The Atlantic Wall in Denmark

A pleasant country in northern Europe, Denmark is geographically surrounded by the North and Baltic seas, and shares its only land border with Germany. In the late 1930s, this meant having a very dangerous dictatorship as the only neighbor, and no possible direct help coming by land from other allies. Without natural defenses against and attack from the south, the Kingdom of Denmark was militarily occupied basically in one day, on April 9th, 1940. This happened through a joint operation carried out by the land, air and naval forces of Nazi Germany.

A quick historical overview

The interest of Germany in controlling Danish territory was mainly strategic. It served as a springboard to attack Norway further north. The latter was in itself more interesting to the economy of the Third Reich, as it was rich of natural resources, including raw materials not available in Germany. These were so needed by the Führer, who was dreaming of making Germany independent from international supply trade.

Furthermore, controlling both Denmark and Norway meant control over the eastern coast of the North Sea, and a chance to control the only access to the Baltic Sea. The USSR was not a declared enemy before 1941, but withdrawing from the mutual cooperation pact with Stalin – signed in a hurry just days before the invasion of Poland in September 1939 – at some point, and openly attacking Russia, had been in the mind of the Führer since he first put on paper his worrying geopolitical thoughts. By controlling the Baltic, Hitler could control sea trade to non-freezing ports of the USSR, which in 1940 had already taken over Estonia, Latvia and Lithuania in agreement with Germany.

As a matter of fact, the conquer of Norway was not without significant losses for Germany. This was also the result of Britain starting to militarily oppose Germany. The two countries had been already at war since September 1939, but without any serious confrontation having taken place for months.

Since then, the British – and later also the American – threat from the west had to be faced through the fortification of the western coast of the Third Reich, which by the end of the summer of 1940 extended roughly from the Pyrenees in southern France to Kirkenes in northern Norway. This highly visionary task was taken up very seriously by the German military-economic machine, and produced the ‘Atlantikwall’ – which translates pretty obviously into the ‘Atlantic Wall’. This long defensive line had to be built all along the coast, and was mainly based on a catalog of standardized reinforced concrete constructions, to be reproduced in great numbers. Construction was coordinated by the main contractor, the German ‘Organization Todt’, which made extensive use of subcontracted local companies in the various occupied states where construction had to take place.

Despite the majority of the elements in the line were reinforced barracks for troops watching the coastline, ammo and supply storages, command and communication bunkers, canteens, and other service buildings, there were of course also a number of heavier constructions. These included coastal gun batteries, to counter attacking ships, lighter gun batteries, to stop troops attempting a beach landing, aiming stations, to adjust the line of fire of gun batteries, anti-aircraft guns to defend the line from air attacks, and some technical buildings serving as bases for advanced radar systems. The latter were among the most useful and widespread items along the line, as German technology developed fast during the war, to produce powerful detection systems against air and sea menaces.

Needless to remember, similar to many pharaonic works conceived by the Führer and his entourage, the Atlantic Wall was never completed, and it failed to spare the Third Reich from total annihilation. The once-modern military installations along the western coast of Europe soon became obsolete, as war changed face at a quick pace following WWII, with new weapons and techniques. Furthermore, the front line of the new Cold War shifted geographically to the middle of Europe. A tangible sign of enemy occupation, the massive bunkers of the Atlantic Wall met different destinies depending on the country. However, albeit only rarely preserved, thanks to their bulkiness and sturdy make, they are in most cases still visible.

About this post

Being the first land along the western coast to fall under German control, work on the Atlantic Wall started in Denmark earlier than anywhere else. Today extensive traces of the line are still pointing the shores of the North Sea.

A few focal points are preserved as first-class museums. These include the strongholds of Hirtsthals and the huge battery at Hanstholm, in Northern Jutland. The latter had been designed around a cluster of four monster coastal guns, to the aim of controlling the passage through the Skagerrak channel, providing access to the Baltic Sea. A twin battery – Vara – was built to the north of the strait in Norway.

Closer to the German border, the area of Blavand – featuring also the famous ‘Tirpitz battery’ in its arsenal – is another example of a partly preserved portion of the line. Bangsbo fort in Frederikshaven has been partly refurbished and opened as a museum, after being used by the Danish military for a while. There you can find one of the few remaining examples of an Atlantic Wall installation with its original guns still in place.

Smaller strongholds, opened as smaller scale museums or left to more adventurous explorers, often feature unique special constructions, which justify a detour at least for more committed war historians. These include the Skagen battery, the disguised bunkers in Thyboron, and the complicated Stauning battery, built on two opposite coasts of a closed firth.

All these sites – and a few more – are covered in this post, which is based on photographs taken in August 2019. Denmark is officially protecting the installations of the Atlantic Wall as historical buildings – unlike France, for instance – so visiting even abandoned sites maybe rewarding, especially if they are out of the mainstream touristic routes. Unfortunately, many bunkers now closer to crowded touristic areas have been damaged by vandals.

Sights

Map

The sites covered in this post are listed on the following map. Sites opened as museums are pinpointed in red, wild sites are marked in blue.

The sites are listed in the post following the coastline of Jutland from its southwestern end.

Navigate this post – Click on links to scroll

Blavand – Shore Battery & Military Area

Located about 50 miles north of the German border along the coast of the North Sea, the small town of Blavand sits on a promontory protruding towards the sea, and protecting the access to the port town of Esbjerg – still today a major commercial port of Denmark.

The area of Blavand saw the construction of an incredible number of Atlantic Wall elements, which grew up in more instances during the war years.

Close by the parking ahead of the lighthouse on the very tip of the promontory, you can find trailheads leading to the southern and western shores of the promontory.

The southern shore makes for a typical North Sea landscape – an endless sand beach. What makes it different from others is the number of light bunkers placed along the shoreline. Despite little imposing, this model – type ‘F’ – was purpose built for the wide shores of Denmark in 1944, in view of a potential enemy beach landing. These firing positions were armed with machine guns, and placed at pre-determined intervals – about 1’500 ft – matching their accuracy range.

Many bunkers are slowly sinking in the sand, and only small parts of them can be seen emerging from the ground.

Others have been turned into strange sculptures, adding a horse head and tail.

Under favorable tide conditions, you may enter some of the bunkers. There you can appreciate their simple structure, with a defensive embrasure by the entrance (looking towards the coast) and loopholes to the sides of the firing chamber.

On the beach close to the lighthouse you can find a very big bunker with a wide hollow cave on the inland side, which used to support a searchlight.

Along the western shore you can find more massive bunkers. These include four former coastal gun batteries. These heavier constructions have assumed strange attitudes, after sinking in the sand somewhat irregularly over the years.

Looking towards the inland from the beach, you can spot an aiming/fire control positions, with a distinctive bulbous roof and a long curved slot on the facade.

Your walk along the northern shore may be interrupted by safety warnings concerning mine threat. As a complement to the defensive potential of the Atlantic Wall, extensive minefields were set up on most of the Danish beaches. This turned into a big issue soon after WWII, when an extensive demining action had to be carried out.

Furthermore, part of the Blavand promontory is occupied by a military firing range. When training exercises are taking place, special warning lights are lit and flags are raised, to delimit the territory where you should not venture.

