Base Tuono – Cold War Surface-To-Air Missiles in Italy

Just like West Germany, post-WWII Italy found itself on the border with a communist dictatorship, Marshal Tito’s Yugoslavia. Even though Tito and the government of the USSR were never close friends, from the viewpoint of the western alliances Yugoslavia represented a potential threat.

This mistrust was also a result of the aggressive policy Yugoslavia had adopted against Italy after WWII, imposing the cession of a piece of traditionally Italian territory in the northeast part of the country as a war compensation. This had triggered a significant migration of the local population, who was trying to escape from communism to mainland Italy and abroad. This added to the bitterness of the Italian-Yugoslavian relationship, to the point that the new border was not formally settled until the 1970s.

Italy was among the founding members of anti-communist NATO in 1949. This meant the chance to take part in a coordinated defense effort against the eastern bloc. Among the tangible results of this cooperation was the adoption of American war material, including aircraft and, as soon as they became a reliable war asset, missiles.

Considering air defense, besides a number of manned aircraft, the airspace of western Europe was protected by two defensive lines of surface-to-air missiles (SAM) extending roughly from the North Sea to the area around Venice on the Mediterranean. This was studied especially to counteract bombing raids carried out by a great number of enemy bombers simultaneously attacking from the east. This huge defense system was based on the US-designed Nike and Hawk missile platforms, and deployment started in the late 1950s.

SAM installations in Italy comprised the low to intermediate altitude Hawks, with a quick reaction capacity against low-level intruders. These were managed by the local Army. High altitude Nike-Ajax and later Nike-Hercules missiles were operated by the Italian Air Force against high-altitude targets, typically bombers. New dedicated groups were established since 1959, trained in the US to work with the new missile platform. At its height, the Nike force in Italy counted on 16 such groups, apparently corresponding to as many launch bases.

Concerning the effectiveness of the Nike defense line, it soon became obsolete, in the sense that a significant part of the strategic deterrent was transferred to ICBMs by both the NATO countries and the USSR. As a result, SAM defensive lines conceived against aircraft intrusion and low-level attacks would turn out more useful than the high-altitude and high-yield Nike-Hercules. As a matter of fact, all Nike platforms were deactivated in Italy and everywhere in Europe by the early 1980s, well before the end of communism in Europe.

Following deactivation, most bases, stripped of all hardware of any value, were simply locked up and abandoned. In Germany very few traces of this extensive system remain to this day (see this post). Together with the US, Italy is possibly the only country where this fragment of military history is documented through the active preservation of one of the former SAM launch bases.

The Nike-Hercules base preserved in Italy is called ‘Base Tuono’ – ‘tuono’ meaning ‘thunder’ in Italian language – and was operated between 1966 and 1977. It is in a gorgeous mountainous setting in the northeastern Alps, about an hour from the little town of Trento. After years of disrepair, a part of it has been refurbished with original material and opened as a beautiful, partly open-air museum, where you can get a lively impression of how the base would have looked like in the years of operations.

The following photographs are from a visit to ‘Base Tuono’ in Autumn 2018.

Sights

Nike batteries were composed of two connected but geographically separated areas, an integrated fire control area (IFC) and a launch control area (LCA). In the first resided the electronic aiming part, comprising all the antennas and electronic gear necessary to collimate the target, compute the expected kill point of the missile, and to track and guide the missile to that point. The launch area was composed of an array of three flat concrete pads, each supplied with a hangar for storing the missiles, gantries for putting typically three missiles at a time (per pad) in launch position, and a concrete shelter to oversee and trigger the launch sequence. An extensive description of the Nike SAM system can be found on this excellent dedicated resource website.

Due to the features of the radar guidance system, the IFC had to stay in line of sight from the LCA, and at a higher – but not excessively higher – elevation. At ‘Base Tuono’, due to the mountainous setting, the two areas are not far, yet they are not easily accessible from one another. Furthermore, what remains today of the former base is all concentrated in the launch area. One of the three original pads – ‘Alpha’ – has been preserved, where the other two – ‘Bravo’ and ‘Charlie’ – and other ancillary buildings as well, have been completely demolished, and a water basin can be found in their place. All installations and housing in the former control area on top of a local peak – Mount Toraro – have been wiped out, but you can get an impression of the original plan of this part of the base walking around on your own.

