Military Collections in Sweden – First Chapter

When visiting the countries of northern Europe as a foreigner today, you may be easily captured by the beautiful landscapes and elegant architectures, as well as the great food options and the generally exceptional hospitality. Actually, a visit to Scandinavia will hardly disappoint, either in the summer or in the cold season. Everywhere looks like an ideal place for having a good time off.

However, digging in the military history of Norway, Denmark, Sweden and Finland, you might be surprised. Actually, since medieval times peaceful mutual relations have been built very slowly over the years in the area, going through centuries of unrest and struggle often culminating in open wars. In the global conflicts brought about starting with Napoleon until the end of the Cold War roughly 190 years later, the Countries around the Baltic sea have been in the center of a theater of operations of their own.

World War II and the Cold War

Looking at WWII and the Cold War era, the roles of Northern-European countries have been significantly different. Denmark, geographically untenable in front of the German enemy, was taken by Hitler’s Third Reich forces almost overnight, with Norway following shortly after. This gave birth to fierce resistance actions, trying to jeopardize the activities of the enemy. Norway was in the focus of much attention by the Western Allies, who tried to land in Narvik, sank battleship Bismarck, bombed the heavy water plant in Vemork, and transited in its arctic seas to feed Stalin’s Soviet Union with much needed supply (see this chapter). Conversely, Finland fought a fierce war against the USSR, ending up as an ally of Germany after the start of Operation Barbarossa, and finally turning against the Wehrmacht on agreement with the USSR, and managing to leave the conflict in 1944 (see this chapter).

Finally, Sweden did not take part to offensive military actions in WWII, managing to keep a neutral role through delicate diplomatic actions. For this neutrality to be credible however, the Country had to be defended, and its border – both on land and along the shoreline – actively guarded. This meant the construction of many forts all along the Baltic coast, to the west, south and east, as well as ground installations along the border with Finland. Similarly, the military tradition of Sweden, that in modern times date at least from the 17th century, when in the Thirty Years War Sweden managed to take a primary role in the balance of powers in Europe, was not discontinued at all. Despite neutrality, traditional manufacturers of fine firearms and shipbuilders were flanked over time by companies making excellent heavy-duty vehicles, armored tanks and aircraft.

In the Cold War period following the end of WWII, Scandinavia got a possibly even more central status, due to its proximity with the USSR and the control it could exercise on the sea accesses of the Soviet Union to the Northern Atlantic. Where Denmark and Norway joined NATO (see this chapter for Norway, this for Denmark), Finland and Sweden kept a neutral role. Once again, Sweden, not entangled in a complicated post-WWII deal with the USSR unlike Finland, could develop the credibility of its neutrality, preparing for defending against the Soviet threat with a build-up of its armed forces, and the development of original and high-tech military solutions, tailored to its territorial and climatic needs, carried out mostly in-house.

Traces in Sweden

The facts of WWII and especially of the Cold War in Sweden have left relevant traces, which are proudly preserved for the public either in world-class exhibitions, sometimes prepared on the very site of former military installations, or in smaller, well-crafted and much detailed collections, often run by groups of exceptionally passionate enthusiasts.

This and the following chapters cover some of them, offering a cut-out of what a visitor interested in military technology and history can find in beautiful Sweden. Photographs were taken in 2024.

Navigate this post – Click on links to scroll

Sights

Aeroseum – former Säve Air Force Base – Göteborg

Besides making for a testimony to the originality and commitment of Sweden military planners, the air force base of Säve, located about 4 miles north of the major town of Göteborg in South-Western Sweden, is truly a one-of-a-kind example of a Cold War installation. Conceived for anti-blast protection in the early years of the nuclear age, the base was designed to carry out all operations, except take-off and landing, underground. This included aircraft storage and servicing, but also refueling, loading, towing, and lighting the engines in corridors carved down to 100 feet underground in the hard Scandinavian rock!

The project had an anticipation during WWII, when some special aircraft shelters had been obtained on site by drilling the hillside. However, the actual digging of this incredible Cold War underground base was started in 1950, to be inaugurated by the king Gustav VI Adolf in 1955 (even if not totally complete at the time). The base was sized for a crew of 40 men staying underground with 15 aircraft, of the then new type Saab J29 Tunnan (which translates into ‘barrel’).

The plan of the underground facility features multiple accesses from ground level, on the sides of local hills. Entrances are all misaligned, to reduce the potential damage from a hit by a single attacker. The actual access to the descending tunnel driving down is through a colossal concrete sliding door, 2.3 ft thick and weighing 70 tonnes, with a front area such to allow a fully mounted aircraft to transit with sufficient clearance from the walls and ceiling!

Interestingly, the concrete door is preceded outside by a curtain, which together with traffic lights, switch cabinets and cables can still be seen today. This was installed for further protection to prevent the effects of fallout and contamination, in case of a nuclear attack on the base premises. The heavy curtain could be effective in stopping debris and lower-energy contaminated particles from even touching the doors. Soaked in water for cleansing, it could be then potentially re-employed multiple times, in case of a nuclear war scenario with waves of nuclear strikes.

This feature of the base, already pretty unusual, is the first to welcome – and strike! – the visitor. Then the tour takes you inside, for a full exploration of the underground facility beyond the massive concrete doors.

The feeling when accessing the tunnel is really of something huge. A description of the history of the base is offered as a first item through pictures, schemes and original crests. Then the roomy environment of the access tunnel, descending in a bend to the bottom part of the base, is stuffed with a rich collection of aircraft and helicopters in service with the Swedish Air Force, their engines and technical accessories.

