Aircraft Collections in Norway

The ‘Norwegian chapter’ in the book of aviation history is a peculiar and interesting one. Similarly to virtually every Country in the western world, in the early age of aviation small manufacturing companies appeared also in Norway. Despite meeting with little success in the long run, they contributed in creating momentum around those ‘novel flying machines’. Norway, with a sinuous coastline stretching for some thousands miles from the latitude of England up north to where the European continent ends, and with a land largely covered in snow for many months per year, has been an ideal place for the development of a local air network since the early days of aviation. This created an alternative link between smaller communities and industry centers. As a matter of fact, similarly to Greece, Norway is among the top employers of smaller aircraft for commercial routes in Europe still today.

To the same early era belong the now almost mythological arctic expeditions, carried out also by air – by plane or airship – and almost invariably departing from Norway. The well-known Norwegian explorer Roald Amundsen was an advocate of air explorations, and his primary contributions to geographical explorations have constituted in some cases milestones in aviation history.

Despite a significant down-scaling of its Armed Forces in the post-Cold War scenario causing a strong reduction of the military presence in the Country, Norway has been in the focus of massive military operations since the 1930s.

In particular, both its geographical position and natural resources met the appetite of the Third Reich, which successfully invaded Norway in a blitzkrieg campaign in late spring 1940. Through an action based strongly on airlift capacity, German cargo planes relocated personnel and material very effectively to Norway. The crown and government were forced into exile in Britain, and with it also the military chain of command. Actually, the air force academy was moved to Toronto area, Ontario, where the military facilities of Norway got the name of ‘Little Norway’. New Norwegian pilots were relentlessly trained there, preparing them to repel the enemy from their Scandinavian motherland.

The Third Reich managed to keep a grip on southern Norway until its collapse and the end of WWII in Europe. Having witnessed the failure of neutrality as a foreign policy, in the rapidly deteriorating post-WWII scenario and the beginning of the Cold War between the Soviet-led eastern bloc and the free democracies of the western world, Norway joined NATO as a founding member.

Since then and for more than four decades, Norway was on one of the ‘hot’ fronts of the war, with a border-crossing point with the USSR, and a privileged position to patrol the skies over the shipping routes leading from the highly-militarized Kola peninsula into the Atlantic Ocean (see this post). Keeping a constant watch on the air, surface and submarine movements of the USSR was a task brilliantly covered by the Norwegian Air Force and Navy for the entire duration of the Cold War.

Today, western world issues like climate-related hysteria and hardly shareable, deeply ideological so-called ‘carbon neutrality’ policies promise to definitively clip the wings to sport, private and commercial aviation especially in this Country, through an unprecedented technological leap back. Similarly, the (today, so evidently) short-sighted post-Cold War dismantlement of military power in Europe has impacted military forces also in Norway.

However, the memory of the glorious years when this proud Scandinavian Nation has been on the forefront of aviation technology and in the focus of military action are duly relived in two wonderful aviation collections, celebrating what can be achieved through technical skill, courage and good national ideals.

One of these collections is the Norwegian Aviation Museum, located east of the airport of Bodø, a coastal town on the Norwegian Sea, not far north of the Polar Circle. The other is the Norwegian Armed Forces Aircraft Collection, located just west of Oslo-Gardermoen Airport, in the south of the Country and close to the capital city. Both museums host world-class collections, really worth a detour for aviation-minded people from whatever continent, and for the general public as well, as can be possibly perceived from the pictures in this post.

Photographs in this post were taken during a visit to both destinations in August 2022.

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Sights

Norwegian Aviation Museum – Bodø

The Norwegian Aviation Museum in Bodø is located on the northeastern corner of the airport, dominating this coastal town north of the Polar Circle. The airport was founded back in the 1920s, strongly potentiated by the Germans in WWII, and extensively used over the Cold War decades for mixed military and civil use. Today, it is mainly a commercial airport, with some residual military activity. However, the Air Station at Bodø shows evident traces of a military past – aircraft shelters, bunkers and large antenna arrays point the hilly panorama south of the runway.

The museum covers many aspects of the history of aeronautics in Norway. Both civil and military aviation are well represented, the respective collections being hosted in two adjoining large halls, merging into the central atrium – featuring a Northrop F-5 in the colors of the Royal Norwegian Air Force (RNoAF). This type has been the backbone of the RNoAF in the latter decades of the Cold War years.

Civil aviation hall

The proposed path in the civil aviation hall follows a chronological order, and starts with a display of memorabilia from the early aviation years and from the age of the adventurous polar explorations. The items on display include flags, historical pictures, personal belongings taken by explorers on polar exploration trips and many interesting explanatory panels.

Aircraft on display include rare early seaplanes, employed to establish transport services. These are put side by side with more modern aircraft of the company Widerøe, which today is responsible for most of the short-range high-frequency services linking the scattered settlements in the northern part of Norway – up to North Cape.

