Soviet Traces in the Caucasus – Armenia, Azerbaijan & Georgia

A visit to the three Caucasian republics – Armenia, Azerbaijan and Georgia – today offers much to virtually any type of traveler. An incredible range of sceneries can be found there, from beaches to mountain ridges, from abundant traces of a multi-millennial civilization to futuristic skyscrapers and oil rigs.

As recent history has dramatically shown, these countries are inhabited by markedly different, deeply divided populations. Furthermore, all three of course still have a complicated relationship with their gigantic neighbor, Russia, which shares a border with both Georgia and Azerbaijan – with some unsolved uncertainties especially with the former, as shown in the cases of the contended territories of Abkhazia and Ossetia. On the other hand, Armenia is historically at loggerheads with Turkey, with which it shares a long – and impenetrable – border.

The three Caucasian nations have suffered the influence of stronger powers for ages. Constant clashes between Czar’s Russia and the Turks meant the loss of independence for long. As a matter of fact, both today’s Georgia and Azerbaijan where under Russia, and Armenia under the Turks, when WWI broke out. Soon after the war, short-lived independent nations were extirpated by the deadly action of the communist Bolsheviks, invading from Russia. The three Caucasian nations were forcibly incorporated in the Soviet Union, creating an artificial, uncomfortable friendship between each other and with Russia.

For roughly seven decades the three nations were on the southern border of the USSR, sharing a frontier with Turkey and Persia (later Iran). Turkey collaborated with the Third Reich in WWII, and later joined NATO, hosting – as it still does today – Western military forces on its territory. That border with the USSR was very active in the Cold War years. Aerial espionage missions were flown by the US from Turkey, ballistic missiles were installed, gigantic radar plants were put in place by the Soviets, who also manufactured MiGs in the outskirts of the Georgian capital – really a hot region in the Cold War!

As soon as the Soviet power started to creak at the very end of the 1980s, national movements faced again, eventually leading to the birth of independent nations as we know them today. This was not without a deadly struggle however, as for the case of Azerbaijan, mostly relevant for its oil reserves and the border with Iran. Furthermore, religious and cultural differences and unsolved disputes over the actual borders among each other meant that these three nations were never friends over the last three decades.

Besides this complicated geopolitical inheritance, the long-lasting Soviet tenancy of the three Caucasian Soviet Socialist Republics (SSRs) left traces, of course. Some highlights among the architectural leftovers of Soviet times are presented in this post, from all three Republics. Monuments, from Soviet times, or celebrating independence from the Soviets, are similarly included. Further traces are preserved in museums – military museums dating from the Soviet era, like in Gori (Stalin’s birth town in Georgia, see this post) and Yerevan, history museums like in Baku and Tbilisi, or collections of artifacts from Soviet times, like the world-class Auto-Museum next to the airport in Tbilisi.

Photographs are from a long visit to the Caucasus in summer 2019.

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Armenia

Azerbaijan

Georgia

Sights in Armenia

Republic Square, Yerevan

A fine example of Soviet-times architecture, Republic Square – originally named Lenin’s Square – was designed in the mid-1920s, soon after the creation of the USSR, and was actually built little by little, reaching completion in the 1970s. It is a great example of Soviet-classicism, contaminated by some Armenian motifs – Armenia boasts an original architectural school originating several centuries ago, and particularly evident in medieval Armenian churches.

The focal point, once a statue of Lenin at the center of the square and pulled down in the 1990s, is possibly the front facade of the rich History Museum of Armenia, in a pale color and openly recalling the lines of the beautiful monasteries to be found in the country.

Besides the museum building, fronted by a huge fountain, the oval shaped square is defined by four more buildings, coordinated in terms of volumes and colors. The frieze on some of the buildings is centered on the usual Soviet iconography – five-pointed stars, sickles, harvest, …

The easternmost building with a clock tower used to be the seat of the government of the Armenian SSR, and is now the palace of the Armenian Government.

The westernmost building was designed, and still is, a hotel.

At night, they regularly offer a nice show with music, lights and water games.

Visiting

Centrally located in Yerevan, you can reach this place in several ways. You probably won’t miss it if traveling to the Armenian capital city. Just note that parking is not possible on the square.

Cascade, Yerevan

A large – better, a monster-size… – stairway, climbing uphill from central Yerevan to a residential uptown neighborhood, was designed in the early 1970s and built in two stages, both in the 1970s and in the 2000s.

The stairway is interrupted by platforms, with sculptures and fountains, which make it look pretty irregular and full of details to discover.

Access to the famous Cafesjian Museum is along the stairway.

As of 2021, the complex is unfinished, still missing a planned building on top. The stairway offers a beautiful view of Yerevan, basically in its entirety. The panorama reaches to Turkey and mount Ararat.

Visiting

This is a highlight in town you won’t probably miss. A climb with a taxi to the top is recommended, descending the stairway instead of climbing it, especially on torrid summer days.

Mother Armenia & Victory Park, Yerevan

A unique sight in the former SSRs of the Caucasian area, the Mother Armenia statute is a typical relic of the Cold War, like you can find elsewhere in Russia or more rarely in the Soviet satellite countries of Eastern Europe.

The statue was born as a commemorative monument for the effort of the Armenian SSR in the Great Patriotic War. Having been designed soon after WWII, when Stalin was still the leader of the USSR, the monument was pretty different from now – a huge statue of Stalin used to stand on top of the huge pillar! This was removed in the early 1960s, being swapped with a nicer statue resembling an Armenian young woman, and titled ‘Mother Armenia’.

The base of the monument features a few decorations, based on typical Soviet iconography.

Around the monument, in what is called Victory Park, a few specimens of Soviet military technology are there to see. These include a few tanks, missiles and aircraft.

Ahead of the monument, an eternal flame is still lighted today (invisible in the pics due to the extreme sunlight). A majestic perspective leads to a balcony, from where you can enjoy a nice view of the Armenian capital city.

The base of the statue is home to a war museum, conceived in Soviet times, and later updated with documents over the most recent  Armenian war actions.

