Interflug Ilyushin Il-62 in Stölln

When exploring the tranquil country around Berlin, it is not unusual to find some relics from WWII and the Cold War era, like the Soviet war monuments, memorials (see for example here), and even former Soviet airbases and bunkers (see for example here). These sites are often not much publicized though, nor that much visible to a little-attentive eye of a modern tourist. Some exceptions exist however, like the case of the massive Ilyushin Il-62, a quintessential Cold War liner designed in the Soviet Union, that you can find by the foot of a low-rising hill, in the super-small town of Stölln, itself part of the small town of Göllenberg, about 50 miles northwest of Berlin.

The reason for having this very aircraft in this exact position is definitely not mere chance. The history of Gollenberg and of its small hillis inextricably bound to the name of one of the most influential pioneers of human flight, Otto Lilienthal. Well before the flight of the Wright brothers’ self-propelled Flyer, which took place in Kitty Hawk, NC, in 1903, this German gentleman experimented with single-seat gliders, understanding the basics of aerodynamic properties and construction of fixed-wings, as well as the stabilizing effect of tail empennages placed to the back of the aircraft. Actually, compared to the forward-placed horizontal control surfaces proposed by the Wright brothers, Lilienthal’s concept turned out better performing, and soon became the standard of aircraft design to these days.

Lilienthal’s experimental flights took place mostly in the 1890s, employing the small hill as a launch point for his own un-propelled machines. Actually, it was in Stölln that he flew for the last time, when he fatally crashed in 1896.

About 90 years later, in Spring 1988, the national carrier of the German Democratic Republic (GDR, or DDR), Interflug, was entering a new phase in its life cycle – eventually, this would turn to be the last phase. A transition to the the Airbus A310, from a fleet historically dominated by Soviet designs, meant that in particular the Ilyushin Il-18 and Il-62, the mainstay of the company’s long-range segment, was scheduled for withdrawal.

It was by the action of the then-mayor of the small town of Stölln, Mrs. Sybille Heling, that the idea first surfaced of celebrating Lilienthal’s legacy with a monument, in the form of a big aircraft put on display. Contacts with the management of Interflug turned out very productive, and a deal was reached where an Il-62 would be donated by the state-owned Interflug to the local municipality, provided the latter could prepare a location for its landing! An embryonic location existed, in the form of a local grassy airfield – nothing to do with a 100+ tonnes, four-jet liner. However, the chief Il-62 pilot of Interflug, Heinz-Dieter Kallbach, professionally started to draft a mission plan. The Il-62, marked DDR-SEG, was stripped of the interior, the APU, the tail-cone safety wheel, and the water ballast it usually flew with in the front belly. This reduced the minimum weight by a few tonnes, down to about 75 tons. The aircraft would take-off for one last time from Berlin Schönefeld (then the commercial airport of the eastern sector of Berlin, now the only airport of Berlin, titled to former chancellor Willy Brandt). A very short hop to its final resting place, the flight required minimum fuel weight. Even so, the 900 m long runway remained quite a challenge.

On October 23rd, 1989, coincidentally just days prior to the collapse of the Wall in Berlin, the aircraft embarked on this one-of-a-kind mission. After two low-level passes, the machine finally approached the runway, reportedly engaging thrust-reverser on two of the four engines seconds before actual touch-down, so as to have inverted thrust available immediately after landing. The aircraft approached the threshold almost at stall speed, to reduce the ground run, which turned out to be 800 m, just short of the declared runway length. Despite the thick cloud of dust engulfing it, the aircraft had landed safely, and even managed to reach its final parking spot by taxing on its own engines!

Christened Lady Agnes in honor of Lilienthal’s wife, the Il-62 makes for an easy to spot, hard to forget icon in the middle of Brandenburg’s countryside. It is the centerpiece of a museum dedicated to Interflug, managed by a local society also preserving the legacy of Otto Lilienthal’s experiments in the area. Actually, the museum is also a trailhead for a nice walk to the top of the hill where Lilienthal used to start on his own flights.

The photographs in this post are from a visit to the site in the Summer of 2024.

Sights

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The aircraft and Interflug museum can be approached from a parking nearby, along a grassy path. The site is visibly cared for with a good deal of effort, and the aircraft is now surrounded by a nice garden. Actually, the small airfield which allowed the historical flight of DDR-SEG to take place is still there – a local touristic airfield with very little traffic – and the location makes for a gathering place for those flying in.

The design of the Il-62, with a seldom-seen all-back four jet configuration (notable similar designs are the Vickers VC-10, which shared a similar long-range mission with the Il-62, and the much smaller Lockheed JetStar early executive jet), is pure 1960 vintage. The engines are four Soviet-designed Soloviev D30 low-bypass turbofans, more efficient than other pure turbojet options, yet dramatically fuel-thirsty for the oil price of the 1980s – this was a major contribution to the demise of this configuration, where more efficient but much larger high-bypass turbofan engines could not be fitted in the rear-mounted nacelles.

The emblems of Interflug and of the GDR are still proudly in place, similar to the original marks. The writing ‘Lady Agnes’ is apocryphal, yet surely justified by the devotion the adoptive family of this very aircraft is pouring in its maintenance.

The inside has been partly preserved. In particular, the galleys, the cockpit and a section of the passenger’s cabin are preserved in their original appearance.

Ilyushin aircraft were made in Kazan, today’s Russia, and all labels are basically only in Russian language.

A section of the passenger’s cabin has been converted into a very interesting exhibition, a real mecca for hunters of airline memorabilia. Among the items on display are original branded convenience kits and trays and dishes for onboard meal service.

Advertisement from the days of operations is also on display. Traveling within the USSR-led communist bloc by air was an affordable experience for middle-level workers, especially towards highly touristic locations like Slovakia in the winter and Bulgaria or Hungary in the summer.

However, even farther communist destinations like Cuba, Vietnam, China and Congo were part of the network of Interflug. Additional memorabilia items include ornamental vases, on-board safety instructions, photographs from the days of operation, and a very nice technical drawing of the aircraft.

Upon leaving the cabin, you are offered a convenient view of the cockpit, with a dashboard in the typical lurid Soviet green. A completely analog panel imposed a significant work-load to the pilot. This aircraft type was originally piloted by nothing less than five crew. By reviewing the operational procedures, this was later reduced to four.

Back on the ground, it is possible to spot a specially-painted original Trabant. A walk-around the aircraft reveals several labels in Russian, and generally a very good state of preservation, considering the aircraft is parked outside.

The museum of Interflug is dominated on one side by the uniforms of pilots, onboard crew and technicians of this airline.