Nice advertisement posters are displayed to retrace the history of some classic airlines, including the all-private Braathens, once a major airline from Norway, and telling about the foundation of SAS – which incorporated also Braathens at the turn of the century – which stands for ‘Scandinavian Airlines System’. It is still today a big carrier linking Northern Europe and the world. These companies were among the world first massively flying polar routes, thanks to on-board instrumentation specifically made to tackle the navigation issues showing up when flying close to the poles.

A turning point in the history of Braathens has been the introduction of jets, in the form of the Fokker F.28, for which this airline has been a launch customer. An exemplar of the F.28 is partly preserved in the museum, allowing to check out the fully analog cockpit.

Helicopters, including one with a special pod hosting an entire berth for SAR operations, are also well represented. The Police is clearly using the latest models of rotary wing technology.

A rare aircraft on display is a British-made Britten-Norman Islander, once operating in the colors of the local company Norving. Very evocative pictures show the unusual scenarios often faced by airlines operating in near-polar regions!

Another peculiar mission covered by aircraft in Norway has been that of territory imaging and survey, including for archaeology in the search for ancient viking remains, typically hard to see from ground level. A Cessna 337 Skymaster push-pull originally tasked with this mission is on display. This type is pretty hard to see in Europe, but has enjoyed even a significant military career in the US (see this post).

A big bird on display is a beautiful original Junkers Ju-52 three-props seaplane. This is one of four originally in the fleet of the Norwegian flag carrier ‘Det Norske Luftfartselskap’, established in the 1930s, and operating with a mixed fleet of British, German and American models.

The cockpit of the Junkers has been put in a display case to be admired more easily.

Among the many other items on display in the civil aviation hall, you can find an original wind tunnel model of the Concorde, aircraft remains from an accident, and some unusual or one-off aircraft models.

Military aviation hall

The hall dedicated to military aviation starts again following the timeline of aviation history. The early-age manufacturers appearing in Norway when aircraft were still a totally new technological novelty are represented with dioramas of technical shops, scale models and historical pictures. Some aircraft dating to the pre-WWII years are also on display.

However, a major subject covered in the display is that of WWII. Norway was conquered by the invading German forces in a short and aggressive campaign in Spring 1940. Well planned from a strategic viewpoint, this operation included the capture of the airport of Oslo – the old field of Oslo-Fornebu – on the 9th of April, which was then used as a major base for landing transport aircraft, unloading military staff and material in the most populated area of the Country.

The landslide Third Reich invasion forced the government and the military chain of command to withdraw to Britain. An agreement was then settled to establish a military flight academy near Toronto, Ontario, to supply the Norwegian armed forces with new pilots, to carry out offensive operations from Britain.

The collection features many interesting items from WWII period. From a balcony you are offered a view of the collection, and a vantage view on the relic of a Luftwaffe Junkers Ju-88, transported to the museum after recovery.

The air operations in the invasion of Spring 1940 are documented with interesting scale models and dioramas, as well as much technical material retrieved from the days of German occupation. This includes cameras for photo reconnaissance, Third Reich military maps of the region, flags, aircraft engines, and many historical pictures.

From the same era, the cockpit of a Soviet Ilyushin Il-2 Sturmovik, documents of the air actions against the Third Reich occupants, and others concerning the history of ‘Little Norway’ – the Norwegian military training facilities in Canada – are also on display.

Aircraft displayed in this area include restored or partly reconstructed examples of a De Havilland Mosquito, a Supermarine Spitfire, as well as a Focke-Wulf FW190 and a Messerschmitt BF-109 on the German side.

All these birds together make for a really unusual and evocative sight today! Especially the German fighters are really rare to find, and their condition and presentation is really eye-catching.

Further aircraft from the time include a North American Harvard trainer, and a big Consolidated PBY Catalina seaplane used for patrol. The latter looks really massive hosted indoor, compared to smaller fighter aircraft!

Anti-aircraft guns and a pretty unusual radio emitter/transmission station, employed as beacons for helping instrumental navigation in the war years, are also part of this interesting display.

Next to the WWII area is the Cold War section of the display. Following the bad WWII experience with a policy of international neutrality, resulting in an invasion by a powerful enemy force, following the escalating divergence between the western Allies and the USSR, Norway opted for joining NATO as a founding member.

The alliance with the US and Britain, similar to other NATO Countries, meant a substantial supply of American and (at least in the beginning) British military supply. A North American F-86 Sabre and a Republic F-84 Thunderjet are two beautiful representatives from the early Cold War era. Similarly, a De Havilland Vampire is hanging from the ceiling.

