Aircraft Collections in Norway

The ‘Norwegian chapter’ in the book of aviation history is a peculiar and interesting one. Similarly to virtually every Country in the western world, in the early age of aviation small manufacturing companies appeared also in Norway. Despite meeting with little success in the long run, they contributed in creating momentum around those ‘novel flying machines’. Norway, with a sinuous coastline stretching for some thousands miles from the latitude of England up north to where the European continent ends, and with a land largely covered in snow for many months per year, has been an ideal place for the development of a local air network since the early days of aviation. This created an alternative link between smaller communities and industry centers. As a matter of fact, similarly to Greece, Norway is among the top employers of smaller aircraft for commercial routes in Europe still today.

To the same early era belong the now almost mythological arctic expeditions, carried out also by air – by plane or airship – and almost invariably departing from Norway. The well-known Norwegian explorer Roald Amundsen was an advocate of air explorations, and his primary contributions to geographical explorations have constituted in some cases milestones in aviation history.

Despite a significant down-scaling of its Armed Forces in the post-Cold War scenario causing a strong reduction of the military presence in the Country, Norway has been in the focus of massive military operations since the 1930s.

In particular, both its geographical position and natural resources met the appetite of the Third Reich, which successfully invaded Norway in a blitzkrieg campaign in late spring 1940. Through an action based strongly on airlift capacity, German cargo planes relocated personnel and material very effectively to Norway. The crown and government were forced into exile in Britain, and with it also the military chain of command. Actually, the air force academy was moved to Toronto area, Ontario, where the military facilities of Norway got the name of ‘Little Norway’. New Norwegian pilots were relentlessly trained there, preparing them to repel the enemy from their Scandinavian motherland.

The Third Reich managed to keep a grip on southern Norway until its collapse and the end of WWII in Europe. Having witnessed the failure of neutrality as a foreign policy, in the rapidly deteriorating post-WWII scenario and the beginning of the Cold War between the Soviet-led eastern bloc and the free democracies of the western world, Norway joined NATO as a founding member.

Since then and for more than four decades, Norway was on one of the ‘hot’ fronts of the war, with a border-crossing point with the USSR, and a privileged position to patrol the skies over the shipping routes leading from the highly-militarized Kola peninsula into the Atlantic Ocean (see this post). Keeping a constant watch on the air, surface and submarine movements of the USSR was a task brilliantly covered by the Norwegian Air Force and Navy for the entire duration of the Cold War.

Today, western world issues like climate-related hysteria and hardly shareable, deeply ideological so-called ‘carbon neutrality’ policies promise to definitively clip the wings to sport, private and commercial aviation especially in this Country, through an unprecedented technological leap back. Similarly, the (today, so evidently) short-sighted post-Cold War dismantlement of military power in Europe has impacted military forces also in Norway.

However, the memory of the glorious years when this proud Scandinavian Nation has been on the forefront of aviation technology and in the focus of military action are duly relived in two wonderful aviation collections, celebrating what can be achieved through technical skill, courage and good national ideals.

One of these collections is the Norwegian Aviation Museum, located east of the airport of Bodø, a coastal town on the Norwegian Sea, not far north of the Polar Circle. The other is the Norwegian Armed Forces Aircraft Collection, located just west of Oslo-Gardermoen Airport, in the south of the Country and close to the capital city. Both museums host world-class collections, really worth a detour for aviation-minded people from whatever continent, and for the general public as well, as can be possibly perceived from the pictures in this post.

Photographs in this post were taken during a visit to both destinations in August 2022.

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Sights

Norwegian Aviation Museum – Bodø

The Norwegian Aviation Museum in Bodø is located on the northeastern corner of the airport, dominating this coastal town north of the Polar Circle. The airport was founded back in the 1920s, strongly potentiated by the Germans in WWII, and extensively used over the Cold War decades for mixed military and civil use. Today, it is mainly a commercial airport, with some residual military activity. However, the Air Station at Bodø shows evident traces of a military past – aircraft shelters, bunkers and large antenna arrays point the hilly panorama south of the runway.