Then a display of artifacts and memorabilia retraces the history of this airline. Interestingly, some Deutsche Lufthansa tickets and old-fashioned likewise branded ads can be spotted. To a careful eye, these reveal an apparently incoherent belonging of Deutsche Lufthansa – with the same symbol of today’s major German carrier, a heron – to the German Democratic Republic. Actually, soon after the post-war liquidation of the original pre-WWII Deutsche Lufthansa in 1951, the name and trademark were registered again by the then-established Federal Republic of Germany, just prior to the company’s resumed flight operations in the 1950s. At the same time, on the communist side of the Iron Curtain, the newly-founded national carrier of the German Democratic Republic also started operations, with exactly the same name as its West-German counterpart. This explains the apparent mismatch of the name Deutsche Lufthansa on GDR tickets and flight networks.

Clearly, a legal claim was started over this point by the West-German Lufthansa, which had registered the brand and trademark at a fee. Interflug was the result of the fight. Founded as a ghost company by the GDR government, just in case they lost the right to fly under the name ‘Deutsche Lufthansa’, when this actually happened, Interflug immediately absorbed the assets of the East-German Deutsche Lufthansa, and flight operations became now entitled to Interflug. By the early 1960s, Interflug and Lufthansa were the national carriers of the GDR and FRG respectively, and this was to be until the demise of the GDR, when German reunification played havoc within the Interflug management. State-owned Interflug ceased operations and was liquidated in 1991, the three A310 it owned at that time going to the German government as state aircraft.

The maps of international destinations reached by Interflug is clearly polarized towards friend locations within Soviet influence.

The historical photographs witness the various types of aircraft employed by Interflug, which included agricultural aircraft and small models for air surveillance and photographing operations, or even some helicopters.

The portraits of aircraft and airports from the Cold War years will appeal to everybody with an interest or fascination for that age.

Upon leaving the museum, you may take a trail to the top of the hill where Otto Lilienthal experimented with his own gliders. The trail is scattered with memorials and tables retracing the history of the pioneer.

The point of his fatal crash in 1896 is marked with a commemorative stone.

By the opposite head of the trail, on the other side of the low-rising hill (10 minutes by walk from the main parking and Interflug museum, if not climbing uphill) you can find an interesting work of art from the GDR era (1986). This is called Ikarus, and was crafted by the artist Erhard Grüttner.

Getting there and visiting

The location is not much advertised, yet it is very convenient to reach by car. The exact address is Am Gollenberg 10, 14728 Gollenberg. It is located 50 miles northwest of Berlin, and can be neared from Friesack, on the route B5 from the capital. A large parking can be found on site, as well as a children’s playground. The location is managed by the Otto-Lilienthal-Verein (which translates into ‘Otto Lilienthal Society’). Their professional website (in German only) can be found here. It provides full information on the opening times. Notably, an indoor exhibition dedicated to Lilienthal is managed by the same society, and is located in the nearby village of Gollenberg.

A visit to the aircraft and museum, where all descriptions are in German only, yet rather self-explaining, may take 45 minutes to 1 hour. An additional round tour along the trail to the top of the hill, and back at base level, may take 45 minutes more.

Access to the aircraft and exhibition is at a fee (cash only, as typical to many locations in Germany), whereas walking the trail is free of charge.

The Atlantic Wall in Denmark

A pleasant country in northern Europe, Denmark is geographically surrounded by the North and Baltic seas, and shares its only land border with Germany. In the late 1930s, this meant having a very dangerous dictatorship as the only neighbor, and no possible direct help coming by land from other allies. Without natural defenses against and attack from the south, the Kingdom of Denmark was militarily occupied basically in one day, on April 9th, 1940. This happened through a joint operation carried out by the land, air and naval forces of Nazi Germany.

A quick historical overview

The interest of Germany in controlling Danish territory was mainly strategic. It served as a springboard to attack Norway further north. The latter was in itself more interesting to the economy of the Third Reich, as it was rich of natural resources, including raw materials not available in Germany. These were so needed by the Führer, who was dreaming of making Germany independent from international supply trade.

Furthermore, controlling both Denmark and Norway meant control over the eastern coast of the North Sea, and a chance to control the only access to the Baltic Sea. The USSR was not a declared enemy before 1941, but withdrawing from the mutual cooperation pact with Stalin – signed in a hurry just days before the invasion of Poland in September 1939 – at some point, and openly attacking Russia, had been in the mind of the Führer since he first put on paper his worrying geopolitical thoughts. By controlling the Baltic, Hitler could control sea trade to non-freezing ports of the USSR, which in 1940 had already taken over Estonia, Latvia and Lithuania in agreement with Germany.

As a matter of fact, the conquer of Norway was not without significant losses for Germany. This was also the result of Britain starting to militarily oppose Germany. The two countries had been already at war since September 1939, but without any serious confrontation having taken place for months.

Since then, the British – and later also the American – threat from the west had to be faced through the fortification of the western coast of the Third Reich, which by the end of the summer of 1940 extended roughly from the Pyrenees in southern France to Kirkenes in northern Norway. This highly visionary task was taken up very seriously by the German military-economic machine, and produced the ‘Atlantikwall’ – which translates pretty obviously into the ‘Atlantic Wall’. This long defensive line had to be built all along the coast, and was mainly based on a catalog of standardized reinforced concrete constructions, to be reproduced in great numbers. Construction was coordinated by the main contractor, the German ‘Organization Todt’, which made extensive use of subcontracted local companies in the various occupied states where construction had to take place.

Despite the majority of the elements in the line were reinforced barracks for troops watching the coastline, ammo and supply storages, command and communication bunkers, canteens, and other service buildings, there were of course also a number of heavier constructions. These included coastal gun batteries, to counter attacking ships, lighter gun batteries, to stop troops attempting a beach landing, aiming stations, to adjust the line of fire of gun batteries, anti-aircraft guns to defend the line from air attacks, and some technical buildings serving as bases for advanced radar systems. The latter were among the most useful and widespread items along the line, as German technology developed fast during the war, to produce powerful detection systems against air and sea menaces.

Needless to remember, similar to many pharaonic works conceived by the Führer and his entourage, the Atlantic Wall was never completed, and it failed to spare the Third Reich from total annihilation. The once-modern military installations along the western coast of Europe soon became obsolete, as war changed face at a quick pace following WWII, with new weapons and techniques. Furthermore, the front line of the new Cold War shifted geographically to the middle of Europe. A tangible sign of enemy occupation, the massive bunkers of the Atlantic Wall met different destinies depending on the country. However, albeit only rarely preserved, thanks to their bulkiness and sturdy make, they are in most cases still visible.

About this post

Being the first land along the western coast to fall under German control, work on the Atlantic Wall started in Denmark earlier than anywhere else. Today extensive traces of the line are still pointing the shores of the North Sea.

