Soviet Traces in the Caucasus – Armenia, Azerbaijan & Georgia

A visit to the three Caucasian republics – Armenia, Azerbaijan and Georgia – today offers much to virtually any type of traveler. An incredible range of sceneries can be found there, from beaches to mountain ridges, from abundant traces of a multi-millennial civilization to futuristic skyscrapers and oil rigs.

As recent history has dramatically shown, these countries are inhabited by markedly different, deeply divided populations. Furthermore, all three of course still have a complicated relationship with their gigantic neighbor, Russia, which shares a border with both Georgia and Azerbaijan – with some unsolved uncertainties especially with the former, as shown in the cases of the contended territories of Abkhazia and Ossetia. On the other hand, Armenia is historically at loggerheads with Turkey, with which it shares a long – and impenetrable – border.

The three Caucasian nations have suffered the influence of stronger powers for ages. Constant clashes between Czar’s Russia and the Turks meant the loss of independence for long. As a matter of fact, both today’s Georgia and Azerbaijan where under Russia, and Armenia under the Turks, when WWI broke out. Soon after the war, short-lived independent nations were extirpated by the deadly action of the communist Bolsheviks, invading from Russia. The three Caucasian nations were forcibly incorporated in the Soviet Union, creating an artificial, uncomfortable friendship between each other and with Russia.

For roughly seven decades the three nations were on the southern border of the USSR, sharing a frontier with Turkey and Persia (later Iran). Turkey collaborated with the Third Reich in WWII, and later joined NATO, hosting – as it still does today – Western military forces on its territory. That border with the USSR was very active in the Cold War years. Aerial espionage missions were flown by the US from Turkey, ballistic missiles were installed, gigantic radar plants were put in place by the Soviets, who also manufactured MiGs in the outskirts of the Georgian capital – really a hot region in the Cold War!

As soon as the Soviet power started to creak at the very end of the 1980s, national movements faced again, eventually leading to the birth of independent nations as we know them today. This was not without a deadly struggle however, as for the case of Azerbaijan, mostly relevant for its oil reserves and the border with Iran. Furthermore, religious and cultural differences and unsolved disputes over the actual borders among each other meant that these three nations were never friends over the last three decades.

Besides this complicated geopolitical inheritance, the long-lasting Soviet tenancy of the three Caucasian Soviet Socialist Republics (SSRs) left traces, of course. Some highlights among the architectural leftovers of Soviet times are presented in this post, from all three Republics. Monuments, from Soviet times, or celebrating independence from the Soviets, are similarly included. Further traces are preserved in museums – military museums dating from the Soviet era, like in Gori (Stalin’s birth town in Georgia, see this post) and Yerevan, history museums like in Baku and Tbilisi, or collections of artifacts from Soviet times, like the world-class Auto-Museum next to the airport in Tbilisi.

Photographs are from a long visit to the Caucasus in summer 2019.

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Armenia

Azerbaijan

Georgia

Sights in Armenia

Republic Square, Yerevan

A fine example of Soviet-times architecture, Republic Square – originally named Lenin’s Square – was designed in the mid-1920s, soon after the creation of the USSR, and was actually built little by little, reaching completion in the 1970s. It is a great example of Soviet-classicism, contaminated by some Armenian motifs – Armenia boasts an original architectural school originating several centuries ago, and particularly evident in medieval Armenian churches.

The focal point, once a statue of Lenin at the center of the square and pulled down in the 1990s, is possibly the front facade of the rich History Museum of Armenia, in a pale color and openly recalling the lines of the beautiful monasteries to be found in the country.

Besides the museum building, fronted by a huge fountain, the oval shaped square is defined by four more buildings, coordinated in terms of volumes and colors. The frieze on some of the buildings is centered on the usual Soviet iconography – five-pointed stars, sickles, harvest, …

The easternmost building with a clock tower used to be the seat of the government of the Armenian SSR, and is now the palace of the Armenian Government.

The westernmost building was designed, and still is, a hotel.

At night, they regularly offer a nice show with music, lights and water games.

Visiting

Centrally located in Yerevan, you can reach this place in several ways. You probably won’t miss it if traveling to the Armenian capital city. Just note that parking is not possible on the square.

Cascade, Yerevan

A large – better, a monster-size… – stairway, climbing uphill from central Yerevan to a residential uptown neighborhood, was designed in the early 1970s and built in two stages, both in the 1970s and in the 2000s.

The stairway is interrupted by platforms, with sculptures and fountains, which make it look pretty irregular and full of details to discover.

Access to the famous Cafesjian Museum is along the stairway.

As of 2021, the complex is unfinished, still missing a planned building on top. The stairway offers a beautiful view of Yerevan, basically in its entirety. The panorama reaches to Turkey and mount Ararat.

Visiting

This is a highlight in town you won’t probably miss. A climb with a taxi to the top is recommended, descending the stairway instead of climbing it, especially on torrid summer days.

Mother Armenia & Victory Park, Yerevan

A unique sight in the former SSRs of the Caucasian area, the Mother Armenia statute is a typical relic of the Cold War, like you can find elsewhere in Russia or more rarely in the Soviet satellite countries of Eastern Europe.

The statue was born as a commemorative monument for the effort of the Armenian SSR in the Great Patriotic War. Having been designed soon after WWII, when Stalin was still the leader of the USSR, the monument was pretty different from now – a huge statue of Stalin used to stand on top of the huge pillar! This was removed in the early 1960s, being swapped with a nicer statue resembling an Armenian young woman, and titled ‘Mother Armenia’.

The base of the monument features a few decorations, based on typical Soviet iconography.

Around the monument, in what is called Victory Park, a few specimens of Soviet military technology are there to see. These include a few tanks, missiles and aircraft.

Ahead of the monument, an eternal flame is still lighted today (invisible in the pics due to the extreme sunlight). A majestic perspective leads to a balcony, from where you can enjoy a nice view of the Armenian capital city.

The base of the statue is home to a war museum, conceived in Soviet times, and later updated with documents over the most recent  Armenian war actions.

The latter, including the countless clashes with Azerbaijan and Turkey, are documented on the much visited ground floor, besides the main hall.

A part on the same floor is dedicated to the actions of soldiers from the Armenian SSR in Soviet times, and more generally to the Cold War period.

Little or no attention is devoted by visitors to the rich collection on the underground floor, mostly centered on the actions of the Red Army against Hitler’s Wehrmacht in WWII.

Here the exhibition is very rich of relics from both the German and Russian sides, including weapons, papers, uniforms, … Several maps retrace the epic battles and actions, leading to the defeat of the German military machine.

Portraits of generals, insignia and mottoes in Russians, not limited to the actions in WWII, relive the genuine ‘Soviet remembrance’ feeling, to be appreciated also in similar museums like in Kiev (see here) or Moscow (see here).

Visiting

Reaching Victory Park, where the monument is immersed, is easy with a taxi, or climbing uphill from downtown on top of the Cascade described previously. Visiting inside the monument is totally recommended for curious visitors, war history enthusiast and similar folks. Nothing can be found in a western language. A visit of about 45 minutes may suffice for a rich overview of the inside exhibition.

Railway Station, Matenadaran, Opera Theater & Other buildings in town, Yerevan

Soon after its annexation to the USSR, Armenia started receiving many prototypical items of Soviet architecture. However, like in the case of Republic Square (see above), some buildings were designed by local architects, including elements of traditional Armenian style.

A typically Soviet building in Yerevan is the Railway Station, dating from the 1950s, still featuring the emblem of the Armenian SSR on top of a tall spine, and double Russian/Armenian signs on top.

An example of a blend between Armenian architecture and Soviet ‘magnificence’ is constituted by the Matenadaran, designed soon after WWII (Stalin’s era), to host a unique world-class collection of ancient books and papers.

This enigmatic building, despite of course imposing, is definitely not the usual Soviet ‘monster block’ like other museums elsewhere in Soviet capital cities.

Similarly peculiar is the Opera Theater, dating back again to the years of Stalin. Soviet pomp is scaled down to Armenian proportions, and the color of local stone makes the outcome different from buildings with a similar function in other communist capital cities.

Other examples of Soviet buildings can be found scattered in downtown Yerevan, which is generally speaking a nice-looking, neat city center. These include residential buildings, as well as hotels and more.

