Military Collections in Sweden – Second Chapter

Visiting southern Sweden offers many opportunities to dig into the rich military history of this beautiful Country in Scandinavia. As pointed out in the initial chapter on this topic (see this post), after centuries spent in assuring a stable and strong position in Northern Europe, often times with the help of a powerful military, Sweden managed to keep a neutral role in all major conflicts raging over the continent in the 20th century. While avoiding to openly taking the parts of any of the foreign contenders, in order to defend its territory and its neutrality policy, Sweden invested much in the development of national technology and in the military field.

This process was successful, resulting in a gallery of interesting and original industrial products introduced over the years, especially (yet not only) in the field of defense. Among the most tangible outcomes of this push, considering the years of the Cold War, are the unique Swedish school of aircraft design, culminating in the SAAB aircraft dynasty, as well as the establishment of factories manufacturing field weapons or land vehicles for all purposes, notably ranging from cars for everyday use to heavier armored vehicles, which are still in business today.

Of course, this development process profited from contacts with the West, especially Britain, France and the USA. For instance, in the post-WWII years, selected jet engines, missile systems or tanks were purchased from the West. Interestingly however, after the end of the Cold War, some surplus material of Soviet production, coming from newly opened borders, ended up in the inventory of the Swedish military. This reflects the often pragmatic philosophy behind procurement, usually adopted by the Armed Forces in this Country.

For those with an interest in the rich military history of Sweden, several collections can be found in the southernmost part of its territory, which is coincidentally the easiest to reach and visit from continental Europe. These collections, often actively supported by groups of enthusiasts, offer a glimpse of the technical and military tradition of this welcoming Country.

In this chapter, two of the most prominent museums in the area dedicated mostly to artillery are covered, with photographs taken from a visit in 2024.

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Sights

Hässleholms Museum, Hässleholm

The exhibition of the Hässleholms Museum merges a few thematic collections, gathered and carefully maintained by local groups of enthusiasts. The topics are mainly technical vehicles of the Swedish Armed Forces – including armored vehicles, field transport vehicles, trucks, field kitchens, jeeps, special purpose trailers, etc. – and vehicles for the fire brigade. In addition, the museum has on display weapons, technical gear and training material employed by the Army.

It is actually from here that the exhibition starts. Support material like transportable field kitchens, including one from WWII years, and a portable forge for processing horseshoes are on display, within nice full-scale dioramas portraying scenes from different ages.

Training material include medical material and a rig for simulating a reanimation maneuver on a human body. Further medical gear includes many items for field surgery, as well as a diorama of field surgery room set up in a tent.

A huge, super-interesting collection of training plates is on display – really rare in this size. Plates are typically employed for illustrating the assembly of mechanical systems (weapons, on-board systems of vehicles or aircraft, etc.), or to shortlist the basic characteristics of enemy vehicles. Most of these clearly date from the Cold War era, and refer to military material from those decades.

Original cases with figurines to recreate tactical scenarios, for operation planning or training purposes, make for an unusual display. Similarly, reviews and brochures covering topics of military interest, as well as vehicle recognition charts in Swedish language (in this language are also the training plates) are unusual items to find.

Some of the plates explain what to do in case of a nuclear attack, or one carried out with chemical agents. These plates are displayed together with protection gear, mostly gas masks, and antidotes – including an automatic syringe for injecting the neutralizing agent for nerve gas (atropine)!

Artillery weapons, like special grenades, shoulder launchers, and various types of mines and standard cartridges, are displayed as samples in convenient display cases.

Even a few fragments of the Third Reich battleship Tirpitz, sunken in northern Norway, ended up here – as well as in many other military museums in Scandinavia (see this post). These armor pieces have been employed for testing some type of ammunition. The thickness of this armor is always impressive!

A gallery of uniforms, including personal light weapons and technical gear (like skis or portable aiming devices) conclude this part of the exhibition.

The collection of military vehicles takes two adjoining hangars. It is particularly appealing for technically-minded people, since it looks like mechanics workshop, with a mixture of assembled and disassembled vehicles, allowing to see the inside, as well as the on-board sub-plants.

Armored vehicles on display are really many. Among the most massive are a Centurion battle tank, and a recovery vehicle for the same type. This highly successful British tank has seen extensive and prolonged use by the Swedish Army from the early 1950s to the 1990s, when it was phased out in favor of the German Leopard heavy tank. Depending on the variant, the Centurion was attributed several code-names in the Swedish inventory, namely Strv 81, 101, 102 and 104 (Strv standing for Stridsvagn, the Swedish word for tank).

Ahead of the tank, you can see its very power train, composed of the mighty Rolls-Royce Meteor, 27 liters V12, 650 hp engine, and the Merrit Brown Z51R transmission gearbox. The recovery vehicle is roughly as massive as the tank itself.