In the dunes slightly inland from the shoreline, it is possible to find another big number of bunkers. They are not always visible from the distance, and entrance is in most cases from one side only – the only side emerging from the sand.

A very distinctive item is the colossal platform for a ‘Mammut’ type long-range anti-aircraft radar. This used to be operated by the Luftwaffe, whereas other bunkers in Blavand – like elsewhere along the Atlantic Wall – used to be run by other branches of the Germany military.

The base for the radar is in itself a rather complex bunker, with several cavities and extensive piping, once needed for power cables feeding the antenna, as well as other wiring.

Close by, a smaller radar base bunker used to be operated by the German Navy. Also here, holes and passages for cables can be found in the walls and roof.

It is noteworthy how many bunkers feature traces of original decorations, like painted walls, fake wallpaper, frescoes and small frieze lines. This is typical to many other installations of the Atlantic Wall.

Metal hardware can be found in the form of a bulky aiming turret emerging from a bunker.

In another instance, a mortar mouth pops out from the ground.

The underground bunker underneath the latter can be explored with some difficulty – there are also quite annoying bats inside -, but it reveals an aiming wheel with original markings in a reinforced concrete dome!

An interesting sight nearby the lighthouse is the tower once supporting a ‘See Riese’ radar. The protruding arms once sustained a wooden platform for military operators.

Getting there and moving around

The area of Blavand is rather extensive and rich of diverse installations, so notwithstanding the general bad shape of most of the bunkers, visiting may easily take 3-4 hours for a committed tourist, getting inside most of the items. A good starting point is the free parking by the lighthouse, provided you come early especially in summer, cause it tends to get more and more crowded along the day.

Blavand – ‘Tirpitz’ Coastal Guns

Despite at least some of the bunkers on the shores of Blavand being in a relatively good shape, there is a part of the Atlantic Wall which is officially preserved as a museum. This is one of the two unfinished bunkers intended to support a set of massive 38 cm coastal guns.

These guns – four, two for each bunker – were originally intended to be put on board battleship Gneisenau. The latter got damaged in port, and the guns were diverted to coastal use. The decision to build the Tirpitz battery to protect the port of Esbjerg came relatively late during the war, in 1944. As a result, construction of the battery supporting structures was not completed when the war ended, and the four never installed guns were scrapped – except one, which can be admired in Hanstholm (see below).

The name ‘Tirpitz’ attributed to this battery is of uncertain origin, and sometimes this installation is also referred to as ‘Vogelnest’.

The museum has been built only in the southernmost bunker. The installation is very modern (and crowded), and it has been designed as a thematic museum in five sections. Two of the most interesting are about the Atlantic Wall and its impact on local life, and on the extensive mining and demining operations on the shores of Denmark.

Other sections are related to amber trade and local seamen activities.

Finally, you can get access to the base of the gun turret. Photographs are bad here, due to very poor lighting and limitations on camera use.

You can see a central round dome, surrounded by an external corridor. Traces of a post-war explosion can be noticed looking at the metal part of the construction.

Outside of the museum you can find a cannon cut in pieces, plus rigs used for construction. The bulky concrete arms protruding from the roof were meant to support the crane for mounting the cannons.

With a five minutes walk from this bunker, you can get to the northern battery. This is not preserved, and the entrances have been bricked up. Yet you may better appreciate the size of the bunker from this exemplar than from the one turned into a museum.

Getting there and moving around

The museum is located east of Oksby along Tane Hedevey, a local road connecting Blavand to Esbjerg. There are signs along the road, and a large parking ahead of the entrance. The museum is very modern, and may turn very crowded in summer. Website with full information here. You can visit on your own with an audio-guide. The visit to the military-related sections may take about 1 hour.

Adding a walk to the northern battery will take further 20 minutes at most, as there is no chance to step in.

Stauning Battery

Construction of this battery started in the second half of 1944, and consequently it was only partially completed before the end of the war. The geography of the Stauning battery is rather peculiar. The intended design was based on four coastal guns to be placed on the inland side of the Ringkobing firth – basically a lake with a channel-like small mouth connecting it to the sea. On the other coast of the firth, i.e. very close to the North Sea in Hvide Sande, the aiming station for the battery was finally built.

In the event, only one of the reinforced concrete gun positions reached completion, whereas the other three cannons were kept on basic, not reinforced aprons. The gun bunker is the only exemplar of this model built along the Atlantic Wall, and was designed around a 19,4 cm gun manufactured in France.

Located far from the shore in a secluded area of the countryside, this battery is in a relatively good shape, and thanks to the hard soil its position has not drifted since it was installed. You can even walk on top.

More elements are scattered in the bushes and over the private pasture nearby. Among them, a firing position presumably for anti-aircraft or light field guns, and corresponding ammo storages.

There is also a reinforced concrete barrack or command post. This can be toured inside, revealing some metal piping still in place.

Traces of gun concrete platforms – likely gun firing positions – blown up after the war can be seen, similar to many smaller cubic buildings of uncertain purpose.

A couple of unattractive half-interred ‘living bunker’ can be found too, another design present only in Denmark – the type was named ‘Falkenhorst III’. Inside, traces of original wall paintings can be easily spotted.

There is actually a fire direction post of some sort in this part of the battery too. This is a square-based concrete booth, with an adjoining living bunker.

The aiming position in Hvide Sande is rather easy to find, on top of a mound close to the city center. There are actually two concrete accesses on the eastern side of the hill. The one closer to the top gives access to the metal dome you can spot on top of the mound.

Climbing up to the dome is possible along a rusty ladder, going through a narrow vertical passage. Once there you can see the mounting of a telescope for measurements. There are side slots looking outside, and an original marked wheel to provide measurements. You can also spot small foldable wooden tables (or perhaps jump-seats).

Downstairs, there are a few panels explaining the history of the battery.

The second concrete entrance gives access to a ‘living bunker’ for the troops, with explanatory panels on the history of the place.

Getting there and moving around

The inland part of the Stauning battery with the gun station is located close to Stauningvej 55. You may park your car not far north from this address, on a wide lot close to the entrance of a local residential area. Most notably, this battery is about .5 miles from the beautiful Danish Museum of Flight (see this post). Exploring the battery may take 1-1.5 hours, as the place is totally wild and inconvenient to visit.

The Hvide Sande point is on the northern rim of the channel linking the firth to the North Sea. You can see the mound close by a major round about, where road 181 meets Troldbjergsvej. There are several parking options nearby. The place is technically not abandoned, but there was no ticket/staff, and it was totally dark when I visited. You would better take a small torch with you.

Sondervig

Just as an example of how extensive the construction of the Atlantic Wall was in Denmark, you may have a look to the beach in Sondervig, where people spending the day by the sea are accustomed to the view of the monstrous German bunkers pointing the shore.

Getting there and moving around

You may find a parking spot in Sondervig and access this famous touristic beach by foot.

Thyboron

The coastal battery at Thyboron has a unique place in the panorama of Atlantic Wall buildings. Here a sort of sample list of possible deceptive techniques were tested on otherwise normal bunkers. The usual constructions pointing the shore have a strange appearance here, thanks to the imaginative talent of a Danish architect – who turned out to be a spy working for the Allies.