A slightly more modern item is a Lockheed F-104 Starfighter. Not much employed in the US, it covered the interceptor role along the border with the Eastern Bloc in Norway, Federal Germany and Italy for many years.

Historical pictures tell – among many interesting subjects – about other aircraft, like the Lockheed T-33 Shooting Star, as well as the F-104 and the F-5 involved in interception and escort flights, shadowing Tupolev Tu-95, Antonov An-12 and other USSR machines flying over international waters or scraping the border of Scandinavian airspaces – quintessential Cold War memories!

Possibly a reason for Bodø having grown to further fame in the aviation community of Western Countries is the presence here of a real Lockheed U-2 spy plane. This aircraft can be found in Europe only at the Imperial War Museum in Duxford, Britain, and here. Actually, a curious fact about Bodø is that it was a designated destination or an alternate (emergency) airfield for the perilous overflights of the USSR, carried out with the Lockheed U-2, and later with the Mach 3+ Lockheed SR-71. Actually, the latter landed here in one occasion, whereas the ill-fated mission of Francis Gary Powers, downed by Soviet SAMs while en-route north of Kazakhstan from Peshawar, Pakistan, had Bodø as a destination (see this post for pictures of the relic in Moscow).

The U-2 is displayed so that it is possible to both appreciate its slim shape and large wing span, and also get near to its cockpit. However, its installation and lighting inside the hall – and the fact that it is black… – make it a rather difficult target for photographs. Next to the aircraft, historical pictures and schemes tell about the mission of Francis Gary Powers. Interesting tables for the interpretation of photo intelligence are also on display.

Still in the Cold War part of the museum, a very unusual and interesting section is centered on the facilities and technical gear for the detection and monitoring of airspace intrusion, for early warning and for alerting the air defenses of the National airspace.

This secretive and little publicized branch of the military kept its ears and eyes constantly pointed on the moves of the colossal Soviet neighbor, recording every single movement – look for the super-interesting registry of USSR aircraft movements! – and constantly updating the situation, in order to be ready to counter a sudden ‘turn for the worst’, in case of an actual attack.

Interestingly, much of the electronics here is US made, as can be seen looking at the product tags.

The arsenal that could be employed to counter an air attack included the Nike-Ajax and later Nike-Hercules surface to air missiles, deployed along the border with the Eastern Bloc also in Denmark, Germany and Italy (see here and here).

Just to complete this incredible Cold War exhibition, an interesting and pretty unique air-dropped WE-177 nuclear bomb case is on display!

More modern addition to the aircraft collection include a General Dynamics F-16 Fighting Falcon and some helicopters.

A latter interesting part of the military exhibition showcases an array of aircraft-mounted cannons from various ages, showing their precision and their effect on the same target. You can appreciate the effects of the technical evolution of these weapons.

Examples of air-launched missiles and sonobuoys, and a fine array of flight suits showing the evolution of their design, conclude this exceptional museum.

As a plus, the old control tower of the military air station has been turned into a panorama point, where you can watch air operation on the actual airport, and also listen to air traffic frequencies!

The gate guardians include a Bell helicopter and an old glorious Hawker Hurricane from WWII.

Visiting

The museum is located at Bodø airport, and can be spotted pretty easily when entering the town. Bodø can be included – or considered as a starting point – in many tours of Northern Norway. The museum offers a large and convenient parking. It can be toured in not less than 2 hours for aviation-minded people. The website is here.

Norwegian Armed Forces Aircraft Collection – Oslo-Gardermoen

Coherently with its name, this wonderful collection is focused on military aviation in Norway. Most aircraft having served in the RNoAF at some point in history are represented, as well as some from WWII – not only from the Allied side, but most notably some rare exemplars from the Third Reich.

A great feature of this museum is also the architecture of the display. Put in a U-shaped building to the southwest of Oslo-Gardermoen airport, the aircraft are in most cases sufficiently far from one another to allow moving around freely, getting an unobstructed view from different angles. Furthermore, the natural lighting from the top windows is ideal for pictures (similar to the solution adopted in the Estonian Aviation Museum, see here).

Late 20th century

The display starts with the Northrop F-5, which is represented by three exemplars, interspersed with a single example of a General Dynamics F-16 Fighting Falcon – currently in use with the RNoAF, to be replaced by the Lockheed Martin F-35 Lightning II. The Freedom Fighter has been the backbone of the RNoAF for the latter years of the Cold War, being flanked and substituted by the Fighting Falcon, and now by the Lightning II.

The aircraft on display are two F-5 Freedom Fighter, i.e. the light fighter version – one in a distinctive tiger painting – and one RF-5 Tigereye, which has been developed from the original design into a capable photo reconnaissance aircraft.

Walking beneath the F-5 reveals many details, for instance the landing gear mechanism, the missile pylons and anchoring system, and JATO bottles for reducing the take-off distance.