The museum covers many aspects of the history of aeronautics in Norway. Both civil and military aviation are well represented, the respective collections being hosted in two adjoining large halls, merging into the central atrium – featuring a Northrop F-5 in the colors of the Royal Norwegian Air Force (RNoAF). This type has been the backbone of the RNoAF in the latter decades of the Cold War years.

Civil aviation hall

The proposed path in the civil aviation hall follows a chronological order, and starts with a display of memorabilia from the early aviation years and from the age of the adventurous polar explorations. The items on display include flags, historical pictures, personal belongings taken by explorers on polar exploration trips and many interesting explanatory panels.

Aircraft on display include rare early seaplanes, employed to establish transport services. These are put side by side with more modern aircraft of the company Widerøe, which today is responsible for most of the short-range high-frequency services linking the scattered settlements in the northern part of Norway – up to North Cape.

Nice advertisement posters are displayed to retrace the history of some classic airlines, including the all-private Braathens, once a major airline from Norway, and telling about the foundation of SAS – which incorporated also Braathens at the turn of the century – which stands for ‘Scandinavian Airlines System’. It is still today a big carrier linking Northern Europe and the world. These companies were among the world first massively flying polar routes, thanks to on-board instrumentation specifically made to tackle the navigation issues showing up when flying close to the poles.

A turning point in the history of Braathens has been the introduction of jets, in the form of the Fokker F.28, for which this airline has been a launch customer. An exemplar of the F.28 is partly preserved in the museum, allowing to check out the fully analog cockpit.

Helicopters, including one with a special pod hosting an entire berth for SAR operations, are also well represented. The Police is clearly using the latest models of rotary wing technology.

A rare aircraft on display is a British-made Britten-Norman Islander, once operating in the colors of the local company Norving. Very evocative pictures show the unusual scenarios often faced by airlines operating in near-polar regions!

Another peculiar mission covered by aircraft in Norway has been that of territory imaging and survey, including for archaeology in the search for ancient viking remains, typically hard to see from ground level. A Cessna 337 Skymaster push-pull originally tasked with this mission is on display. This type is pretty hard to see in Europe, but has enjoyed even a significant military career in the US (see this post).

A big bird on display is a beautiful original Junkers Ju-52 three-props seaplane. This is one of four originally in the fleet of the Norwegian flag carrier ‘Det Norske Luftfartselskap’, established in the 1930s, and operating with a mixed fleet of British, German and American models.

The cockpit of the Junkers has been put in a display case to be admired more easily.

Among the many other items on display in the civil aviation hall, you can find an original wind tunnel model of the Concorde, aircraft remains from an accident, and some unusual or one-off aircraft models.

Military aviation hall

The hall dedicated to military aviation starts again following the timeline of aviation history. The early-age manufacturers appearing in Norway when aircraft were still a totally new technological novelty are represented with dioramas of technical shops, scale models and historical pictures. Some aircraft dating to the pre-WWII years are also on display.

However, a major subject covered in the display is that of WWII. Norway was conquered by the invading German forces in a short and aggressive campaign in Spring 1940. Well planned from a strategic viewpoint, this operation included the capture of the airport of Oslo – the old field of Oslo-Fornebu – on the 9th of April, which was then used as a major base for landing transport aircraft, unloading military staff and material in the most populated area of the Country.

The landslide Third Reich invasion forced the government and the military chain of command to withdraw to Britain. An agreement was then settled to establish a military flight academy near Toronto, Ontario, to supply the Norwegian armed forces with new pilots, to carry out offensive operations from Britain.

The collection features many interesting items from WWII period. From a balcony you are offered a view of the collection, and a vantage view on the relic of a Luftwaffe Junkers Ju-88, transported to the museum after recovery.

The air operations in the invasion of Spring 1940 are documented with interesting scale models and dioramas, as well as much technical material retrieved from the days of German occupation. This includes cameras for photo reconnaissance, Third Reich military maps of the region, flags, aircraft engines, and many historical pictures.

From the same era, the cockpit of a Soviet Ilyushin Il-2 Sturmovik, documents of the air actions against the Third Reich occupants, and others concerning the history of ‘Little Norway’ – the Norwegian military training facilities in Canada – are also on display.

Aircraft displayed in this area include restored or partly reconstructed examples of a De Havilland Mosquito, a Supermarine Spitfire, as well as a Focke-Wulf FW190 and a Messerschmitt BF-109 on the German side.