At least two gun batteries bear a special roof, resembling that of a house. Also thanks to erosion, they now have even odder shapes, resembling some Star Wars spaceship.

An observation bunker bears a tiled roof. Surprisingly, an apparently original fragment of telegraph wire can be found inside.

Given the position of the bunkers – lying isolated on a deserted beach – it’s pretty difficult to suppose this kind of deception was ever effective…

There are also some more straightforward constructions around, some of them in a relatively good shape. The cusped lintels above most doors and openings are typical to elements of the Atlantic Wall in northern countries, and are made for protecting the passages against snow and icing rain.

Just inland from the ‘sample list’, you can find a large underground bunker, somewhat difficult to access – it is sinking in the sand. Conspicuous traces of original wall painting and even writings in German can be found on the walls.

The message in German is a warning message, telling to stay away of the walls in case of bombardment. This warning sign is rather ubiquitous in Danish bunkers.

Close to the the city center – and actually a part of the Coastal Center, a museum for children dedicated to the life along the western coast of Jutland – it is possible to find another bunker deceived as a wooden house! This deception technique is far more convincing than those on the shore…

Getting there and moving around

To visit the bunkers on the shore you can reach a convenient public parking at the southern end of Vesterhavsgade, southern Thyboron. Visiting these bunkers may take about 45 minutes for a committed tourist. To get to the Coastal Center you may follow the signs and park at your convenience ahead of the building. The deceived bunker can be seen from the outside of the museum, so getting the ticket is not needed if you are not interested in the rest of the installation.

Extra feature – Sea War Museum, Thyboron

Thyboron has a prominent place in WWI history, being the Danish village closest to the area of the Battle of Jutland, one of the very few naval battles of that war, and one of the top-ranking in history for the number of vessels and tonnage involved, and for the casualties – almost 9’000 seamen were killed.

The battle was fought between two major formations of the the German Kaiser on one side and the King of England on the other. Started almost by chance, as the two opposing factions appeared on the same sector unaware of each other, the fighting was so intense that cannon fire was heard along the shores of Thyboron for many hours. The battle ended with a tactical defeat on the British side, but the Kriegsmarine of the Kaiser avoided any other serious clashes with the British for the rest of the war – in this sense, this was a British strategic victory.

Today, a monument dedicated to those who perished in the Battle of Jutland occupies a wide area over a promontory in northern Thyboron, close by the Coastal Center (see above).

A nice museum dedicated to sea war has been put in place nearby. On the exterior you can find old mines, torpedoes and even parts of relics taken from the bottom of the sea.

Inside you can find many unique artifacts, including cannons, insignia, and everyday items from ships taking parts to the Battle of Jutland.

Also unique are parts of early submarines dating from WWI, recovered from the sea thanks to novel investigation and capture technologies.

The museum is at large dedicated to naval battles and ventures of WWI. A section is dedicated to the most modern sea archaeology techniques.

Outside of the museum, you may spot a few Atlantic Wall bunkers as well, likely converted into more modern military installations in a post-WWII period. They are apparently run as museums, but they were closed when I passed by.

Getting there and moving around

The Sea War Museum is located very close to the Coastal Center in central Thyboron. Dedicated free parking right ahead of the entrance. Visiting may take about 1.5-2 hours for more committed subjects, despite the small size. The museum is stacked with extremely interesting details, the exhibition is rich and well made. Really an interesting detour for anybody interested in sea war. Website here.

Agger

Agger is located north of the Thyboron Channel, and can be reached with a five minutes ferry ride from nearby Thyboron. The long, windy, wild and distressing beaches south of the village of Agger are not really welcoming, nor easy to visit. Yet here you can find some unique and imposing elements of the Atlantic Wall.

These include a firing control bunker of the Navy. A feature often found also elsewhere, you can see some of the concrete bunkers are made of joined blocks. Light can be seen coming from the thin slots between the blocks in some occasions.

Another special construction here is the support tower for a ‘Seetakt’ radar. The tall concrete tower is assembled together with a bulkier concrete base.

The assembly has slipped to the shoreline, and today it can be neared only in favorable tide conditions. Furthermore, it is sitting in a banked attitude, making it looking really derelict.

Thanks also to a rather bad weather, these elements of the Atlantic Wall looked really eerie when I visited!

Getting there and moving around

The Agger site is wild and not signaled. The area is part of a national preserve, and part of the endless beach is a stage for kites, surfing activities and other beach sports. There is an official parking at the western end of Lange Mole Vej, less than five minutes by car from the ferry terminal to Thyboron. From there you should go to the beach and walk north for about 15 minutes to get to the tower, the highlight of the show.

You may spot it from the distance. I could not get in the tower due to unfavorable tide conditions, but visiting inside may not take much time, for the expected condition is not good, with little left to see.

Hanstholm

The Hanstholm battery is one of the most developed of the entire Atlantic Wall. As pointed out in the introduction, together with the sister site ‘Vara’ in Norway – about 80 miles north – this battery was centered on four massive 38 cm cannons, installed to obstruct surface passage through the Skagerrak, and de facto controlling the access to the Baltic Sea.

An initial battery based on less powerful 17 cm coastal guns was put in place as soon as 1940. The gigantic 38 cm guns arrived only later and were tested, but never used in action. The metal parts of the firing stations, including the turrets and guns, were eventually scrapped in the early 1950s. Over the years, this huge installation, with more than 300 bunkers fell largely into private hands, and today many former storage bunkers are used as warehouses for machinery and goods by local owners.

Nonetheless, battery Nr.3 has been turned into a modern museum, after being largely refurbished to its original splendor. As such, it is a one-of-a-kind museum, with thousands of visitors per year. Two more turrets and a number of bunkers are left to explorers. While they are not actively maintained, they are still in a rather good shape, and responsible exploration is even supported with some indications.

The area of the Hanstholm is almost 4 square miles. In order not to get disoriented, a good starting point is the museum in and around turret Nr.3. There you are greeted by a pretty unique 38 cm cannon! This is actually from the Tirpitz battery (see above), but it is exactly the same item once installed in Hanstholm. The size is really remarkable, especially when compared to more modest and usual 15 cm coastal guns, on display.

The modern museum offers a quick recap of the history of the place, with memorabilia including everyday items, letters, maps and original weapons.

Once you are done with that, you can get access to the underground part, where you first meet the ammo storage rooms, on the side of a long corridor aligned along a narrow gauge railway track. This was used to connect the firing stations – i.e. the four bunkers with the guns – to larger ammo storages scattered around the are of the fort.

There are two major adjoining rooms along the corridor, each dedicated to a different part of the cartridge. The piercing part – the ‘bullet’ – and the exploding fuse were kept separated from each other. This is similar to naval guns, and typical to larger calibers. The complicated railings hanging from the roof were made to allow moving the parts of the cartridge by means of movable cranes.

In action, the bullets and fuses were loaded on a slide, and from there on trolleys which would enter the turret from below. Today, as the turret is not there any more, the trolleys are in an open air corridor, apparently without any sense. It is noteworthy that the inscriptions and frescoes are all original, albeit refurbished.