The base of Säve was fully completed by 1963, including the fuel supply system which had posed some safety issues in its original design (fuel went down in case of accidental spilling, thus remaining trapped in the deep-end of the base). However, the F9 squadron of the Air Force, home-based in Säve, was disbanded just a few years later, in 1969. This meant that the underground airbase saw active service with the J29 and later the J34, the latter being the Swedish designation of the British Hawker Hunter. After 1969, Säve was home base to the 2nd Helicopter Squadron, and the underground part, hardly of use for rotorcraft, was then employed as a safe storage for non-active aircraft, notably the illustrious Saab J35 Draken, of which 70 (!) were long-term stored inside, with wings dismounted. The base finally ended its military service in 1998. The underground bunker was re-opened later as the Aeroseum museum, where most of the former airbase was turned into a civilian airport, still working today.

Among the aircraft on display in this first descending tunnel are a Saab J29 Tunnan, alongside its De Havilland Ghost jet engine (license-built under the designation RM2 by Svenska Flygmotor, later Volvo Aero, in Sweden). In service between 1948 and 1976 with the Swedish Air Force, the somewhat elusive J29, little known in the West, was a massively produced swept-wing fighter and fighter-bomber, with 661 exemplars manufactured! Austria, another non-NATO country lying on the border with the Soviet bloc, was the only foreign customer for this machine, which in the 1950s formed the backbone of Sweden’s defense force. A modern fighter in many respects, in the same class of the North American F-86 Sabre and of the MiG-15, the J29 was not easy to master for novel pilots, and unfortunately caused many accidental losses, at a time when Sweden was the fourth air force in the world in strength. It was actively employed in the Congo, where Sweden took part within the United Nations contingent in the 1960s.

On display are also the towing truck and generator employed for engine spool up. In a scramble, the aircraft could be towed up by this Volvo truck, directed on an open air apron, from where it could complete its taxi run alone and finally take-off.

Next in line is a Saab J35 Draken (meaning ‘dragon’), an iconic and successful supersonic fighter/interceptor from Sweden, first flown in 1955 and entering service in 1960, manufactured in 615 exemplars and not less than 10 variants. Besides the Swedish Air Force it was adopted by the foreign Air Forces of Denmark, Finland, and again Austria, the last to withdraw it from service in 2005! This Mach 2 capable machine, with a double-delta wing planform, was propelled by a slightly modified Rolls-Royce Avon engine (manufactured by Svenska Flygmotor as RM6). An original design from the Swedish school, among the features making it so versatile were provision for a two-seats airframe, as well as a general plant simplicity and undercarriage sturdiness, which together with a stopping parachute allowed its deployment from the wartime landing strips.

The latter were obtained in Sweden from the quick conversion of short sections of straight roads in the highway system, creating a network of so-called krigsflygbaser (‘war air bases’), in a defense plan called Bas 60 and later Bas 90. A solution to be found also in the Federal Republic of Germany in the Cold War years, this could greatly enhance the chance of survival of the air force following enemy strike on major air bases, through force dispersal. Yet not all aircraft can safely operate from similar airstrips. Swedish aircraft take this ability into account from the design phase, yielding dependable aircraft, capable of operations in far-from-ideal conditions.

Despite featuring a double, fixed-geometry and comparatively small air intake, the aircraft is single-engined. Underneath the fuselage, this aircraft features a ram air turbine (RAT), for powering the aircraft systems through kinetic energy in the airflow, in case of an engine shut-off in flight.

To the back of this exemplar of the Draken model is a Saab J37 Viggen (which is the name of a local species of duck). Another great example of an original design from Sweden, the J37 is an attack aircraft built in a canard configuration, and like its predecessor capable of short take-off and landing from road runways. Made in mode than 300 exemplars and employed uniquely by Sweden, it was in service between 1971 and 2007. Quite difficult to see out of Sweden, at the time of its introduction it was arguably the most advanced aircraft design to date, in terms of aerodynamic study, avionic suite and attack potential.

Developed in a number of variants for several roles, the exemplar on display features a number of payloads, to be attached to the underwing pylons or under the fuselage, also thanks to the good clearance from ground offered by the tall undercarriage (not to be found on the Draken). Differently from its Saab predecessors, the J37 was powered by a Volvo RM8, based on the American Pratt & Whitney JT8D turbojet, instead of a British engine.

Close to the Viggen, on display is a Saab car employed for friction test on the runway. This was rather widespread in airport facilities in Sweden. Vehicles with similar function can still be found everywhere in the world, especially in countries where runways are subject to icing.

Next in the line is the Saab JAS 39 Gripen, the most current evolution of the Saab dynasty of attack aircraft. Currently manufactured in more than 300 exemplars and exported to several countries, this machine is another original design from Sweden which is also a post-Cold War commercial success. A canard design like the Viggen, this model was introduced in the late 1980s, and it has been updated over the years as an air superiority platform, with a good mix of performance and efficacy, dependability and economical efficiency. Based on the Volvo RM12, derived from the American General Electric F404, it is currently in service. The aircraft on display is the oldest surviving.

Before reaching to the bottom, in one of the recesses along the corridor, photos from the construction phase of the bunker base, its inauguration and the years of operation can be checked out.

Also mentioned in the exhibition is the peculiar chapter of the Swedish nuclear program. The latter was envisioned in the early nuclear age following WWII, and it took shape especially in the 1950s and early 1960s. Besides facilities for the making of what was needed for fueling and managing a nuclear deterrent, on the aviation side Saab was tasked with dedicated projects for a delivery aircraft for nuclear ordnance, to flank the Saab J32 Lansen intended as an interim platform in that role. Project A 36, for an aircraft featuring a Viggen-like fuselage but no canard, and with an unusual overhead layout of the engine similar to the North American F-107, was in the pipeline when the government started to face increasing contrast from the public opinion concerning the entire national nuclear program, which was eventually cancelled in 1968.

Looking at the structure of the tunnel, left mostly untouched from the days of operation, the original wiring and piping for various systems – electrical, ventilation, etc. – can still be seen. The tunnel is also interspersed with frames, where light fire-proof doors could be lowered in case of an accidental fire. They could seal segments of the tunnel, which could then be flooded with fire-suppressing foam.