The latter, including the countless clashes with Azerbaijan and Turkey, are documented on the much visited ground floor, besides the main hall.

A part on the same floor is dedicated to the actions of soldiers from the Armenian SSR in Soviet times, and more generally to the Cold War period.

Little or no attention is devoted by visitors to the rich collection on the underground floor, mostly centered on the actions of the Red Army against Hitler’s Wehrmacht in WWII.

Here the exhibition is very rich of relics from both the German and Russian sides, including weapons, papers, uniforms, … Several maps retrace the epic battles and actions, leading to the defeat of the German military machine.

Portraits of generals, insignia and mottoes in Russians, not limited to the actions in WWII, relive the genuine ‘Soviet remembrance’ feeling, to be appreciated also in similar museums like in Kiev (see here) or Moscow (see here).

Visiting

Reaching Victory Park, where the monument is immersed, is easy with a taxi, or climbing uphill from downtown on top of the Cascade described previously. Visiting inside the monument is totally recommended for curious visitors, war history enthusiast and similar folks. Nothing can be found in a western language. A visit of about 45 minutes may suffice for a rich overview of the inside exhibition.

Railway Station, Matenadaran, Opera Theater & Other buildings in town, Yerevan

Soon after its annexation to the USSR, Armenia started receiving many prototypical items of Soviet architecture. However, like in the case of Republic Square (see above), some buildings were designed by local architects, including elements of traditional Armenian style.

A typically Soviet building in Yerevan is the Railway Station, dating from the 1950s, still featuring the emblem of the Armenian SSR on top of a tall spine, and double Russian/Armenian signs on top.

An example of a blend between Armenian architecture and Soviet ‘magnificence’ is constituted by the Matenadaran, designed soon after WWII (Stalin’s era), to host a unique world-class collection of ancient books and papers.

This enigmatic building, despite of course imposing, is definitely not the usual Soviet ‘monster block’ like other museums elsewhere in Soviet capital cities.

Similarly peculiar is the Opera Theater, dating back again to the years of Stalin. Soviet pomp is scaled down to Armenian proportions, and the color of local stone makes the outcome different from buildings with a similar function in other communist capital cities.

Other examples of Soviet buildings can be found scattered in downtown Yerevan, which is generally speaking a nice-looking, neat city center. These include residential buildings, as well as hotels and more.

Even for more recent low-level, purely-‘communist style’ blocks, they put some effort in reducing the inevitable impact of these bulky constructions.

Visiting

With the exception of the railway station, located south of the city center, all sights just cited can be found in the very center of Yerevan, at a walking distance from one another, highlights along a nice stroll in the area.

Mikoyan Brothers Museum, Alaverdi

Besides the gorgeous monasteries gracing the area of Sanahin, in the northernmost part of Armenia, an unmissable destination in the area for seekers of Soviet relics and aviation enthusiasts is the home of the two Mikoyan brothers.

For aviation connoisseurs, the name ‘Mikoyan’ is one of the most prominent – the ‘M’ in the acronym ‘MiG’ being borrowed from the surname of Artem Mikoyan. This marvelous aircraft designer, whose design bureau grew to top fame in the Cold War period, created with his designs the backbone of the fighter force of the USSR and all its Eastern Bloc satellites. Some of his models have been manufactured in the highest numbers in aviation history, and have served in the Air Forces of the world for several decades. The firm remained alive well after the collapse of the USSR, until the (Russian) state-imposed incorporation of several aircraft design bureaus in a single conglomerate, in the early 2000s.

Possibly less-known today, but a really prominent personality in his era, and perhaps even more influential in recent history than his brother, was Anastas Mikoyan. This was a member of the Soviet Politburo since its foundation in the years of the civil war following the communist revolution in 1917, until 1965 – i.e. managing to stay on top for the entire length of Stalin’s and Khrushchev’s reigns, and resigning only some time after Brezhnev had taken the lead. He over-viewed production in the USSR, acted as an emissary to the US and Cuba in the years of the Kennedy administration, and especially during the missile crisis in 1962.

The two Mikoyan brothers were born in the small mountainous town of Alaverdi, Armenia, where a monument and museum was created back in Soviet times to commemorate their achievements.

The most notable feature, really an unexpected view in this mountain town, is a MiG-21 placed under a concrete canopy, with inscriptions nearby. This supersonic fighter is a true icon of the Cold War, and of course a good way to commemorate Artem Mikoyan’s contribution to aviation history.

The museum is housed in a small building, where visiting is with a guide (English speaking) and photography forbidden and impossible. Several artifacts, pictures and papers unfold the life of the two brothers, since their birth in this village until their respective rise to prominence and success.

An old Soviet car, likely belonging to one of the two (unclear), can be found in an adjoining building.

Despite a primary touristic destination, the area around Alaverdi and the town itself is (as of 2019) a prototype of post-Soviet decay, with a monster-size, partly abandoned factory building dominating the valley, and old-fashioned, shabby working-class blocks scattered along a road in poor conditions, where buses dating back to the Soviet middle-ages move people around.

Visiting

Visiting the museum is recommended for all aviation enthusiasts and for those interested in the Cold War. The town is a tourist destination thanks to the beautiful monasteries. The museum and monument can be visited in less than 1 hour by a committed visitor.

Sights in Azerbaijan

Museum Center, Baku

One of the few prominent remains of Soviet Baku, the Museum Center has taken over the former building of the Lenin Museum, born in the the early 1960s to celebrate the achievements of communism in the USSR (?).

Today this relatively small building hosts several institutions, including a museum on the history of Azerbaijan. The latter includes many pics and smaller artifacts from older and more recent history. Among them, mock-ups of the famous statues in Berlin-Treptow (see here) as well as the one in Volgograd can be found. The museum covers also the contribution to the history of the country made by the influential Heydar Aliyev, a former member of the Soviet Politburo and first president of newborn Azerbaijan.