Even for more recent low-level, purely-‘communist style’ blocks, they put some effort in reducing the inevitable impact of these bulky constructions.

Visiting

With the exception of the railway station, located south of the city center, all sights just cited can be found in the very center of Yerevan, at a walking distance from one another, highlights along a nice stroll in the area.

Mikoyan Brothers Museum, Alaverdi

Besides the gorgeous monasteries gracing the area of Sanahin, in the northernmost part of Armenia, an unmissable destination in the area for seekers of Soviet relics and aviation enthusiasts is the home of the two Mikoyan brothers.

For aviation connoisseurs, the name ‘Mikoyan’ is one of the most prominent – the ‘M’ in the acronym ‘MiG’ being borrowed from the surname of Artem Mikoyan. This marvelous aircraft designer, whose design bureau grew to top fame in the Cold War period, created with his designs the backbone of the fighter force of the USSR and all its Eastern Bloc satellites. Some of his models have been manufactured in the highest numbers in aviation history, and have served in the Air Forces of the world for several decades. The firm remained alive well after the collapse of the USSR, until the (Russian) state-imposed incorporation of several aircraft design bureaus in a single conglomerate, in the early 2000s.

Possibly less-known today, but a really prominent personality in his era, and perhaps even more influential in recent history than his brother, was Anastas Mikoyan. This was a member of the Soviet Politburo since its foundation in the years of the civil war following the communist revolution in 1917, until 1965 – i.e. managing to stay on top for the entire length of Stalin’s and Khrushchev’s reigns, and resigning only some time after Brezhnev had taken the lead. He over-viewed production in the USSR, acted as an emissary to the US and Cuba in the years of the Kennedy administration, and especially during the missile crisis in 1962.

The two Mikoyan brothers were born in the small mountainous town of Alaverdi, Armenia, where a monument and museum was created back in Soviet times to commemorate their achievements.

The most notable feature, really an unexpected view in this mountain town, is a MiG-21 placed under a concrete canopy, with inscriptions nearby. This supersonic fighter is a true icon of the Cold War, and of course a good way to commemorate Artem Mikoyan’s contribution to aviation history.

The museum is housed in a small building, where visiting is with a guide (English speaking) and photography forbidden and impossible. Several artifacts, pictures and papers unfold the life of the two brothers, since their birth in this village until their respective rise to prominence and success.

An old Soviet car, likely belonging to one of the two (unclear), can be found in an adjoining building.

Despite a primary touristic destination, the area around Alaverdi and the town itself is (as of 2019) a prototype of post-Soviet decay, with a monster-size, partly abandoned factory building dominating the valley, and old-fashioned, shabby working-class blocks scattered along a road in poor conditions, where buses dating back to the Soviet middle-ages move people around.

Visiting

Visiting the museum is recommended for all aviation enthusiasts and for those interested in the Cold War. The town is a tourist destination thanks to the beautiful monasteries. The museum and monument can be visited in less than 1 hour by a committed visitor.

Sights in Azerbaijan

Museum Center, Baku

One of the few prominent remains of Soviet Baku, the Museum Center has taken over the former building of the Lenin Museum, born in the the early 1960s to celebrate the achievements of communism in the USSR (?).

Today this relatively small building hosts several institutions, including a museum on the history of Azerbaijan. The latter includes many pics and smaller artifacts from older and more recent history. Among them, mock-ups of the famous statues in Berlin-Treptow (see here) as well as the one in Volgograd can be found. The museum covers also the contribution to the history of the country made by the influential Heydar Aliyev, a former member of the Soviet Politburo and first president of newborn Azerbaijan.

However, the Soviet roots of the building are clearly visible in the details of parts of the decoration, which include hammer and sickles on the facade as well as inside. The Soviet-neoclassic architecture of the exterior, and some evident miscalculations in the size of the stairs inside (the ceiling is embarrassingly low!), are other distinctive features of communist design.

Visiting

Centrally located along the nice seaside park, this museum is worth a visit for the small art collection and for the history exhibit. Visiting may take about 45 minutes for the committed visitor.

Martyrs’ Lane and Shehidlar Monument, Baku

Despite not dating to the Cold War, this monument is strongly bound to the Soviet impact on the history of Azerbaijan – in particular, to the victims of Soviet military actions.

The annexation of Azerbaijan by hand of the Bolsheviks was fiercely opposed by the population, and many lost their lives trying to stop the attack of the communists. A first memorial for them was erected here, wiped out soon after when the Bolsheviks finally gained control of the area.

A small monument from Soviet time can be seen in the area, from the time of WWII.

A more recent episode in the closing stages of the Cold war, largely forgotten in the West, was the brief but bloody war fought by Azerbaijan against the agonizing USSR, which militarily invaded the region of Baku to prevent secession. Many were killed in the so-called Black January of 1990.

Today’s monument, made of an alley with graves and an eternal flame, is rather scenic but not excessively pompous.

The location is really gorgeous, with a stunning view of Baku and the gulf in the Caspian Sea, as well as of the iconic Flame Towers.

Visiting

Reaching is easy with the funicular starting from downtown Baku. Highly recommended for both the significance of the place and for the panorama.

House of Soviets & Other buildings

The government of the Azerbaijan SSR operated from a stately building, designed in a purely Soviet formal style, and completed under Stalin after WWII. A statue of Lenin originally ahead of the building was demolished following the independence war in 1990 and the secession from the USSR. The building still retains an official role, hosting some ministries of Azerbaijan.

In the peripheries of the pretty big town of Baku, more typically Soviet alleys, architectures… and cars can be easily found. These are in striking contrast with the hyper-futuristic architectures of the big central district, dominated by the iconic Flame Towers.

Visiting

The House of the Soviets, now Government House, can be found in central Baku, along the nice seashore garden. For touring the outskirts of Baku, rich of interesting touristic destinations, a full-service taxi or a car rental are advised.

Sights in Georgia

Georgian Parliament Building, Tbilisi

The Parliament of Georgia was designed and built under Stalin, starting in the 1930s, as the seat of the government of the Georgian SSR. The formal appearance of the front facade is typically Soviet. A now empty medallion on top of the facade used to display the emblem of the SSR. This was destroyed following the clashes against the agonizing USSR which led to the independence of Georgia in 1991-92.

Visiting

A look to the outside is easy to take walking along very popular Shota Rustaveli avenue, a short walk from Liberty Square (formerly Lenin’s Square).

Georgian National Museum, Tbilisi

This world-class museum is dedicated to the history of the Georgian culture, and displays invaluable artifacts dating from all ages.

A small but pretty rich hall is dedicated to the bloody invasion of the Bolsheviks in 1921, which quickly destroyed the short-lived independent Georgian state. This had been created following the collapse of the Czarist empire as a result of WWI and the ensuing revolution/civil war in Russia.

The communist invaders did not waste any time, and openly persecuted all political opponents, quickly imprisoning and killing many in more instances.

The exhibition is centered on documents on both the sides of the independence movement and the invading communists.

Artifacts from the quick and bloody war of 1921 are on display, including guns, insignia, and more. The setting of the shooting of political opponents in a prison (similar to the one you can see in the KGB house in Riga, Latvia, see here) is reconstructed.

A particularly striking memorial is constituted by a train truck used for mass execution – bullet holes are clearly visible.

Visiting

Anybody with an interest in Georgian culture will hardly miss this wonderful museum. Visiting the hall dedicated to the communist attack and the installation of a  Soviet dictatorship will take just a part of the overall time devoted to the visit. The place is centrally located in front of the Parliament Building.

Mother of Georgia Statue & More buildings, Tbilisi

Georgia has got rid of most Soviet relics as quickly as possible. Elusive traces of Soviet architecture remain especially in Tbilisi. This gracious town is not dominated by any Soviet monstrosity, and with the exception of the Parliament Building (see above), buildings dating to the years of Soviet tenancy are blended among older and more modern ones, luckily sparing the town from the typical post-Soviet ghost aura.

The very central Lenin Square has been renamed into Independence Square, when the statue of Lenin gave way to that of St. George.

A nice addition from Soviet times is the Statue of Mother Georgia, from the late 1950s. The idea of gigantic statues was pretty popular in the Soviet Union and other communist countries, like Yugoslavia (see here). However, the nationalistic inspiration of Mother Georgia meant it was not torn down when the Nation gained independence.