Approaching the bottom of the descending tunnel, it is possible to find a group of helicopters, in service in Sweden mostly for rescue operations, like an ubiquitous US-made Piasecki H-21 (the ‘Flying banana’), a Sud Aviation Allouette 2, an Agusta-Bell 402 and a Bell 206, the latter employed in polar missions from icebreaker Ymen. An Eurocopter Super Puma and a MBB Bo 105 come from the Swedish military, the latter reportedly having been prepared in a special anti-tank version, but never pressed into service.

Once on the bottom level, you can explore the halls, which are all interconnected, forming a network with a plant similar to a double ‘H’. On the crossing of two halls, you can spot the big round turntables, employed to turn the aircraft when towing them from storage to the base of the ramps going up. There are actually two of these ramps, one is that employed for access by visitors, the other is currently only visible from the bottom level, and off limits (employed for museum service). Its access can be found to the opposite side of the bottom level upon entering.

You can find several aircraft and exhibits on this level, including some pay-per-use professional flight simulators. An interesting exhibition tells about the organization of the STRIL, an acronym for stridsledning och luftbevakning, forming the backbone of the air defense system of Sweden from the early years of the Cold War on. Among the most unique facilities managed by the system are the krigsflygbaser mentioned above. Some original pictures and scale models tell about the detailed scheme of such bases, which could be activated when conditions required.

It is possible to board examples of both the Draken and Viggen models. The latter is presented with the engine dismounted from the airframe, and with many examples of war load either hanging from the wing pylons, or lying underneath. The number of options is really big, witnessing the versatility of the Viggen as an airborne platform.

The cockpit of the Viggen has evolved over time. The one you can see is fully analog. Close by is also the RM8 jet engine of the Viggen, with the afterburner pipe installed – a pretty long assembly! Also a trailer for storing and transporting jet engines is on display.

One of the Saab Draken exemplars is displayed alongside its engine as well. Interestingly, the afterburner pipe has been separated from the engine core in this case, allowing to check their respective size.

Another interesting item on display in this area, alongside a Bell 47 helicopter with its distinctive bubble canopy, is a Saab J32 Lansen. Primarily built as a fighter and entering service in the 1950s, the career of the Lansen stretched to the 1990s, and saw it employed in several roles, including as a trainer. Interestingly, the study for a dedicated engine – the STAL Dovern – was started alongside with that for the airframe, as typical to other military programs especially in the US. The engine, which reached the flight testing phase, is displayed alongside the aircraft. It represents one of the few projects of the Swedish company STAL for aviation. The company has been for long a primary manufacturer of turbines for electric power plants, started in the early 20th century on the remarkable Ljungström design (the homonym brothers actually founded STAL). In the end, the Lansen employed the British Rolls-Royce Avon.

A well-stuffed display is that of on-board radar equipment employed on the SAAB aircraft in service with the Swedish Air Force.

Among the many design and procurement programs of the Swedish military, special attention was given to missiles. The Robot 08 A, an anti-ship cruise missile employed on destroyers and from coastal batteries in Sweden, was the result of a collaborative program with the French. After a boost phase employing rockets, the efficient small jet engine employed for thrust in cruise (a Turbomeca Marbore) allowed the missile to travel at transonic speed, delivering a warhead up to 100 nautical miles away from the launch site. Navigation was through radio control, and homing on target was radar-assisted.

A real work-horse both in the US and abroad (see this post), a Cessna 337 Skymaster in service with the Coast Guard of Sweden can be found in apparently pristine conditions.

A wing of the museum is dedicated to the collection of the Aviation Veteran Society of Göteborg. Among their many interesting projects is the restoration of classic models, often times unique exemplars from an age prior to the introduction of jets. Each of the aircraft on display in their collection, which is always evolving, has a story to tell. For example, one of them, a British De Havilland Gipsy Moth, was employed by his owner (the Swede Gösta Fraenkel) in the 1930s for an experimental treatment of whooping cough, an infectious disease typically developing in children. The pilot took infected people on board the open-cockpit biplane, allowing cold, dry and clean air to ram into their respiratory channels and lungs for some minutes while flying at a sufficient altitude. Apparently, this treatment accelerated recovery in a percentage of cases. Another aircraft in this area is a SAAB 91A Safir. The ‘A’ version is the original and oldest of this light basic trainer and multipurpose aircraft, dating back to the 1940s, and a good commercial success for Sweden.

Another rich collection is based on an impressive archive of Cold War files documenting many Soviet activities in the territory of the German Democratic Republic. This exhibition (a topic often touched on this website, see for instance here and here) is especially interesting for its completeness and for the level of detail – most files show photographs and numerical data.

A nice array of models, often portraying in dioramas scenes from the real aviation history of Sweden or the region of the Baltic sea, is aligned along a wall. Among them, you can see the first ever defection of a MiG to the West on the Danish island of Bornholm (see this post), as well as the grounding of a Douglas DC-3 in Swedish markings by a MiG-15 which had taken off from Estonia (at that time within the borders of the Soviet Union). That DC-3 has been savaged from the bottom of the Baltic Sea years later, and it is now on display at the museum of the Swedish Air Force in Linköping.

Even if you don’t need it, you should take a detour to the toilet, to access an original corridor and have a look to two full-scale reconstructions of STRIL command centers.

Back outside, you can climb uphill to check out a few additional military vehicles on display, including an exemplar of the highly-succesful line of bi-modular track vehicles called Bandvagn, made by the Swedish company Hägglunds in tons of variants and for different roles. Basically unstoppable on any terrain (and actually working in shallow waters as well), this highly versatile machine is here displayed in a Swedish Army camo paint. Also on display is a rather rare moving lounge, a vehicle for easing boarding operation on larger aircraft. Made by Chrysler in the US (and reportedly employed at Dulles Airport in Washington, D.C., back then), this exemplar was in use at Göteborg Landsvetter airport, before the terminal was re-designed for a better management of passenger traffic.

From the hilltop, you may get a vantage view of the airfield, now the general aviation airport of Säve.