However, the Soviet roots of the building are clearly visible in the details of parts of the decoration, which include hammer and sickles on the facade as well as inside. The Soviet-neoclassic architecture of the exterior, and some evident miscalculations in the size of the stairs inside (the ceiling is embarrassingly low!), are other distinctive features of communist design.

Visiting

Centrally located along the nice seaside park, this museum is worth a visit for the small art collection and for the history exhibit. Visiting may take about 45 minutes for the committed visitor.

Martyrs’ Lane and Shehidlar Monument, Baku

Despite not dating to the Cold War, this monument is strongly bound to the Soviet impact on the history of Azerbaijan – in particular, to the victims of Soviet military actions.

The annexation of Azerbaijan by hand of the Bolsheviks was fiercely opposed by the population, and many lost their lives trying to stop the attack of the communists. A first memorial for them was erected here, wiped out soon after when the Bolsheviks finally gained control of the area.

A small monument from Soviet time can be seen in the area, from the time of WWII.

A more recent episode in the closing stages of the Cold war, largely forgotten in the West, was the brief but bloody war fought by Azerbaijan against the agonizing USSR, which militarily invaded the region of Baku to prevent secession. Many were killed in the so-called Black January of 1990.

Today’s monument, made of an alley with graves and an eternal flame, is rather scenic but not excessively pompous.

The location is really gorgeous, with a stunning view of Baku and the gulf in the Caspian Sea, as well as of the iconic Flame Towers.

Visiting

Reaching is easy with the funicular starting from downtown Baku. Highly recommended for both the significance of the place and for the panorama.

House of Soviets & Other buildings

The government of the Azerbaijan SSR operated from a stately building, designed in a purely Soviet formal style, and completed under Stalin after WWII. A statue of Lenin originally ahead of the building was demolished following the independence war in 1990 and the secession from the USSR. The building still retains an official role, hosting some ministries of Azerbaijan.

In the peripheries of the pretty big town of Baku, more typically Soviet alleys, architectures… and cars can be easily found. These are in striking contrast with the hyper-futuristic architectures of the big central district, dominated by the iconic Flame Towers.

Visiting

The House of the Soviets, now Government House, can be found in central Baku, along the nice seashore garden. For touring the outskirts of Baku, rich of interesting touristic destinations, a full-service taxi or a car rental are advised.

Sights in Georgia

Georgian Parliament Building, Tbilisi

The Parliament of Georgia was designed and built under Stalin, starting in the 1930s, as the seat of the government of the Georgian SSR. The formal appearance of the front facade is typically Soviet. A now empty medallion on top of the facade used to display the emblem of the SSR. This was destroyed following the clashes against the agonizing USSR which led to the independence of Georgia in 1991-92.

Visiting

A look to the outside is easy to take walking along very popular Shota Rustaveli avenue, a short walk from Liberty Square (formerly Lenin’s Square).

Georgian National Museum, Tbilisi

This world-class museum is dedicated to the history of the Georgian culture, and displays invaluable artifacts dating from all ages.

A small but pretty rich hall is dedicated to the bloody invasion of the Bolsheviks in 1921, which quickly destroyed the short-lived independent Georgian state. This had been created following the collapse of the Czarist empire as a result of WWI and the ensuing revolution/civil war in Russia.

The communist invaders did not waste any time, and openly persecuted all political opponents, quickly imprisoning and killing many in more instances.

The exhibition is centered on documents on both the sides of the independence movement and the invading communists.

Artifacts from the quick and bloody war of 1921 are on display, including guns, insignia, and more. The setting of the shooting of political opponents in a prison (similar to the one you can see in the KGB house in Riga, Latvia, see here) is reconstructed.

A particularly striking memorial is constituted by a train truck used for mass execution – bullet holes are clearly visible.

Visiting

Anybody with an interest in Georgian culture will hardly miss this wonderful museum. Visiting the hall dedicated to the communist attack and the installation of a  Soviet dictatorship will take just a part of the overall time devoted to the visit. The place is centrally located in front of the Parliament Building.

Mother of Georgia Statue & More buildings, Tbilisi

Georgia has got rid of most Soviet relics as quickly as possible. Elusive traces of Soviet architecture remain especially in Tbilisi. This gracious town is not dominated by any Soviet monstrosity, and with the exception of the Parliament Building (see above), buildings dating to the years of Soviet tenancy are blended among older and more modern ones, luckily sparing the town from the typical post-Soviet ghost aura.

The very central Lenin Square has been renamed into Independence Square, when the statue of Lenin gave way to that of St. George.

A nice addition from Soviet times is the Statue of Mother Georgia, from the late 1950s. The idea of gigantic statues was pretty popular in the Soviet Union and other communist countries, like Yugoslavia (see here). However, the nationalistic inspiration of Mother Georgia meant it was not torn down when the Nation gained independence.

A few buildings and decorations from Soviet times can still be found in Tbilisi – side by side with futuristic ones – as well as many cars from the Cold War era!

Batumi

A thriving holiday destination on the Black Sea, closely resembling Miami Beach, the contrast between old-Soviet and novel American-style buildings is sometimes striking in Batumi. International hotels are there side-by-side with old monster apartment blocks from Soviet times, now less visible thanks to the application of some architectural cosmetics.

The town is very lively and enjoyable, as a result of a serious effort to make it an international-level seashore location. Even Donald Trump has been reportedly involved for a while in the construction of a resort on site!

Besides older buildings, some from before the Soviet era, as well as some small-scale Soviet-style monuments are still there. Only rare examples of really shabby Brezhneva (‘Brezhnev-era housing’) can be found in more peripheral areas.

A former port town of the Czar, Batumi was the target of the young communist Stalin, who preached to the workers of the port, spreading the word of Marx in the early 1900s.

Visiting

A visit to Batumi may be for the nightlife, for the sea, or for the Gonio Fortress nearby. The place can be reached directly by plane, car or train.

Kutaisi

The central square of Kutaisi, the second largest town in Georgia and the seat of the Parliament, is centered around the Colchis Fountain, designed in a style similar to that of Mother of Georgia in Tbilisi (see above).