A few buildings and decorations from Soviet times can still be found in Tbilisi – side by side with futuristic ones – as well as many cars from the Cold War era!

Batumi

A thriving holiday destination on the Black Sea, closely resembling Miami Beach, the contrast between old-Soviet and novel American-style buildings is sometimes striking in Batumi. International hotels are there side-by-side with old monster apartment blocks from Soviet times, now less visible thanks to the application of some architectural cosmetics.

The town is very lively and enjoyable, as a result of a serious effort to make it an international-level seashore location. Even Donald Trump has been reportedly involved for a while in the construction of a resort on site!

Besides older buildings, some from before the Soviet era, as well as some small-scale Soviet-style monuments are still there. Only rare examples of really shabby Brezhneva (‘Brezhnev-era housing’) can be found in more peripheral areas.

A former port town of the Czar, Batumi was the target of the young communist Stalin, who preached to the workers of the port, spreading the word of Marx in the early 1900s.

Visiting

A visit to Batumi may be for the nightlife, for the sea, or for the Gonio Fortress nearby. The place can be reached directly by plane, car or train.

Kutaisi

The central square of Kutaisi, the second largest town in Georgia and the seat of the Parliament, is centered around the Colchis Fountain, designed in a style similar to that of Mother of Georgia in Tbilisi (see above).

Around the square, the Drama Theater and an adjoining building are clearly built in a Soviet formal style.

Visiting

Easily reachable, the ancient town of Kutaisi may be visited for the many historical and natural attractions in town and around. It is totally easy to reach by plane, train or car.

Borjomi

The name ‘Borjomi’ is known everywhere in the territory of the former USSR, thanks to the water springs in town. The water label ‘Borjomi’ is still today the perfect analogous of ‘Perrier’ or ‘San Pellegrino’ for the western world, meaning a top-quality sparkling water.

Actually, this natural spring was discovered when Georgia was part of the Russian Empire, when Russian soldiers fighting against the Turks  were mysteriously healed from some belly sickness while stationed in the area. The place became famous all over Russia for the its springs. A railway was put in place to connect Borjomi to the rest of the Empire, and famous personalities like Tchaikovsky are celebrated among the illustrious visitors to this nice location in the mountains. This town is still today a popular destination for vacation, with top-level hotels, a theme park, and much nature around to be explored.

Besides some older buildings, dating from before the Soviet era, some others are typically Russian style, like the railway station. Original timetables in Russian are still on display.

Look at this pic from an old Soviet base in the former DDR, to see the name ‘Borjomi’ among the railway stops in Soviet times!

Visiting

Reaching secluded Borjomi is not difficult by train or car from Tbilisi, or from nearby Gori.

Great Patriotic War Museum, Gori

Besides Stalin’s birthplace and the corresponding museum (see this dedicated post), for more curious visitors many memorabilia items, documents and artifacts can be found in Gori, in a museum dedicated to the Great Patriotic War (i.e. WWII for the Soviets). A scaled-down museum totally like the one in Kiev or Moscow (see here and here respectively), this exhibition is centered on the role of the Georgian SSR in the fight against Hitler’s Wehrmacht during WWII.

Many documents and photographs make this exhibition very lively.

Rare German relics are displayed in dedicated cases.

Similarly interesting are various artifacts from WWII and the Cold War.

The local hero – Stalin – is of course celebrated with a dedicated wall sculpture, photographs, and more.

A part of the museum is actually a memorial.

The museum has been more recently updated, with some displays concerning the most recent actions of the Georgian Army.

A large commemoration monument from Soviet times, slightly modified after independence, can be found outside the museum, making it noticeable when passing by.

Visiting

This small but interesting museum is located at a minimal walking distance from Stalin’s birth house, but it is a separate entity from it. It can be easily found at the southern tip of the garden leading to Stalin’s house. The entrance can be spotted thanks to the wall monument ahead of it.

Tbilisi Automuseum, Tbilisi

A full immersion in the history of automobiles of the Eastern Bloc! This museum is a true must for 4-wheels enthusiasts. The collection is hosted in two hangars.

The larger one is stuffed with cars from several decades of the Cold War timeline.

Older Soviet cars from Stalin’s era sit side-by-side with more modern Chaikas.

Not only stately ‘official’ cars, unreachable for the general public, are on display.

Smaller Ladas and Zil, often license-built Russian versions of Italian FIAT cars, can be found – some in the colors of the Police or other services.

At the time of visiting (2019) at least one original Soviet Pobeda car could be boarded!

The second hangar hosts a few light military vehicles, and some motorcycles.

Visiting

Visiting this museum is definitely recommended for car enthusiast, Cold War fanatics and alike. Easy to reach with a car or by taxi, moving from downtown in the direction of the airport. Totally worth a detour from Tbilisi city center. Don’t be discouraged by the ‘industrial’ setting around when approaching this elusive location. The place is polished, and managed like a regular museum. Website here.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

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Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

Minsk – A Soviet Capital of the New Millennium

Belarus is exceptional in the panorama of post-soviet countries. Maybe thanks to its geographical location, next to the heart of Europe yet in the closest vicinity of todays Russian Federation, this large piece of almost flat and fertile land is the contact point of two civilizations and ways of life – Russia and core Europe – which merge here in an inexplicable harmony. And this is perfectly reflected in the appearance of its unique capital town – Minsk.

If you have never been there but you are not new to former-communist countries in Europe, what you might expect from the capital of very little-mentioned Belarus, a republic once in the realm of the USSR, is a chaotic town, full of rotting, stripped buildings built with the huge volumes typical to the peripheral areas of Moscow and St. Petersburg, old and smoky Ladas and Chaikas rumbling along rough roads full of puddles, like ten years ago in Sofia or Bucharest (see for instance this chapter). Once there, you will soon understand the picture is really different.

The impression is that of a rich country, with infrastructures right at the level or even above those of western Europe, large and paved roads, modern cars, gas stations everywhere, freshly painted buildings, leveled walkways, colored lights and nightlife.

Of course, the soviet grand architecture is all there. Actually, since Minsk was totally destroyed in 1944, in a fierce battle between the Red Army and the slowly retreating German Wehrmacht – an episode which gained the town the high honor of ‘Hero of the Soviet Union’, still eagerly displayed today – after the war was over, a master-plan for the reconstruction in a perfect Stalinist style was put in place. As a result, Minsk is a rare – perhaps unique – example of a Soviet model-capital from the early Cold War era, when the USSR ruled by Stalin had just triumphed on the stage of a world conflict, and it was setting about to keep up its hold on all eastern Europe. In this sense, at least for a westerner Minsk looks today a town more soviet than others in Russia.

Another element you perceive clearly, not so typical to bigger and way more populated metropolitan areas in the nations of eastern Europe and even in Russia, is a strong sense of order. Nightlife is quiet and not bombastic, cars move around at moderate speed and without creating jams, everything is very clean and calm. Minsk is both busy and quiet, thriving and disciplined – maybe this is just how a soviet capital should have looked like? Belarus suggests how the Soviet Union might have evolved in our days, had it survived its own social and economic failure.

Still today the strong ties with the Russian Federation help feeding the economy on the one hand, but on the other make entering this country a complicated business, like the case is for Russia – anticipated invitations, visas, stringent time frame limitations, … All these rules are gradually being lifted, but the country remains oriented mainly towards its huge eastern neighbor – something you see confirmed looking at the airport timetable in Minsk, from where you can fly to anywhere in Russia, but almost nowhere in Europe. While possibly difficult to deal with, all these controls and bureaucracy help preserving some ‘soviet aura’, which may add to an uncommon travel experience.

This post presents some photographs from central Belarus, taken during a visit to Minsk and some neighbor sites – conveniently reached with a car in less than two hours – in spring 2018.

Map and Visiting

The majority of the sites listed on this chapter can be reached with a relatively short walk from whatever hotel in the city center. Nonetheless, the city is not small and some perspectives are really broad and long. For a more relaxed visit as well as for reaching Khatyn and the Stalin’s Line a car is highly recommended.

Entering the country with a car can be a nightmare, but flying into Minsk and renting a car is indeed possible – I landed in Minsk from Kiev in the Ukraine, and got my car from Avis. Differently from most former countries of the Eastern Bloc, roads are well in line with the highest European standard. Gas stations are abundant, and they accept credit cards. Plus traffic is really well-disciplined, totally different from the Balkan states or even Russia. Parking is generally not a problem, so hop-on/hop-off from your car allows for a time-saving, very effective way of moving in downtown Minsk.