Getting there and visiting

The exact address of Aeroseum is Nya Bergets Väg 50, 41746 Göteborg, Sweden. The location is easily reachable along Hisingsleden, taking north from Göteborg, and connecting some of the premises of the huge Volvo factory quartered north of town. From the crossing with Flygflottilijens Väg (where a bus stop is), it is a .4 miles stretch to the museum’s gate. Huge parking on site. Visiting for technically-minded people with an interest for aviation can easily take 3 hours (4 in my case), checking out all the nice exhibits. There is a self-service restaurant at the bottom of the bunker, as well as a nice shop. Entertaining activities for the kids are on the menu as well.

Together with the Air Force Museum in Linköping, this is possibly one of the top air museums in Sweden, well worth a dedicated trip also for the special construction where it is located. Website with full information (also in English) here.

Maritiman – Göteborg

Located in downtown Göteborg, this museum has on display a handful of vessels, originally employed in Sweden in either civilian or military roles. The most sizable of them, the destroyer Småland (J19), is also an illustrious witness of the Cold War, and a lone survivor of the Royal Swedish Navy of that era. She was built by Eriksbergs shipbuilding company in Göteborg, a now defunct primary player in the Swedish naval history, and it saw service between 1956 and 1979 together with the only sister ship Halland, which gave name to the class.

The neutrality of Sweden for the Navy meant that the fleet of the kingdom was developed with self-defense in mind. At the end of WWII, two cruisers were laid down, Tre Kronor and Göta Lejon, which were the largest vessels ever to see service in Sweden. In the 1950s the shipbuilding effort saw the completion of the new destroyers Halland and Småland, which went operating alongside many more destroyer units over the 1950s and 1960s. All these four ships however were the pinnacle of shipbuilding in Sweden in terms tonnage. By the end of the 1950s the last four destroyers of the Östergötland class (lighter than Halland class) had been put into service, and manufacture of either cruisers or destroyers ceased altogether. By the end of the 1960s, the two cruisers were stricken off, and over the 1970s and 1980s many of the destroyers followed. In the high-tech late era of the Cold War, Sweden opted for a larger number of lighter surface ships, in particular corvettes and torpedo boats. The former are represented today by the highly effective Visby class, which constitutes the backbone of the Royal Swedish Navy today.

Of the historical cruiser and destroyer fleet of the Swedish Navy, the Småland is the only surviving unit. In the Maritiman museum, it is possible to board and thoroughly explore this vessel. Among the distinctive construction features, the castle structure runs all along the ship, allowing the crew to operate while keeping inside, so as to avoid exposition to fallout radiation in a nuclear war scenario. Provision for cleaning the outer decks was made with a pressurized water system, running around the castle. Furthermore, material was steel and iron, instead of aluminum, sometimes employed in shipbuilding for saving weight, but more prone to fire damage than heavier steel. The crew was of 250-290 men. The ship went through three modernization programs, and included three fire direction facilities in the castle.

The heavier gun armament of the destroyer is composed of two turrets (one at bow, one at stern) with two 120 mm guns each, and a bow turret with two 57 mm cannon. Additionally, six 40 mm single-barrel anti-aircraft cannons on revolving turrets are placed along the sides of the ship. All guns were made by Bofors in Sweden.

A single 120 mm gun turret was manned by seven men, and could fire 42 rounds per minute, with a range of roughly 12 nautical miles. It could be employed for targeting other ships, aircraft or land installations.

On the side of the 120 mm turrets you can see flare rockets with super intense illuminating power, which were employed for fire direction at night. Fire direction systems evolved over the years, but the task was mainly performed in the castle structure.

The 57 mm gun turret was designed for anti-aircraft operations, with a range of up to 4,000 m, which was roughly 25-30% more than the standard 40 mm anti-aircraft guns. Fire direction was from the castle deck or locally by the designated gunner.

For anti-submarine war operations, Småland has revolving torpedo tubes on the deck, for the Torped 61 torpedo series, a highly-successful design from Sweden, employed also by foreign customers (see this post).

Additionally, to the bow are two racks of launchers for four anti-submarine rockets each. An example of the body of a Bofors 375 mm anti-submarine rocket is on display beside the rocket launchers. It took 40 seconds to reload one launcher. Fire direction and timing was performed from inside the sonar room, or from a control station beneath the launchers.

The ship could carry out mine laying operations. To the stern of the ship some sea mines are on display on the rail employed for launching them outboard.

The Småland could manage helicopter landings on its deck, and it had the ability to launch anti-shipping cruise missiles. This rather innovative solution for the time was based on the Robot 08 platform (see also the Aeroseum exhibition here in this chapter). Two of them could be carried on the launching pad, where further missiles were stored under deck, and a special incline was employed to take them to the outer deck level for launch. Launch was managed with a dedicated fire control computer.

The Småland could operate as a flotilla capital ship, thus navigation and communication systems were particularly modern and capable on this ship, for the time. Digital computers, with pre-defined communications which could be issued at quick pace, are part of the scenery on the top decks of the castle structure.

The crew compartments, even those for higher-ranking staff, and many technical rooms are as cramped as usual on military ships, not so far from their WWII predecessors.

On top of the castle, the command deck can be found, and from here you can get also a nice view of the town of Göteborg.

Among the most interesting parts, is the engine and power supply area. The Småland was pushed by two independent boiler/turbine systems, which gave power to two propellers. Top speed was 37 knots, and at that speed the ship employed 420 liters of fuel per minute!

The engines required 16 men for operations initially, working close to the hot ducts and parts of the engine at extreme noise level. At a later stage, control rooms were installed in the engine compartments, allowing to reduce the workload and increase comfort to a reasonable level. Filtering and shielding was installed on the air intake system, to reduce the effect of nuclear fallout ingestion by the combustion system.

This area can be toured extensively, unveiling many narrow passages and showing the complex structure of the energy plant, producing power for motion and for all the other onboard systems.