Around the square, the Drama Theater and an adjoining building are clearly built in a Soviet formal style.

Visiting

Easily reachable, the ancient town of Kutaisi may be visited for the many historical and natural attractions in town and around. It is totally easy to reach by plane, train or car.

Borjomi

The name ‘Borjomi’ is known everywhere in the territory of the former USSR, thanks to the water springs in town. The water label ‘Borjomi’ is still today the perfect analogous of ‘Perrier’ or ‘San Pellegrino’ for the western world, meaning a top-quality sparkling water.

Actually, this natural spring was discovered when Georgia was part of the Russian Empire, when Russian soldiers fighting against the Turks  were mysteriously healed from some belly sickness while stationed in the area. The place became famous all over Russia for the its springs. A railway was put in place to connect Borjomi to the rest of the Empire, and famous personalities like Tchaikovsky are celebrated among the illustrious visitors to this nice location in the mountains. This town is still today a popular destination for vacation, with top-level hotels, a theme park, and much nature around to be explored.

Besides some older buildings, dating from before the Soviet era, some others are typically Russian style, like the railway station. Original timetables in Russian are still on display.

Look at this pic from an old Soviet base in the former DDR, to see the name ‘Borjomi’ among the railway stops in Soviet times!

Visiting

Reaching secluded Borjomi is not difficult by train or car from Tbilisi, or from nearby Gori.

Great Patriotic War Museum, Gori

Besides Stalin’s birthplace and the corresponding museum (see this dedicated post), for more curious visitors many memorabilia items, documents and artifacts can be found in Gori, in a museum dedicated to the Great Patriotic War (i.e. WWII for the Soviets). A scaled-down museum totally like the one in Kiev or Moscow (see here and here respectively), this exhibition is centered on the role of the Georgian SSR in the fight against Hitler’s Wehrmacht during WWII.

Many documents and photographs make this exhibition very lively.

Rare German relics are displayed in dedicated cases.

Similarly interesting are various artifacts from WWII and the Cold War.

The local hero – Stalin – is of course celebrated with a dedicated wall sculpture, photographs, and more.

A part of the museum is actually a memorial.

The museum has been more recently updated, with some displays concerning the most recent actions of the Georgian Army.

A large commemoration monument from Soviet times, slightly modified after independence, can be found outside the museum, making it noticeable when passing by.

Visiting

This small but interesting museum is located at a minimal walking distance from Stalin’s birth house, but it is a separate entity from it. It can be easily found at the southern tip of the garden leading to Stalin’s house. The entrance can be spotted thanks to the wall monument ahead of it.

Tbilisi Automuseum, Tbilisi

A full immersion in the history of automobiles of the Eastern Bloc! This museum is a true must for 4-wheels enthusiasts. The collection is hosted in two hangars.

The larger one is stuffed with cars from several decades of the Cold War timeline.

Older Soviet cars from Stalin’s era sit side-by-side with more modern Chaikas.

Not only stately ‘official’ cars, unreachable for the general public, are on display.

Smaller Ladas and Zil, often license-built Russian versions of Italian FIAT cars, can be found – some in the colors of the Police or other services.

At the time of visiting (2019) at least one original Soviet Pobeda car could be boarded!

The second hangar hosts a few light military vehicles, and some motorcycles.

Visiting

Visiting this museum is definitely recommended for car enthusiast, Cold War fanatics and alike. Easy to reach with a car or by taxi, moving from downtown in the direction of the airport. Totally worth a detour from Tbilisi city center. Don’t be discouraged by the ‘industrial’ setting around when approaching this elusive location. The place is polished, and managed like a regular museum. Website here.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

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Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

Warbirds in Texas

The immense state of Texas is in the foreground of the panorama of historical aviation, thanks especially to the CAF – the Commemorative Air Force (website here) – which maintains and operates some of the Nation’s finest airworthy warbirds. This privately financed, non-profit organization feeds the programs of many airshows everywhere in the US, and carries out an invaluable function in preserving the legacy of many aircraft designers, manufacturers and military servicemen especially from WWII and early Cold War years.

The birth of the CAF in Texas is not just by chance. The Lone Star State bolsters an extremely long and rich tradition in aviation. Training airfields were established in Texas earlier and in a number greater than any other State during WWI. Fort Worth was the birthplace of one of todays few surviving major airlines in the US – American Airlines – back in the early 1930s.

Aircraft manufacturers associated with Texas include Consolidated – most of the iconic WWII B-24 Liberator bombers  were manufactured in Fort Worth – and North American. Consolidated later merged into Convair, owned by General Dynamics since the Fifties. Many aircraft of the Cold War era were actually manufactured in Fort Worth, including the record-breaking B-36 Peacemaker and B-58 Hustler, or the highly successful F-16 Fighting Falcon, still in service today in many air forces of the world, as well as a good deal of other types. As of today, Lockheed Martin and Bell Helicopters are both headquartered in Fort Worth.

Needless to recall, Houston has been one of the major focal points of world astronautics since the beginning of the space age.

In such a cultural setting, and considering the general financial wealth and the abundance of oil typical of Texas, it is not surprising that warbirds, even though fuel-thirsty and expensive to maintain, are present here in an exceptional concentration. Where possible, they are maintained in airworthy conditions, otherwise they are kept in great consideration in world-class air museums.

This post covers only four rich collections out of the many you can find in Texas. Two of them are ‘airworthy collections’, whereas in the other two warbirds are preserved for static display. Considered together, these four sites are probably already a good reason for an aviation-themed trip to Texas!

Photographs are from an extremely hot August 2018.

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Cavanaugh Flight Museum, Addison, TX

This renowned collection just west of downtown Dallas is split between a big group of exceptionally well-kept and airworthy prop-driven aircraft, and a number of warbirds on static display, some of them jet-powered. Website here.

The museum occupies a few hangars on a very busy general aviation airport (Addison Airport), where executive jets, helicopters and smaller propeller-driven aircraft operate all around the clock. 