Of course, if you are not planning to go beyond the city limits, you may choose to move around with the public transport system, with a fairly extensive network. Generally speaking, everything is like in the western world from the viewpoint of services, most top-tier western hotels are represented, there are shopping malls with international brands, and so on.

Minsk and its surroundings are unrealistically ordered, you feel perfectly safe both day and night – totally to the other end of the spectrum, compared to other post-soviet cities in eastern Europe.

I spent three full days visiting Minsk and its surroundings, including some historical sites not covered in this chapter, located farther west in the country. I would say this is a good compromise for getting a decent insight of this city.

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Sights in Minsk

Praspyekt Nyezalyezhnastsi – World’s longest boulevard

The backbone of the Stalinist architectural master-plan put in place in Minsk is a multi-miles boulevard called Praspyekt Nyezalyezhnastsi, the longest boulevard in the world at least in Minsk’s tradition, cutting through the most monumental districts and connecting the executive airport to the southwest of downtown to the eastern peripheral belt of the city. The end of the boulevard to the east is not evident, for at some point it changes into a highway, leaving Minsk behind, heading for Smolensk and Moscow.

If you are coming in town from the main airport, located well out of the urban area to the southeast, you are likely to be driven along the full length of this boulevard – with its unpronounceable name.

Along this boulevard, or very close to it, you will meet the majority of the sights described in this chapter.

You may get a really striking impression from this boulevard visiting at night, for every building along it is lighted. The pictures below give some examples.

Independence Square

Locating the actual focal point in the center of Minsk is not easy, but a choice may be Independence Square, once Lenin’s Square – as the name of the underground station recalls. This may be also a trail-head for your tour of the town.

This long and narrow square hides an underground shopping mall. The crystal cupolas on the ground are a distinctive feature of the square. The central monument is centered on the stork as a subject. This bird is not uncommon in this part of Europe, and is the national bird of Belarus.

Around the square you can find some notable buildings. On the northern side is the Roman Catholic church of Saint Simon and Saint Helena, dating from the beginning of the 20th century, and closed for the long decades of the communist dictatorship.

In the northwest corner it is impossible to miss the huge Palace of the Government, with a prominent statue of Lenin. Similar to Russia, the father of pragmatic communism and of the Soviet Union is still kept in high respect.

Continuing around the square, the tallest building to the west and the adjoining facades on the southern side are all part of the Belorussian State University. To the southeastern corner you can spot an office of the Department of Justice.

Central Post Office

Leaving the square along Praspyekt Nyezalyezhnastsi to the east, a first distinctive building is the central post office. The hammer and sickle emblem is still proudly standing on top of the eclectic, soviet-classicism façade. You can find also an interesting clock, looking like a gigantic copy of a vintage radio alarm from the 1960s.

Inside, the small cupola covers a fully functional post office, where also many items of philatelic interest from the Eastern Bloc can be found (they accept credit cards).

Stately apartment and office buildings can be found on both sides of the boulevard as you walk east.

KGB Headquarters

Yes, the name is correct. It is not an exaggeration. Differently from the Russian Federation, the Belorussian government did not change the name of the world-famous State’s security service since the time of the USSR. The huge building of the headquarters is clearly the same. The façade looks impenetrable and grim.

The shield and sword emblem is still prominently standing on the wooden front door.

The ‘soviet aura’ around here couldn’t be more intense. This building is really magnetic, a living witness of a bygone era.

Cross the street, where a nice boulevard – with the very Soviet name of Komsomolskaya Ulitsa – takes to the south going slightly downhill, you can even spot a bust of Felix Dzerzhinsky, a Bolshevik, Lenin’s friend, revolutionary, and founder of the Cheka – the revolutionary executive repression service, years later to evolve in the KGB.

Dzerzhinsky was the armed hand of Lenin, and due to its clear and heavy responsibility in the killing of many of the early victims of the October Revolution, he was put aside even in Russia, his statue being reportedly removed from ahead the Lubjanka, the KGB headquarter in Moscow. The same did not happen in Minsk, possibly because the man was from a noble family from around here.

Crossing with Ulitsa Lenina

Moving on, you will find more buildings with nice soviet-themed friezes and decorations, including the building of the Central Bank of Belarus.

The crossing with Ulitsa Lenina – not unexpectedly – is another focal point of the architectural master-plan. Clearly, here is McDonald’s – probably the neatest in the world!

One block to the south from this crossing along Ulitsa Lenina, you can find a house with tons of marble commemorative tablets on the front, where many notable people have lived. They include Felix Dzerzhinsky.

Kastrycnickaya Square

Taking again Praspyekt Nyezalyezhnastsi and going west, you soon find to the north of the road a huge square – Kastrycnickaya Square – with the modern-soviet building of the Palace of the Republic right in the middle. This building was designed in the 1980s and partly built under soviet leadership. Following the collapse of the USSR, construction was halted for years, and the building was completed only in the late Nineties. It is basically an auditorium for artistic performances, conventions and public governmental meetings as well.

To the eastern side of the square the Labor Union Palace of Culture is a great example of soviet classicism, with sculptures adorning the façade and corners of the greek-temple-like building.

Presidential Palace

Cross the road there is a garden going gently uphill. There is no car access to the eastern side of the garden, and you can spot the stately, grim front of a building of the Armed Forces – once the Soviet Red Army. Today this is mainly a representative building, featuring also a theater. On the southern side of the park you can find the Presidential Palace, a pure soviet-style monster occupying the majority of the block. You will see policemen discreetly keeping a watch on the area.

There are other smaller government-connected buildings around, some with soviet insignia. On a corner of the park there is the Yanka Kupala National Academic Theatre, which for the location and style may be one of the few remains of pre-soviet Minsk in the area.

Television Center and Lee Harvey Oswald’s Home

Again on Praspyekt Nyezalyezhnastsi, the road goes downhill and crosses a small waterway. The area is really nice, and looking northeast from the bridge you can spot the Television Center, with a distinctive tower made of iron beams and likely dating from soviet times.

Getting close to the center, you see the building right ahead of the tower, still today hosting a TV channel, is just another Soviet neoclassical building, still part of the Stalinist master-plan.

The nice apartment building to the the southern side of the TV channel headquarters has some historical significance, since it was there that Lee Harvey Oswald used to live when he spent some years in the Soviet Union in the Fifties.

Much has been said about the intricate plot leading to the shooting of President Kennedy, and the actual part of Oswald will probably remain largely unknown (see this post). Especially his relationships with the USSR are shrouded in mystery, but looking at the building – stately and very nice even for todays standard – the idea that Oswald could live there while being a poor, anonymous worker in a soviet factory does not seem very credible.

House of the First Congress of the Russian Social Democratic Labour Party

This small and modest house belonging to the pre-soviet era was until the end of the USSR a pilgrimage destination from all over the Union. It was here that the embryo of the Communist Party of the Soviet Union, namely the Russian Social Democratic Labour Party, held its first congress. This happened back in 1898, and the reportedly largely unsuccessful meeting was held in secrecy among only a few notable political figures, known as troublemakers to the government of the Tzar.

Besides the political-historical interest, the small museum offers interesting memorabilia and furniture from the late Tzar’s era. This house was visited also by communist dictators and dignitaries from around the world, including Nikita Khruschev, Walter Ulbricht and Fidel Castro, whose visits are witnessed by signed documents and photographs.

Victory Monument

Going back to Praspyekt Nyezalyezhnastsi and proceeding slightly farther east, you immediately find an oval square, with an eternal flame and a tall obelisk in the middle. This is the Soviet Victory Monument, celebrating the triumphal march of the Red Army against the invading forces of Nazi Germany. Passing under German control soon after the invasion of the Soviet Union in the summer of 1941, Minsk was hit with extreme violence by the maneuvers of both contending armies three years later, in a crucial battle which opened the Red Army the gate to the last rush through Poland to Berlin. The town was besieged by the Red Army, and as a result of the heavy fighting it was almost leveled when the front line moved west.

