to become the German Democratic Republic, or ‘GDR’, in 1949 – was installed here. All four branches of the Soviet armed forces had their respective headquarters in a corresponding sector of the ‘prohibited citadel’, with inner walls dividing the four areas. These headquarters controlled more than 200,000 troops stationed in the GDR until the early Nineties.

The Soviets tried to blow up the Maybach bunkers, with some success, and also the Zeppelin bunker, with no success. They developed it into an nuclear-proof installation, and added two further bunkers, for controlling military operations – including all air patrolling ones – in real time over the territory of the GDR, and along the crucial border with the Federal Republic and the Western world. Similarly to WWII, once again Wünsdorf was the main stage of crucial decisions for the full span of the Cold War.

The year 1989 marked the beginning of the end for this military town, with the reunification of the GDR with the Federal Republic and the end of the Cold War. All Soviet forces stationed in Germany – about 500,000 people, including troops and their families -, soon to become Russian forces in 1993 with the collapse of the communist regime in the USSR, began a well-coordinated retreat back to their mother Country, leaving Wünsdorf in September 1994.

Since then, the huge housing is largely uninhabited – the current population having dropped to about 4,000 – and the stately buildings built by the order of the Kaiser are deserted. Nonetheless, differently from other former military bases left to nature or converted into something else, the regional government of Brandenburg has formally taken over the property, which is not totally abandoned, nor in an irreversible state of disrepair, with the aim of selling it or transforming it into a museum.

Up to now, the place is still in the hands of the regional government, and specialized tours can be arranged with a local society of enthusiasts.

Sights

This site is really huge, with countless remains and interesting places to see. My visit took just about 5.5 hours, I think you would really need 1 day – and possibly more – to cover all features with enough time to both learn about the history and take good pictures of everything interesting! Here I will present a mainly pictorial description of the part of the complex I had the chance to visit this time. I think another day I will need to go back and complete the visit!

You may get an impression of the town from above, from this report based on aerial pictures taken during a dedicated flight over the region.

Officers’ House

This is probably the most famous non-bunker building in the complex. It dates back to the early 20th century – the place was the headquarter of a sports training ground established by the Kaiser’s army before WWI. In the Thirties, German athletes were trained here for the 1936 Olympic Games in Berlin. During WWII this became a command building for the OKW, while in Soviet times it was actually transformed into a house for higher ranking staff of the supreme Soviet command, with living rooms and entertainment facilities.

The main building faces an almost square park, where a huge statue of Lenin was installed and is still standing.

Inside the main building it is possible to find clear traces of the original ‘Belle Époque’ architecture.

The inside of the building was spoiled of all furniture – the Russians reportedly tried to sell everything to the German government when they left, but the offer gained little interest. Only little part of the furniture, clearly from the age of the Kaiser, can be still spotted. Among the highlights of the bottom floor, there are two murals, in a typically Soviet naïve style, and a sculptured wall. Somebody is trying to put together Soviet memorabilia in a small museum, but all presented stuff is not original from here.

On the first floor, a very interesting industry-themed mural and a 20-ft long curved view of Moscow can be found in a corridor. In a completely dark room on the same floor, where once a small memorial museum about the Great Patriotic War – WWII for the Russians – was standing, the retreating Russian forces left one of the few remaining written messages, concerned with the atrocities of the Nazi regime – for the guide this was possibly a subliminal memento for the German People… In the same totally dark room it is possible to find a big, finely sculptured wall.

To the back of the main building it is possible to find a modern addition by the Soviets, a cylindrical building once hosting a diorama of the battle of Berlin. The diorama was transferred in the village of Zhukovo, halfway between Kaluga and Moscow, in the westernmost part of Russia, when the Russians left.

The two wings to the back of the Officers’ House host two highlights of the show. In the southern wing it is possible to find an empty swimming pool, dating from the days when the place was a sports training ground, with little changes, which include the showers and the diving board, built by the Soviets. The construction technique was very good, and the pool was operated until 1993-94 reportedly with little updates.

In the northern wing it is possible to find a theatre. This is a bit creepy, for it is totally dark – electric power was cut off years ago – but everything, including the curtain over the stage, is in place like a performance was about to begin! The Soviet past of the place is clear here thanks to the decoration of the medallion over the stage, resembling the monument of the Soviet Soldier in Treptower Park, Berlin. In the roomy foyer it is possible to see the numbered hangers still in place!

The White House

Across the road from the Officers’ House it is possible to see another early 20th century building, used as a command building by the Soviets during the Cold War, and affectionately called ‘The White House’, both for its primary role in imparting orders and for the colonnade gracing the front façade. The building is inaccessible, and still property of the regional government.