All these birds together make for a really unusual and evocative sight today! Especially the German fighters are really rare to find, and their condition and presentation is really eye-catching.

Further aircraft from the time include a North American Harvard trainer, and a big Consolidated PBY Catalina seaplane used for patrol. The latter looks really massive hosted indoor, compared to smaller fighter aircraft!

Anti-aircraft guns and a pretty unusual radio emitter/transmission station, employed as beacons for helping instrumental navigation in the war years, are also part of this interesting display.

Next to the WWII area is the Cold War section of the display. Following the bad WWII experience with a policy of international neutrality, resulting in an invasion by a powerful enemy force, following the escalating divergence between the western Allies and the USSR, Norway opted for joining NATO as a founding member.

The alliance with the US and Britain, similar to other NATO Countries, meant a substantial supply of American and (at least in the beginning) British military supply. A North American F-86 Sabre and a Republic F-84 Thunderjet are two beautiful representatives from the early Cold War era. Similarly, a De Havilland Vampire is hanging from the ceiling.

A slightly more modern item is a Lockheed F-104 Starfighter. Not much employed in the US, it covered the interceptor role along the border with the Eastern Bloc in Norway, Federal Germany and Italy for many years.

Historical pictures tell – among many interesting subjects – about other aircraft, like the Lockheed T-33 Shooting Star, as well as the F-104 and the F-5 involved in interception and escort flights, shadowing Tupolev Tu-95, Antonov An-12 and other USSR machines flying over international waters or scraping the border of Scandinavian airspaces – quintessential Cold War memories!

Possibly a reason for Bodø having grown to further fame in the aviation community of Western Countries is the presence here of a real Lockheed U-2 spy plane. This aircraft can be found in Europe only at the Imperial War Museum in Duxford, Britain, and here. Actually, a curious fact about Bodø is that it was a designated destination or an alternate (emergency) airfield for the perilous overflights of the USSR, carried out with the Lockheed U-2, and later with the Mach 3+ Lockheed SR-71. Actually, the latter landed here in one occasion, whereas the ill-fated mission of Francis Gary Powers, downed by Soviet SAMs while en-route north of Kazakhstan from Peshawar, Pakistan, had Bodø as a destination (see this post for pictures of the relic in Moscow).

The U-2 is displayed so that it is possible to both appreciate its slim shape and large wing span, and also get near to its cockpit. However, its installation and lighting inside the hall – and the fact that it is black… – make it a rather difficult target for photographs. Next to the aircraft, historical pictures and schemes tell about the mission of Francis Gary Powers. Interesting tables for the interpretation of photo intelligence are also on display.

Still in the Cold War part of the museum, a very unusual and interesting section is centered on the facilities and technical gear for the detection and monitoring of airspace intrusion, for early warning and for alerting the air defenses of the National airspace.

This secretive and little publicized branch of the military kept its ears and eyes constantly pointed on the moves of the colossal Soviet neighbor, recording every single movement – look for the super-interesting registry of USSR aircraft movements! – and constantly updating the situation, in order to be ready to counter a sudden ‘turn for the worst’, in case of an actual attack.

Interestingly, much of the electronics here is US made, as can be seen looking at the product tags.

The arsenal that could be employed to counter an air attack included the Nike-Ajax and later Nike-Hercules surface to air missiles, deployed along the border with the Eastern Bloc also in Denmark, Germany and Italy (see here and here).

Just to complete this incredible Cold War exhibition, an interesting and pretty unique air-dropped WE-177 nuclear bomb case is on display!

More modern addition to the aircraft collection include a General Dynamics F-16 Fighting Falcon and some helicopters.

A latter interesting part of the military exhibition showcases an array of aircraft-mounted cannons from various ages, showing their precision and their effect on the same target. You can appreciate the effects of the technical evolution of these weapons.

Examples of air-launched missiles and sonobuoys, and a fine array of flight suits showing the evolution of their design, conclude this exceptional museum.

As a plus, the old control tower of the military air station has been turned into a panorama point, where you can watch air operation on the actual airport, and also listen to air traffic frequencies!