The collection is hosted in four hangars and on an external apron where you can walk around freely. Not all aircraft are around here at any time, some having been flown out to some airshow, or for maintenance. In the first hangar you can find a handful of perfect airworthy replicas of WWI fighters from both sides of the front line.

Just besides are a North American B-25J-NC Mitchell, a ground strafing version of the famous medium-range bomber, and a veteran of WWII.

There are also a Vultee SNV-2 Valiant, a De Havilland Tiger Moth, a Ryan PT-22, all training planes from the Forties. In a corner you can see also a Piper L-4J, the military version of the J-3 Cub, and a Stinson L-5E, similar to the former in shape and mission type.

A Pitts Special aerobatic biplane is hanging from the ceiling in an inverted attitude.

The second hangar hosts a Fairchild PT-19 Cornell, an ubiquitous US military trainer from the Forties, in a distinctive light blue colorway with a yellow fin. Together with a yellow Stearman N2S-4 Kaydet biplane and a North American T-6 Texan, both good old trainers, they share the scene with a handful of stunningly preserved icons from WWII.

These include a Grumman F-4 Wildcat and a massive Grumman TBF Avenger – both in the dark blue colorway of the US Navy. 

Just besides are a licensed version of the Messerschmitt Bf-109G of Nazi Germany built by Hispano Aircraft in Spain, and a nice replica of a Soviet Yakovlev Yak-3M.

Cross the apron, you can find some more great classics from the Forties. There are an immaculate Curtiss P-40 Warhawk, and two North American T-28 Trojan trainers in the colors of the Navy. In the background you can spot a sizable Heinkel He-111 twin, a licensed version manufactured by CASA in Spain.

The last hangar shelters an aggressive Douglas A-1H Skyraider in the colors of the USAF. This version of the massive single-prop features a single seat and is especially reinforced for increased bomb load to carry on ground attack missions.

This is surrounded by a series of pretty famous jet attack aircraft, including a McDonnell-Douglas F-4C Phantom II, a North American F-86 Sabre and a Grumman F-9F-2B Panther with foldable wings and the distinctive blue and red colors of the Navy. 

There are also two classic fighters from WWII, a Supermarine Spitfire Mk.VIII and a North American P-51D Mustang. The latter is so polished that you can clearly see your image reflected in its skin panels!

On the outside apron you can see parked three Soviet-made jets from WWII – a MiG-15 UTI and a MiG-17 in the colors of the Red Army, and a more recent MiG-21 in the colors of the North Vietnamese Air Force. Close by, a PZL Iskra trainer, once ubiquitous in the former Soviet bloc.

There are also a Lockheed F-104A Starfighter, a Grumman S-2F-1 Tracker patrol aircraft of the Navy with folded wings, a Republic F-105 Thunderchief awaiting restoration, and a Vought A-7 Corsair II.

Scattered around the museum are also a few helicopters, and even a Sherman tank.

During my visit I could see two movements of aircraft taxiing out for take-off. The first was a Cessna O-2 Skymaster, a model extensively used in Vietnam for FAC missions. This has been refurbished with fake underwing rockets. You can see it in the vid below.

The second was a Douglas EA-1E Skyraider in gray Navy colors. This is the early warning version, designed for a crew of three and originally mounting a dedicated radar platform. You can watch (and hear!) the difficult startup of the huge Wright radial engine – it was around 100°F outside! –  and the aircraft taxiing with folded wings. Unfolding starts only seconds before the aircraft gets out of sight.

Forth Worth Aviation Museum, Fort Worth, TX

This museum hosts a little but highly valuable collection of US aircraft on static display. The museum is totally volunteer-run. These folks are doing an exceptional job preserving their aircraft. As you can see from the pictures, there are many exemplars being actively refurbished in a hangar to the back. The museum is located on the southeast corner of Fort Worth Meacham general aviation airport. Website here.

All aircraft are preserved outside, but you get access to the museum grounds through a lounge, stacked with wonderful memorabilia, technical specimens, paintings and rare pictures.

A showcase is devoted to the Convair B-58 Hustler, a record-setting Mach 2 bomber from the Fifties, produced in slightly more than 100 exemplars, which were all manufactured in Fort Worth. This iconic delta wing, four-engined jet was exceptional for the number of ‘firsts’. Among them, it was the first aircraft with a computerized flight control system and an integrated navigation platform. You can spot part of this analog computer, a bulky stack of black metal parts.

There are scale models of the Cessna O-2 Skymaster, and based on the themes of the merchandise in the museum shop there is actually a predilection for that aircraft and the Rockwell OV-10 Bronco, which had a similar mission, i.e. observation, reconnaissance and forward air controller (FAC).

Actually, among the first aircraft you meet outside there is a Cessna Skymaster. I was so lucky to visit on August 19th, the National Aviation Day, when the museum recruited many veterans to stay besides their respective aircraft and tell their story. I spent a little time with Doc Lambert, Nail 66, one of the pilots of FAC missions over Vietnam, Laos and Cambodia, who allowed me to have a long look inside his Skymaster. Among the testimonies of his war operations, he told me some anecdotes. Most FAC missions were performed with only the pilot on board, which caused a pretty high workload. Furthermore, the aircraft was not equipped to counteract any weapon shooting up from the ground. This meant that a typical flight was an uninterrupted sequence of strong turns to avoid being hit from ground fire, something that also helped in searching for grounded crews, or enemies hiding in the jungle. As a result, you had to be accustomed to such way of flying, or a strong sense of nausea would come to disturb you pretty soon. This regularly happened with visiting high-ranking USAF staff on demonstration flights…

The museum owns another Skymaster, which was undergoing refurbishment in a black livery at the time of my visit, similarly to an operational USMC version of the OV-10 Bronco.

Best preserved aircraft on the front row, which are clearly visible from the public road ahead of the museum, include a Lockheed T-33 Shooting Star training aircraft, and a Northrop F-5 Tiger II in a fake Soviet camouflage once used by aggressors in flight academies.