Launch Control Area

The launch pad ‘Alpha’ is the focus of the museum. Approaching from the parking, which is located close to the site of the former barracks and canteen, you can spot from the distance three Nike-Hercules missiles aligned in vertical launch position. A water basin covers a large part of the former base, as you can see from historical pictures. Launch pads ‘Bravo’ and ‘Charlie’ are totally gone, similarly to the original outer fence delimiting the large perimeter of the installation.

Getting closer to the launch pad ‘Alpha’ you can notice an array of radar antennas, which were originally in the IFC area on top of Mount Toraro. The area of the launch pad features a reconstructed inner fence, which was in place around each pad in the original base.

The pad is basically rectangular in shape, with a hangar on one side, a protection rim and the launch control bunker on two opposing sides and a free side where today you can find the ticket office.

Three missiles are placed on top of their launch gantries. The gantries are part of a sophisticated rail system, designed to allow an easy side motion of the missiles from inside the hangar to their respective launch positions outside. The missiles were stored horizontally in the hangar to the far top of the rail on trolleys. When being readied for launch, the trolleys were pushed along the rail to the launch position, where the trolley was joined to the gantry. The missiles were raised to a vertical attitude together with the trolley with the help of a lift, which was a movable part of the gantry.

While the pavement is covered in asphalt, you can see the gantries and the rail system are staying on hard concrete foundations. These are among the few remains you see in the German Nike site covered in this post.

Inside the hangar you can spot a Nike Hercules missile, with lateral cutouts to expose the inner structure. These reveal the four-canister solid-propellant booster stage, which was ignited first and was separated from the bullet-shaped second stage when exhausted. The latter features the warhead, the electromechanical rigs of the guidance system, and a single solid-propellant sustainer rocket engine. The rocket had a range of about 25 miles, and a top speed over Mach 3, making it a really remarkable piece of technology especially compared to the soviet counterparts of the time.

All around the missile in the hangar you can see inner parts of the missile itself and of the ground fire control system as well. There are also panels with the history of the base, and original warning signs and instructions painted on the inner walls of the hangar – and similarly on other walls of the base. These writings are in double language, both in Italian and English. While the base was managed by the Italian Air Force, such installations were integrated in the NATO defense line, so many procedures of the Italian Air Force were in English. Furthermore, US military staff was required on site ‘by design’ in case of operations with nuclear warheads, which the Hercules could optionally carry. Nuclear warheads were never deployed to this base though.

Further items on display around the three missiles on the open apron include an old Nike-Ajax missile, a Lockheed F-104 Starfighter – the Italian Air Force was the last in the world to retire this model from service, as late as 2004 – and two trailers aligned in a row. The trailers are the battery control trailer, or BCT, and the radar control trailer, or RCT. Both trailers were originally in the IFC area of the base, and were operated by the staff responsible for offensive operations. In the days of operation, there was always somebody on duty in the trailers.

The BCT is, roughly speaking, where targets were designated, the kill point computed and the launch sequence triggered. The most notable feature are the two computerized plotting boards used to identify the target and to define the flight trajectory of the missile. The LOPAR detection radar and the identification friend-or-foe (IFF) radar reported information to this trailer, which coordinated the attack.

In the RCT stood the operators of the TTR and TRR radars, which were responsible for keeping trace of the target and for monitoring the missile during the flight towards the designated kill point.

To the back of the two trailers, it is possible to spot the rectangular shapes of the LOPAR radar and of the smaller IFF radar. The two round-shaped antennas are the TTR and TRR radars. In many pictures they are portrayed inside a bulbous cover, conferring them a distinctive spherical shape.

The concrete bunker to the opposite side of the launch pad with respect to the trailers is a protected room for the launch section panel, which is a kind of control panel for triggering the launch sequence of the missiles. The bunker served as a shelter for the operators of the launch section, for remaining on the outside in the vicinity of the missiles during launch operations was extremely dangerous.