Another highlight of the Maritiman is the Draken class submarine Nordkaparen (Nor, in the registry). The six ships of this class were manufactured in the early 1960s, Nordkaparen (laid down by Kockums at Malmö) entering service in 1962, to be stricken off in 1988. The Royal Swedish Navy has always invested much in its submarine fleet, especially along the entire span of the Cold War, with more than 20 units manufactured post-WWII and before 1989. New models have been introduced after the end of the Soviet Union and the Cold War, and currently four modern units are in service.

The Draken class, propelled by Diesel-electric propulsion, was introduced as an improvement of the older Hajen class, with a single slow rotating propeller instead of two, and a modified stern part and control surfaces. With an operative depth of 150 m and manned by 36 men, it was capable of a top speed of 22 knots submerged.

At the Maritiman it is possible to board the Nordkaparen from the stern hatch, and have a complete tour of its well preserved interiors, coming out from the hatch to the bow.

The rear compartment with the electric motors and a sleeping area for the crew is relatively roomy. Conversely, the center section of the submarine allows only a narrow passage between the Diesel engines, with round tight doors which require some body flexibility to go through!

The navigation deck and the cockpit are again somewhat roomier than their WWII counterparts, similar to the forward compartment, with a reasonable area for the crew.

A unique feature of this design is the revolving rack for storing the torpedoes. Torpedo tubes are four, and all placed to the bow of the ship. The revolving rack, resembling that of a giant revolver, hosts eight torpedoes. It is itself loaded from the back, and it can pivot around its axis pushed by a motor, putting a torpedo in the revolver at the level of the firing tube to be reloaded, thus allowing a faster recharging of any firing tube.

Another military boat from the Cold War years on display is the patrol boat Hugin (P151). A fleet of many, lighter vessels was preferred by military planners in Sweden to one of heavier and more expensive ships with greater firepower, especially towards the last decades of the Cold War. Hugin was the first of her class, and it was manufactured in Norway (Bergen Mekaniske Verksted). Sixteen units of this class were in service in the 1980s with the Royal Swedish Navy.

The boat features a steel hull, and is pushed by two 20-cylinders MB518D Diesel engines made by MTU, delivering a power of 3,500 hp each, and giving this boat a top speed of 39 knots. The crew of twenty men could operate for more days in a row on board the ship. This versatile fast boat was armed with inertial-guided and IR-homed anti-shipping missiles (type Robot 12 Mk 2, made in Sweden), depth charges and ASW-600 Elma grenades (made by SAAB in Sweden) for anti-submarine warfare, and sea mines for mine laying missions.

Additionally, the boat has a single Bofors 57 mm cannon for anti-aircraft gunnery. One of the versions of the Arte fire control system made by Philips was installed on the ship, allowing to engage more targets simultaneously.

The Maritiman has on display a number of other boats, covering a range of uses and a big part of the storyline of shipbuilding in Sweden. Among them are fire-fighting vessels, tugboats, as well passenger commuters.

Getting there and visiting

A top attraction of Göteborg, the Maritiman museum can be reached with a nice walk from the historical city center, simply reaching the water bank from it. The museum will be very entertaining for children, but it has even more to tell to technically minded people. Many detailed descriptions in multiple languages all along the visiting path allow to get much from your visit. Furthermore, the majority of the compartments are open or visible on the Småland ship, all on the Nordkaparen, allowing to fully explore these vessels or look into the many technical rooms. A thorough visit may take about 2-3 hours or more, depending on your level of interest.

The exact address is Packhusplatsen 12, 411 13 Göteborg. Parking options nearby (public at a fee). Website with full access information (also in English) here.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

A Few Remains of Nazi Grandeur in Germany

Architecture is possibly one of the disciplines where the ringleaders of the Nazi dictatorship invested most, for it provided a direct mean to display and impose their ‘new aesthetics’ to the German people and to foreign visitors from abroad.

The victory of the Allies in WWII wiped out the Nazi apparatus, but nowhere as in Germany did the new post-war leadership take the  deletion of all traces of the Third Reich so seriously. Even in museums of military history – there is an excellent example in Ingolstadt,  Bavaria, perhaps one of the most beautiful museums on the topic in Europe – there are just a handful of Nazi insignia. Swastikas, Nazi uniforms, weapons and memorabilia can be found to an incredibly greater extent elsewhere in Europe, especially in Britain, or in museums in the US. They are really also abundant in the countless exhibitions about the Great Patriotic War – WWII for Russians – in the former USSR, and generally beyond the Iron Curtain.

Concerning architecture, especially in Berlin many buildings of all ages were totally demolished as a result of US/British air raids, and during the last battle for the city opposite the Red Army. Similarly, the town centers of many larger towns were severely damaged. In the reconstruction process, little care was taken in keeping trace of this dark page of the German history, and the reborn downtown districts assumed in many cases a new face, where 1950-styled buildings shared the stage with medieval cathedrals and public schools from Bismarck’s time – pretty much nothing from the 1930s.

Yet of course some creations of Hitler’s architects have come to these days. Despite the evil ideology behind them, some are remarkable works of art, displaying a clear relationship with functionalism, typically found through various interpretations also in many realizations of great architects of the Thirties, in the US as well as all around western Europe. Examples are those buildings connected with infrastructures, like airport terminals or railway stations – much needed in the post-WWII period, and preferably restored instead of being demolished. More items of this kind survive than possibly of any other from Hitler’s era in todays German cities. A majestic example is the terminal of the now closed Berlin-Tempelhof airport.

Most of the surviving buildings hold a public function – like departments of the government or sport arenas. In a very few cases, buildings strongly connected with the devious ideology of the Third Reich have been preserved – albeit not greatly publicized – as museums. A first notable example is the complex around the Zeppelin Field in Nuremberg, with the unfinished huge congress hall for the conventions of the Nazi Party. A second one is the disturbing ‘spiritual center’ of the infamous SS in Wewelsburg.