On the same row you can spot a Douglas A-4 Skyhawk, a type in service since the early Sixties, and shown here painted in the colors of the Navy. The beautifully restored Vought A-7B Corsair II nearby was deployed to Vietnam three times with VA-25 on board USS Ticonderoga and USS Ranger.

Next is a massive Republic F-105D Thunderchief, a very nice example of this Mach 2 fighter-bomber from the early Sixties. This very aircraft was stationed in Europe, tasked with carrying tactical nuclear ordnance. The roomy bomb bay designed for the scope can be observed from inside. After more than ten years in the USAF, this aircraft went on to serve with the Air National Guard in the Seventies, and was finally disposed of in 1983.

Right besides the F-105 you find a McDonnell-Douglas F-4C Phantom II in the colors of the USMC Aviation. This very aircraft is a Vietnam veteran, and it was later converted into a target drone, but luckily never used in this role. The collection features another F-4, again a Vietnam veteran.

Cutting edge technology from the late Seventies is represented by a Grumman F-14D Tomcat. This plane is a war veteran, it flew missions during Desert Storm and over Afghanistan, and it was often used on FAC missions and for training at home. It was retired in 2007.

The Tomcat is sitting next to an imposing Sikorsky CH-53 Sea Stallion helicopter. This too is a Vietnam veteran, and suffered also some damage on combat duty. The avionics of this big helicopter are totally analog. Next to it you can find a Convair TF-102 Delta Dagger interceptor built for combat and training. This very aircraft was flown by President George W. Bush.

Other training aircraft on display from different ages include a Vultee BT-13 Valiant single-prop, a Cessna T-37B Tweet and a Douglas TA-4 Skyhawk. The latter was used extensively for training purposes on board USS Lexington.

Two totally authentic Navy veterans are a Vought F-8 Crusader and a McDonnell-Douglas F/A 18 Hornet. The first spent its early career on board USS Lexington and USS Ranger in multiple cruises in the Western Pacific during the Kennedy and Johnson administrations, being later assigned to several Naval Air Stations along its more than 20 years long career. The Hornet was deployed operationally from the late Eighties on board USS Midway and later on USS Independence, and spent its final years in the Blue Angels – of which you see the vivid livery today – being finally retired in 2009.

A special feature of this museum is the only existing mock-up of the McDonnell-Douglas/General Dynamics A-12 Avenger II. Development of this attack aircraft was carried on in the Eighties and finally canceled by the Government. The flying wing configuration and the widespread adoption of composite materials made this platform unique, but also ahead of its times. This design was penalized by subsequent mass increases which caused its cancellation, but it represented a first chance to investigate concepts and technologies later adopted for operational aircraft flying today. The mock-up used to reside in the Fort Worth plant of General Dynamics, from where it made its way to the museum.

Other Cold War planes include a General Dynamics F-111E Aardvark, built in Fort Worth and assigned to Japan and Europe along its long operational career spanning the years 1969-90, and a Rockwell OV-10 Bronco formerly in service with the USAF.

Lone Star Flight Museum, Houston, TX

This stunning museum is located on the premises of the Ellington Field Joint Reserve Base. The installation is centered on a collection of mainly airworthy warbirds and classic planes.. It is really top quality, surely among the best displays of the kind in the Nation. Besides that, they offer a well-designed, recently-made, fresh presentation of the history of aviation in Texas, as well as didactic labs explaining the principles of flight through experiments and simulators. You can find their website here.

There are also meeting rooms and galleries for art exhibitions. Really a place to be for enthusiasts of ‘flying oldies’!

The collection is not huge, but it boasts a good number of notable aircraft still flying today. In the first hangar you can find many iconic designs from the Thirties and Forties. There are a North American T-6 Texan and two beautiful Stearman PT-17 Kaydet trainers. 

A centerpiece of the collection is an extraordinary Republic P-47 Thunderbolt – the fastest propeller driven aircraft ever – in a majestic colorway from WWII years.

At the center of the hangar, much room is taken by an airworthy example of the mighty Boeing B-17 Flying Fortress. Together with a few other models, this formed the backbone of the US bombing capacity during WWII. Stunningly restored, this aircraft can be booked for pleasure flights!

Further aircraft on display in this hangar are a Piper L-4H, its civil counterpart, the J-3 Cub, and a similarly looking Stinson OY-1 Sentinel in military colors. 

A true rarity is a stylish Beechcraft D-17 ‘Staggerwing’. This aircraft was conceived in the Thirties as one of the first ‘executive aircraft’, with good handling capabilities, and nice interiors to provide good comfort on board. Despite all efforts, visibility from the front windscreen is probably not very good…

A Grumman F-6F Hellcat, an authentic warbird from WWII, painted in the colors of the Navy, a Fairchild trainer and an ubiquitous general aviation Beechcraft Baron complete the exhibition in the first hangar.

The second hangar hosts both prop-driven and jet-driven aircraft, most of them airworthy or otherwise being restored. The most classic designs in this room are a North American B-25 Mitchell medium-range bomber, a Douglas DC-3, a Douglas SBD Dauntless and a Grumman TBM Avenger.

Interestingly, the Mitchell is the only in the world painted in the colors of the Doolittle Raiders. This very aircraft did not see action during WWII, but later being flown by the CIA on covert missions, it was involved in JFK’s failed attempt to invade Cuba, overflying the Bay of Pigs in the days of operations.

The DC-3 flew extensively with American Airlines and later TransTexas Airways – later to be ingested by Continental, hence the livery – and is still airworthy today. Both the SBD and TBM on display are from WWII days, and are still flying today after restoration work.

While possibly disappearing in front of its illustrious colleagues in this hangar, an honest Cessna T-41 Mescalero represents here the training branch of the armed forces. This is basically the military version of the C-172, probably the aircraft manufactured in the highest numbers in history, and a platform where pilots of all sorts spend part of their training still today. The colors are very nice, and this aircraft is the cheapest you can rent for a ride at the Lone Star Flight Museum.