The gate guardians include a Bell helicopter and an old glorious Hawker Hurricane from WWII.

Visiting

The museum is located at Bodø airport, and can be spotted pretty easily when entering the town. Bodø can be included – or considered as a starting point – in many tours of Northern Norway. The museum offers a large and convenient parking. It can be toured in not less than 2 hours for aviation-minded people. The website is here.

Norwegian Armed Forces Aircraft Collection – Oslo-Gardermoen

Coherently with its name, this wonderful collection is focused on military aviation in Norway. Most aircraft having served in the RNoAF at some point in history are represented, as well as some from WWII – not only from the Allied side, but most notably some rare exemplars from the Third Reich.

A great feature of this museum is also the architecture of the display. Put in a U-shaped building to the southwest of Oslo-Gardermoen airport, the aircraft are in most cases sufficiently far from one another to allow moving around freely, getting an unobstructed view from different angles. Furthermore, the natural lighting from the top windows is ideal for pictures (similar to the solution adopted in the Estonian Aviation Museum, see here).

Late 20th century

The display starts with the Northrop F-5, which is represented by three exemplars, interspersed with a single example of a General Dynamics F-16 Fighting Falcon – currently in use with the RNoAF, to be replaced by the Lockheed Martin F-35 Lightning II. The Freedom Fighter has been the backbone of the RNoAF for the latter years of the Cold War, being flanked and substituted by the Fighting Falcon, and now by the Lightning II.

The aircraft on display are two F-5 Freedom Fighter, i.e. the light fighter version – one in a distinctive tiger painting – and one RF-5 Tigereye, which has been developed from the original design into a capable photo reconnaissance aircraft.

Walking beneath the F-5 reveals many details, for instance the landing gear mechanism, the missile pylons and anchoring system, and JATO bottles for reducing the take-off distance.

A J85 jet engine – there were two for each F-5 – is on display, with the afterburner pipe mounted past the turbine exhaust. A choice of missiles and pods can be seen close to the ‘tiger painted’ exemplar. The latter can be boarded. The fully analog cockpit shows much standard instrumentation for flight control, navigation and engine management, but also an armament panel with weapons selection and activation switches. Also interesting are the parachute deployment lever, for the arresting parachute, or the underwing load jettison system.

The RF-4 reconnaissance aircraft features a nose camera, with a prominent lens which can be easily checked out. Similarly, the hatch of the port 20-mm cannon has been left open, showing the cannon body, barrel and the very neat ammo supply system.

Next to these aircraft are a Lockheed F-104 Starfighter in a two-seats trainer configuration, and the front section of another exemplar with the original cockpit, which can be boarded. The J79 engine of the Starfighter, apparently originally from Canada judging from the Orenda labels on some components, has been taken out of the fuselage and can be appreciated in all its length (with the afterburner pipe to the back).

The cockpit of the Starfighter is cramped, with little legroom and a very limited front visibility. It is fully analog, similar to the F-5.

In a corner of the hall, an original simulator – apparently for an F-16 – has found a new collocation, possibly from a military aviation academy.

Early Cold War

The next part of the display offers the sight of a full array of fascinating, well-preserved aircraft from the early Cold War period. The first is a North American F-86 Sabre, with an attractive golden front intake decoration. Walking around and looking closely, many particular features can be spotted, including the leading edge slats. A ‘used’ Martin Baker ejection seat shows the little damage resulting from actual employment in case of emergency.

Next is an improved version of the Sabre (F-86K), which features a very different intake, such to accommodate in the bulbous nose a powerful radar antenna. The latter could work in conjunction with a computer, and offered a substantial help in increasing the offensive capability of this fighter, which could also be operated in all weather conditions.

A nice gem of the collection is an original portable cabinet for testing the General Electric J47 engine. This cabinet looks like a suitcase, but it could be positioned standing on its legs, linked with connectors to the on-board systems, and could show the working condition of the engine in a mounted configuration. The monitoring instrumentation is fully analog. It would make for a great item for collectors of Cold War technical gear!

Then follows an Republic F-84 Thunderjet early jet fighter, with its neat lines, wing tip tanks, and an under-fuselage spoiler in a deflected position.