Close by the Centurion, another sizable item is the armored bridging vehicle Brodbandvagn 971 (aka Brobv 971), which is the Swedish inventory name for what is actually a GDR-designed machine! Looking for a bridging vehicle compatible with the weight of the Leopard tank, a relatively cheap alternative was found in the BLG-60 model, originally manufactured by the German Democratic Republic (GDR) modifying the blueprint of the Soviet T-55 tank, and later sold as surplus by reunified Germany. Roughly half of the 32-units batch got from Germany in 1999 is still preserved today in Sweden, including the exemplar on display here.

The bridge span is 20-m when deployed, and the top load is 50 tons (actually a bit short of the weight of a Leopard tank…).

Next, a rare sight here is the Rlpbv 4014 radio link armored track vehicle. Again, this was originally an East German tank purchased as surplus by Sweden. It was modified in that instance from the original Soviet design (named MT-LB) into a signal relay platform, supplied with parabolic antennas. The latter were removed from the tank upon retirement, which took place by 2011, together with all technical gear. Only a few machines were sold to Finland at the time, and the exemplar in the museum is the only surviving of this specific type in Sweden.

Close by are a Pbv 301 and a Pbv 302 armored and tracked infantry fighting vehicles, designed and largely employed by Sweden. Pbv 301 dates from the 1960s, and was superseded by Pbv 302, eventually manufactured in more than 600 exemplars during the Cold War and employed uniquely by the Swedish Army until retirement in 2014.

Bigger and heavily armed vehicles are interspersed with service vehicles, typically designed in Sweden, or propelled by Swedish engines. These include a trucks with cranes, field ambulances, technical wagons with tooling for repairs carried out in the field.

Motorcycles are well represented too, some of them with interesting side skis, installed for advancing on snowy terrain.

A rather unusual sight is a full-scale field bakery! This is composed of a trail to prepare bread dough, and a big bakery oven. This and similar components of military supply, albeit often overlooked, are actually crucial in real operations, just like field guns and armored tanks – a quote attributed to Napoleon actually tells ‘An army marches on its stomach’!

Smaller items on display in the same area include several types of engines, presented on transport cases, attached to testing rigs etc. These engines range from Volvo to some US manufacturers, and include marine engines, tank engines and gas generators.

Another highlight of the show is a Stridsvagn 103. An original Swedish design from the 1980s mostly intended for domestic supply in consideration of the characteristics of the Swedish territory, this tank is designed for a crew of three, but conceived to be optionally fully operated by a single crew. It is equipped with a blade to prepare a dugout, thus converting into a field cannon, and it is able to move in shallow waters. The only limitation is in the lack of a turret, which is traded-off for a better compactness and low-rising side section, which in turns makes this tank less exposed to enemy fire especially on uneven terrain, where chance of hiding is higher.

Beside the tank, it is possible to see the engine, and the corresponding tank-trailer and support vehicle, a tracked vehicle itself called Bgbv 82, and obtained as a modification of the Pbv 302 (see above).

Nearby, several technical vehicles, including trucks and trailers (some with provision made to carry skis!), can be checked out as well.

An interesting Swedish vehicle here is a tracked anti-aircraft missile launcher, model Lbrbv 701 manufactured by Hagglunds. The main weapon is the surface-to-air missile Robot 70. The aiming device is particularly prominent to the front of the vehicle.

An array of three anti-tank machines is presented next. The first is a tracked anti-tank missile carrier, named Pvrbv 551, and originally capable of carrying 8 anti-tank missiles, shot from a single barrel on top of the tank. The second is a wheeled vehicle, named Pvpjtgb 1111 and manufactured by Volvo. This still carries a 9-cm recoil-less gun, and it was supplied with 8 shots. The third is a Pvpjtgb 9031, an even lighter vehicle from the 1960s, featuring again a 9-cm recoil-less anti-tank gun.

A few tanks designed in Sweden conclude the display in the first of the two dedicated hangars. On the two extremes of the same row are a Strv 74 and an older m/38, aka L-60. The former was a light tank developed in the late 1950s by physically modifying older m/38 models (both types were manufactured by the Landsverk company in Sweden), and kept in service until the 1980s.

In between these two tanks are displayed a Strv m/42 and two exemplars of the self-propelled cannon m/43, respectively a tank-destroyer version (Pvkv m/43) with a prominent 7.5 cm anti-tank gun, and anti-aircraft version (Lvkv m/43), featuring a 40 mm twin-barreled anti-aircraft gun.

The second hangar has in store a rare Strv m/40, developed during WWII based on the m/38 (see above). All other vehicles on display are wheeled. These include the Tgbil m/42, a 4×4 armored transport. This vehicle is an impressive Swedish design (with several big names involved in the design) enjoying an incredibly long career, spanning from WWII to the early 21st century through several upgrades and modifications.