The monument celebrates without excesses the sacrifice of many soldiers and civilians in the struggle. Minsk and a handful of other Soviet towns – Stalingrad, Kursk and Murmansk, to name a few – were later decorated with the title of City Hero of the Soviet Union. These towns, which were the stage of as many fierce battles, are remembered here with stones bearing their names.

The monument is particularly striking at night, thanks to the eternal flame ahead of it and the accurate lighting of the buildings nearby making for a nice scenery.

Yakuba Kolasa Square

Further east along the Praspyekt Nyezalyezhnastsi buildings start to look more average, but there are also more nice examples of soviet architecture. You soon meet the Yakuba Kolasa square, with a the philharmonic theater and other office buildings presumably from Stalin’s time or a little later.

National Library of Belarus

Closer to the eastern border of Minsk, where big apartment buildings from soviet times as well as more modern ones frame the road, you can find one of the most prominent modern buildings of Belarus, the state’s National Library, dating from 2006. The large glass volume over the main building is nicely lighted at night, but unfortunately I could not get a picture.

Close to this point, the long Praspyekt Nyezalyezhnastsi changes into the M2 highway, leaving Minsk to the east.

Mound of Glory

An incredible Soviet relic lies about ten miles along the M2, right on the interchange with the road leading to the main airport of Minsk a few miles south. This monument is a further celebration of the victorious battle of 1944 against Germany.

It is built in the form of a mound with an assembly of four bayonets on top, representing the cooperation of various armies and local partisans, and a victory crown with the faces of representatives of the branches of the army and of soviet society. The monument is really soviet in style, and while not necessarily esthetically pleasant, is not excessively bombastic either.

The monument on top of the mound can be reached with a flight of stairs. From there you can enjoy a 360° view of the hilly and relaxing countryside around.

The monument is lighted at night, but I could not take a picture at that time.

Belorussian State Museum of the History of the Great Patriotic War

This fantastic museum alone may easily justify a trip to Minsk! It is hosted in a building prepared on purpose, overlooking a huge green area in the city center. At the base of the hill you can spot a kind of triumphal arch, presumably built with the main building itself and forming an interesting ensemble.

The always growing collection relocated from a previous venue, where it had been opened to the public back in 1944, before the war had ended! By the way, the Great Patriotic War is WWII in the Soviet/Russian culture. Website here.

The collection is really huge, with rooms devoted to the many major battles fought by the Red Army in WWII. There are tons of memorabilia, including a very good collection of light weapons, and even a few larger crafts – tanks, aircraft, Katyusha rocket launchers, anti-aircraft guns, field cannons, …

Similar to other museums in the USSR, it is packed with material from Nazi Germany, which by comparison cannot be found in Germany, nor in this measure in western Europe or the US. Among the countless items, you can find also display cases devoted to soviet war spies in the west, modern dioramas and uniforms from the time.

On the top floor there is a large modern commemorative installation, with the names of fallen soldiers, and hammer and sickle insignia. This installation is recent – or recently refurbished – so the presence of abundant Soviet symbolism produces a strange ‘dystopia effect’.

Outside, on top of the building you can find a further monument, with an obelisk, some sculptures, and a Red Banner waving above the cupola. Behind, there is a Lisunov Li-2, a licensed  USSR-built Douglas C-47.

Minsk hosts an excellent aviation-themed museum, centered on warplanes and transport aircraft from the soviet era. This is covered in this dedicated chapter.

Palace of Independence

This palace not far to the back from the Museum of the Great Patriotic War is apparently another building of the Government or where the president lives – not very clear. On the rare occasions when Belarus is mentioned internationally, this is what appears on TV. It is very big and carefully watched, so the only pictures I could get were from cross the road.

Zamcyska District

This central district is located roughly between the KGB building and the Museum of the Great Patriotic War. It features a large and nice pond in the middle. Here some of the few remaining notable buildings from pre-soviet age in Minsk can be found. The main group is composed of a handful of churches making for a nice sight on a low hill to the south of the pond.

There are an Orthodox and two Catholic churches, surrounding the old city hall. The area is really nice to tour, and at night it is very lively and fully lighted.

Close by, the Trinity Hill displays some rebuilt or refurbished buildings from the 18th century or earlier, giving an idea of how Minsk would have looked had it not been totally destroyed. Also this district is very picturesque at night, definitely a nice place for a relaxed stroll.

To the far end of the pond you can spot an unimaginable residential building, with a façade roughly as long as an airport, made a little more digestible when lighted at night.

In the same area there are a large soviet-themed metallic sculpture on the front of a building, and multiple huge banners in neon lights with celebration exclamations and slogans.

…More!

The city is full of majestic perspectives and interesting buildings. One of them is the totally ‘Stalin’s gothic’ Gate of Minsk, right behind the central railway station. It is composed of two bulky towers, with the façade adorned in a way resembling Kutuzovsky Alley in Moscow, or Karl-Marx-Allee in Berlin, two eminent examples of this style. See this chapter for more examples of this iconic architecture.

There are also churches dating back to before the USSR era, or rebuilt after it. One of them is quite central, and surrounded by an Orthodox cemetery still used today.

To the west, the peripheral belt has been built functionally, with large infrastructures but also very big – let’s say, excessively big! – apartment buildings, in a style which is typical to post-soviet countries. Yet, as previously observed, even these areas do not look degraded, but on the contrary rather well looked after and actively maintained.

Sights around Minsk

Khatyn

Much confusion exists about this location, which is actually where the forces of Nazi Germany burned an entire village with its occupants back in 1943. By chance – or may be not – in a place with the same name but some 100 miles to the east in Russian territory the NKVD (later to evolve in the KGB) by direct order of Stalin had deported and mass executed a substantial quota of the officials of the Polish Army – in the order of the thousands – in 1940. The responsibility for this tragedy was fully recognized by Russia only after the end of the USSR.

The memorial in (Belorussian) Khatyn is a celebration monument made in the 1960s to remember the local tragedy with typical soviet pomp, with statues, stonewall retracing the area of the village and stones with inscriptions.

There are also bells producing a sad rhythmical tone. The place stands as a memorial of all similar horrible episodes for which the Nazis are responsible.

This location is very popular since the Cold War years, and it still attracts many visitors from Belarus and nearby Russia these days. There is also a very small indoor museum, which I had not the chance to visit.

Stalin’s Line History and Heritage Museum

Similar to other countries in the inter-war period – for instance, France and Czechoslovakia – the Soviet Union invested in the preparation of a long defensive line, to fortify the western border against an invasion from central Europe. The name of the USSR’s defensive line, which passed close to Minsk, was ‘Stalin’s Line’.

This was composed of a backbone of reinforced concrete bunkers, with a capability to withstand fire from the tanks of the enemy’s armored divisions. In these bunkers, often prepared in groups of interconnected pillboxes, anti-tank cannons and machine guns were installed for effectively counteract an invasion.

The strongholds of the line were surrounded by various obstacles, including anti-tank obstacles, barbed wire traps and so on.

Construction of the Stalin’s Line was interrupted after the Ribbentrov-Molotov agreement between the USSR and Hitler’s Germany in 1939. The unfinished line turned little effective in containing the surprise aggression by the Wehrmacht in 1941, when the country fell under German controls.

Nonetheless, parts of this line are duly preserved as monuments. The Stalin’s Line History and Heritage Museum is centered on one such fort, which can be visited thoroughly. The inside of most of the bunkers have been restored to a mint condition, and are really interesting to visit.

The size of the rooms in the bunkers is generally smaller than the French, Czechoslovakian or Finnish counterparts. All bunkers are painted in a camo coating.

The museum presents also a reproduction of the border line with the Soviet Union, with a watchtower, anti-penetration barriers and green-red posts with the emblem of the USSR. In the same area, a collection of turrets from more countries is displayed.

A second, very large part of the museum is composed of a world’s class collection of weapons, dating from various ages from WWII and the Cold War, and providing an insight on the USSR’s warfare capabilities.

On a first apron there are field cannons, motorized cannons, rocket-launchers and armored vehicles. Close by, you can try shooting with a machine gun or even an anti-tank cannon! This unique feature of the museum makes it very lively, for you are often distracted by the loud bang of a firing weapon!

In another area you can spot a group of soviet aircraft and helicopters, a steam locomotive, and a full array of prefabricated structures, intended to be buried to form bunkers with various purposes – missile storage, interred barracks, … These are extremely interesting, as you can see here the actual shape of the items often found elsewhere in the former Eastern Bloc, typically in abandoned bases covered in other chapters (see for instance this chapter).