This chapter collects a few photographs from these three places. Of course, it is far from a complete review of the architectural heritage of the 1930s and 1940s in Germany. It just provides an insight on a relatively unknown group of relics from Hitler’s era in Germany.

Navigate this post – click on links to scroll

Sights

Berlin-Tempelhof Airport Terminal

Heading to Berlin or the former GDR? Looking for traces of the Cold War open for a visit?

A Travel Guide to COLD WAR SITES in EAST GERMANY

Second Edition - 2024

DON'T LEAVE IT AT HOME! AVAILABLE in PAPERBACK or KINDLE from your national Amazon store!
amazon.com | amazon.de | amazon.co.uk
amazon.it | amazon.fr | amazon.co.jp

Possibly the most complete and grandest example of Nazi architecture, the airport terminal of Berlin-Tempelhof is interesting both from an architecture standpoint and for its historical significance. The terminal was designed and built in the late 1930s and completed in 1941, greatly enlarging a preexistent construction.

At that time, nothing comparable existed in the world. The terminal is more than a mile long. It was built with a direct access from the land-side buildings directly to the long side of a narrow hangar on the air-side, which basically ran all along the terminal. Considering the small size of the aircraft of the day, this ‘hangar-terminal’ configuration could be exploited to simultaneously load and unload a high number of flights, with operations taking place directly in, or just outside, of a covered hangar. During WWII, parts of the hangar were used to manufacture military aircraft, exploiting forced laborers from a concentration camp prepared nearby for the purpose.

But the features of the terminal turned also extremely handy during the Berlin blockade of 1948-49, when Stalin tried to force his former western Allies to withdraw from Berlin by cutting off the western sector of the city. The western Allies set up the famous airlift, supplying the western sector with basically everything that was needed for a population in the order of a million, for 15 months! Tempelhof was the major airport in Berlin – the other being the British airbase in Gatow, near Potsdam – and laid in the American zone of the city. Thanks to its peculiar structure, it could manage the immense flow of goods flown in by more than 1’000 flights per day.

In the Cold War years, the airport was operated as a logistic base by the US forces. In the meanwhile, the construction of a larger airport – with a smaller terminal, but longer runways – was started at Tegel, and this was promoted to the main airport of West Berlin for civil air traffic. State flights still were operated in and out of Tempelhof, President Reagan’s Air Force One 27000 notably operating from Tempelhof on a famous state visit in 1982. After the German reunification the airport went on working as a civil airport, but the relatively short runways and noise issues led to its closure in 2008.

Sadly, today this glorious airport has been turned into another city park. It is rather difficult to use it for the scope though, as all the cement and asphalt of the apron, runways and taxiways are still there, there are no trees, and the terminal is an imposing presence on one side. Moreover, it is really a surplus for a city like Berlin, scattered with plenty of beautiful and immense green areas. The terminal building has not yet found a new occupation, and is basically a well-guarded ghost. Plans for reopening it as a convention center are apparently consolidated in 2022, but renovation works are going on still at very low pace.

Most recently, a small but well-designed, mainly pictorial exhibition has been located in the old terminal building, retracing with beautiful historical pictures, technical schemes and essential explanations the history of Tempelhof Airport.

Pictures from the year 2015 – but luckily not much had changed in 2022, the date of my latest visit – show the main building giving access to the terminal on the northwestern corner of the airfield still in a rather good shape. The empty parking ahead of the passenger entrance with nobody around gives a lunar aura to the place.

The neat lines of this part of the building deceive its actual size. From a former visit still in the days of operation – year 2006 – you can notice the roomy check-in hall, right beyond the main entrance.

Close by one of the glass entry doors you can spot a memorial to General Lucius Clay, the American mind behind the Berlin Airlift.

The grand perspective leading to the entrance is really an architectural masterpiece. Also noteworthy is a series of covered passages leading to lateral courtyards to the sides. These service passages are not visible when approaching the terminal from the distance, preserving the general sense of order without renouncing to the functionality of the construction.

There are two surviving marble eagles from Hitler’s time, on the front walls of the buildings to the sides of the main perspective.

The eagle head ahead of the parking is from the eagle sculpture originally standing on top of the main façade in Hitler’s times. That eagle was taken away after the capture of the city and the end of the war. The head went to the Army Academy in West Point, NY as a spoil of war, and was returned after the German reunification.

Moving along the wings of the building you can appreciate the size of the construction, really uncommon for Europe in the Thirties. The quality of all materials is also really striking. Their cost must have been really high.

To the extreme northeastern tip of the building you can spot some former radio installations, likely connected with air traffic control or military operations. From there you can get access to the former air side of the airport. At the time when the pictures were taken it was possible to walk around freely, but unfortunately not close to the hangar. Most recently, a branch of the Allied Museum in Berlin has taken responsibility for a preservation effort, and is keeping the place off-limits, opening it to the public on rare guided visits in German only – but I could not join in any of them.

There is also a historical propliner ahead of the iconic ‘Berlin Tempelhof’ sign on top of the hangar. Anyway, walking on the apron and runways produces a ‘history was made here’ feeling, and it is worth trying! Again, a few shots from the days of operation show the hangar from inside the terminal building. Historical pictures from local panels show the use of the hangar for the production of aircraft and technical parts.

As said, a recent exhibition of special interest for getting an accurate historical perspective, retraces the timeline of the airfield, since its pre-Third Reich era, through the colossal redesign in the shape we see today carried out in Hitler’s time, and down to the Cold War era, when Tempelhof had a crucial role in the Berlin Airlift, and was operated for long as a regular city airport.

Remarkably, in April 1945 the airfield fell in Soviet hands – since the Soviet Army conquered Berlin – and was later ceded to the US, following the Potsdam agreements in July 1945, which split the capital of the Third Reich in four sectors. It is likely Stalin regretted his own ‘fair-play’ concerning Tempelhof at the time of the Airlift, just a few years later…

A picture portraying general Keitel, in custody, arriving at Tempelhof to sign the instrument of surrender in the Soviet headquarters (see here) together with other top-ranking Nazi officers, shows a Lisunov Li-2 in the background. This was the licensed Soviet copy of the Douglas C-47. Also interesting the demolished German fighters found on sight by the conquerors.