A few focal points are preserved as first-class museums. These include the strongholds of Hirtsthals and the huge battery at Hanstholm, in Northern Jutland. The latter had been designed around a cluster of four monster coastal guns, to the aim of controlling the passage through the Skagerrak channel, providing access to the Baltic Sea. A twin battery – Vara – was built to the north of the strait in Norway.

Closer to the German border, the area of Blavand – featuring also the famous ‘Tirpitz battery’ in its arsenal – is another example of a partly preserved portion of the line. Bangsbo fort in Frederikshaven has been partly refurbished and opened as a museum, after being used by the Danish military for a while. There you can find one of the few remaining examples of an Atlantic Wall installation with its original guns still in place.

Smaller strongholds, opened as smaller scale museums or left to more adventurous explorers, often feature unique special constructions, which justify a detour at least for more committed war historians. These include the Skagen battery, the disguised bunkers in Thyboron, and the complicated Stauning battery, built on two opposite coasts of a closed firth.

All these sites – and a few more – are covered in this post, which is based on photographs taken in August 2019. Denmark is officially protecting the installations of the Atlantic Wall as historical buildings – unlike France, for instance – so visiting even abandoned sites maybe rewarding, especially if they are out of the mainstream touristic routes. Unfortunately, many bunkers now closer to crowded touristic areas have been damaged by vandals.

Sights

Map

The sites covered in this post are listed on the following map. Sites opened as museums are pinpointed in red, wild sites are marked in blue.

The sites are listed in the post following the coastline of Jutland from its southwestern end.

Navigate this post – Click on links to scroll

Blavand – Shore Battery & Military Area

Located about 50 miles north of the German border along the coast of the North Sea, the small town of Blavand sits on a promontory protruding towards the sea, and protecting the access to the port town of Esbjerg – still today a major commercial port of Denmark.

The area of Blavand saw the construction of an incredible number of Atlantic Wall elements, which grew up in more instances during the war years.

Close by the parking ahead of the lighthouse on the very tip of the promontory, you can find trailheads leading to the southern and western shores of the promontory.

The southern shore makes for a typical North Sea landscape – an endless sand beach. What makes it different from others is the number of light bunkers placed along the shoreline. Despite little imposing, this model – type ‘F’ – was purpose built for the wide shores of Denmark in 1944, in view of a potential enemy beach landing. These firing positions were armed with machine guns, and placed at pre-determined intervals – about 1’500 ft – matching their accuracy range.

Many bunkers are slowly sinking in the sand, and only small parts of them can be seen emerging from the ground.

Others have been turned into strange sculptures, adding a horse head and tail.

Under favorable tide conditions, you may enter some of the bunkers. There you can appreciate their simple structure, with a defensive embrasure by the entrance (looking towards the coast) and loopholes to the sides of the firing chamber.

On the beach close to the lighthouse you can find a very big bunker with a wide hollow cave on the inland side, which used to support a searchlight.

Along the western shore you can find more massive bunkers. These include four former coastal gun batteries. These heavier constructions have assumed strange attitudes, after sinking in the sand somewhat irregularly over the years.

Looking towards the inland from the beach, you can spot an aiming/fire control positions, with a distinctive bulbous roof and a long curved slot on the facade.

Your walk along the northern shore may be interrupted by safety warnings concerning mine threat. As a complement to the defensive potential of the Atlantic Wall, extensive minefields were set up on most of the Danish beaches. This turned into a big issue soon after WWII, when an extensive demining action had to be carried out.

Furthermore, part of the Blavand promontory is occupied by a military firing range. When training exercises are taking place, special warning lights are lit and flags are raised, to delimit the territory where you should not venture.

In the dunes slightly inland from the shoreline, it is possible to find another big number of bunkers. They are not always visible from the distance, and entrance is in most cases from one side only – the only side emerging from the sand.

A very distinctive item is the colossal platform for a ‘Mammut’ type long-range anti-aircraft radar. This used to be operated by the Luftwaffe, whereas other bunkers in Blavand – like elsewhere along the Atlantic Wall – used to be run by other branches of the Germany military.

The base for the radar is in itself a rather complex bunker, with several cavities and extensive piping, once needed for power cables feeding the antenna, as well as other wiring.

Close by, a smaller radar base bunker used to be operated by the German Navy. Also here, holes and passages for cables can be found in the walls and roof.

It is noteworthy how many bunkers feature traces of original decorations, like painted walls, fake wallpaper, frescoes and small frieze lines. This is typical to many other installations of the Atlantic Wall.

Metal hardware can be found in the form of a bulky aiming turret emerging from a bunker.

In another instance, a mortar mouth pops out from the ground.

The underground bunker underneath the latter can be explored with some difficulty – there are also quite annoying bats inside -, but it reveals an aiming wheel with original markings in a reinforced concrete dome!

An interesting sight nearby the lighthouse is the tower once supporting a ‘See Riese’ radar. The protruding arms once sustained a wooden platform for military operators.

Getting there and moving around

The area of Blavand is rather extensive and rich of diverse installations, so notwithstanding the general bad shape of most of the bunkers, visiting may easily take 3-4 hours for a committed tourist, getting inside most of the items. A good starting point is the free parking by the lighthouse, provided you come early especially in summer, cause it tends to get more and more crowded along the day.

Blavand – ‘Tirpitz’ Coastal Guns

Despite at least some of the bunkers on the shores of Blavand being in a relatively good shape, there is a part of the Atlantic Wall which is officially preserved as a museum. This is one of the two unfinished bunkers intended to support a set of massive 38 cm coastal guns.

These guns – four, two for each bunker – were originally intended to be put on board battleship Gneisenau. The latter got damaged in port, and the guns were diverted to coastal use. The decision to build the Tirpitz battery to protect the port of Esbjerg came relatively late during the war, in 1944. As a result, construction of the battery supporting structures was not completed when the war ended, and the four never installed guns were scrapped – except one, which can be admired in Hanstholm (see below).

The name ‘Tirpitz’ attributed to this battery is of uncertain origin, and sometimes this installation is also referred to as ‘Vogelnest’.

The museum has been built only in the southernmost bunker. The installation is very modern (and crowded), and it has been designed as a thematic museum in five sections. Two of the most interesting are about the Atlantic Wall and its impact on local life, and on the extensive mining and demining operations on the shores of Denmark.

Other sections are related to amber trade and local seamen activities.

Finally, you can get access to the base of the gun turret. Photographs are bad here, due to very poor lighting and limitations on camera use.

You can see a central round dome, surrounded by an external corridor. Traces of a post-war explosion can be noticed looking at the metal part of the construction.

Outside of the museum you can find a cannon cut in pieces, plus rigs used for construction. The bulky concrete arms protruding from the roof were meant to support the crane for mounting the cannons.