During the guided visit, you are given a demonstration of the launch sequence from inside the control room, which is insulated from the outside with double tight doors. The firing procedure was quite complicated. Actually, it was a direct signal traveling along a cable connection from the battery trailer that gave the go to the missiles. Yet there were redundancies for increased safety, and it was possible to trigger the entire launch sequence from within the firing section, in case communication with the BCT was lost. During normal operations, the OK from the operator of the control panel in the bunker had the function of a further go/no go safety layer for the launch.

A trailer with a panel similar to that in the bunker can be found outside. This likely represented a further redundancy, or like the F-104 it is a piece coming from somewhere else.

To the back of the bunker with the fire section panel you can find an original watchtower from a US base in northern Italy, similar to the towers originally in place around the missile base. Close by, there is a nice example of the canisters used to the transport the stages of the Nike-Hercules, as well as the crane used to assemble it. There is also a further example of the second stage of the missile.

Getting there and moving around

The ‘Alpha’ battery of the launch control area is open as a museum, called ‘Base Tuono’. It is located on the road SP143, which departs from Folgaria, a small town about 12 miles south of the regional capital town Trento. You can find clear roadsigns leading to the site from Folgaria.

The museum has opening times, visiting is generally possible on a self-guided basis. Access to the bunker and the trailers is possible only on guided tours. All information on their website (in English). Large free parking about 0.2 miles away from the entrance.

There is much to see for technically minded subjects, but the visit will be surely appealing for children too. I would recommend to allocate at least 45 minutes for the visit, and up to 2 hours if you want to take a guided tour and take all the pictures on your own. The scenery around is gorgeous, so it will be easy to combine this destination with a nature trail or with other tourist destination in the area.

Integrated Fire Control Area

This is where the radars and trailers used to stay, together with barracks and service buildings. It can be found about 2 miles south east direct line of sight from the launch pad, on top of Mount Toraro. Differently from the launch control area, this area has been demolished and sanitized. No buildings remain in place, yet some of the former foundations and platforms to anchor the trailers can still be seen.

Reaching to the top of the peak is interesting to appreciate the view of the launch site from here. Unfortunately, at the time of my visit low clouds obstructed the sight.

Getting there and moving around

Even though the wide original road to reach this part of the base still exists, for some reason access to the top of the mountain is not allowed by car. In order to get to the trailhead from the museum, you can take your car and keep going southeast along the SP143 for about 1.5 miles. As you go ahead, the road will change the name to SP92 on your nav. Soon after the road starts descending, you will find the trailhead to your right, with a horizontal obstacle and a prohibition sign for cars. You may park there. It is likely the trail to the top of Mount Toraro will be on your nav too, for it is basically a normal road. The distance to walk to the top is about 1 mile, along the former service road to the base – covered in asphalt, gently ascending, no risk of any kind.

War Museums in Moscow

People visiting Moscow from abroad usually spend much of the time in the Kremlin and the nearby districts, where they can find many cultural attractions, as well as fashion stores, great hotels and restaurants. Among the features of Russia’s capital city less known to the average tourist are the many monuments and museums dedicated to war history, which in some cases host extremely interesting exhibitions and artifacts from various ages, which would tell the visitor as much as the most prominent attractions in town.

Three I could visit in person are cited in this post, all of them easily reachable with the usual metro rail in a few minutes from the downtown.

The following photographs were taken during a visit to Moscow in September 2015.

Central Museum of the Armed Forces

This is a purely Soviet installation Cold War buffs will definitely like very much… Despite the old-fashioned website – which after all contributes to the picture of a Soviet-state-owned company… – the building was built following WWII, better known in Russia as the Great Patriotic war of  1941-1945. On the outside, besides the entrance there are a missile and a tank. Once inside you immediately find yourself in a large two-levels hall, dominated by a sculpture of Lenin and a huge mosaic wall, plus paintings of battles and other war-themed scenes all around.