Another iconic Swedish design by Volvo is the TP21, an off-road personal transport vehicle, originating in the 1950s from the successful PV800 civilian series by Volvo.

Also in this area field kitchens are on display, together with trucks, tractors and other technical vehicles.

The final indoor component of this impressive collection is made of vehicles belonging to the fire brigade. The crucial role of firefighting was made even more complex back then, due the limited supply of pressurized water on the territory, as well as the use of wood as the basic material for construction, and of open fire for many more uses than today.

The earlier vehicles are mostly carriages or cars converted for carrying small pumps, evacuation ladders and water hoses.

More modern vehicles on display are mostly US-designed types (Ford, Chevrolet).

The collection in Hässleholm is completed by a few items sitting outdoor. These include a Volvo P210 transport van, a red Hägglunds Bandvagn 206 – a marvelous and very successful multi-purpose, all-terrain tracked transport (see also this post) – and a Brobv 941, a bridge-layer vehicle introduced in the 1970s and in service until the end of the Cold War to support operation of the tank units of the time.

All in all, this museum is an unmissable stop for those in search of an insight on the history of artillery and military technical production of Sweden.

Getting there and visiting

The museum is located on the eastern side of Hassleholm, a peaceful village in the southernmost region of Sweden. The exact name and address is Hässleholms Museum – Norra Kringelvägen 9, 28141 Hässleholm. Large parking on the inside apron. There is a little cafe inside, and a little shop. Visiting might easily take about 2 hours for an interested subject, reading the documentation and taking pictures.

The website, in Swedish language, but pretty self-explanatory at least for the most relevant visiting information, can be found here.

Artillerimuseet i Kristianstad, Kristianstad

The Museum of Artillery has been established in the southern town of Kristianstad, for roughly two centuries the home of the A3 ‘Wendes’ Artillery Regiment. This was originally formed in 1794, and stationed permanently (partly or entirely) in Kristianstad since 1815 until 1994, with disbandment following in the year 2000.

The collection is physically hosted in a few low-rise buildings and depots. Most of them are accessible on a self-guided base, where a couple of them can be visited only on a guided tour.

The building where the ticket office is has on display some interesting communication equipment, including encryption gear, retracing the history of military communication in Sweden from the end of the 19th century to the full span of the Cold War.

Most of the consoles are made in Sweden, but some made by Nokia, Philips or Siemens are similarly on display. In the same room the history of grenade construction is illustrated, through relevant specimens of shells and cartridges.

An adjoining building is employed for gatherings by veterans, sympathizers and preservation groups, and usually showcases an annual temporary exhibition. At the time of my own visit in 2024, the theme of the exhibition was the combat-readiness in Sweden, from WWII onward.

The other buildings are former depots, and offer a wide range of artillery pieces and military vehicles, covering the history of artillery warfare in Sweden.

The artillery pieces on display in a first depot are from the 19th century. They include some very interesting one-of-a-kind exemplars, for example a French cannon from Napoleon’s army! The iconic ‘N’ mark of the French Emperor is still intact on top of the barrel.

Another interesting item is a rocket launcher, made in Sweden from 1832, and cloned from an earlier British model. This early system, well ahead of its time as a concept, was not satisfactory in terms of field performance, thus it was phased by 1846. Additionally, an early multi-barreled gun from 1875 has been restored by volunteers to an almost pristine condition.

An experimental recoil-suppressing gun carriage, with a prominent metal spring integrated in the structure, is on display along with many pieces which allow to appreciate the gradual improvement in the technology of field guns over the 19th century.

The exhibition on artillery pieces is continued in another depot, mostly with horse carriages, needed for the movement of artillery, as well as with position artillery. The big calibers here, mostly made in Sweden, offer a very complete display of the catalog of guns employed for defense. Typically too heavy for quick repositioning, the purpose of this type of gun was that of defending fortresses or coastal positions.

Moving on to the last two depots, these deal mostly with the Cold War era. In a first one, artillery technology from the Cold War era is on display, including guns, as well as tons of technical devices for aiming, communicating, taking field measurements, etc.

Among the artifacts on display is an original camera for reconnaissance troops, as well as incredible traces of an espionage operation! You can see two maps of the same location, one released by Swedish authorities, the other by the Soviet Union. The latter is clearly way more accurate than the former, when it comes to describing a site of military interest, undisclosed on the Swedish map. Based on the date of the Soviet map, the espionage activity must have taken place in the early 1960s, at the height of the Cold War.

A diorama displays a reconstruction of an entrenched observation post.

Two adjoining dioramas reproduce a fire control post and a gun emplacement for a 10.5 cm howitzer. This design from 1940 saw action well into the 1960s and the Cold War, which is the time of the gun emplacement diorama. Notably, a muzzle velocity measurement system is mounted on the cannon.