With a five minutes walk from this bunker, you can get to the northern battery. This is not preserved, and the entrances have been bricked up. Yet you may better appreciate the size of the bunker from this exemplar than from the one turned into a museum.

Getting there and moving around

The museum is located east of Oksby along Tane Hedevey, a local road connecting Blavand to Esbjerg. There are signs along the road, and a large parking ahead of the entrance. The museum is very modern, and may turn very crowded in summer. Website with full information here. You can visit on your own with an audio-guide. The visit to the military-related sections may take about 1 hour.

Adding a walk to the northern battery will take further 20 minutes at most, as there is no chance to step in.

Stauning Battery

Construction of this battery started in the second half of 1944, and consequently it was only partially completed before the end of the war. The geography of the Stauning battery is rather peculiar. The intended design was based on four coastal guns to be placed on the inland side of the Ringkobing firth – basically a lake with a channel-like small mouth connecting it to the sea. On the other coast of the firth, i.e. very close to the North Sea in Hvide Sande, the aiming station for the battery was finally built.

In the event, only one of the reinforced concrete gun positions reached completion, whereas the other three cannons were kept on basic, not reinforced aprons. The gun bunker is the only exemplar of this model built along the Atlantic Wall, and was designed around a 19,4 cm gun manufactured in France.

Located far from the shore in a secluded area of the countryside, this battery is in a relatively good shape, and thanks to the hard soil its position has not drifted since it was installed. You can even walk on top.

More elements are scattered in the bushes and over the private pasture nearby. Among them, a firing position presumably for anti-aircraft or light field guns, and corresponding ammo storages.

There is also a reinforced concrete barrack or command post. This can be toured inside, revealing some metal piping still in place.

Traces of gun concrete platforms – likely gun firing positions – blown up after the war can be seen, similar to many smaller cubic buildings of uncertain purpose.

A couple of unattractive half-interred ‘living bunker’ can be found too, another design present only in Denmark – the type was named ‘Falkenhorst III’. Inside, traces of original wall paintings can be easily spotted.

There is actually a fire direction post of some sort in this part of the battery too. This is a square-based concrete booth, with an adjoining living bunker.

The aiming position in Hvide Sande is rather easy to find, on top of a mound close to the city center. There are actually two concrete accesses on the eastern side of the hill. The one closer to the top gives access to the metal dome you can spot on top of the mound.

Climbing up to the dome is possible along a rusty ladder, going through a narrow vertical passage. Once there you can see the mounting of a telescope for measurements. There are side slots looking outside, and an original marked wheel to provide measurements. You can also spot small foldable wooden tables (or perhaps jump-seats).

Downstairs, there are a few panels explaining the history of the battery.

The second concrete entrance gives access to a ‘living bunker’ for the troops, with explanatory panels on the history of the place.

Getting there and moving around

The inland part of the Stauning battery with the gun station is located close to Stauningvej 55. You may park your car not far north from this address, on a wide lot close to the entrance of a local residential area. Most notably, this battery is about .5 miles from the beautiful Danish Museum of Flight (see this post). Exploring the battery may take 1-1.5 hours, as the place is totally wild and inconvenient to visit.

The Hvide Sande point is on the northern rim of the channel linking the firth to the North Sea. You can see the mound close by a major round about, where road 181 meets Troldbjergsvej. There are several parking options nearby. The place is technically not abandoned, but there was no ticket/staff, and it was totally dark when I visited. You would better take a small torch with you.

Sondervig

Just as an example of how extensive the construction of the Atlantic Wall was in Denmark, you may have a look to the beach in Sondervig, where people spending the day by the sea are accustomed to the view of the monstrous German bunkers pointing the shore.

Getting there and moving around

You may find a parking spot in Sondervig and access this famous touristic beach by foot.

Thyboron

The coastal battery at Thyboron has a unique place in the panorama of Atlantic Wall buildings. Here a sort of sample list of possible deceptive techniques were tested on otherwise normal bunkers. The usual constructions pointing the shore have a strange appearance here, thanks to the imaginative talent of a Danish architect – who turned out to be a spy working for the Allies.

At least two gun batteries bear a special roof, resembling that of a house. Also thanks to erosion, they now have even odder shapes, resembling some Star Wars spaceship.

An observation bunker bears a tiled roof. Surprisingly, an apparently original fragment of telegraph wire can be found inside.

Given the position of the bunkers – lying isolated on a deserted beach – it’s pretty difficult to suppose this kind of deception was ever effective…

There are also some more straightforward constructions around, some of them in a relatively good shape. The cusped lintels above most doors and openings are typical to elements of the Atlantic Wall in northern countries, and are made for protecting the passages against snow and icing rain.

Just inland from the ‘sample list’, you can find a large underground bunker, somewhat difficult to access – it is sinking in the sand. Conspicuous traces of original wall painting and even writings in German can be found on the walls.

The message in German is a warning message, telling to stay away of the walls in case of bombardment. This warning sign is rather ubiquitous in Danish bunkers.

Close to the the city center – and actually a part of the Coastal Center, a museum for children dedicated to the life along the western coast of Jutland – it is possible to find another bunker deceived as a wooden house! This deception technique is far more convincing than those on the shore…

Getting there and moving around

To visit the bunkers on the shore you can reach a convenient public parking at the southern end of Vesterhavsgade, southern Thyboron. Visiting these bunkers may take about 45 minutes for a committed tourist. To get to the Coastal Center you may follow the signs and park at your convenience ahead of the building. The deceived bunker can be seen from the outside of the museum, so getting the ticket is not needed if you are not interested in the rest of the installation.

Extra feature – Sea War Museum, Thyboron

Thyboron has a prominent place in WWI history, being the Danish village closest to the area of the Battle of Jutland, one of the very few naval battles of that war, and one of the top-ranking in history for the number of vessels and tonnage involved, and for the casualties – almost 9’000 seamen were killed.

The battle was fought between two major formations of the the German Kaiser on one side and the King of England on the other. Started almost by chance, as the two opposing factions appeared on the same sector unaware of each other, the fighting was so intense that cannon fire was heard along the shores of Thyboron for many hours. The battle ended with a tactical defeat on the British side, but the Kriegsmarine of the Kaiser avoided any other serious clashes with the British for the rest of the war – in this sense, this was a British strategic victory.

Today, a monument dedicated to those who perished in the Battle of Jutland occupies a wide area over a promontory in northern Thyboron, close by the Coastal Center (see above).

A nice museum dedicated to sea war has been put in place nearby. On the exterior you can find old mines, torpedoes and even parts of relics taken from the bottom of the sea.

Inside you can find many unique artifacts, including cannons, insignia, and everyday items from ships taking parts to the Battle of Jutland.