From soon after your arrival, you get to grips with the only real ‘problem’ of this installation, where – just like many others touristic sights in Russia – everything – including the escape plan in the event of fire… – is written in Russian only. So, from the viewpoint of history, you’d better go prepared if you want to get the most from this exhibition, for you won’t find any understandable written information, unless obviously you understand some Russian.

There are several halls in the museum, related to historical moments from WWI up to the present day. A first notable room presents a lively reconstruction of a WWI trench fight, with lights and sounds.

The path through the museum follows the course of history, including the revolution, which put an end to WWI for Russia. Then follows WWII. I have to say I never found a collection of Nazi artifacts so rich as the one preserved here in any other place I visited. Literally hundreds of items, from propaganda posters to flags and banners, weapons, medals, papers,… Also present in due quantity are flags and banners of the Soviet Union, as well as Soviet uniforms, weapons and medals from the age of WWII.

Probably the most notable items from the time are the red banner raised on the Reichstag in Berlin – the corresponding b/w photograph is today one of the symbols of the end of WWII – and an original metal eagle with a swastika, probably taken from the Reichstag or the Reichkanzlei. The flag and the eagle are put together in a kind of monumental installation in a large central hall, celebrating the victory of the Soviet Union in the Patriotic War.

An old coat and a hat belonging to Stalin are also part of the exhibition.

Moving on to the Cold War period, a first focus is on the early history of the Soviet atomic program, leading to the detonation of the first nuclear asset in 1949, and to the testing by the Soviets of the largest thermonuclear device ever. Many models and some documentation are available – I could not understand the details, in that occasion I really regretted having no knowledge of Russian! The development of strategic missiles is covered next, including the much connected race to space.

The highlight of this part of the exhibition – at least for western visitors – may be the wreck of Francis Gary Powers’ aircraft, downed in 1959 by a SAM, basically a Soviet invention, during an illegal flight over the territory of the USSR ordered by the CIA. A large part of the fuselage and of the wings can be seen, with technical labels in English. Also part of the ejectable seat and other parts of this Lockheed U-2 are packed together somewhat inelegantly. Some original papers and maps the pilot had with him at the time of the accident are exhibited, together with many photographs. Extremely interesting.

Approaching the last stage of the Soviet Union, scale models, mockups and parts of larger nuclear missiles are presented. Also the war in Afghanistan is mentioned and the more contemporary war actions in Chechnya and other theaters following the collapse of the USSR are outlined and artifacts and photographs showcased. A window from the relic of the ill-fated Kursk submarine remembers this more recent tragedy – together with a monument on the outside to the right of the entrance.

Finally, the backyard is full of interesting items like missiles, gantries, heavy vehicles, tanks and so on. Unfortunately, it started raining heavily at the time of my visit, so photographs were not possible.

All in all, I would say one of the best museums in Europe on the topic of 20th century war history, and probably the best on Russian/Soviet operations in the 20th century. The presentation may be perceived as antiquated for todays standards, nonetheless this may be appreciated by people who are not totally new to this piece of history and who are more interested in seeing valuable and unusual ‘hardware’. I would recommend at least a full hour for the interested visitor, extendable to 1.5 hours rather easily including a detailed visit to the outside exhibition.

Getting there and moving around

The museum is not far north from downtown Moscow, less than .2 miles from Dostoyevskaya metro stop (line 10). The building can be approached walking along ul. Sovetskoy Armii, on the side of the park. The neighborhood is decent and safe, I had no bad feelings visiting alone.

Museum of the Great Patriotic War

Moscow is scattered with monuments remembering the Soviet effort and the victorious outcome of WWII, but the focal point of the celebration is the park at Poklonnaya Hill with the museum of the Great Patriotic War. The park is an extensive area, built around a perspective leading to the top of the hill, where the museum can be found (website here). This is hosted in the curved building behind the very tall spine which can be seen from the distance.