Nearby, the rather different – despite the similar code – Republic RF-84F Thunderflash photo reconnaissance aircraft prominently displays its big-diameter optics in the nose.

The really elegant design of a Lockheed T-33 can be appreciated next. The air intakes are really works of art, and the bare metal color just adds to the vintage line of this early design.

Similarly graceful is the iconic De Havilland Vampire, the only British addition to this US-dominated aircraft display from the Cold War era. With its distinctive twin-boom tail, the typical De Havilland vertical fins dating back to the pre-WWII propeller-driven examples, the shrouded jet engine totally disappearing in the body of the aircraft, with small, fenced intakes on the leading edges of the wing, this aircraft looks like a really good balance between engineering-driven design choices and pure elegance.

WWII aircraft

A central section of the exhibition is centered on WWII-era aircraft, starting with two Supermarine Spitfire, one hanging from the ceiling, and one sitting on its wheels, in a greenish color and RNoAF emblems.

What follows is a pretty unique US-made aircraft, a Northrop N-3PB seaplane, ordered as a sea patrolling aircraft by Norway, but not reaching Scandinavia in time before the German invasion. It was then employed as a sea patrol from Iceland by the Norwegian forces in exile. Possibly looking not so conspicuous in pictures, it is a rather massive bird. It shows an interesting floatplane design, where floats are anchored to the wings through aerodynamically profiled struts, so as to reduce drag as much as possible.

Walking around it, you can notice the relatively light weaponry hanging from the fuselage bottom, the down-firing back cannon for defense, and the detachable wheels to pull the aircraft ashore.

Then a very rare bird follows – a German Heinkel He-111 bomber from WWII! Restored in a mint-looking condition, this aircraft makes for a unique sight in the panorama of aviation collections.

This iconic aircraft from the Third Reich, much known to aviation-minded people especially in connection with the early landslide campaigns of the Third Reich in Europe and for the Battle of Britain, can be examined from very close and beneath, unveiling some interesting peculiar features. For example, the bomb bay features vertical square-section separated ‘blisters’, a totally different solution with respect to larger US bombers from the age.

The underbelly shooting pod allowed the cannon operator to ‘rest’ in a laid down position. The front cannon is clearly asymmetrically placed with respect to the aircraft centerline, following a side curvature of the nose cone such to increase pilot’s visibility.

Close by is another incredibly well-preserved addition from the Third Reich’s Luftwaffe, a Junkers Ju-52 transport in fashionable military colors.

The Ju-52 and He-111 were the main characters involved in the blitzkrieg attack to Oslo-Fornebu, the now bygone airport of central Oslo, which was the stage of a massive air-launched German attack in April 1940, a substantial contribution and a prelude to the complete invasion of Norway. Both aircraft are surrounded by a set of accessories from the time, including searchlights, fuel tanks, spare parts, anti-aircraft guns and even service trolleys with skis to be used on snowy aprons! The ensemble is really quite a sight.

From roughly the same age is also a perfectly preserved Douglas C-47 Skytrain – a true war veteran! Preserved in the colors of the RNoAF, it was originally incorporated in the USAAF and employed in action in Europe since mid-1944. It flew during the Berlin Airlift, operating in and out West Berlin transporting goods during Stalin’s blockade of the town in 1948-49 (see this chapter). It later joined the RNoAF and was employed for radar tuning and for transport until the mid-1970s.

The color scheme of the RNoAF looks great on this C-47, and the presentation among some airport service vehicles from the time adds to the display.

Further recent aircraft

Approaching the extremity of the U-shaped building, you can find a De Havilland Twin Otter with skis, some classic helicopters, some aircraft undergoing restoration – including substantial remains of a Junkers Ju-88 bomber from the Third Reich! – and a massive Lockheed C-130 Hercules.

The latter is possibly the aircraft in the collection having been retired most recently. It has been deprived of its vertical fin, which simply couldn’t fit inside the building, but the rest is almost complete. The engine pods are opened, so that you can see inside. An array of JATO bottles to enhance take-off performance has been anchored to the side of the fuselage.

The aircraft is on display with the back and side doors opened, so that boarding its preserved interior and cockpit is indeed possible.