Also unique are parts of early submarines dating from WWI, recovered from the sea thanks to novel investigation and capture technologies.

The museum is at large dedicated to naval battles and ventures of WWI. A section is dedicated to the most modern sea archaeology techniques.

Outside of the museum, you may spot a few Atlantic Wall bunkers as well, likely converted into more modern military installations in a post-WWII period. They are apparently run as museums, but they were closed when I passed by.

Getting there and moving around

The Sea War Museum is located very close to the Coastal Center in central Thyboron. Dedicated free parking right ahead of the entrance. Visiting may take about 1.5-2 hours for more committed subjects, despite the small size. The museum is stacked with extremely interesting details, the exhibition is rich and well made. Really an interesting detour for anybody interested in sea war. Website here.

Agger

Agger is located north of the Thyboron Channel, and can be reached with a five minutes ferry ride from nearby Thyboron. The long, windy, wild and distressing beaches south of the village of Agger are not really welcoming, nor easy to visit. Yet here you can find some unique and imposing elements of the Atlantic Wall.

These include a firing control bunker of the Navy. A feature often found also elsewhere, you can see some of the concrete bunkers are made of joined blocks. Light can be seen coming from the thin slots between the blocks in some occasions.

Another special construction here is the support tower for a ‘Seetakt’ radar. The tall concrete tower is assembled together with a bulkier concrete base.

The assembly has slipped to the shoreline, and today it can be neared only in favorable tide conditions. Furthermore, it is sitting in a banked attitude, making it looking really derelict.

Thanks also to a rather bad weather, these elements of the Atlantic Wall looked really eerie when I visited!

Getting there and moving around

The Agger site is wild and not signaled. The area is part of a national preserve, and part of the endless beach is a stage for kites, surfing activities and other beach sports. There is an official parking at the western end of Lange Mole Vej, less than five minutes by car from the ferry terminal to Thyboron. From there you should go to the beach and walk north for about 15 minutes to get to the tower, the highlight of the show.

You may spot it from the distance. I could not get in the tower due to unfavorable tide conditions, but visiting inside may not take much time, for the expected condition is not good, with little left to see.

Hanstholm

The Hanstholm battery is one of the most developed of the entire Atlantic Wall. As pointed out in the introduction, together with the sister site ‘Vara’ in Norway – about 80 miles north – this battery was centered on four massive 38 cm cannons, installed to obstruct surface passage through the Skagerrak, and de facto controlling the access to the Baltic Sea.

An initial battery based on less powerful 17 cm coastal guns was put in place as soon as 1940. The gigantic 38 cm guns arrived only later and were tested, but never used in action. The metal parts of the firing stations, including the turrets and guns, were eventually scrapped in the early 1950s. Over the years, this huge installation, with more than 300 bunkers fell largely into private hands, and today many former storage bunkers are used as warehouses for machinery and goods by local owners.

Nonetheless, battery Nr.3 has been turned into a modern museum, after being largely refurbished to its original splendor. As such, it is a one-of-a-kind museum, with thousands of visitors per year. Two more turrets and a number of bunkers are left to explorers. While they are not actively maintained, they are still in a rather good shape, and responsible exploration is even supported with some indications.

The area of the Hanstholm is almost 4 square miles. In order not to get disoriented, a good starting point is the museum in and around turret Nr.3. There you are greeted by a pretty unique 38 cm cannon! This is actually from the Tirpitz battery (see above), but it is exactly the same item once installed in Hanstholm. The size is really remarkable, especially when compared to more modest and usual 15 cm coastal guns, on display.

The modern museum offers a quick recap of the history of the place, with memorabilia including everyday items, letters, maps and original weapons.

Once you are done with that, you can get access to the underground part, where you first meet the ammo storage rooms, on the side of a long corridor aligned along a narrow gauge railway track. This was used to connect the firing stations – i.e. the four bunkers with the guns – to larger ammo storages scattered around the are of the fort.

There are two major adjoining rooms along the corridor, each dedicated to a different part of the cartridge. The piercing part – the ‘bullet’ – and the exploding fuse were kept separated from each other. This is similar to naval guns, and typical to larger calibers. The complicated railings hanging from the roof were made to allow moving the parts of the cartridge by means of movable cranes.

In action, the bullets and fuses were loaded on a slide, and from there on trolleys which would enter the turret from below. Today, as the turret is not there any more, the trolleys are in an open air corridor, apparently without any sense. It is noteworthy that the inscriptions and frescoes are all original, albeit refurbished.

The structure of the firing station and of the Hanstholm fort can be better appreciated from the drawings and models below.

A second part of the firing station is the bunker for the complement of men needed to operate this complicated cannon. The place was permanently watched, with shifts spending the night in underground quarters. Those pertaining to firing station Nr.3 have been refurbished, and provide a vivid impression of the original appearance. There are sleeping and living quarters, as well as large, military style showers and toilets.

There is also a complete power station, with two Diesel generators, a mechanics shop, water tanks and more.

Out of the Nr.3 firing station you are encouraged to tour at least part of the site along a series of prescribed trails. Among the items you meet on this tour is one of the ammo storages. It is not dissimilar from the ammo storage part of the firing station. The ammo parts were loaded on a railway car passing through, and from there moved towards the gun turret.

There are also many smaller storage and service bunkers, some bearing interesting original inscriptions inside.

The Hanstholm fort was defended by field cannons and anti-aircraft guns. Emplacements for the latter can be spotted around in more instances.

Another suggested part of the visit is firing station Nr.4, which is not really preserved, but is not in a generally bad shape either. You can get in only if you have a torchlight. Visiting may offer something very similar to Nr.3, except everything is more derelict – but for this reason, may be more authentic.

In the living part, you can find inscriptions in German and traces of the original wall paint. With a general knowledge of the plan from the visit to Nr.3, you may easily recognize the corresponding rooms – power station, toilets, living rooms, etc.

To get to the ammo storage part, you can walk along the round corridor outside. No trolleys left here, differently from Nr.3.

Inside the ammo storage rooms, you notice that the inscriptions have been largely canceled for some reason, but the slides as well as the frescoes above them are still there.

Still part of the suggested itinerary, you can find a control station, in a rather bad shape, and more interestingly a very peculiar building, located on top of a cliff.

This was a fire direction station. Due to the high-tech nature of the Hanstholm battery, fire direction worked on what can be considered archaic computers! The building has many floors. There is provision for a permanent team of technicians, hosted in living and sleeping quarters downstairs.

The top floors used to host the computing machines, which were fed by measurements from instruments mounted in metal domes, facing on the roof of the building. The room for the computing machines is rather dark, and due to the black walls it is difficult to see anything even with a torch.