Nearby, a former house for officers dating from before WWII is now operated as a local city hall.

Today, some of the many immigrants coming from Africa to Europe are being hosted in a building close to the White House by the German Government.

Soviet Railway Station, Bread Factory and Soviet Housing

Due to its great strategic relevance in the Cold War era, the prohibited town of Wünsdorf was daily connected two-ways with Moscow. The last train to Moscow left in September 1994. The railway station of Wünsdorf-Waldstadt today operates on a local railway, with trains mainly to and from downtown Berlin. The old Soviet terminal and some warehouses nearby have been abandoned and are in a state of total disrepair.

Close by the station, it is possible to find an abandoned and unattractive small factory with a tall chimney. This is where literally tons of bread were produced every single day since the Nazi era and up to 1994 – reaching 25 tons per day when the place was most crowded in Soviet times. The building was considered a strategic asset by the Nazi, who built it with a 60 cm reinforced concrete roof able to withstand air bombing.

Whilst not very crowded, today some houses from the early days in the village of Zossen have been nicely restored to their original conditions. Unfortunately, they still share the roadside with some abandoned or not refurbished Soviet buildings, keeping the typical ‘Soviet ghost’ aura alive in the town.

Maybach Bunkers

Two complexes of peculiar bunkers were built in the Thirties – Maybach I and II – for housing staff of the OKW. From the distance and from above, these half-interred bunkers had the appearance of large farm houses. In reality, they were designed to be bomb-proof, and when they were blown-up by the Soviets after WWII they did not collapse completely.

One of the two Maybach complexes is very close to the fenced area where the Soviets had their three interred bunkers.

Zeppelin Bunker

This communication bunker was built under the Nazi more than 60 feet deep into the terrain. It was made of layers of land and concrete, making it extremely durable and difficult to destroy. As a matter of fact, the Soviets tried to blow it up after the Potsdam conference in summer 1945, but they didn’t succeed at all. They decided to re-use it, sealing part of it to withstand a nuclear attack – including airlocks, reinforced doors, showers for decontamination, and sleeping quarters for troops trapped in by radioactive fallout. When leaving in the Nineties, Russian troops took home all technical rigs, stripping the bunker almost completely of any technical hardware.

Among the highlights in the Zeppelin bunker there are the sealed main entrance built by the Soviets and the decontamination facilities.

Going down it is possible to appreciate the size of the German design, with tens of rooms, long and roomy corridors and staircases. A small exhibition is dedicated to communication hardware from the Nazi and Soviet times. Copies of the Nazi schemes of the communication network from here to the Eastern front allow to understand the proportions of the system.

One of two long tunnels – the longest is about 600 ft! – was turned into a sleeping quarter for troops isolated in case of nuclear attack, and original berths are still visible today. Another corridor was so long it was used as a rifle range!

The bunker was powered by diesel engines – originally submarine engines under German ownership. These are gone today, but the smell of diesel fuel is still very marked in their room. It’s hard to imagine how noisy this place had to be! Some of the Soviet fuel tanks and air conditioning piping are still there, with original technical schemes.

A lift was added by the Soviets – it’s not working any more. On the bottom level there are water pumps and other supply systems. Normally this area cannot be toured, also due to water flooding problems.

In a small wing of the bunker it is possible to see the effect of the Soviet attempt to blow-up the bunker. The dynamics of the attempt are not clear – what explosive was used and where it was positioned. A pierce in the steel/concrete armored ceiling and a cracked reinforced concrete pillar are the only visible results. The size of the crater in the ceiling suggests much explosive was used, but the damage around is fairly limited and very localized. A feature of many military buildings occupied by the Soviets, signatures and graffitis in cyrillic alphabet can be found on some concrete walls of the bunker.

Soviet Half-Interred Bunkers

Really close to the entrance of the Zeppelin bunker, it is possible to find the way into two other less visible facilities.

One of them is a small communication bunker of simple construction. This is basically straight, with a round shaped cross-section. The corridor leading to the main part of the building is rather narrow and pointing down to the underground. The main part is much roomier, with curved steel frames making the walls and ceiling. This was used also as a training facility. This bunker was totally stripped by the retreating Russian troops.

The second bunker is much more articulated. It was codenamed ‘Nickel’, and the Soviet construction type is UK-20. This was a communication and control bunker for military operations, in particular for air operations. Even though this bunker was stripped similarly to the other two, some technical rigs and tons of paperwork can be spotted in the semi-dark environment of this installation.

Technical plants include the original water pumping system and several high voltage cabinets.

The room where the air control center was is lighted. It is very big, and copies of the original schemes help to understand how the setup was. Everything there was taken back to Russia by retreating Russian army.