Furthermore, there are both tactical and strategic missiles with their launching and monitoring equipment. Of particular interest is the SS-4 ‘Stiletto’

– involved in the Cuban crisis of 1962 – with its launching gantry. Notice the rig anchoring the gantry to the ground – you can find similar items even in Germany (see for instance this chapter), witnessing the deployment of this type of missile in eastern Europe.

Finally, if you dare, you can enjoy a run on an armored vehicle. The place is reportedly active with reenactments, and actually you can find a good reconstruction of a theater of war from the WWII years.

A striking feature, a recent bust of Stalin has been placed in the parking – close by an Orthodox chapel, to suitably exorcise his deadly presence.

The place is managed like a top class museum, and reportedly there are many visitors, also due to the close proximity with Minsk. Website with full information here.

Wünsdorf – Nazi/Soviet Supreme Military Command

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For war historians and urban explorers Wünsdorf does not need any further presentation – a central place in the military history of the 20th century, famous for the many abandoned military buildings, from stately headquarters to interred bunkers. The name of this small town appears even in the very modern and interesting Military Museum of Dresden, where it is easy to find an original sign – in double alphabet – from the time when Wünsdorf hosted the Soviet military headquarters in the communist German Democratic Republic.

This report is based on photographs I took in spring 2017 in Zossen and Wünsdorf during a customized visit to the place I arranged with a local guide. For visiting information scroll down to the bottom of the page.

History – in brief

The small town of Wünsdorf, about 15 miles south of Berlin, has a serious military tradition, dating back at least to the beginning of the 20th century. At that time a large military complex with many barracks was set up by the order of the German Kaiser Wilhelm II – a central player in WWI – in the neighbor town of Zossen.

To this ‘Belle Époque’ era belongs part of the housing still in place today, as well as some of the largest and most aesthetically pleasant buildings in town. Among them, a former training camp for athletes of the army, and some big command buildings.

Following the dawn of the Nazi era, the place gained further relevance, with the institution of the German Supreme Command of the Armed Forces, also known as ‘Oberkommando der Wehrmacht’, or ‘OKW’ in brief. This was presided by general Wilhelm Keitel for all the duration of WWII, and represented the ‘top of the pyramid’ in terms of military decisions, as general Keitel reported directly to Hitler.

The staff of the OKW could be accommodated in purpose-built bunkers here, designed to withstand severe air bombing action, as well as to be disguised as normal country houses from above. These were known as the ‘Maybach bunkers’.

Besides bunkers for housing military personnel, a large communication bunker, known as ‘Zeppelin bunker’, was built to the purpose of connecting the brain of all military operations with the various divisions scattered over Europe and fighting on more war fronts.

When WWII finally came to an end, the Soviets captured the region, and that was the onset of a full new chapter in the history of the town. The reference name ‘Zossen’ was dropped in favor of ‘Wünsdorf’. The area of the two villages was totally cut-off by a 17 km wall, guarded with a top security level. Inside, housing for around 40,000 staff was prepared in subsequent stages, adding many purely Soviet-style residential buildings to what was still in place from before and during the Nazi era.

The supreme command of all Soviet forces in the occupied territory of Germany – to become the German Democratic Republic, or ‘GDR’, in 1949 – was installed here. All four branches of the Soviet armed forces had their respective headquarters in a corresponding sector of the ‘prohibited citadel’, with inner walls dividing the four areas. These headquarters controlled more than 200,000 troops stationed in the GDR until the early Nineties.

The Soviets tried to blow up the Maybach bunkers, with some success, and also the Zeppelin bunker, with no success. They developed it into an nuclear-proof installation, and added two further bunkers, for controlling military operations – including all air patrolling ones – in real time over the territory of the GDR, and along the crucial border with the Federal Republic and the Western world. Similarly to WWII, once again Wünsdorf was the main stage of crucial decisions for the full span of the Cold War.

The year 1989 marked the beginning of the end for this military town, with the reunification of the GDR with the Federal Republic and the end of the Cold War. All Soviet forces stationed in Germany – about 500,000 people, including troops and their families -, soon to become Russian forces in 1993 with the collapse of the communist regime in the USSR, began a well-coordinated retreat back to their mother Country, leaving Wünsdorf in September 1994.

Since then, the huge housing is largely uninhabited – the current population having dropped to about 4,000 – and the stately buildings built by the order of the Kaiser are deserted. Nonetheless, differently from other former military bases left to nature or converted into something else, the regional government of Brandenburg has formally taken over the property, which is not totally abandoned, nor in an irreversible state of disrepair, with the aim of selling it or transforming it into a museum.

Up to now, the place is still in the hands of the regional government, and specialized tours can be arranged with a local society of enthusiasts.

Sights

This site is really huge, with countless remains and interesting places to see. My visit took just about 5.5 hours, I think you would really need 1 day – and possibly more – to cover all features with enough time to both learn about the history and take good pictures of everything interesting! Here I will present a mainly pictorial description of the part of the complex I had the chance to visit this time. I think another day I will need to go back and complete the visit!

You may get an impression of the town from above, from this report based on aerial pictures taken during a dedicated flight over the region.

Officers’ House

This is probably the most famous non-bunker building in the complex. It dates back to the early 20th century – the place was the headquarter of a sports training ground established by the Kaiser’s army before WWI. In the Thirties, German athletes were trained here for the 1936 Olympic Games in Berlin. During WWII this became a command building for the OKW, while in Soviet times it was actually transformed into a house for higher ranking staff of the supreme Soviet command, with living rooms and entertainment facilities.

The main building faces an almost square park, where a huge statue of Lenin was installed and is still standing.

Inside the main building it is possible to find clear traces of the original ‘Belle Époque’ architecture.

The inside of the building was spoiled of all furniture – the Russians reportedly tried to sell everything to the German government when they left, but the offer gained little interest. Only little part of the furniture, clearly from the age of the Kaiser, can be still spotted. Among the highlights of the bottom floor, there are two murals, in a typically Soviet naïve style, and a sculptured wall. Somebody is trying to put together Soviet memorabilia in a small museum, but all presented stuff is not original from here.

On the first floor, a very interesting industry-themed mural and a 20-ft long curved view of Moscow can be found in a corridor. In a completely dark room on the same floor, where once a small memorial museum about the Great Patriotic War – WWII for the Russians – was standing, the retreating Russian forces left one of the few remaining written messages, concerned with the atrocities of the Nazi regime – for the guide this was possibly a subliminal memento for the German People… In the same totally dark room it is possible to find a big, finely sculptured wall.

To the back of the main building it is possible to find a modern addition by the Soviets, a cylindrical building once hosting a diorama of the battle of Berlin. The diorama was transferred in the village of Zhukovo, halfway between Kaluga and Moscow, in the westernmost part of Russia, when the Russians left.

The two wings to the back of the Officers’ House host two highlights of the show. In the southern wing it is possible to find an empty swimming pool, dating from the days when the place was a sports training ground, with little changes, which include the showers and the diving board, built by the Soviets. The construction technique was very good, and the pool was operated until 1993-94 reportedly with little updates.

In the northern wing it is possible to find a theatre. This is a bit creepy, for it is totally dark – electric power was cut off years ago – but everything, including the curtain over the stage, is in place like a performance was about to begin! The Soviet past of the place is clear here thanks to the decoration of the medallion over the stage, resembling the monument of the Soviet Soldier in Treptower Park, Berlin. In the roomy foyer it is possible to see the numbered hangers still in place!

The White House

Across the road from the Officers’ House it is possible to see another early 20th century building, used as a command building by the Soviets during the Cold War, and affectionately called ‘The White House’, both for its primary role in imparting orders and for the colonnade gracing the front façade. The building is inaccessible, and still property of the regional government.

Nearby, a former house for officers dating from before WWII is now operated as a local city hall.

Today, some of the many immigrants coming from Africa to Europe are being hosted in a building close to the White House by the German Government.

Soviet Railway Station, Bread Factory and Soviet Housing

Due to its great strategic relevance in the Cold War era, the prohibited town of Wünsdorf was daily connected two-ways with Moscow. The last train to Moscow left in September 1994. The railway station of Wünsdorf-Waldstadt today operates on a local railway, with trains mainly to and from downtown Berlin. The old Soviet terminal and some warehouses nearby have been abandoned and are in a state of total disrepair.