In the same hangar you can find also (slightly) more modern aircraft. There are three jet-powered aircraft from the early Cold War period. One is a Lockheed T-33A trainer, a very successful aircraft sold in high numbers in the late Forties. More impressing is an authentic Soviet MiG-15, which spent its years in service with the Chinese Air Force and saw action in Korea, opposing the F-86A in the first jet vs. jet campaign in history.

A Polish-built MiG-17 in an incredible ‘Red Banner’ celebration colorway completes the trio.

Close to the exit you can find a beautifully restored Douglas A-1D Skyraider. This aircraft is airworthy, and is an authentic veteran of both the Korean and Vietnam war, where it reportedly sustained extensive damage but was not shot down.

There are also a Sikorsky helicopter used for commuting to oil platforms off the coast of Texas, and a Cobra attack helicopter.

Outside, as a gate guardian on one of the access roads leading to the base, you can spot a NASA Boeing 707 used for zero-gravity flights on behalf of Johnson Space Center.

USS Lexington, Corpus Christi, TX

‘Lady Lex’ – as it was affectionately called by its crews along its illustrious career – is an Essex class WWII aircraft carrier, and with 40 years of active service is by far the one that enjoyed the longest service life. Since the late Sixties it operated as a training platform, where many pilots of the Navy learned how to perform a carrier landing. 

Today this majestic vessel is permanently moored on the bay of Corpus Christi, where it is home to a fascinating history museum covering her long operational history. The corresponding website is here.

Highlights of the visit are first of all the ship’s bridge, from where you can also profit from a vantage view of the flight deck and of the bay – and of the thunderstorms afflicting the area in mid-August, of course.

Similarly interesting are the lower deck where aircraft used to be stored. This is huge, and some historic aircraft can be found here as part of a number of small exhibitions.

The forward compartments recall the attack of Pearl Harbor in 1941, and display also some artifacts from the time, including pieces of the ill-fated battleship Arizona, and a banner belonging to the older CV-2 Lexington – CV-16 being the number of this vessel in Navy inventory.

An unusual topic is movies – some great scenes of ‘Pearl Harbor’ Hollywood drama starring Ben Affleck and Alec Baldwin were shot on USS Lexington, including an apparently genuine take-off of a B-25 from the flight deck! Other motion pictures partly shot on board Lexington are ‘Midway’ and the series ‘War and remembrance’.

Part of the quarters of high-ranking staff can be visited, including a canteen. These were typically used only when the ship was moored. 

Interestingly, it is possible to walk along the side decks of the ship, where anti-aircraft guns can be found and closely inspected.

Finally, the flight deck hosts a number of aircraft, representing many types in service with the Navy, most of which found their way on the modernized flight deck of this old carrier, during combat assignment or on duty as a training vessel. Being exposed to a salty atmosphere and to the intense sun of the Texan coast, these aircraft have been somewhat coated, which gives them a ‘mock-up appearance’, but this is just an impression, for these aircraft are real and on loan from the National Museum of Naval Aviation.

The aircraft to the stern of the ship are all pretty classic, and represent types which were actually flown from USS Lexington. They include the Douglas TA-4 Skyhawk trainer, the early Cold War Grumman F9F-8T Cougar fighter jet and the loosely similar McDonnell F2H-2 Banshee. This was designed as a fighter, but it was selected to cover primarily the reconnaissance role.

A workhorse which saw combat in Vietnam and all down to the First Gulf War is the Grumman A-6 Intruder, a tactical bomber with good penetration and low-level attack qualities. Differently from the Grumman F-14 Tomcat nearby to the bow of the ship, the Intruder could be operated from the relatively small deck USS Lexington.

The Vought A-7 Corsair II attack aircraft and the North American T-2C Buckeye trainer both saw action from the deck of the Lady Lex. The Douglas A-3 Skywarrior is possibly the heaviest type to be operated from Navy carriers on a regular basis, and it is here represented by a tanker version in a blue colorway. Also this type was actually operated from the Lexington.

 

 

 

Soviet War Memorials in Berlin

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After WWII the Red Army erected monuments in many places reached during its westwards march, well into the heart of defeated Nazi Germany.

A part of these monuments, small and with no particular architectural significance, were erected in villages and small towns, as well as in less visited locations in capital cities. However, the latter received much more attention, with grand monuments and memorials, much bigger in size and pomp than their more basic counterparts, and sometimes designed with an eye for architectural value. Among the most notable, those in Budapest, Vienna and, obviously, Berlin.

The former capital city of the Third Reich was the arena of a fierce battle, which took place around and in town for the last two months before the final capitulation of Nazi Germany in May 1945. Soviet soldiers died by the thousands in the last act of WWII in Europe. This fact, and the significance of the conquest – which also gained the Soviet Union a first level role on the world stage it had never enjoyed since its origin with the October Revolution in 1917 – were two elements that had to be remembered and celebrated properly.

For this reason, three areas were selected for the construction of as many monuments, with slightly different functions, in the urban region of Berlin. From the viewpoint of art, all of them are interesting examples of late Stalinist architecture, and they are still in place and accessible to visitors.

As said, more monuments indeed exist, scattered in more intimate locations in Berlin. An example can be found in Berlin Hohenschönhausen, not distant from the former STASI prison (see here).

The following photographs were taken on several occasions between 2015 and 2021.

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Treptower Park

Getting there and moving around

Being located in one of the many green areas of Berlin, this place is popular among the locals, so it is also easy to reach and sometimes even crowded. There is a S-Bahn stop on the northern side of the park (‘Treptower Park’), and several bus lines have a stop along ‘Am Treptower Park’, an alley on the western side of the area.

Free parking for cars can be found on the same road, even in front of the lateral arches giving access to the monument – you can immediately spot one about halfway along the western side of the park, an imposing grey arch with writings in Cyrillic alphabet.

Access is from the lateral arches. Once on the centerline of the perspective, the approximate distance to the other end of the memorial is .35 miles.

Sights

The design of the monument is based on a simple perspective, beginning on one end with a sculpture representing Mother Russia, whose sons have been sacrified for the liberation of Europe from the Nazi invasion. An intermediate viewpoint is constituted by a couple of stylized gigantic Soviet flags, made of the marble from Hitler’s Chancellery of the Reich.