The US, having taken control of the field, organized open-days for the general public once per year – reportedly, mostly appreciated by the local population.

Actually, the years corresponding to the sealing of the Inner Border (see here), from the Berlin crisis of 1961 (which saw the construction of the Berlin Wall) until specific accords partially reopening the land borders especially to Westerners in the early 1970s, were those of the most intense activity for Tempelhof – reaching West Berlin was more convenient by flight. But soon after, the better infrastructure of Tegel, with longer runways and less surrounded by high-rise buildings, took over most of the airline connections to Berlin. Tempelhof went on hosting state flights, general aviation flights, and commercial flights to a lower scale. There was also a permanent presence of US Army forces.

Evoking pictures include one with Willy Brandt greeting general Clay, and much later, President Reagan and the First Lady on a state visit in 1987. In another, you see one of the former Third Reich top-ranking staff Albert Speer – who also contributed to the design of Tempelhof – leaving for Western Germany by flight, following release after serving a long sentence in the prison of Spandau. He had been sentenced in Nürnberg.

The closure on grounds of noise issues, as noted, left the infrastructure unused for some years. Plans for re-opening as a convention/exhibition centers have been prepared as of 2022, and partial updating works are being carried out.

Getting there and moving around

The former airport is not far from downtown Berlin, around 3 miles south from the Brandenburg Gate in the former western sector of the city. Access to the terminal is from Tempelhofer Damm. Parking is possible along this major alley, or on the many roads around the airport – parking is rarely a problem in Berlin. Be ready to walk though, as usual when touring an airport.

Access possible also with public means of transportation. The front terminal can be easily reached from the U6 stops ‘Platz der Luftbrucke’ or ‘Bhf Paradestrasse’. Access from the east is easier from the U8 stops ‘Boddinstrasse’ or ‘Leinenstrasse’. There is finally an S-bahn station on the southwestern corner of the airfield – ‘Bahnhof Tempelhof’ – where U6 meets with several S-bahn lines.

My last visit to the place dates back to 2022, and as the area was undergoing renovation with a consolidated plan for changing its role and shape – and some works having started in the southernmost part of the terminal building.

Anyway, at the time of this visit the terminal was closed to the public, with limited chances to visit inside on guided tours. The only chance to access the terminal is for the small – yet totally recommended – photo exhibition. The latter can be reached to the left of the main facade of the terminal building. Website with contacts and timetables here.

Touring the exterior is possible on your own, and there are also a few descriptive panels along the perimeter. There are multiple entrances to the former air side, which is a public park with many people around.

Nazi Party Rally Grounds, Nuremberg

Nuremberg is an ancient imperial city in the heart of Germany, taken over as the symbolic capital of the ‘new kingdom’ by the theorists of the Nazi doctrine, due to its historical significance in German history. This town became the focal point of Hitler-led Nazi Party (NSDAP is the acronym of the party name in German language) well before the fateful general elections of 1933, when Hitler was elected chancellor of the German Republic. Among the activities of the NSDAP since the Twenties was a yearly rally, where for a few days all sections of the party met in Nuremberg for a series of group activities, including political speeches, commemoration of the fallen soldiers of the German wars, sport, camping, dining, etc.

In the years preceding Hitler’s raise to power, these rallies took place in the Luitpoldhain Park, to the southeast of the town center. The park had at its center the Hall of Honor, a memorial to the soldiers of German Wars, erected at the end of the Twenties. Today, leaving behind some construction works carried out by the NSDAP in the 1930s – including a massive Luitpold Hall and a tribune, today completely demolished – the place has regained its commemorative function, and is still used as a nice and sober city park. Yet historical photographs of Hitler celebrating the fallen German comrades ahead of the very monument you can see today produce a strange feeling.

In the years of the dictatorship, the rallies turned into a megalomaniac ostentation of power, with hundreds of thousands participating in the reunions. Correspondingly, the area involved in these parades was greatly enlarged, and a plan was made to realize a group of dedicated buildings.

The most famous of them, thanks to the historical movies of the parades recorded at the time, is the Zeppelin Field. This was a parade ground designed from scratch by Nazi architects. The white tribune with the huge swastika on top, in the background of an immense, perfectly ordered and disciplined public, crowding the arena and listening to the voice of the Führer, is one of the permanent symbols of the Third Reich monstrous machine. Actually, the same tribune is the subject of another very famous movie, where the swastika is blown up with dynamite after the capture of the city of Nuremberg by US troops, marking the end of the Nazi rule in Germany.

The tribune and the constructions along the perimeter of the Zeppelin Field underwent major post-war deconstruction works, as the area came to host a car racing circuit and later a rather minimal sporting ground. What remains of the building is still rather massive, yet the top colonnade is gone, and as of 2016 the place looked little guarded and partly abandoned – eventually making it even grimmer! You can be on the exact podium where Hitler stood in his golden days admiring his evil creation.

The final and most prominent part of the plan is the congress hall of the NSDAP. Like most of the gigantic construction project for the area, this building was never completed, yet it reached a rather advanced state of completion. It is a U-shaped, three floors building, clearly inspired to the ancient Roman architecture. It should have been the building for the congresses of the NSDAP.

Today, this is the only preserved building of the complex, and hosts an extremely interesting museum and documentation center on the history of the Nazi Party and of the rallies. Really an interesting insight in the aesthetics of Hitler’s era and in the strange history of this strange political movement, which has been instrumental in shaping the face of todays Europe – and possibly of the world. Surely worth visiting.

A somewhat off-topic note, yet fitting in this chapter, concerns the hall of the Nuremberg Trials. These post-war trials were held in Nuremberg soon after the end of the war, mainly because of the significance this city had gained for the NSDAP. The courthouse, used as such also under the Nazi dictatorship, survived the war rather undamaged. Today, it is home to the Memorium, a very interesting museum documenting the trials from an anecdotal perspective, as well as from a more elevated viewpoint, describing its significance for international law – it was the first time an international conflict ended up in a trial.