Close by the station, it is possible to find an abandoned and unattractive small factory with a tall chimney. This is where literally tons of bread were produced every single day since the Nazi era and up to 1994 – reaching 25 tons per day when the place was most crowded in Soviet times. The building was considered a strategic asset by the Nazi, who built it with a 60 cm reinforced concrete roof able to withstand air bombing.

Whilst not very crowded, today some houses from the early days in the village of Zossen have been nicely restored to their original conditions. Unfortunately, they still share the roadside with some abandoned or not refurbished Soviet buildings, keeping the typical ‘Soviet ghost’ aura alive in the town.

Maybach Bunkers

Two complexes of peculiar bunkers were built in the Thirties – Maybach I and II – for housing staff of the OKW. From the distance and from above, these half-interred bunkers had the appearance of large farm houses. In reality, they were designed to be bomb-proof, and when they were blown-up by the Soviets after WWII they did not collapse completely.

One of the two Maybach complexes is very close to the fenced area where the Soviets had their three interred bunkers.

Zeppelin Bunker

This communication bunker was built under the Nazi more than 60 feet deep into the terrain. It was made of layers of land and concrete, making it extremely durable and difficult to destroy. As a matter of fact, the Soviets tried to blow it up after the Potsdam conference in summer 1945, but they didn’t succeed at all. They decided to re-use it, sealing part of it to withstand a nuclear attack – including airlocks, reinforced doors, showers for decontamination, and sleeping quarters for troops trapped in by radioactive fallout. When leaving in the Nineties, Russian troops took home all technical rigs, stripping the bunker almost completely of any technical hardware.

Among the highlights in the Zeppelin bunker there are the sealed main entrance built by the Soviets and the decontamination facilities.

Going down it is possible to appreciate the size of the German design, with tens of rooms, long and roomy corridors and staircases. A small exhibition is dedicated to communication hardware from the Nazi and Soviet times. Copies of the Nazi schemes of the communication network from here to the Eastern front allow to understand the proportions of the system.

One of two long tunnels – the longest is about 600 ft! – was turned into a sleeping quarter for troops isolated in case of nuclear attack, and original berths are still visible today. Another corridor was so long it was used as a rifle range!

The bunker was powered by diesel engines – originally submarine engines under German ownership. These are gone today, but the smell of diesel fuel is still very marked in their room. It’s hard to imagine how noisy this place had to be! Some of the Soviet fuel tanks and air conditioning piping are still there, with original technical schemes.

A lift was added by the Soviets – it’s not working any more. On the bottom level there are water pumps and other supply systems. Normally this area cannot be toured, also due to water flooding problems.

In a small wing of the bunker it is possible to see the effect of the Soviet attempt to blow-up the bunker. The dynamics of the attempt are not clear – what explosive was used and where it was positioned. A pierce in the steel/concrete armored ceiling and a cracked reinforced concrete pillar are the only visible results. The size of the crater in the ceiling suggests much explosive was used, but the damage around is fairly limited and very localized. A feature of many military buildings occupied by the Soviets, signatures and graffitis in cyrillic alphabet can be found on some concrete walls of the bunker.

Soviet Half-Interred Bunkers

Really close to the entrance of the Zeppelin bunker, it is possible to find the way into two other less visible facilities.

One of them is a small communication bunker of simple construction. This is basically straight, with a round shaped cross-section. The corridor leading to the main part of the building is rather narrow and pointing down to the underground. The main part is much roomier, with curved steel frames making the walls and ceiling. This was used also as a training facility. This bunker was totally stripped by the retreating Russian troops.

The second bunker is much more articulated. It was codenamed ‘Nickel’, and the Soviet construction type is UK-20. This was a communication and control bunker for military operations, in particular for air operations. Even though this bunker was stripped similarly to the other two, some technical rigs and tons of paperwork can be spotted in the semi-dark environment of this installation.

Technical plants include the original water pumping system and several high voltage cabinets.

The room where the air control center was is lighted. It is very big, and copies of the original schemes help to understand how the setup was. Everything there was taken back to Russia by retreating Russian army.

Other interesting items include propaganda posters from Soviet times – they always look very exotic!

Garrison Museum & Red Army Museum

In the old pre-WWI stables two really unmissable small museums have been prepared. I would recommend visiting them after the site itself, to better understand the relevance and usefulness of the exhibition.

The first is centered on the history of the garrison in Zossen from the years when the barracks were built, and it documents the history of the Officers’ House and all other pre-Soviet buildings around. A focus is given also to the Nazi period, with many photographs and memorabilia. All panels are unfortunately in German only, but the pictures speak for themselves.

The second collection is dedicated to the Soviet period. Here you can find memorabilia from all stages of the Cold War era, including both museum items already preserved by the Soviets in a museum previously existing in Berlin-Karlshorst, but also everyday items and stuff from Wünsdorf.

Among the many panels, a small insight dedicated to the huge nuclear base in Vogelsang, covered in this other post of mine.

Headquarters of the Soviet Air Force

Besides the building of the society running the guided tours of the place, it is possible to find the abandoned headquarters of the Soviet Air Force. A modern statue of a pilot is standing ahead of an Asian restaurant, whereas the main building is inaccessible. A statue of Lenin – not easily visible from the street – can be found in the vegetation, ahead of the main façade. To the side of the building it is possible to find a typical Soviet memorial.

Much More…!

Among the other uncommon things you can find around in Wünsdorf, there are some Winkel-type air raid shelters, 19 of which were built in the Nazi period for military staff. Most of them were blown by the Soviets, and some of the 7 (?) remaining ones are preserved today.

Visiting

As reported, this ensemble is huge and well looked after. Technically speaking, it is not abandoned – at least the most interesting parts of it. Parts – like the Officers’ House – are awaiting for somebody to own them, parts are destined to remain tourist attractions – like the bunkers and museums. For these reasons, to make your visit practical and enjoyable, and for making the best of your time, I strongly suggest contacting a guide.

Actually the local society also in charge of the nice and interesting book selling activity, for which ‘Bücherstadt Wünsdorf’ – ‘Wünsdorf the Town of Books’ – is famous, runs guided tours on a regular schedule. Full information also in English from their website here. Besides the pre-scheduled tours, some longer special-themed tours can be booked in advance. If you are visiting – like me – from abroad, then I suggest taking contact with the guide before going there.

When I visited, I arranged with the guide a ‘double-tour’ in English just for me, asking to merge two of the tours offered with pre-booking. This was not a cheap alternative – I had to pay alone the price intended for two group tours, but all in all that was worth the financial effort! – but above all I must say I regret not having had more time!

The guide is nice and extremely knowledgeable, he speaks a perfect English and Russian as well. He knows anything from the history of the place, including interesting anecdotes and technical notions. He will take you to all places of interest with a minivan, and of course he will give you all the time for taking pictures, including some with a tripod in especially dark conditions – he has two portable lights for helping in the task! So the guided tour will not be boring at all.

After that, you may like to go back to have a look to the exterior of some buildings you had not the time to check out during the guided visit.

The towns of Wünsdorf and Zossen are basically a single entity, but possibly not on your nav. In case you get confused when driving to the building where you should meet the guide, just follow the signs for the book selling activities – the building is the same.

I mentioned there is a railway station, and of course you may choose to come in by train and move by bicycle – walking would be too time consuming in my view, due to the distance between points of interests. Coming by car is also very practical if you are not moving by train on your trip, and there is room for parking almost everywhere.

 

 

War Museums in Moscow

People visiting Moscow from abroad usually spend much of the time in the Kremlin and the nearby districts, where they can find many cultural attractions, as well as fashion stores, great hotels and restaurants. Among the features of Russia’s capital city less known to the average tourist are the many monuments and museums dedicated to war history, which in some cases host extremely interesting exhibitions and artifacts from various ages, which would tell the visitor as much as the most prominent attractions in town.

Three I could visit in person are cited in this post, all of them easily reachable with the usual metro rail in a few minutes from the downtown.

The following photographs were taken during a visit to Moscow in September 2015.