The Hanstholm site offers several ancillary bunkers open to the public. Among them, one for a generator, supplying the whole fort in case of a grid failure.

Another bunker is an ammo storage, with a big concrete arch outside, for a moving crane operating above railway cars. Narrow gauge railway tracks can be seen still today in this part.

The pivot in the middle of firing station Nr.2 has been interred after the war, but the living/sleeping quarters for the troops and the ammo storage parts can be visited, albeit they are not connected any more by a direct passage.

A visit to this firing station is very interesting, for writings are in a generally better shape than in Nr.4, even though this too has not been refurbished.

In the ammo storage part, writings are especially abundant. You can see also traces of the original telephone wiring.

The last firing station, Nr.1, is not accessible, even though not interred.

As said, there are many other bunkers an remains around, which are typically not accessible, especially the farther you go from the museum. They are now largely on private land and used for something else.

Getting there and moving around

The Hanstholm strongpoint is a must for everyone interested in the Atlantic Wall! The museum is modern, completely accessible, with a convenient parking and all usual facilities. Website here.

The refurbished part is basically only firing station Nr.3, but many other bunkers, like the fire control center, as well as firing stations Nr.2 and 4 are open for explorers, and they have not been spoiled by vandals. You need to go with a torchlight and proper clothing, but the visit may be very rewarding.

Many more bunkers around are closed to the public, as they are now private property and used for other purposes.

Due to the enormous size of the area, visiting may easily turn into a full-day or even multi-days business for an enthusiast. For the general public, a visit to the museum and one of the trails may take a 2-3 hours depending on the level of interest.

Hirtshals

Similar to Hanstholm (see above), the area of Hirtshals was soon selected by the Wehrmacht for a coastal fortification, thanks to its strategic position overlooking the mouth of the Skagerrak strait.

The first four 105 mm field guns were positioned here as soon as summer 1941. They occupied open-air concrete aprons, which still today bear trace of the original camouflage paint and deceptive net.

A peculiarity of this fort is its extensive network of trenches, which connect all the battle stations to the living quarters for the troops and the service buildings, like the canteen-bunker and the hospital-bunker.

On top of the steep cliff dropping to sea level, you can find the bunkers for the guns. These were moved from the open aprons in 1944, into purpose built reinforced concrete firing positions. A special feature here is the steep flight of stair giving access to the gun area from behind. This construction was made necessary by the particular morphology and rock type of the cliff.

You can spot significant traces of the original camo paint, and the letters ‘St’ on many walls, meaning ‘Ständig’, i.e. resistant in German. These letters were used to mark those buildings capable of sustaining shelling and bombing raids.

A bulbous roof allows to easily recognize the fire direction station.

A more rare item in Hirtshals is the base for the ‘See Riese’ radar. This is a hexagonal concrete hollow platform. The bunker underneath it would serve to host a Diesel power generator.

Back from the coastline, you may enjoy a long exploration of the trenches and of the many restored bunkers. Many bear original markings and paintings.

In some rare cases, you can also find original decorative paintings, likely made by the soldiers stationed in the bunkers.

Restored bunkers include a ‘living bunker’, but many other installations are in good conditions, like interred shelters, ammo storages, etc. Traces of cables, armored doors – some of them with glass lights – and telephone wires can be found in many bunkers.

Furthermore, in Hirtshals you have the chance to get a bird’s eye view of the fort, by climbing on top of the local lighthouse!

Getting there and moving around

The Hirtshals site is an open-air museum. There are technically opening times, but the area is not fenced, so if you are looking for a visit to the exteriors, you can walk around freely at any time. The museum has a website here, and guided visits are offered in many occasions. Many bunkers were closed when I visited, and they might be visible only with a guide. Some other bunkers are open and lighted, whereas the majority are basically left to explorers – open and not lighted – but rather accessible and very easy to visit, maybe with the help of a small torch. There is not a clear entrance (the area is not fenced), nor permanent staff on the site.

There are explanatory signs for basically all of the bunkers, in double Danish/German language.

The parking is ahead of the lighthouse, which is a different entity and operates with opening times you can find here. The parking is large and free. Climbing on top of the lighthouse is possible at a small fee – apparently only Danish Crowns cash accepted.

Together with a climb on top of the lighthouse, the visit may take from 1.5 to 3 hours, depending on your level of interest.

Skagen

The Skagen area is mostly famous for its location on the very tip of the Jutland peninsula, the natural northern end of continental Europe, and ideally as the geographical point where the North Sea and Baltic Sea join together. The long and quiet shores there and the population of seals contribute to making Skagen a prominent touristic attraction, often crowded with visitors from Denmark and abroad.

What people going there may not expect is the presence of a number of massive firing positions from the years of the German occupation! These are concentrated along the eastern coast, and include firing position for 120 mm coastal guns, overlooking the Skagerrak strait.

There are also a fire control bunker, which has drifted to the shoreline, as well as radar support bunkers.

Unfortunately, these installations have been left to the elements and – most sadly – to vandals. Except for their huge size, there is not much left to appreciate.

But there is more related to the Atlantic Wall in Skagen. A former hospital bunker has been partly refurbished and converted into a very interesting smaller museum on the local battery.

Inside, you can first appreciate the special size of the doors and corridors, made to allow moving stretchers around.

Put on display are several items related to the history of the Skagen fortress. There are uniforms from the time, photos from the years of operations, and everyday items left over by the Wehrmacht.

Some of the rooms have been reconstructed, and provide a vivid impression of the original appearance.

Among the exhibits are also some relics from a downed British aircraft.

Getting there and moving around

Visiting the Skagen battery is easier from the small parking Hvide Fyr, Fyrvej, 9990 Skagen. This parking is free. Going on the Baltic shore from the parking means a five minutes walk along a prepared path. A quick walk with a look to the abandoned battery would take about 20 minutes.

You may either walk to the tip from there, or better move your car to shorten the walk, going to the huge dedicated parking area where the road N.40 ends. This parking is not free.

You will find the Skagen Bunker-Museum in the former hospital bunker immediately to the southwestern side of the parking. Website here.

Visiting may take about 30-45 minutes, an interesting small detour from the local natural attractions.

Bangsbo

Comparatively less fortified than the North Sea coast, the eastern cost of Jutland is the place of a primary military and commercial port named Frederikshavn. This is also a starting point for travelers going to Norway from central Europe.

Here the Germans installed one of the few strongpoints on this side of the peninsula. What makes the so-called Bangsbo fort unique among the Atlantic Wall installations is the fact that three of the four original guns in the coastal battery are still in place!

The main area of Bangsbo fort, where the coastal battery is located, can be found to the south of the town, and is somewhat similar to Hirtshals (see above). Both are located on top of a cliff, with a significant area to the back dedicated to command, living and service bunkers.