The structure of the firing station and of the Hanstholm fort can be better appreciated from the drawings and models below.

A second part of the firing station is the bunker for the complement of men needed to operate this complicated cannon. The place was permanently watched, with shifts spending the night in underground quarters. Those pertaining to firing station Nr.3 have been refurbished, and provide a vivid impression of the original appearance. There are sleeping and living quarters, as well as large, military style showers and toilets.

There is also a complete power station, with two Diesel generators, a mechanics shop, water tanks and more.

Out of the Nr.3 firing station you are encouraged to tour at least part of the site along a series of prescribed trails. Among the items you meet on this tour is one of the ammo storages. It is not dissimilar from the ammo storage part of the firing station. The ammo parts were loaded on a railway car passing through, and from there moved towards the gun turret.

There are also many smaller storage and service bunkers, some bearing interesting original inscriptions inside.

The Hanstholm fort was defended by field cannons and anti-aircraft guns. Emplacements for the latter can be spotted around in more instances.

Another suggested part of the visit is firing station Nr.4, which is not really preserved, but is not in a generally bad shape either. You can get in only if you have a torchlight. Visiting may offer something very similar to Nr.3, except everything is more derelict – but for this reason, may be more authentic.

In the living part, you can find inscriptions in German and traces of the original wall paint. With a general knowledge of the plan from the visit to Nr.3, you may easily recognize the corresponding rooms – power station, toilets, living rooms, etc.

To get to the ammo storage part, you can walk along the round corridor outside. No trolleys left here, differently from Nr.3.

Inside the ammo storage rooms, you notice that the inscriptions have been largely canceled for some reason, but the slides as well as the frescoes above them are still there.

Still part of the suggested itinerary, you can find a control station, in a rather bad shape, and more interestingly a very peculiar building, located on top of a cliff.

This was a fire direction station. Due to the high-tech nature of the Hanstholm battery, fire direction worked on what can be considered archaic computers! The building has many floors. There is provision for a permanent team of technicians, hosted in living and sleeping quarters downstairs.

The top floors used to host the computing machines, which were fed by measurements from instruments mounted in metal domes, facing on the roof of the building. The room for the computing machines is rather dark, and due to the black walls it is difficult to see anything even with a torch.

The Hanstholm site offers several ancillary bunkers open to the public. Among them, one for a generator, supplying the whole fort in case of a grid failure.

Another bunker is an ammo storage, with a big concrete arch outside, for a moving crane operating above railway cars. Narrow gauge railway tracks can be seen still today in this part.

The pivot in the middle of firing station Nr.2 has been interred after the war, but the living/sleeping quarters for the troops and the ammo storage parts can be visited, albeit they are not connected any more by a direct passage.

A visit to this firing station is very interesting, for writings are in a generally better shape than in Nr.4, even though this too has not been refurbished.

In the ammo storage part, writings are especially abundant. You can see also traces of the original telephone wiring.

The last firing station, Nr.1, is not accessible, even though not interred.

As said, there are many other bunkers an remains around, which are typically not accessible, especially the farther you go from the museum. They are now largely on private land and used for something else.

Getting there and moving around

The Hanstholm strongpoint is a must for everyone interested in the Atlantic Wall! The museum is modern, completely accessible, with a convenient parking and all usual facilities. Website here.

The refurbished part is basically only firing station Nr.3, but many other bunkers, like the fire control center, as well as firing stations Nr.2 and 4 are open for explorers, and they have not been spoiled by vandals. You need to go with a torchlight and proper clothing, but the visit may be very rewarding.

Many more bunkers around are closed to the public, as they are now private property and used for other purposes.

Due to the enormous size of the area, visiting may easily turn into a full-day or even multi-days business for an enthusiast. For the general public, a visit to the museum and one of the trails may take a 2-3 hours depending on the level of interest.

Hirtshals

Similar to Hanstholm (see above), the area of Hirtshals was soon selected by the Wehrmacht for a coastal fortification, thanks to its strategic position overlooking the mouth of the Skagerrak strait.

The first four 105 mm field guns were positioned here as soon as summer 1941. They occupied open-air concrete aprons, which still today bear trace of the original camouflage paint and deceptive net.

A peculiarity of this fort is its extensive network of trenches, which connect all the battle stations to the living quarters for the troops and the service buildings, like the canteen-bunker and the hospital-bunker.

On top of the steep cliff dropping to sea level, you can find the bunkers for the guns. These were moved from the open aprons in 1944, into purpose built reinforced concrete firing positions. A special feature here is the steep flight of stair giving access to the gun area from behind. This construction was made necessary by the particular morphology and rock type of the cliff.

You can spot significant traces of the original camo paint, and the letters ‘St’ on many walls, meaning ‘Ständig’, i.e. resistant in German. These letters were used to mark those buildings capable of sustaining shelling and bombing raids.

A bulbous roof allows to easily recognize the fire direction station.

A more rare item in Hirtshals is the base for the ‘See Riese’ radar. This is a hexagonal concrete hollow platform. The bunker underneath it would serve to host a Diesel power generator.

Back from the coastline, you may enjoy a long exploration of the trenches and of the many restored bunkers. Many bear original markings and paintings.

In some rare cases, you can also find original decorative paintings, likely made by the soldiers stationed in the bunkers.

Restored bunkers include a ‘living bunker’, but many other installations are in good conditions, like interred shelters, ammo storages, etc. Traces of cables, armored doors – some of them with glass lights – and telephone wires can be found in many bunkers.

Furthermore, in Hirtshals you have the chance to get a bird’s eye view of the fort, by climbing on top of the local lighthouse!

Getting there and moving around

The Hirtshals site is an open-air museum. There are technically opening times, but the area is not fenced, so if you are looking for a visit to the exteriors, you can walk around freely at any time. The museum has a website here, and guided visits are offered in many occasions. Many bunkers were closed when I visited, and they might be visible only with a guide. Some other bunkers are open and lighted, whereas the majority are basically left to explorers – open and not lighted – but rather accessible and very easy to visit, maybe with the help of a small torch. There is not a clear entrance (the area is not fenced), nor permanent staff on the site.

There are explanatory signs for basically all of the bunkers, in double Danish/German language.

The parking is ahead of the lighthouse, which is a different entity and operates with opening times you can find here. The parking is large and free. Climbing on top of the lighthouse is possible at a small fee – apparently only Danish Crowns cash accepted.

Together with a climb on top of the lighthouse, the visit may take from 1.5 to 3 hours, depending on your level of interest.

Skagen

The Skagen area is mostly famous for its location on the very tip of the Jutland peninsula, the natural northern end of continental Europe, and ideally as the geographical point where the North Sea and Baltic Sea join together. The long and quiet shores there and the population of seals contribute to making Skagen a prominent touristic attraction, often crowded with visitors from Denmark and abroad.

What people going there may not expect is the presence of a number of massive firing positions from the years of the German occupation! These are concentrated along the eastern coast, and include firing position for 120 mm coastal guns, overlooking the Skagerrak strait.

There are also a fire control bunker, which has drifted to the shoreline, as well as radar support bunkers.

Unfortunately, these installations have been left to the elements and – most sadly – to vandals. Except for their huge size, there is not much left to appreciate.