Other interesting items include propaganda posters from Soviet times – they always look very exotic!

Garrison Museum & Red Army Museum

In the old pre-WWI stables two really unmissable small museums have been prepared. I would recommend visiting them after the site itself, to better understand the relevance and usefulness of the exhibition.

The first is centered on the history of the garrison in Zossen from the years when the barracks were built, and it documents the history of the Officers’ House and all other pre-Soviet buildings around. A focus is given also to the Nazi period, with many photographs and memorabilia. All panels are unfortunately in German only, but the pictures speak for themselves.

The second collection is dedicated to the Soviet period. Here you can find memorabilia from all stages of the Cold War era, including both museum items already preserved by the Soviets in a museum previously existing in Berlin-Karlshorst, but also everyday items and stuff from Wünsdorf.

Among the many panels, a small insight dedicated to the huge nuclear base in Vogelsang, covered in this other post of mine.

Headquarters of the Soviet Air Force

Besides the building of the society running the guided tours of the place, it is possible to find the abandoned headquarters of the Soviet Air Force. A modern statue of a pilot is standing ahead of an Asian restaurant, whereas the main building is inaccessible. A statue of Lenin – not easily visible from the street – can be found in the vegetation, ahead of the main façade. To the side of the building it is possible to find a typical Soviet memorial.

Much More…!

Among the other uncommon things you can find around in Wünsdorf, there are some Winkel-type air raid shelters, 19 of which were built in the Nazi period for military staff. Most of them were blown by the Soviets, and some of the 7 (?) remaining ones are preserved today.

Visiting

As reported, this ensemble is huge and well looked after. Technically speaking, it is not abandoned – at least the most interesting parts of it. Parts – like the Officers’ House – are awaiting for somebody to own them, parts are destined to remain tourist attractions – like the bunkers and museums. For these reasons, to make your visit practical and enjoyable, and for making the best of your time, I strongly suggest contacting a guide.

Actually the local society also in charge of the nice and interesting book selling activity, for which ‘Bücherstadt Wünsdorf’ – ‘Wünsdorf the Town of Books’ – is famous, runs guided tours on a regular schedule. Full information also in English from their website here. Besides the pre-scheduled tours, some longer special-themed tours can be booked in advance. If you are visiting – like me – from abroad, then I suggest taking contact with the guide before going there.

When I visited, I arranged with the guide a ‘double-tour’ in English just for me, asking to merge two of the tours offered with pre-booking. This was not a cheap alternative – I had to pay alone the price intended for two group tours, but all in all that was worth the financial effort! – but above all I must say I regret not having had more time!

The guide is nice and extremely knowledgeable, he speaks a perfect English and Russian as well. He knows anything from the history of the place, including interesting anecdotes and technical notions. He will take you to all places of interest with a minivan, and of course he will give you all the time for taking pictures, including some with a tripod in especially dark conditions – he has two portable lights for helping in the task! So the guided tour will not be boring at all.

After that, you may like to go back to have a look to the exterior of some buildings you had not the time to check out during the guided visit.

The towns of Wünsdorf and Zossen are basically a single entity, but possibly not on your nav. In case you get confused when driving to the building where you should meet the guide, just follow the signs for the book selling activities – the building is the same.

I mentioned there is a railway station, and of course you may choose to come in by train and move by bicycle – walking would be too time consuming in my view, due to the distance between points of interests. Coming by car is also very practical if you are not moving by train on your trip, and there is room for parking almost everywhere.

 

 

Frank Lloyd Wright in California

Frank Lloyd Wright’s buildings in California include many works from various stages of his artistic development. Considered together, these offer a good insight in the evolution of his style.

Differently from the front-page works visible elsewhere in the US, the buildings in California are mostly privately owned still today, so on one side they are totally part of the urban landscape and not just museums – they are still used for their intended function. On the other hand, they are not accessible to the public. To say it all, some of them are up for sale and a few in a state of disrepair. You may try scheduling a visit with a seller sometimes, but you’ll probably receive no answer if you say you just want to take pictures, at least if you ask to go for free…

Anyway, in some cases even looking at these buildings from the outside may be interesting for architecture-minded people, and this is usually possible.

The following photographs show some of FLW’s buildings in the metro areas of LA, SLO and SF. They are listed in chronological building order.

Sights

The following map allows to quickly check the position of the sights listed below. These are not all FLW sites in California, but only those I’ve visited and which are described in this page.

Navigate this post – Click on links to scroll

Hollyhock House – LA

This house is also known as Aline Barnsdall’s house, from the name of the lady who commissioned it. The building is an exception in the panorama of FLW’s houses in LA, for it is usually opened to the public (see website here for visiting info). It was designed and built between 1917 and 1920, some 18-20 years before the famous ‘Fallingwater’ (Kaufman’s house) in Pennsylvania.