Today, some of these bunkers have been completely refurbished. These include the command bunker for the local commander of the Kriegsmarine (the German Navy). This is super-interesting, with many artifacts from the time, from military gear to swastika-marked dishware, from maps to photographs of general Rommel – who superintended the construction of the Atlantic Wall – visiting the installation, and much more.

Much interesting is especially the reconstruction of the command/meeting room.

Scattered over the premises of the military area are cannons and several strange items, like a tank turret intended to be placed on top of a defensive Tobruk.

There are a refurbished hospital bunker and reconstructed living quarters.

The firing control post roughly at the center of the area is another highlight, having been completely refurbished, with plenty of Nazi insignia and original material.

To the back of the bunker are a living and command area, whereas the front part is an observation deck.

The firing positions with guns are numbered from Nr.1 to 3. They are based on 15 cm coastal guns, installed in 1944, replacing older and smaller pieces.

The guns can be walked around. The cartridge supply slides to the back of the firing chamber are still in place.

Guns Nr. 1 and 3 are similar, whereas the central gun was taken from a Danish cruiser cannibalized by the Germans in Kiel during the war. Today, it bears a greenish paint.

There used to be a fourth cannon with a field of fire of 360 degrees. Trace of a platform can be seen, as well as an anti-aircraft gun.

The fort shares a border with an active military area, so a part of the original installations cannot be visited. Others are open only for those visiting on guided tours. These include a radar-supporting station. Others can be entered, but are basically empty.

A minor part of the Bansgbo fort is located north of Frederikshavn. It is a partially preserved anti-aircraft firing station. This was made of four firing places and a central fire direction point. The latter is still visible at least from the outside.

One of the anti aircraft guns is also in place. The rest of the installation has been filled with land and made inaccessible.

Getting there and moving around

The major part of Bansgbo fort can be found south of Frederikshavn. It can be accessed from Bakkevej, which ends with the parking of the museum. Website here. The area can be walked and accessed with a ticket. There are picnic facilities and a small shop. Guided tours are offered at pre-defined times, see the website. You can get a good impression even by walking around on your own, but some bunkers can be accessed only with a guide. I did not join a guided tour, and all the pictures above are from a self-guided visit.

The site is not huge, but very interesting thanks to preservation efforts. It may easily deserve a 2 hours visit.

The anti-aircraft site is located north of Frederikshaven, and can be reached from Nordre Strandvej. You may park on the large free parking made for the local beach. This smaller installation may be visited in 10-15 minutes without a ticket.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

The Border Forts of Czechoslovakia Against Nazi Germany

The Maginot line – a line of forts running along the French border with Italy, Switzerland, Germany and Belgium – is a widely known example of military engineering from the inter-war period (see this chapter). The adopted construction technique, based on reinforced concrete pillboxes with walls several feet thick, half interred to decrease visibility from above, field cannons and anti-tank defensive guns, witnesses the great consideration given to tanks and aircraft as attack weapons.

Due to the fast movements typical to the new strategy of the German army since the beginning of WWII, the Maginot line is mainly remembered for having not been involved in any major action, and having being largely bypassed. As a matter of fact, the German opted for a bypass also because the line was in place, so it was not as ineffective as it is often thought.

What is possibly even less known is that similar defensive lines were built in earnest in other European countries, before and even during WWII, after the Maginot line had failed to stop the invading German army. The enormous Salpa line, built by Finland against the Soviet Union, was probably the last and most effective to be completed (see this chapter). The Stalin line, prepared by the Soviets against Germany in Belarus, is another example. Another country who invested much in this type of deterrent was Czechoslovakia.

To understand the drivers of the design of the huge line of forts envisaged by the Czechoslovakian government of the mid-1930s, one should take a look at a map of Europe from the time. After the defeat of WWI Germany had managed to keep significant parts of todays Poland. The border between Germany and Poland ran close to Gdansk – aka Danzig in German -, and the province of Lower Silesia with the town of Wroclav – Breslau in German – were undisputed German territory. This means that todays border between the Czech Republic and Poland used to be actually a border between Czechoslovakia and Germany in the years before WWII.

With the turmoil preceding the infamous Munich Agreement and Nazi Germany claiming the right to control ‘Sudetenland’ – a large part of the peripheral territories of todays Czech Republic – in 1937 the Czechoslovakian government quickly started the construction of a huge system of forts to protect the border.

The concept was pretty similar to that of the Maginot line, with extensive underground tunnels to shelter soldiers and ammos, facing to the surface with reinforced concrete bunkers with different purposes, including observation, artillery shelling with field cannons, mutual protection with short range anti-tank cannons, machine guns and grenade-throwing tubes. There were also bunkers for accessing the tunnel system with resupply. About 10’000 light fortifications were actually built, more than 200 heavy fortified positions and a handful of heavy artillery positions.

The geopolitical situation in Europe got worse quickly in 1938, with the annexation of Austria in spring and finally the Munich Agreement, which caused the dissolution of Czechoslovakia. As a result of this internationally approved de facto German invasion, the works on the defense line were halted by the Wehrmacht. A relevant part of the hard construction had been completed, but most of the bunkers were still unarmed or lacked some software – air filters, ammo supplies, everyday items for the troops, etc. – and were not serviceable.

Most of the ironworks, including especially all heavy-metal turrets, were salvaged by the Germans. Some of the cannons found their way to the Atlantic Wall. The most massive concrete bunkers were used to test new weapons. As a result, the majority of the most sizable structures are still today in a partly damaged shape.

Some of the bunkers came to life again in the 1970s, when re-founded Czechoslovakia, that time a satellite country of the USSR living under a repressive and hard communist dictatorship, started a low-paced conversion of some of the structures into nuclear shelters for top ranks of the military and political hierarchies.

Notwithstanding these incidents, todays Czech Republic is duly proud of the significant work which was carried out in the difficult late Thirties. Very much was done for the little time available, and the quality of the design and construction is remarkable. While most of the sites are open only rarely, there are some where you can step inside and enjoy an interesting visit. This chapter covers with photographs and text five larger fortified complexes along this anti-German defensive line, from a two-days visit taken in August 2018.

Map

The following map shows the highlights of each of the five sites listed in this chapter. Please zoom in for greater detail. For the Bouda fort I could not spot and pinpoint on the map all the pillboxes you can easily visit from the outside – this are covered by vegetation.

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Sights

Stachelberg

The Stachelberg site is located about three miles north of the small city of Trutnov. The fort should have consisted of a main entrance and peripheral shooting positions, some of them linked by underground tunnels, to defend the area of the Giant Mountains. Construction works were terminated much before completion, so the surface bunkers forming the ensemble are actually not connected. Yet the major installation, a bulky infantry positions with provision for anti-tank artillery, provides access to an extensive system of half-prepared tunnels, which gives you a clear picture of the size and capacity of the complex.