But there is more related to the Atlantic Wall in Skagen. A former hospital bunker has been partly refurbished and converted into a very interesting smaller museum on the local battery.

Inside, you can first appreciate the special size of the doors and corridors, made to allow moving stretchers around.

Put on display are several items related to the history of the Skagen fortress. There are uniforms from the time, photos from the years of operations, and everyday items left over by the Wehrmacht.

Some of the rooms have been reconstructed, and provide a vivid impression of the original appearance.

Among the exhibits are also some relics from a downed British aircraft.

Getting there and moving around

Visiting the Skagen battery is easier from the small parking Hvide Fyr, Fyrvej, 9990 Skagen. This parking is free. Going on the Baltic shore from the parking means a five minutes walk along a prepared path. A quick walk with a look to the abandoned battery would take about 20 minutes.

You may either walk to the tip from there, or better move your car to shorten the walk, going to the huge dedicated parking area where the road N.40 ends. This parking is not free.

You will find the Skagen Bunker-Museum in the former hospital bunker immediately to the southwestern side of the parking. Website here.

Visiting may take about 30-45 minutes, an interesting small detour from the local natural attractions.

Bangsbo

Comparatively less fortified than the North Sea coast, the eastern cost of Jutland is the place of a primary military and commercial port named Frederikshavn. This is also a starting point for travelers going to Norway from central Europe.

Here the Germans installed one of the few strongpoints on this side of the peninsula. What makes the so-called Bangsbo fort unique among the Atlantic Wall installations is the fact that three of the four original guns in the coastal battery are still in place!

The main area of Bangsbo fort, where the coastal battery is located, can be found to the south of the town, and is somewhat similar to Hirtshals (see above). Both are located on top of a cliff, with a significant area to the back dedicated to command, living and service bunkers.

Today, some of these bunkers have been completely refurbished. These include the command bunker for the local commander of the Kriegsmarine (the German Navy). This is super-interesting, with many artifacts from the time, from military gear to swastika-marked dishware, from maps to photographs of general Rommel – who superintended the construction of the Atlantic Wall – visiting the installation, and much more.

Much interesting is especially the reconstruction of the command/meeting room.

Scattered over the premises of the military area are cannons and several strange items, like a tank turret intended to be placed on top of a defensive Tobruk.

There are a refurbished hospital bunker and reconstructed living quarters.

The firing control post roughly at the center of the area is another highlight, having been completely refurbished, with plenty of Nazi insignia and original material.

To the back of the bunker are a living and command area, whereas the front part is an observation deck.

The firing positions with guns are numbered from Nr.1 to 3. They are based on 15 cm coastal guns, installed in 1944, replacing older and smaller pieces.

The guns can be walked around. The cartridge supply slides to the back of the firing chamber are still in place.

Guns Nr. 1 and 3 are similar, whereas the central gun was taken from a Danish cruiser cannibalized by the Germans in Kiel during the war. Today, it bears a greenish paint.

There used to be a fourth cannon with a field of fire of 360 degrees. Trace of a platform can be seen, as well as an anti-aircraft gun.

The fort shares a border with an active military area, so a part of the original installations cannot be visited. Others are open only for those visiting on guided tours. These include a radar-supporting station. Others can be entered, but are basically empty.

A minor part of the Bansgbo fort is located north of Frederikshavn. It is a partially preserved anti-aircraft firing station. This was made of four firing places and a central fire direction point. The latter is still visible at least from the outside.

One of the anti aircraft guns is also in place. The rest of the installation has been filled with land and made inaccessible.

Getting there and moving around

The major part of Bansgbo fort can be found south of Frederikshavn. It can be accessed from Bakkevej, which ends with the parking of the museum. Website here. The area can be walked and accessed with a ticket. There are picnic facilities and a small shop. Guided tours are offered at pre-defined times, see the website. You can get a good impression even by walking around on your own, but some bunkers can be accessed only with a guide. I did not join a guided tour, and all the pictures above are from a self-guided visit.

The site is not huge, but very interesting thanks to preservation efforts. It may easily deserve a 2 hours visit.

The anti-aircraft site is located north of Frederikshaven, and can be reached from Nordre Strandvej. You may park on the large free parking made for the local beach. This smaller installation may be visited in 10-15 minutes without a ticket.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

Communist Relics in Bucharest

Most travel agencies selling trips to Romania agree on the fact that Bucharest is surely not the best this big Country in the easternmost part of Europe has to offer in terms of archaeological or historical significance, nature or art.

Actually the town, originally founded in the 15th century, is today mostly made of modern buildings – meaning it was extensively redesigned and rebuilt in the 1980s. This happened as a result of a huge earthquake in 1977, killing thousands in Bucharest and destroying or damaging many buildings. The earthquake, and the will of the most famous Romanian communist dictator Nicolae Ceausescu, triggered the realization of an incredible architectural master plan, centered on the huge House of the Republic – the second largest building in the world after the Pentagon – which in turn called for the demolition of a good 30% of the existing buildings in Bucharest, including churches and many historical highlights.

This conspicuous palace stands out as one of the world’s most imposing examples of communist architecture, thus making for an interesting destination for those interested in the ‘heritage of Communism’ in Europe. Well, the Palace of the Parliament – as it is called today – is so imposing that everybody coming to Bucharest will probably spot it and pay a visit.

But Bucharest has more to offer for those interested in the traces of the luckily bygone era of communist leadership.

Opened to the public in 2016, the private residence of Nicolae Ceausescu and his wife Helena, both executed on Christmas day in 1989 during the quick but very violent revolution which led to the end of communism in Romania, can be fully visited today as a museum. Built soon after Ceausescu took control of the already established communist regime in 1965, it is an interesting example of eclectic architecture from the 1960s, designed by the Israeli architect Aron Grimberg-Solari. All the original furniture is on display, and many items belonging to the most hated couple in Romanian history can be admired as well.

As usual in communist Countries in Europe, before 1989 the National Military Museum received much attention, growing up to host a collection of weapons, tanks and aircraft of considerable size. The place, located close to central Bucharest, is surely worth a visit especially for those looking for unusual Soviet weaponry!

Another easy-to-find communist-themed site is the Palace of the Free Press, the only imposing building in Stalinist style in Bucharest, built in the early 1950s for the propaganda-press. A big statue of Lenin used to seat prominently ahead of the façade. It was removed in 1990, to celebrate the end of the dictatorship. Many emblems of communism – hammers, sickles and stars – decorate the walls of this now mostly unused relic.

Finally, the very central palace of the Ministry of Internal Affairs, which since the 1950s until 1989 was occupied by the Romanian Communist Party, is a distinctive example of rationalist architecture from the late 1930s, with much to tell about Cold War history. It was from a balcony of this palace that Nicolae Ceausescu gave his famous last speech, just days before he was arrested and shot (see this post).

This post is about all these sights. Photographs were taken in June 2017.

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Sights

House of the Republic – now Palace of the Parliament

No words can describe the size and bulkiness of this building. Together with the Bulevardul Unirii – the boulevard leading to the front façade – with its residential and ancillary office buildings clustered around the palace, each the size of a big shopping mall,  the ensemble is really unique even for the usual pomp of communist Countries. Everything here was built in the 1980s on the design of the young Anca Petrescu, who at that time was in her thirties.