Similarly to most buildings of FLW in California, the typical prairie style with exposed red bricks is altered to include concrete elements studied to prevent excessive heating. The decoration, the balanced use of very simple shapes to create an articulated façade and the prevalence of horizontal lines are all characteristics of FLW’s architecture which can be appreciated also here.

The place can be reached easily on 4800 Hollywood Blvd., on top of a small hill. Parking inside is possible.

Charles Ennis House – LA

This private house is located on the same hill as the Griffith Observatory, and has a wonderful panorama to the south and LA. With respect to other works of FLW, this is particularly massive and develops consistently along a vertical direction, while still retaining a good proportion between the area of the base and the overall height. Another distinctive feature is the façade composed of prefabricated concrete blocks, a feature that can be found also in others FLW’s houses in LA. Ennis house dates from 1923-24, when the size of LA was exploding.

You can reach the house on 2607 Glendower Ave. Public parking possible nearby.

Samuel Freeman House – LA

This smaller private house is particularly interesting for it was damaged by some seismic activity and looked in partial disrepair when I last visited in 2014. This made it possible to come close to it and have a close look to the prefabricated concrete bricks constituting the basic building module. The plant of the house is more complicated than Ennis house, but the size is comparatively much smaller, and the building less imposing. Similarly to Ennis house, Freeman house dates from around 1923.

It can be approached easily on 1962 Glencoe Way, a quick detour from Hollywood Blvd. and Franklin Ave., very close to the Hollywood Bowl. Limited public parking around.

John Storer House – LA

This is a private mansion built in the same years as Ennis and Freeman houses (around 1923), with which it shares much of the architectural features, including the building materials. It is comparable in size to Freeman’s house, but is more mimetic, cause it is separated from the road by a small garden and built very close to the side of the hill.

It is located on the hilly section of Hollywood Blvd., exact address 8161, to the west of the intersection with Laurel Canyon Drive. Very limited public parking nearby.

Wayfarers Chapel – LA

The design of this chapel at a first glance is a departure from the traditional prairie and usonian styles adopted for residential buildings by FLW. Yet at a closer look you realize the main features of functional-organic architecture are all there, reflected by the choice of materials and the inspiration of the shape of the chapel taken from natural structures.

Once inside you feel like being in contact with the exceptional surroundings, which are not just in the backstage, but all around in the premises of the chapel.

The complex dates back to the late Forties. It is on the tip of the beautiful Palos Verder peninsula, south of LA. The exact address is 5755 Palos Verdes Drive South, Rancho Palos Verdes. No serious walking necessary for visiting, the place is open to the public and is in the list of historic landmarks. Website here.

W.C. Morris Gift Shop – SF

This shop was the result of a radical restoration of an existing space between 1948 and 1950. The very central location next to Union Square has made it the perfect place for art galleries and luxury exhibition rooms. Actually until recently the place hosted an art gallery. The spiral ramp leading to the first floor was inspired by the Guggenheim museum in New York City, which FLW had started designing in 1943. The brick façade is a one-of-a-kind example in Wright’s production and in the panorama of San Francisco.

The address is on 140 Maiden Lane, .1 miles from Union Square.

Anderton Court Shops – LA

Barely noticeable after somewhat losing its architectural unity due to later additions, this building shows its FLW roots thanks to the vertical spire, typical also to other designs of this architect. The building dates from 1952, and was conceived as shopping center. Since then the property has been divided, and some changes to the facade applied.

Centrally located on 333 N. Rodeo Drive.

Kundert Medical Clinic – SLO

This building was completed in 1956 and specifically designed as an ophtalmological clinic – a unique example in the list of works of FLW. It turned out to be one of the last designs by this architect, who died in 1959. The building makes the best use of a standard size lot in central San Luis Obispo. Today it is still used as a clinic. The red bricks, flat shape, and the assembly dominated by horizontal lines are typical to the style of FLW.

The address is 1106 Pacific Street, San Luis Obispo. You can park right in front of the building, which is centrally located.

Marin County Civic Center – SF

The place was designed beginning 1957, but it was not completed until 1966, well after the death of FLW. This is one of the few institutional buildings of FLW, and unique in the panorama of American public offices. The location in the hills of San Rafael is very quiet and relaxing, and the building is hard to spot until you get very close.

The view from the terrace and the side walkways is very relaxing, as the building is still today surrounded by nature. The warm tones and the ‘human proportions’ of the inside invite to spend some time there, differently from more usual public buildings.

The area can be reached on Peter Behr Dr., San Rafael – there are actually several ways of approaching it. Large parking to the back of the building.