The site is open to the public, and the ticket office can be found right inside this huge major bunker. From the outside, the volume of this pillbox is particularly stunning. Also interesting are the anti-tank obstacles, which used to be placed along the border line and between the forts, to trap invading columns in a position where anti-tank guns could be most effective.

This multi-level bunker is also place for a little museum on the fortifications, mainly based on explicative panels and scaled models of weapons and of the entire bunker complex. It covers the history of the fortifications, and explains most technical features of their construction. There are no weapons or other software – they were either not installed before the construction works were stopped, or salvaged by the Germans.

The tunnels can be visited on a guided tour only, starting from inside the main bunker with a descent of several tens of feet along a flight of stairs, originally made at the time of construction. The tunnels unfold on the sides of a major, perfectly straight initial track. Some of the lateral halls, intended to store ammos as well as for sleeping the troops, are very large and close to completion, whereas others are just sketched.

The tunnels were dug in the rock with the help of explosives. The next step in the construction works would have been a layer of concrete from the pavement up to the ceiling of the tunnels. This is present today only close to the entry point, at the bottom of the access stairs.

There are at least other five smaller pillboxes which have been preserved to some extent in the Stachelberg complex. They are accessible with different timetables, and do not provide access to the underground – by design, some of them should have.

One of the pillboxes has been colored in a very bright camouflage. I could not find out whether this used to be the standard, but it looks pretty unusual and not really mimetic… There are also refurbished connecting trenches between the smaller bunkers.

The concrete base of a never built bunker can be found not far from the parking area.

Getting there and moving around

Getting close to the complex is really easy, the area is very scenic and a popular destination skiing, and for nature trail hiking in summer. There is a parking on road N.300 from where the museum-fort can be reached with an almost flat, 0.3 miles track.

The complex can be toured on the outside without restrictions. The main bunker has opening times, and the underground part can be toured only with a guide. The guide speaks Czech, but you are provided a leaflet with explanations in English, upon request. The tour takes about 30 minutes, and is offered on a regular basis, with several entries per day. They warn you about the inside temperature, but I found it pretty easy to bear with normal summer clothes. Website here, but you will need some Google translation to find the info you need.

Voda, Brezinka and Lom

These three forts are actually parts of the same system, built on the eastern end of the town of Nachod-Beloves, the major center in a local valley ending in Poland. Three items in the complex are typically accessible to the public.

The one closest to the town, on the bottom of the valley, is the Voda bunker. This is very convenient to reach, and is basically composed of a preserved typical infantry pillbox with provision for machine guns. The bunker has been painted in a credible camouflage. On one end it is possible to note the damage inflicted by the Germans, when they took out the metal observation turret. This kind of treatment – and damage – can be observed on a great many bunkers of the line.

Inside, the bunker has been turned into a local museum on the armed forces. There were border guards operating in the area, involved in skirmishes before and after the end of the war. The weapons originally intended for the fort are not in place, but there is an interesting collection of weapons, uniforms, motorcycles and other gear from the army corps operating around there over the years.

The Brezinka fort is possibly one of the most famous of the entire defensive line. The reason for that is that it was recently restored to look like it should have looked, if only it was completed back in the late Thirties. In the restoration process, weapons and system parts from other locations in todays Czech Republic were brought to the Brezinka site.

The visit of the interiors is really exceptional, even compared to the forts of the other defensive lines in Europe. The fort really looks like it could be put in operation today!

The first part of the visit of this two-levels artillery bunker will take you downstairs, where you can find the sleeping quarters for the troops with a food storage.

Close by, there are two rooms for the electrical generator and for the ventilation system. Here you can see the electrical compressor, with backup manual handles, and the huge air filters. These are multi-stage filters, where each stage was designed to stop different poisonous components in the air. The system is working, so you are given a demonstration of the compressor – interesting to get an impression of the incredible noise this system produced!

On the same floor there is also a telegraph system, which was used to communicate with other bunkers in the complex in case of failure of the telephone link. This system was capable of transmitting Morse signals to the other pillboxes next to it, projecting the signal into the ground and using it as a medium – there were no cables! This allowed it to work even if a direct electrical link was lost.

The upper floor is even more surprising, cause basically all weapons have been restored to their original positions. The Brezinka bunker featured two main firing chambers. The one pointing uphill features two heavy 7.92 mm machine guns Zbrojovka Brno Mark 1937, a very widespread and reliable weapon, with an operational range of 1’000-2’000 ft at 500-300 rounds per minute. These were used to target infantry movements along the border line, pinpointed by anti-tank obstacles. Fire direction was from the observation turret or via an optical aim system. The latter was extremely precise, but more expensive than the machine gun!

In presence of an impenetrable smoke curtain or at night, an open-loop aiming system could be used. This consisted of a board with a precise sketch of the view of the outside from the firing point, mounted on top of the machine gun. A calibrated needle pointer was used to align the machine gun with respect to the target, by simply pointing the needle on the intended target on the board!

The third machine gun is a light ZB vz. 26, a very popular light 7.92 mm machine gun. This was used for close defense of the fort access. There are also grenade throwing tubes for the same purpose.

The other firing chamber points downhill, and is supplied with a machine gun as in the first chamber, plus the assembly of an anti-tank cannon and another machine gun. The cannon is a 4.7 cm Skoda KPUV vz. 38, with an up to 1-mile range at 35 rounds per minute. It could pierce a 50 mm armor from 0.7 miles apart, and was a very effective weapon. This very cannon was already in place before the German invasion, and was taken by the Wehrmacht to the Atlantic Wall in Norway. It has been returned to its original location in recent times.

There are other two metal-reinforced embrasures in the bunker for other two ZB vz. 26s. On the same floor you can find a kitchenette and toilets for the troops, ammo storages, and two observation turrets. The latter feature a working movable floor, to allow tailoring to the height of the observer. The turrets were fitted with a periscope, and were used to direct fire. They weighed 21 tonnes each, and could withstand direct close fire from anti-tank guns!

Finally, the room of the commander and the telephone room – with an original machine from the Thirties – conclude the tour.

The Lom object, five minutes uphill with respect to the Brezinka fort, is another infantry bunker. It has not been refurbished to the level of Brezinka, but nonetheless it is used to showcase construction pieces, weapons and memorabilia from WWII years. The armored turret was taken away by the Germans.

Between the Brezinka and Lom bunkers you can find a section of anti-tank obstacles. The concrete base used to support them can be spotted in several places here and other sites of the defensive line.

Getting there and moving around

These bunkers, and especially Brezinka, are surely among the most interesting of the kind to visit, considering also their counterparts in France, Finland and B