From the boulevard to the square ahead of the façade you can easily spend some time trying to find a good way to photograph this building.

The façade is not flat, and this makes it not excessively imposing inspite of the real width and height. Furthermore, a terraced garden, gently ascending from the street level to that of the front entrance above, somewhat reduces the perceived height of the building.

Access for the public is from the northern side. From there the palace is possibly more imposing, for the façade comes down abruptly to the street level, differently from the front.

The inside is by far the least convincing part of the design. Here you clearly perceive the ‘megalomaniac’ attitude of the Ceausescu, who asked for a building with more than 600 rooms, for which no realistic function could be imagined at that time – nor can be guessed today. You can see a succession of halls in diverse styles, some of which may find a place in an old railway station, some in a congress center, others in a luxury hotel, some in Buckingham Palace, a few in a church, and so on… A collection of stately rooms, some of them really immense, all lacking any focal point – a throne, a dinner table, a work of art. As a matter of fact, this severely oversized building is used today only for a minimal part as a governmental building. Most of the rooms are used for congresses, marriages, company meetings and international summits. But you clearly feel the place is basically uninhabited, and except for the crowds of tourists, mostly unused.

As a part of the tour you can get access to the balcony on the front façade, from which you can enjoy a nice view of the city, and in particular of the perspective created by the boulevard ahead of the palace.

All in all, in my view this palace is much more interesting from the outside, where you can appreciate the size and good proportion of the master plan, and the interesting particulars of the late-classicist communist style. The inside is where you perceive most the unsuitability of the palace for any practical function. You may be stricken by the number and proportion of the rooms and the plenty of high quality materials used for construction and decoration, but you may also get bored soon by the endless sequence of unused – and unusable – halls, corridors and flights of stairs.

Getting there and moving around

For a western tourist taxi is the most efficient and cost-effective way for moving around in Bucharest. Depending on where you are taken first – the north entrance or the front façade – you may choose to take a walk around the building, or a part of it, before or after your tour of the inside. Visiting inside is only possible through a guided tour. Reservation is totally recommended, for this is probably the most visited attraction in town. Furthermore, if you are put in a waiting list you may be forced to stay close to the ticket office in the basement for more than you might want, with nothing to see and do. You can make a reservation through their website or ask your hotel to do it for you. A day in advance may be enough, for entries are at high frequency. Security with metal detector is part of the treatment. For taking pictures inside you need to buy a permit at a small fee. The visit inside takes really long – more than an hour – and it may turn out very boring especially for children, for there are no ‘highlights’ inside.

Palatul Primaverii – The Private Residence of the Ceausescu in Bucharest

The name of the residence translates into ‘Spring Palace’. It was built in the mid-1960s when Nicolae Ceausescu came to power. It was intended from the beginning as a private residence for the dictator, his wife and their three children. Differently from the Palace of the Republic, it is not absurdly sized especially for todays standard, about the size of an average Hollywood villa.

From a historical standpoint this place is very interesting, for as an official residence of the president of Romania, it hosted meetings with leaders and politicians of many foreign Countries, most notably Richard Nixon, the first American president to pay a state visit to Romania. Furthermore, this house has a lot of typical ‘Cold War style’ features. It was not publicized at all inside Romania, where only a restricted group knew of its existence before the revolution in 1989-90. Coming close was made impossible by a guarded perimeter with a few checkpoints all around a large area of the town, where embassies and notable members of the Communist Party had their residences. Inside there are an underground bunker for protection and an access to a network of tunnels leading to the palace of the Central Committee of the Communist Party and other decision centers in Bucharest. The villa was taken during the revolution, but anything was left basically as it was – the intruders, who in 1989 were suffering from a famine plus from heat, electricity and water starvation, took away all the food.

The eclectic style of the building, integrally designed by the same architect, is also an interesting specimen of luxury architecture from the 1960s.

On the ground floor, the first rooms are the studio of the dictator, where most important meetings were held, with the walls covered with wooden panels. Then an ancillary room with a chess table, a central lobby with a fountain and stairs leading to the upper floor and to the basement, a large drawing room and a dining room can be visited close by. On the same floor are also the private rooms of one of the two sons of the Ceausescu couple. From the main drawing room it is possible to reach an inner garden with peacocks – not the original exemplars, but Nicolae loved these birds, which used to live here also before 1990.

In the basement it is possible to find a winery and a nice middle-ages-themed, count-Dracula-style canteen with a fireplace. A private movie theater seating about 30 is part of this area. The projectors in the back – Philips, not from the Eastern Bloc… – together with an archive of rare movies have been carefully cataloged, and are now part of the inventory, similarly to every item in the house.

Nicolae Ceausescu was born to a family of workers, and was a shoemaker in his youth. After he came to power he progressively adopted a more and more luxurious lifestyle, but he could never relinquish his very humble origins. The room he reportedly favored most in his fancy villa, and where he liked to spend most of the time, was a passage in the basement, with some simple chairs, a small table, and a very small light close to the roof. Some speculate this was the setting which mostly resembled the house he had lived in as a kid. Another explanation may be a secret armored door in this room, giving direct access to the bunker…

The bunker with a crisis room is where Ceausescu operated in the tumultuous days of December 1989. He finally decided to try to reestablish power with a speech which turned out to be his famous last public appearance, a few days before he was arrested and executed. Here was the entrance to the network of tunnels leading to other palaces in Bucharest – today it has been bricked up. A walk along a service corridor in the underground allows to have a glance to the many service rooms in this area – including a laundry, a room for an independent power supply system and much more.

Another strange ‘private passage’ is where a gallery of many portraits of the Ceausescu can be found, together with hunt trophies and hunt-related gifts from some African leaders and close friends of the Romanian dictator. Nicolae was reportedly not good as a hunter, but he liked to nourish the idea of being so, and he was often photographed with trophies he rarely caught himself. Paintings portraying the couple were already there when the Ceausescu used to live in the house.

In a wing on the top floor are the private rooms of the two other children of the Ceausescu.

In another wing are the apartments of Helena and Nicolae, with a bedroom, study, bathroom and dressing room for each of them.

The separate bedrooms were not used much, for they used to sleep in a common bedroom with a nice balcony and a view of the front garden.

There was also another common bathroom, lavishly decorated, which was reportedly used more often by the couple. The same is true for a smaller dressing room with wardrobes for both, which was typically used by the couple. Here and in the main wardrobe close by it is possible to find the many dresses belonging to the Ceausescu. The smell of old fabric here is really horrible, but the sight of their clothes adds much to the perception of this place as the ‘lion’s lair’.

In a third wing of the top floor it is possible to find possibly the most beautiful room of the house, which is basically a ‘garden-room’, with plants and a nice peacock-themed mosaic wall and fountain – a nice example of decoration from the 1960s.

Descending again to the ground floor you can continue your visit with the huge wellness area, with a sauna, Turkish bath, infra-red lamp, equipment for various wellness and beauty treatments – some of them were probably fancy in those years, but now they seem exotic and more like old-style medical stuff… There is also a barber shop.