Inside the cockpit, chance is you meet a living legend, the flight engineer of the RNoAF Mons Nygård, who will explain you the features and operations of his aircraft! The man joined the Armed Forces in the late 1950s until the 1990s, with a military career spanning a big part of the Cold War. He flew extensively the Hercules, as well as other aircraft including the Lockheed P-3 Orion, logging a staggering  more-than-17’000 hours in flight!

We could interview him about his career, which unfolded several nice anecdotes and memories from the Cold War years, and a real passion for his super-reliable aircraft and for his job. It’s no wonder the Hercules, being designed in the 1950s, is still in service with many Armed Forces of the world.

Anti-aircraft defense system

Finally, the exhibition includes Nike-Ajax and Nike-Hercules anti-aircraft missiles (SAM). Installed in batteries against an attack from the USSR also in Norway (see for instance this preserved battery in Italy, this in Denmark, or this ghost one in former Federal Germany), these nuclear-capable massive missiles were in service typically between the 1950s and the early 1980s, becoming by then obsolete.

Of great interest for technically-minded people are some of the inside components of these missiles, including components of the guidance system and some electronics, which can be seen in display cases, as well as technical vehicles for launch control, radar operation etc.

Other lighter anti-aircraft weapons from the Cold War era are displayed nearby, thus covering also this interesting subject in good detail.

Balcony

The visit may be concluded with a walk along the inside balcony, from which a good view of all the aircraft just mentioned is obtained.

On the same balcony, you can find also many trainers once used for teaching young pilots the basics of flight. Some are classic models belonging to the era of Little Norway and WWII, when training for freshly recruited pilots was carried out in Ontario, Canada.

The gate guardians for this beautiful collection are an F-5 and an F-104, the latter in the greenish colorway seen also in the collection in Bodø.

Visiting

This fantastic collection can be found in the southwestern corner of the premises of Oslo-Gardermoen airport, the main airport serving the Norwegian capital city.

The museum is administrated by the Armed Forces.

Visiting for the aircraft enthusiast may be very rewarding and may take more than 2 hours, since the exceptional state of preservation of the artifacts and the many details you can explore through a walk around very close to the aircraft invite to spend time inside. You have also chance to speak with former military crew, which adds much to the experience. Very good photo opportunities for an indoor collection.

Large free parking ahead of the entrance, with picnic facilities. Nice model shop by the ticket office.

The museum is normally open on weekends, but further visits may be scheduled out of these opening slot. Please check the info on their website here.

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.

Frank Lloyd Wright in California

Frank Lloyd Wright’s buildings in California include many works from various stages of his artistic development. Considered together, these offer a good insight in the evolution of his style.

Differently from the front-page works visible elsewhere in the US, the buildings in California are mostly privately owned still today, so on one side they are totally part of the urban landscape and not just museums – they are still used for their intended function. On the other hand, they are not accessible to the public. To say it all, some of them are up for sale and a few in a state of disrepair. You may try scheduling a visit with a seller sometimes, but you’ll probably receive no answer if you say you just want to take pictures, at least if you ask to go for free…

Anyway, in some cases even looking at these buildings from the outside may be interesting for architecture-minded people, and this is usually possible.

The following photographs show some of FLW’s buildings in the metro areas of LA, SLO and SF. They are listed in chronological building order.

Sights

The following map allows to quickly check the position of the sights listed below. These are not all FLW sites in California, but only those I’ve visited and which are described in this page.

Navigate this post – Click on links to scroll

Hollyhock House – LA

This house is also known as Aline Barnsdall’s house, from the name of the lady who commissioned it. The building is an exception in the panorama of FLW’s houses in LA, for it is usually opened to the public (see website here for visiting info). It was designed and built between 1917 and 1920, some 18-20 years before the famous ‘Fallingwater’ (Kaufman’s house) in Pennsylvania.

Similarly to most buildings of FLW in California, the typical prairie style with exposed red bricks is altered to include concrete elements studied to prevent excessive heating. The decoration, the balanced use of very simple shapes to create an articulated façade and the prevalence of horizontal lines are all characteristics of FLW’s architecture which can be appreciated also here.

The place can be reached easily on 4800 Hollywood Blvd., on top of a small hill. Parking inside is possible.