Besides the museum, which is mainly centered on panels and photographs, you can see the famous Courtroom 600, where the trials took place. This was a bit altered since the years of the trials, yet some peculiar features, like the artistic doors, are exactly those you can see in the famous video recordings from the time.

Getting there and moving around

The area of the NSDAP rallies can be found about 2.5 miles southeast of the historical district of Nuremberg, Bavaria. It can be conveniently reached by car, or with public transport. Tramway line 8 departs the central railway station and has several stops in the area of interest. The S-bahn station ‘Nurnberg-Dutzenteich’ is 0.3 miles from the congress hall.

Today the area is mainly green, with much room for relaxing with a good walk. There are some explanatory panels with maps outlining the scheme of the Nazi master plan, including the buildings which were actually erected, those which were later demolished, and those which were just planned.

The centerpiece is the museum ‘Dokumentationszentrum Reichsparteitagsgelände’, in the unfinished congress hall. Despite the distance from downtown Nuremberg, this is a major attraction for foreign visitors, hence the museum is prepared for large crowds. Visiting is possible with an audio-guide in many languages, and it is really worth the time and price. Website here.

The Memorium Nuremberg Trials, is hosted in a still active section of the Courthouse and is conveniently reachable by car of with the U-bahn U1, stop ‘Bärenschanze’, about 1 mile west of the historical town center. It can be visited on a self-guided basis, with audio-guides in many languages. This exhibition is really well designed and very interesting, and may take a couple of hours for a complete exploration. Yet due to the relative absence of tangible ‘hardware’ it may turn out unbearable for smaller children. Website here.

Spiritual Headquarter of the SS, Wewelsburg

The castle of Wewelsburg is connected to one of the most obscure aspects of the Nazi ideology – magic practices. The castle was founded centuries before the advent of the Nazis. Soon after the rise to power of the NSDAP, the head of the SS Heinrich Himmler got fascinated by the triangular perimeter of the castle, which appears to point towards the North. This is nothing special for a normal mind, but the SS  were the treasurers of the German race culture, and they were trying all the time to establish a solid link between basically themselves and the ancient settlers of Greenland – the Thule people – described in some legends as the most ancient northern population. This was instrumental in sustaining that the world belonged to the SS, which had been there since before everyone else.

This apparently silly idea represented for this group of fanatics a sufficient motivation to trigger a world war, were they saw themselves as the leaders of a liberation movement, regaining a rightful control over Europe (just to start) to the German race, after centuries of undue occupation by other races.

Wewelsburg gained more and more importance as the Nazis started preparing for war. The northern tower of the castle was declared the center of the world, and the heart of the SS soul. The School of Wewelsburg represented the spiritual leadership of this military organization, which enjoyed a surprising independence – and an extensive budget – even in the suffocating bureaucratic apparatus of Hitler’s political dictatorship. As such, Wewelsburg came in the middle of a visionary master plan, where it had to be at the center of a circular construction with a radius of 1 kilometer. Construction works started on this project, satellite concentration camps for forced laborers being opened on site for the purpose. The work did not develop much though, due to the intervening war events and things evolving differently from the Nazi plans.

The castle underwent some modifications under the SS. It was generally refurbished to host regular reunions of the comrades of the School of Wewelsburg, with SS-themed furniture which can be seen in the local museum devoted to this incredible story.

Furthermore, the northern tower was largely modified inside, with two round rooms appearing one above the other on two levels. The top one was completed as the ‘Room of the Black Sun’. It is centered on a mosaic pavement with a swastika motif. A disk made of pure gold, disappeared after the war, represented the sun in the center of the pavement, and marked the very center of the world.

The bottom room is basically a crypt, receiving little light from the outside, and resembling a chapel. At the center of the room you can find a basin like in a baptistery. All around there are little stands, possibly provisions for thrones. On top of the vault, just beneath the sun in the top room, there is a rare stone sculpture of a swastika.

The real use of these rooms is rather mysterious. It seems likely that Himmler with the School of Wewelsburg wanted to create a kind of ‘elite of the elite’ in the SS. The crypt might have been a place for ritual initiation ceremonies, and the top hall a kind of meeting area for the group. Selected officials and intellectuals of the SS met regularly in Wewelsburg, but basically no documentation exists of the content of these meetings. Yet the well-known mental inclination and conviction of the components of the group, the symbolic significance of the Wewelsburg site for these people and the temple-like setup of the northern tower suggest some sort of esoteric ritual might have taken place here.

The area reportedly fell into disrepair soon after WWII, and even worse, conceived by some as the shrine of the still alive ‘spirit of the SS’, it rapidly became the stage of black masses, magic practices and satanic rites. To contain the drift, the top hall was turned into a Christian chapel and an altar was put in place. This was later removed when castle opened as a museum on local history, a youth hostel and more recently as part of a very interesting museum and documentation center about the SS.

Getting there and moving around

The castle of Wewelsburg is located on top of a cliff in the homonym village, about 8 miles southwest of the medieval town of Paderborn, immersed in a beautiful north-German landscape. It appears to be about 2 miles south of the Paderborn-Lippe local airport. The castle can be conveniently reached by car, parking available nearby the entrance.

There are several exhibitions, including a museum about the ancient history of the castle, a documentation center and museum on the SS, which provides access to the Northern Tower and its mystery rooms, and a space for temporary exhibitions – at the time of my visit, there was one on the racial aspects of Nazi ideology. All museum are very modern and extremely interesting. There is also a hostel right inside the castle.

The site is really interesting to visit and a good destination for a nice half-day trip for everyone. Yet despite the nice panorama and the pleasant 16th century architecture, the association of the castle with dark activities in the dark years of Himmler and the SS makes this castle mysterious and somewhat grim, adding to the experience.