Finally, the indoor swimming pool. This is very big and deep even for todays standard, and the zodiac-themed mosaic decoration of the walls is luminous and really gorgeous. There is direct access to the garden through a porch.

You can access the inner garden and reach the front entrance of the property walking along a nice covered passage.

All in all, this is possibly the site I liked most during my stay in Bucharest. I would surely recommend a visit for the great historical and architectural significance of the place. The place is very authentic, and you can perceive it distinctly from the many personal items scattered around the house and from the appearance of the rooms, which have come almost unaltered from the end of the 1980s.

Getting there and moving around

The Spring Palace is in the northeastern quarter of central Bucharest, in what is probably one of the nicest parts of the town, with high-level residential buildings, most of them built very recently, foreign embassies, well-kept parks and schools. If you are visiting the area of Parcul Herastrau or Parcul Bordei you may choose to come to the mansion with a nice walk. Otherwise the best way to come here is with the usual taxi. Visiting is possible only with a guide. You can opt for a regular group tour or a personal tour. The latter was my choice. You can book it in advance (one day in advance in my case) through their website. The guide was very kind and knowledgeable, and the 1.5 hour visit really interesting and full of details.

National Military Museum

This museum is composed of two main parts. The permanent exhibition in the main building covers the military history of Romania from the first settlements to the present day. For those with an interest for the complicated history of this Country, the relationship with the Ottoman and Russian Empires, the foundation of the Kingdom of Romania in the 19th century, its role in both World Wars and the advent of communism, this museum offers much valuable information. Little is said of what happened during and after the 1989 revolution. There are just scant signs in English, and the Soviet-style of the exhibition is a bit outdated. Anyway there is much stuff of interest to be checked up.

Outside to the back of this building it is possible to visit a rich collection of weapons, ranging in time, type and size. A conspicuous part is composed by cannons and howitzers, some of them mounted on railway trolleys.

There are of course more ancient cannons, from the 18th and early 19th centuries, stored very close to some torpedoes and naval mines.

A focal point of the exhibition is a 2P16 Soviet tactical missile system with movable launcher. Also on display there is what appears to be a version of a SCUD-A system in fully erected position.

On the outside there is also a collection of tanks, radio equipment, a Soviet SA-2 anti-aircraft missile and a MiG-15. Some of the cannons are ‘made in Germany’.

The ancillary buildings host a collection of uniforms, coaches and a small collection of aircraft and engines for aviation, including the reentry vehicle of the only Soyuz mission flown by a Romanian astronaut.

Taken alone, this outdoor collection is much interesting for everybody, and especially for the kids. I would recommend also a visit to the inside for more history-minded people.

Getting there and moving around

The museum is located less than a mile from the Palace of the Parliament. The neighborhood, while totally central and safe, is nothing special, so I suggest going there by taxi for saving time. Visiting of the entire complex may take 1-1.5 hours on a self-guided basis.

Casa Scinteii – now House of the Free Press

This is the only building designed in the style of Stalin’s classicism in Bucharest, and it looks like a cousin of the skyscrapers in Moscow and other similar towers in Europe (see this post). The name refers to ‘Scinteia’ – meaning ‘spark’ – the official propaganda newspaper of the Romanian Communist Party, which had its headquarter here. Ready by the mid-1950s, the building was placed at the end of a majestic perspective going from the triumphal arch through a park directly to the statue of Lenin – removed in 1990 – and to this building.

Today a nice modern monument has replaced Lenin, and the area, quickly reachable from the airport, is among the most sought after by international companies. Many new buildings have been built in the neighborhood, making the contrast with this partly abandoned Soviet relic even more striking.

From a distance the building looks imposing but well proportioned. At a closer look, it reveals its communist soul through many hammer and sickle insignia, together with some stars in the decoration.

Getting closer you realize that there are bushes on the roof, many shutters are stuck halfway down, the windows are covered in dust, everything indicating a state of partial disrepair. The building is probably looking for a new owner, but the excessive size and the inconvenient heritage it bears perhaps are making things more difficult.

Getting there and moving around

Located to the north of the city center, close to the expo and on the northwestern corner of Parcul Herastrau. You can reach the area with a pleasant walk from the triumphal arch of WWI (Arcul de Triumf) or through the park, or you can get directly to it with a taxi. The place is mainly closed and anyway not open to the public, but you can have a walk around freely.

Palace of the Ministry of Internal Affairs

This palace, completed in the early 1940s, hosted many institutions during its history, including the Central Committee of the Romanian Communist Party, with the executive office of the leader of the Party. It is located in the totally central Piata Revolutiei – Revolution Square – in front of the former royal palace, now hosting the museum of fine arts.

The place was the central stage of the revolution in late 1989. The balcony on the front façade of the building is where Nicolae and Helena Ceausescu tried a final move to regain control over the Romanian people. Here they faced the public for the last time, and for the first time they were openly contested. The video recordings of that historical moment, together with the similarly famous videos of the Berlin Wall torn down, stand out as vivid symbols of the end of the communist era in Europe.

What followed the last speech was a short period of confusion, with the armed forces and the revolutionary faction shooting in the streets. The Ceausescu fled the building by helicopter, only to be arrested the following day, rapidly put on trial and executed soon after. More than one thousand lost their lives struggling to definitively push dictatorship to an end. Vivid traces of the fight can be seen on the façade of this building, in the form of bullet holes above some of the windows.

Getting there and moving around

The place is totally central, and easy to reach by walk if you are staying in one of the many international hotels in central Bucharest. Visiting inside is not possible, but you can come very close to all sides of the palace.

Monino – Central Museum of the Russian Air Forces

Probably the most famous air museum in Russia – and formerly in the whole USSR – the Central Air Force Museum in Monino doesn’t need a presentation for aviation enthusiasts from every part of the world. As a matter of fact, still today this is probably the world’s largest collection of military and experimental aircraft manufactured in the Soviet Union.

Similar to many air museums in western Countries, this aircraft collection has been located on the premises of an active airbase since it opened its doors back in 1958. For this reason, in the years of the Soviet Union and even for some time after its collapse, the collection couldn’t be visited without prior permission. A specially restrictive visiting policy was applied to foreign visitors, due to the technological content of the exhibition. Today things have greatly improved in this respect, and visiting is absolutely free for everybody, both Russians and foreign tourists, like it is the case for most similar sites in the West.

To be sincere, I expected something like what you can find in former peripheral Countries of the Soviet bloc – an array of rotting fuselages, landing gears, rusty jet engines and no information around. It turned out I was totally wrong. What caused my inaccurate prevision was I had failed taking into account the singular passion and nostalgia that Russians show still today for their Soviet past, at least when it comes to military power and technological glory. In this respect, many other more ‘western’ and politically correct neighbor Countries in Europe, like Italy and France, have a much colder attitude towards aviation and their own past aeronautical endeavors.

So, at Monino the conditions of the aircraft both inside and outside are extremely good, especially if you consider the harsh weather that aircraft bodies have to sustain in the terrible Russian winters. From photographs on the web you can rapidly realize most aircraft are covered in snow in winter, so visiting may be also not much rewarding in that season. I visited in September, and except for a Soviet-grey, cloudy day I could enjoy a normal visit.