Measuring atmospheric conditions in the field is an often overlooked component of artillery action, but it is actually crucial when good precision is required for a hit. Especially when a cannon is capable of hitting way ahead of its muzzle, a good knowledge of the state of the atmosphere – including wind intensity and direction, as well as the temperature and other properties of air – between the cannon and the target is totally relevant for accurately computing the trajectory and hit point of the shell. For example, a substantial error of some hundred meters on a hit may result for a shell travel of 20-30 km, typical for a high-performance field cannon of the Cold War, even for a mild wind below 10 knots.

An aiming system PE07/R based on a radar and a balloon with onboard sensors is on display, intended for the 10.5 cm howitzer.

A much more modern weather radar and fire control station for the Bofors 15.5 cm FH77A field gun can be similarly checked out. Dating from the 1970s and the early digital era, this original Swedish system offered improved range (almost 20 km) and accuracy with respect to all previous models.

Two exemplars of the FH77A gun are on display as well! The cannon had a good maneuverability and autonomy of motion. It could be transported on longer distances coupled to a Scania 411 truck, also on display.

In the same room are a French 15.5 cm cannon, acquired in the 1950s, and a much older Krupp 21 cm howitzer. The latter, a German design from 1917, represents the top caliber ever pressed into service by the Swedish artillery, and saw action in Finland, where it was leased out during WWII (see this post).

A bit of an outlier here is a diorama of a cavalry charge from the 19th century – which is however impressively well-crafted!

The last depot is especially lively in the summer, when vehicles mostly preserved in fully working conditions are taken out on the apron! Anyway, the depot is also interesting as a static display, with many well preserved items, all formerly in service with the Swedish armed forces.

These include first a full range of motorbikes, some of them today rather sought-after classics! They are notably of different makes, including British makers like BSA, Triumph and AJS.

A self-propelled, tracked 15.5 cm cannon, listed as Bkan 1A in the inventory of the Swedish Army and made by Bofors in 1965, stands in front of an older m/43 self-propelled gun, from 1943.

A PBV 301 armored transport and a Caterpillar bulldozer frame an interesting Radiobandvagn 203B. This articulated tracked vehicle resembles the Bandvagn 206 (see above), but it was manufactured by Bolinder Munktell, Sweden. It dates from 1967, but the Volvo engine looks like brand-new!

A US-made Dodge T214, a highly successful machine produced in more than 250,000 units, is on display in its original late-1940s Swedish camouflage. Sweden acquired more than 200 of these utility vehicles from a surplus deposit in France, after WWII.

An example of Pvpjtgb 9031, with its distinctive recoil-less anti-tank cannon, and a Pbv 302 (see above), are on display alongside many military transport vehicles, mostly made by Volvo.

An interesting item is a gas generator designed by Ford, yet bearing Swedish labels, hence likely intended for the Swedish market. This device could employ wood or charcoal to produce gas, which when suitably processed through heat-exchangers, can be employed to run an internal combustion engine. In an emergency situation, like when facing a shortage in oil supply, this type of device can be profitably employed to propel vehicles. This was a rather widespread option during WWII. Bulkier designs can be employed for running larger piston engines, e.g. for electric power production.

On the apron between the depots, more vehicles and guns can be found. Some of them are typically recovered under a roof in the winter, to be taken out in the good season. These include perfectly working examples of a Volvo TP21 military transport (see above) – a predecessor of the modern XC90 SUV! – and a massive Volvo HBT artillery tractor. This half-track vehicle was based on a German design. It was built in Sweden in roughly 100 units, and employed for transporting troops, as well as cargo, including cannon trailers or self-propelled cannons. The speed of each track is controlled together with the direction of the front wheels by the pilot’s yoke, allowing for an easier steering action.

Finally, a few more guns are on display outside, including a rare m/1946 multi-barreled cannon made by Bofors, and even a Soviet 12.2 cm gun m/1932-1937, largely employed within the Soviet Bloc, from Stalin’s era to the 1990s, and donated by a Czech artillery collection to the Artillerimuseet.

Getting there and visiting

The Artillerimuseet can be reached at the address Köpingevägen 86-30, 29163 Kristianstad, which corresponds to a nice countryside location, roughly 3 miles south of the small center of Kristianstad. Access is via a short unpaved road, and the parking area inside is very convenient.

The place is run by knowledgeable volunteers, mostly former military staff. A visit of what is described here, which corresponds to what you can see on your own without a guide in the good season, may take about 1.5-2 hours for an interested person.

Please note that the cashier accepts only cash (possibly other forms of electronic payment available for Swedish residents). The website (mostly in Swedish) with full information is here.

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.