Central Museum of the Armed Forces

This is a purely Soviet installation Cold War buffs will definitely like very much… Despite the old-fashioned website – which after all contributes to the picture of a Soviet-state-owned company… – the building was built following WWII, better known in Russia as the Great Patriotic war of  1941-1945. On the outside, besides the entrance there are a missile and a tank. Once inside you immediately find yourself in a large two-levels hall, dominated by a sculpture of Lenin and a huge mosaic wall, plus paintings of battles and other war-themed scenes all around.

From soon after your arrival, you get to grips with the only real ‘problem’ of this installation, where – just like many others touristic sights in Russia – everything – including the escape plan in the event of fire… – is written in Russian only. So, from the viewpoint of history, you’d better go prepared if you want to get the most from this exhibition, for you won’t find any understandable written information, unless obviously you understand some Russian.

There are several halls in the museum, related to historical moments from WWI up to the present day. A first notable room presents a lively reconstruction of a WWI trench fight, with lights and sounds.

The path through the museum follows the course of history, including the revolution, which put an end to WWI for Russia. Then follows WWII. I have to say I never found a collection of Nazi artifacts so rich as the one preserved here in any other place I visited. Literally hundreds of items, from propaganda posters to flags and banners, weapons, medals, papers,… Also present in due quantity are flags and banners of the Soviet Union, as well as Soviet uniforms, weapons and medals from the age of WWII.

Probably the most notable items from the time are the red banner raised on the Reichstag in Berlin – the corresponding b/w photograph is today one of the symbols of the end of WWII – and an original metal eagle with a swastika, probably taken from the Reichstag or the Reichkanzlei. The flag and the eagle are put together in a kind of monumental installation in a large central hall, celebrating the victory of the Soviet Union in the Patriotic War.

An old coat and a hat belonging to Stalin are also part of the exhibition.

Moving on to the Cold War period, a first focus is on the early history of the Soviet atomic program, leading to the detonation of the first nuclear asset in 1949, and to the testing by the Soviets of the largest thermonuclear device ever. Many models and some documentation are available – I could not understand the details, in that occasion I really regretted having no knowledge of Russian! The development of strategic missiles is covered next, including the much connected race to space.

The highlight of this part of the exhibition – at least for western visitors – may be the wreck of Francis Gary Powers’ aircraft, downed in 1959 by a SAM, basically a Soviet invention, during an illegal flight over the territory of the USSR ordered by the CIA. A large part of the fuselage and of the wings can be seen, with technical labels in English. Also part of the ejectable seat and other parts of this Lockheed U-2 are packed together somewhat inelegantly. Some original papers and maps the pilot had with him at the time of the accident are exhibited, together with many photographs. Extremely interesting.

Approaching the last stage of the Soviet Union, scale models, mockups and parts of larger nuclear missiles are presented. Also the war in Afghanistan is mentioned and the more contemporary war actions in Chechnya and other theaters following the collapse of the USSR are outlined and artifacts and photographs showcased. A window from the relic of the ill-fated Kursk submarine remembers this more recent tragedy – together with a monument on the outside to the right of the entrance.

Finally, the backyard is full of interesting items like missiles, gantries, heavy vehicles, tanks and so on. Unfortunately, it started raining heavily at the time of my visit, so photographs were not possible.

All in all, I would say one of the best museums in Europe on the topic of 20th century war history, and probably the best on Russian/Soviet operations in the 20th century. The presentation may be perceived as antiquated for todays standards, nonetheless this may be appreciated by people who are not totally new to this piece of history and who are more interested in seeing valuable and unusual ‘hardware’. I would recommend at least a full hour for the interested visitor, extendable to 1.5 hours rather easily including a detailed visit to the outside exhibition.

Getting there and moving around

The museum is not far north from downtown Moscow, less than .2 miles from Dostoyevskaya metro stop (line 10). The building can be approached walking along ul. Sovetskoy Armii, on the side of the park. The neighborhood is decent and safe, I had no bad feelings visiting alone.

Museum of the Great Patriotic War

Moscow is scattered with monuments remembering the Soviet effort and the victorious outcome of WWII, but the focal point of the celebration is the park at Poklonnaya Hill with the museum of the Great Patriotic War. The park is an extensive area, built around a perspective leading to the top of the hill, where the museum can be found (website here). This is hosted in the curved building behind the very tall spine which can be seen from the distance.

Approaching from the east, from the famous Kutuzovski Prospekt where many important political players of the USSR used to live, including Brezhnev, it is possible to spot first a huge arch, just in the middle of the road, and departing from it the perspective leading to the hill, just to the left of the Prospekt. To the left of the hill as well as beyond the spine there is a park with several smaller installations remembering war actions involving the USSR and more recently Russia, and following WWII. It is also possible to find there an exhibition with cannons, armored vehicles and other warcrafts.

The museum, accessible from the front of the circular building, is intended basically to celebrate the heroism of the Red Army in the war against Germany. It acts as a place of remembrance for the many who never came back, and during my visit there I coincidentally could assist to a ceremony with high ranking military staff celebrating the 70th anniversary of the end of WWII.

Inside the most notable items are huge and very vivid dioramas – I must say, very well made, especially for the age – reconstructing some scenes from some especially dramatic battles of the war against Nazi Germany.

In the crypt it is possible to find the very interesting ‘Hall of sorrow’, a more modern monument to the fallen soldiers, with many crystal drops hanging from the ceiling, representing the tears of Mother Russia. These should be really many, with a proportion to the number of soldiers actually lost in the conflict.

The exhibition of artifacts includes a selection of items from various moments and fronts of the war. I could not tour this part freely because of the above mentioned ceremony, but what I could see was interesting. Unfortunately, I could not see the Hall of fame.

Above all, the plan of the whole installation and the Soviet style adopted, not so bombastic in this case, are extremely interesting. Touring the museum may take less than 45 minutes. If you are interested in moving in the park, you may need more. Distances here follow monumental proportions, so monuments are not really close to each other as they might seem on a map.

Getting there and moving around

The area can be reached easily from Park Pobedy metro stop on line 3. The perspective leading to the museum starting from the arch (and from the metro station) is about .6 miles long.

Museum-Panorama ‘The battle of Borodino’

You can find this museum very close to the Museum of the Great Patriotic War described above. The theme of the exhibition is here the battle of Borodino during the war against Napoleon and the French Army.

Borodino is located about 80 miles west of Moscow. There the advancing French Army faced the full power of the Russian Army. Napoleon himself was present and led war operations, while Kutuzov and Bagration, the top-ranking generals of the Tsar, were among the strategists on the Russian side. The battle was a prototypical battle of the time, with wild fire from cannons, infantry and cavalry, all in the arena. It turned out very cruel, taking a huge death toll on both parts. As a matter of fact, the Russian Army, which had constantly retreated avoiding the contact with the French until that great battle, continued back towards Moscow, which was finally abandoned and set on fire as Napoleon’s Army was reaching it. On one side, the Russians failed to stop the French at Borodino, on the other they set for the French a deadly trap – the French did not quit chasing the Russians until the winter of 1812 finally struck when they were infinitely far from home with no active supply lines, nor food nor resupply storages at hand. The season killed basically 9 out of 10 on the French side, triggering the end of Napoleon’s dreams of power.

The museum was recently refurbished in a modern key, with a detailed description of some moments of the battle on wide screens and interactive panels – again, unfortunately all in Russian. Uniforms, weapons and artifacts add to the visit, but the highlight here is the beautiful panorama painting. This is similar to the cyclorama in Gettysburg, PA, and it is a more than 300 ft long circular painting vividly depicting some important moments in the battle of Borodino. As you can learn from the website, the painting was made in 1912 (before the Soviets) to celebrate the 100th anniversary of the battle. The building was renovated in 1962.

The visit may not take much, especially if you are not interested in the war against Napoleon, but I would suggest going there even only for the uniqueness of the installation as well as  for its artistic significance. In any case, the visit may not take more than 45 minutes, especially if you don’t understand Russian.

Right behind the museum it is possible to see the wooden hut where Kutuzov and his staff discussed and decided for the destruction of Moscow in order to jeopardize the plans of the French to find a shelter there for the approaching winter season.

Getting there and moving around

The museum can be reached easily from Park Pobedy metro stop on line 3, like the Museum of the Great Patriotic War. From the metro stop you can walk west on Kutuzovsky Prospekt, and you will soon find the museum on the left (northern) side of the road, about .2 miles from the station.