From the technical viewpoint, the collection is composed of many aircraft and engines up to WWII, hosted indoor, plus a huge outdoor collection of aircraft covering the majority of military models deployed by the Air Force of the Red Army over the years of the Cold War, in their respective roles – strategic bombers, fighters, …

Also some really rare prototype aircraft are part of the exhibition – some of them, like the Tupolev Tu-144 and the Sukhoi Su-100, are unique and very famous. There are also some iconic (gigantic) Mil helicopters, and some liners. There is much information around for less experienced enthusiasts, almost all placards both in Russian and English – a very rare sight in English-unfriendly Russia! If you can speak or understand Russian – unlike me – you can also have guided tours with former Air Force staff, which are reportedly much interesting.

The following photos were taken during a visit in September 2015.

Getting there

One of the reasons for so few interested people actually include Monino in their visit plan is the fame of the place as almost unreachable, inconvenient and expensive. This fame is due to the many companies on the web chattering about permissions, passport requests, tickets in advance, many hours to get to the place and so on. These companies usually ask for many hundreds dollars for taking you on the trip.

These are genuine tourist traps. There is no need for any permission, the place is not any more an active base (since long) and you are not asked any document. Plus, getting there with the local railway system serving the greater Moscow area is very easy – the train has Monino as destination – and the totally inexpensive trip takes about 1h 20min, only due to the countless stops.

First of all, note that I don’t speak russian nor can I read the Cyrillic alphabet. Nonetheless, I managed to get to this place about 20 miles from center Moscow to the East without troubles and traveling solo.

Trains going to Monino depart Moscow Yaroslavskaya in central Moscow rather frequently, about two to four times per hour – accurate timetable available briefly googling for local trains from Moscow to Monino. The terminal is the local railway terminal, placed right behind the main cottage-like building of the railway station (from where you can go as far as Vladivostok…). You can buy a ticket from one of the countless automatic vendors – in Russian, impossible for me – or from one of the countless ticket offices – this was my option. I got a ticket for both ways – you just have to say “To Monino and back”, even though Russians are not friends of English, this request was immediately understood by the officer. The fare is very cheap. The line I considered terminated at Monino, reached after many many stops and about 1h 20 minutes later. Note that the railway ticket is required also for leaving the station on arrival, so you’d better keep it safe.

If all you had seen before in Russia is St. Petersburg and central Moscow, you might be a bit shocked, and feel like you had leaped in the past and well back into the Soviet era – large and cheap concrete buildings, partially paved roads, many elderly people walking around along silent streets and more bicycles than cars around. Sure the village is nothing special and far from monumental, but it’s not dark nor scary or unsafe. Plus you can notice signs of its past vocation, as ghost insignia and abandoned control booths typical to a former military installation can be spotted immediately close to the railway station and around the village, together with a Lenin’s statue still proudly placed in a small square on your path to the museum.

The only problem is that there are no signs for reaching the museum – not any until you are in front of the gate -, which is about .7 miles from the station to the other end of the village (South). You can take a (rare) taxi, or enjoy the walk. The latter was my option. The road is extremely straightforward. Actually it’s basically straight. If you don’t have a digital map, you can simply print the Google map of Monino with a satellite view of the buildings – this again was my option – and this is definitely enough to get to the place. I prepared this small map with the path I’ve followed and some notable sights.

The ticket to the museum is less than 3 dollars, very cheap.

For going back you just reverse the plan. Travel time in total for the trip both ways may be 3h 10min, including train and transfers between the gate and Monino station by foot. Adding about 3 hours for visiting the museum with a relaxed pace, a visit to Monino from central Moscow may take about 6 hours, so you may plan something more than half day for this visit.

Opening times can be obtained from the official website http://www.monino.ru, some Google-translation is needed if you like me don’t know Russian.

Sights

Including descriptions of all aircraft in Monino would be impractical and probably uninteresting. For this reason I will include only photographs and some comments. For an almost-full list of the aircraft in Monino, with something about each of the preserved exemplars, I would recommend the book in English A guide to the Russian Federation Air Force Museum at Monino by Korolkov and Kazashvili, published in the US.

In the blue-roofed building of the ticket office some early aircraft engines and panels about the history of aviation in Russia are presented.

Then you can enter the neighbor hangar, with some unique aircraft from up to WWII. These include an exemplar of the world-famous Ilyushin Il-2 Sturmovik.

The rest of the exhibition is hosted on the other side of the road. Immediately past the gate on one side you have probably the world’s largest helicopter, the twin-rotor Mil Mi-12. Facing this monstrosity, some iconic bombers, including the Tu-4, i.e. a licence-built Boeing B-29, and a prototype Tupolev Tu-22M, with ancestral engine fairings later replaced on the production version. Also notable are a Tu-22, Tu-128 – a really massive interceptor – and two very famous Soviet prototypes, the Myasischev M-50 and the Sukhoi Su-100, with its characteristic Concorde-like deflectable nose.

In a hangar nearby it is possible to find some further experimental aircraft, including rocket-propelled aircraft, high-atmosphere balloon capsules and other curious items.

Placed on an off-limits grassy area nearby the hangar there are some very uncommon aircraft awaiting restoration, and on the other side a good collection of Mil and Kamov helicopters, including the Mil-24A featured in the third chapter of the John Rambo series, a Mil-10 flying crane helicopter and a huge Mil-6 which used to work as a flying command station.

Nearby is the ‘Yakovlev alley’, where most aircraft from this high-tech design bureau are presented.

Approaching the far end of the exhibition grounds you can spot some of the Soviet ‘big ones’, including an Antonov An-22 Anthei, an Ilyushin Il-76, an Il-62 and a very rare Tupolev Tu-114 turboprop with counter-rotating propellers. This was among the fastest-flying propeller-driven aircraft in history.

Recently added to the collection, on one corner of the exhibition are two truly iconic Cold War veterans, a Tupolev Tu-142 and a Tu-22M Backfire, both retired production exemplars.

Other interesting items are a rare Beriev Be-12 huge seaplane, a pretty old Ilyushin Il-18 and a Il-2, and obviously the world-famous prototype Tupolev Tu-144 supersonic liner.

Before taking to the ‘MiG alley’ and ‘Sukhoi alley’ reaching to the exit, three unique prototypes should not go unnoticed, namely the Lavochkin La-250 supersonic interceptor, with a 1956 variable incidence delta wing, the high altitude Myasischev M-17, a twin tailed, ultra-high aspect ratio wing, the Buran flight emulator, created to reproduce the flight dynamics of the ill-fated Buran orbiter in terminal maneuvers, and the Bertini-Beriev VVA-14 ekranoplane. The latter was off-limits when I visited, and could be spotted sitting derelict in the backyard, awaiting restoration.

Approaching the exit you can notice a full array of MiGs, including some more rare to find in the West, like the MiG-25 ‘anti-Blackbird’ Mach-3 interceptor, and various Sukhoi designs ranging from early prototypes to the more modern exemplars. Among them a Lisunov Li-2, a licensed Douglas C-47, was undergoing active restoration when I visited.

Finally, some photos of the ‘pleasant village’ of Monino, a former militarized village.