Approaching from the east, from the famous Kutuzovski Prospekt where many important political players of the USSR used to live, including Brezhnev, it is possible to spot first a huge arch, just in the middle of the road, and departing from it the perspective leading to the hill, just to the left of the Prospekt. To the left of the hill as well as beyond the spine there is a park with several smaller installations remembering war actions involving the USSR and more recently Russia, and following WWII. It is also possible to find there an exhibition with cannons, armored vehicles and other warcrafts.

The museum, accessible from the front of the circular building, is intended basically to celebrate the heroism of the Red Army in the war against Germany. It acts as a place of remembrance for the many who never came back, and during my visit there I coincidentally could assist to a ceremony with high ranking military staff celebrating the 70th anniversary of the end of WWII.

Inside the most notable items are huge and very vivid dioramas – I must say, very well made, especially for the age – reconstructing some scenes from some especially dramatic battles of the war against Nazi Germany.

In the crypt it is possible to find the very interesting ‘Hall of sorrow’, a more modern monument to the fallen soldiers, with many crystal drops hanging from the ceiling, representing the tears of Mother Russia. These should be really many, with a proportion to the number of soldiers actually lost in the conflict.

The exhibition of artifacts includes a selection of items from various moments and fronts of the war. I could not tour this part freely because of the above mentioned ceremony, but what I could see was interesting. Unfortunately, I could not see the Hall of fame.

Above all, the plan of the whole installation and the Soviet style adopted, not so bombastic in this case, are extremely interesting. Touring the museum may take less than 45 minutes. If you are interested in moving in the park, you may need more. Distances here follow monumental proportions, so monuments are not really close to each other as they might seem on a map.

Getting there and moving around

The area can be reached easily from Park Pobedy metro stop on line 3. The perspective leading to the museum starting from the arch (and from the metro station) is about .6 miles long.

Museum-Panorama ‘The battle of Borodino’

You can find this museum very close to the Museum of the Great Patriotic War described above. The theme of the exhibition is here the battle of Borodino during the war against Napoleon and the French Army.

Borodino is located about 80 miles west of Moscow. There the advancing French Army faced the full power of the Russian Army. Napoleon himself was present and led war operations, while Kutuzov and Bagration, the top-ranking generals of the Tsar, were among the strategists on the Russian side. The battle was a prototypical battle of the time, with wild fire from cannons, infantry and cavalry, all in the arena. It turned out very cruel, taking a huge death toll on both parts. As a matter of fact, the Russian Army, which had constantly retreated avoiding the contact with the French until that great battle, continued back towards Moscow, which was finally abandoned and set on fire as Napoleon’s Army was reaching it. On one side, the Russians failed to stop the French at Borodino, on the other they set for the French a deadly trap – the French did not quit chasing the Russians until the winter of 1812 finally struck when they were infinitely far from home with no active supply lines, nor food nor resupply storages at hand. The season killed basically 9 out of 10 on the French side, triggering the end of Napoleon’s dreams of power.

The museum was recently refurbished in a modern key, with a detailed description of some moments of the battle on wide screens and interactive panels – again, unfortunately all in Russian. Uniforms, weapons and artifacts add to the visit, but the highlight here is the beautiful panorama painting. This is similar to the cyclorama in Gettysburg, PA, and it is a more than 300 ft long circular painting vividly depicting some important moments in the battle of Borodino. As you can learn from the website, the painting was made in 1912 (before the Soviets) to celebrate the 100th anniversary of the battle. The building was renovated in 1962.

The visit may not take much, especially if you are not interested in the war against Napoleon, but I would suggest going there even only for the uniqueness of the installation as well as  for its artistic significance. In any case, the visit may not take more than 45 minutes, especially if you don’t understand Russian.

Right behind the museum it is possible to see the wooden hut where Kutuzov and his staff discussed and decided for the destruction of Moscow in order to jeopardize the plans of the French to find a shelter there for the approaching winter season.

Getting there and moving around

The museum can be reached easily from Park Pobedy metro stop on line 3, like the Museum of the Great Patriotic War. From the metro stop you can walk west on Kutuzovsky Prospekt, and you will soon find the museum on the left (northern) side of the road, about .2 miles from the station.