Charles Ennis House – LA

This private house is located on the same hill as the Griffith Observatory, and has a wonderful panorama to the south and LA. With respect to other works of FLW, this is particularly massive and develops consistently along a vertical direction, while still retaining a good proportion between the area of the base and the overall height. Another distinctive feature is the façade composed of prefabricated concrete blocks, a feature that can be found also in others FLW’s houses in LA. Ennis house dates from 1923-24, when the size of LA was exploding.

You can reach the house on 2607 Glendower Ave. Public parking possible nearby.

Samuel Freeman House – LA

This smaller private house is particularly interesting for it was damaged by some seismic activity and looked in partial disrepair when I last visited in 2014. This made it possible to come close to it and have a close look to the prefabricated concrete bricks constituting the basic building module. The plant of the house is more complicated than Ennis house, but the size is comparatively much smaller, and the building less imposing. Similarly to Ennis house, Freeman house dates from around 1923.

It can be approached easily on 1962 Glencoe Way, a quick detour from Hollywood Blvd. and Franklin Ave., very close to the Hollywood Bowl. Limited public parking around.

John Storer House – LA

This is a private mansion built in the same years as Ennis and Freeman houses (around 1923), with which it shares much of the architectural features, including the building materials. It is comparable in size to Freeman’s house, but is more mimetic, cause it is separated from the road by a small garden and built very close to the side of the hill.

It is located on the hilly section of Hollywood Blvd., exact address 8161, to the west of the intersection with Laurel Canyon Drive. Very limited public parking nearby.

Wayfarers Chapel – LA

The design of this chapel at a first glance is a departure from the traditional prairie and usonian styles adopted for residential buildings by FLW. Yet at a closer look you realize the main features of functional-organic architecture are all there, reflected by the choice of materials and the inspiration of the shape of the chapel taken from natural structures.

Once inside you feel like being in contact with the exceptional surroundings, which are not just in the backstage, but all around in the premises of the chapel.

The complex dates back to the late Forties. It is on the tip of the beautiful Palos Verder peninsula, south of LA. The exact address is 5755 Palos Verdes Drive South, Rancho Palos Verdes. No serious walking necessary for visiting, the place is open to the public and is in the list of historic landmarks. Website here.

W.C. Morris Gift Shop – SF

This shop was the result of a radical restoration of an existing space between 1948 and 1950. The very central location next to Union Square has made it the perfect place for art galleries and luxury exhibition rooms. Actually until recently the place hosted an art gallery. The spiral ramp leading to the first floor was inspired by the Guggenheim museum in New York City, which FLW had started designing in 1943. The brick façade is a one-of-a-kind example in Wright’s production and in the panorama of San Francisco.

The address is on 140 Maiden Lane, .1 miles from Union Square.

Anderton Court Shops – LA

Barely noticeable after somewhat losing its architectural unity due to later additions, this building shows its FLW roots thanks to the vertical spire, typical also to other designs of this architect. The building dates from 1952, and was conceived as shopping center. Since then the property has been divided, and some changes to the facade applied.

Centrally located on 333 N. Rodeo Drive.

Kundert Medical Clinic – SLO

This building was completed in 1956 and specifically designed as an ophtalmological clinic – a unique example in the list of works of FLW. It turned out to be one of the last designs by this architect, who died in 1959. The building makes the best use of a standard size lot in central San Luis Obispo. Today it is still used as a clinic. The red bricks, flat shape, and the assembly dominated by horizontal lines are typical to the style of FLW.

The address is 1106 Pacific Street, San Luis Obispo. You can park right in front of the building, which is centrally located.

Marin County Civic Center – SF

The place was designed beginning 1957, but it was not completed until 1966, well after the death of FLW. This is one of the few institutional buildings of FLW, and unique in the panorama of American public offices. The location in the hills of San Rafael is very quiet and relaxing, and the building is hard to spot until you get very close.

The view from the terrace and the side walkways is very relaxing, as the building is still today surrounded by nature. The warm tones and the ‘human proportions’ of the inside invite to spend some time there, differently from more usual public buildings.

The area can be reached on Peter Behr Dr., San Rafael – there are actually several ways of approaching it. Large parking to the back of the building.