Then a long basin with twelve sarcophagi aligned along the sides, representing the twelfe republics of the Soviet Union at the time of WWII, extends up to the focal point of the monumental complex, a colossal statue of a Soviet soldier, with a child representing Europe in his arms, fiercely standing over a destroyed swastika.

The monument was built before 1949, and some 5000 Soviet soldiers are buried here. Due to the time of construction, quotations from Joseph Stalin – later to be condemned as a tyrant by the Soviet governments of the Fifties – can still be found on the sarcophagi.

The design of the site is not very elaborated, similarly to many other Soviet monuments of the time, but the effect of the grand perspective at a first look is undeniable.

A crypt with a mosaic can be found beneath the statue of the Soviet soldier. A nice view of the whole complex can be obtained while standing on top of the stairs by the entrance of the crypt.

The condition of the monument and of the garden makes this a pleasant detour from more central and touristic areas of Berlin. A walk around in the monumental complex may take 20 to 45 minutes. The place is not fenced, hence is open h24.

Tiergarten

Getting there and moving around

This is the oldest and most modest of the three Soviet memorials in Berlin, except for the position, which is very close to the Brandenburg Gate. Leaving towards the Tiergarten park from the Gate pointing west in the direction of the Monument to Victory – the boulevard is named ‘Strasse des 17 Juni’ -, you reach the Soviet memorial about .2 miles on your right.

If you are moving by car, you can park on ‘Strasse des 17 Juni’ not more than .2 miles from the monument.

Sights

Differently from the other two sites on this page, this monument, built soon after the war in 1945, is mostly a celebration of the conquest, and not a burial site.

The monument is very simple, and designed to be observed from the street, so walking around, albeit possible, doesn’t add much to the perception of the place.

The focal points of the perspective are a tall marble column with a golden seal of the Soviet Union on the front, and a tall statue of a Soviet soldier on top of it. To the sides of the monumental court, two tanks and two cannons are placed on balconies.

Curiously, the monument would turn out to be placed in a zone attributed to the Western Allies, later to become West Berlin. Moreover, the Wall was to be erected in front of the Brandenburg Gate, just about .25 miles from this site – which remained the only monument to the Soviets in West Berlin, and was a neighbor to one of their most brutal emblems…

This is probably the most banal of the three monuments. It is also the most seen, due to its position in the heart of town. Visiting can be completed in 10 minutes. Similarly to the monument in Treptower Park, this place is unfenced and open h24.

Schönholzer Heide

Getting there and moving around

The place is in the northern part of Berlin, in the nice district of Pankow. When moving with the public transport system, the easiest way is going to the S-Bahn railway stop ‘Schoenzholz’ or ‘S Schoenzolz’. From there, take to the north on ‘Provinz-Strasse’, and at the end of it after about .15 miles go left on ‘Strasse von Schoenholz’, which later changes its name and takes slightly to the right into ‘Germanenstrasse’, entering the park where the monument is located. You reach the gate to your left after about .1 miles after entering the green area of the park. The total distance from the S-Bahn to the site is about .65 miles.

Going by car, you can reach to the entrance on ‘Germanenstrasse’ and park close to the gate.

Sights

This burial site was built on the site of a Nazi urban forced labor camp, and more than 12’000 Soviet soldiers, including prisoners of war and high-ranking officers, are buried here. The memorial was built about at the same time as the monument in Treptower Park, before 1949.

Compared to the monument in Treptower Park, this site is more modest in size, and the theme is more that of a war cemetery than a celebration of the liberation from Nazi dictatorship. Proportions are more moderate, and the elements make for a less bombastic ensemble than the other monumental sites listed on this page.

Before entering the main basin with several placards with the names of the identified soldiers buried here, two low and bulky marble constructions force you on the axis of the perspective. The small chambers in these low constructions are covered with stained glass ceilings with hammer and sickle emblems. The focal point is on a sculpture of Mother Russia with a dead son, and behind it a tall obelisk.

The sculpture of the dead son is resting on a Soviet flag. Many particulars add to the picture, like the small stained glass windows in the crypt beneath the obelisk and the lamps and handles with hammer and sickle marks. Quotations from Joseph Stalin can be found on the walls of some elements in the complex.

All in all, this monument is more proportionate and interesting than the others of the kind in Berlin. The monument is more dramatic and in some sense more serious and more like a temple than the other two. Furthermore, being not primarily a touristic attraction, it is less likely you will find any crowds. Please note that this place is fenced and has opening times (see this website in German, to the bottom of the page opening times are indicated), plus there are guards around probably to avoid vandalism. The size is not large, so visiting may take 15 to 30 minutes at most.

Hohenschönhausen

Getting there and moving around

The location is on the crossing between Küstriner Str. and Strausberger Str., in the nice residential neighborhood of Lichtenberg, in the eastern part of Berlin. The area is well served by public transport. Free parking is available on Strausberger Str. or elsewhere around. Nicely located in a park, not fenced and unguarded – however close to a children’s playground and a frequented park, so totally safe. Very compact in size, a visit may take 15 minutes at most.

Sights

The monument in Hohenschönhausen is an example of the many small-scale Soviet memorials in Berlin. Actually, the history behind this one is made of two stages. A monument was originally erected around the same years of the bigger ones, between 1945 and 1950, in Stalin’s era. It also served as a cemetery.

About two decades later, in the mid-1970s, a new monument was designed and erected, and that is basically what is seen today. The centerpiece is made of a mural with a Soviet soldiers, united by a banner with smaller figures on it.

To the sides of the mural, today somewhat hidden by in the overgrown vegetation, are two inscriptions celebrating Soviet heroes – in German and Russian respectively on the two sides.

The monument is completed by an interesting red star on the ground, placed ahead of the mural, in a small square. The star is made of metal, an might be a base for an eternal flame.

However, despite not vandalized, the monument (as of 2021) is not much looked after, and of course there is no flame.