A J85 jet engine – there were two for each F-5 – is on display, with the afterburner pipe mounted past the turbine exhaust. A choice of missiles and pods can be seen close to the ‘tiger painted’ exemplar. The latter can be boarded. The fully analog cockpit shows much standard instrumentation for flight control, navigation and engine management, but also an armament panel with weapons selection and activation switches. Also interesting are the parachute deployment lever, for the arresting parachute, or the underwing load jettison system.

The RF-4 reconnaissance aircraft features a nose camera, with a prominent lens which can be easily checked out. Similarly, the hatch of the port 20-mm cannon has been left open, showing the cannon body, barrel and the very neat ammo supply system.

Next to these aircraft are a Lockheed F-104 Starfighter in a two-seats trainer configuration, and the front section of another exemplar with the original cockpit, which can be boarded. The J79 engine of the Starfighter, apparently originally from Canada judging from the Orenda labels on some components, has been taken out of the fuselage and can be appreciated in all its length (with the afterburner pipe to the back).

The cockpit of the Starfighter is cramped, with little legroom and a very limited front visibility. It is fully analog, similar to the F-5.

In a corner of the hall, an original simulator – apparently for an F-16 – has found a new collocation, possibly from a military aviation academy.

Early Cold War

The next part of the display offers the sight of a full array of fascinating, well-preserved aircraft from the early Cold War period. The first is a North American F-86 Sabre, with an attractive golden front intake decoration. Walking around and looking closely, many particular features can be spotted, including the leading edge slats. A ‘used’ Martin Baker ejection seat shows the little damage resulting from actual employment in case of emergency.

Next is an improved version of the Sabre (F-86K), which features a very different intake, such to accommodate in the bulbous nose a powerful radar antenna. The latter could work in conjunction with a computer, and offered a substantial help in increasing the offensive capability of this fighter, which could also be operated in all weather conditions.

A nice gem of the collection is an original portable cabinet for testing the General Electric J47 engine. This cabinet looks like a suitcase, but it could be positioned standing on its legs, linked with connectors to the on-board systems, and could show the working condition of the engine in a mounted configuration. The monitoring instrumentation is fully analog. It would make for a great item for collectors of Cold War technical gear!

Then follows an Republic F-84 Thunderjet early jet fighter, with its neat lines, wing tip tanks, and an under-fuselage spoiler in a deflected position.

Nearby, the rather different – despite the similar code – Republic RF-84F Thunderflash photo reconnaissance aircraft prominently displays its big-diameter optics in the nose.

The really elegant design of a Lockheed T-33 can be appreciated next. The air intakes are really works of art, and the bare metal color just adds to the vintage line of this early design.

Similarly graceful is the iconic De Havilland Vampire, the only British addition to this US-dominated aircraft display from the Cold War era. With its distinctive twin-boom tail, the typical De Havilland vertical fins dating back to the pre-WWII propeller-driven examples, the shrouded jet engine totally disappearing in the body of the aircraft, with small, fenced intakes on the leading edges of the wing, this aircraft looks like a really good balance between engineering-driven design choices and pure elegance.

WWII aircraft

A central section of the exhibition is centered on WWII-era aircraft, starting with two Supermarine Spitfire, one hanging from the ceiling, and one sitting on its wheels, in a greenish color and RNoAF emblems.

What follows is a pretty unique US-made aircraft, a Northrop N-3PB seaplane, ordered as a sea patrolling aircraft by Norway, but not reaching Scandinavia in time before the German invasion. It was then employed as a sea patrol from Iceland by the Norwegian forces in exile. Possibly looking not so conspicuous in pictures, it is a rather massive bird. It shows an interesting floatplane design, where floats are anchored to the wings through aerodynamically profiled struts, so as to reduce drag as much as possible.

Walking around it, you can notice the relatively light weaponry hanging from the fuselage bottom, the down-firing back cannon for defense, and the detachable wheels to pull the aircraft ashore.

Then a very rare bird follows – a German Heinkel He-111 bomber from WWII! Restored in a mint-looking condition, this aircraft makes for a unique sight in the panorama of aviation collections.

This iconic aircraft from the Third Reich, much known to aviation-minded people especially in connection with the early landslide campaigns of the Third Reich in Europe and for the Battle of Britain, can be examined from very close and beneath, unveiling some interesting peculiar features. For example, the bomb bay features vertical square-section separated ‘blisters’, a totally different solution with respect to larger US bombers from the age.

The underbelly shooting pod allowed the cannon operator to ‘rest’ in a laid down position. The front cannon is clearly asymmetrically placed with respect to the aircraft centerline, following a side curvature of the nose cone such to increase pilot’s visibility.

Close by is another incredibly well-preserved addition from the Third Reich’s Luftwaffe, a Junkers Ju-52 transport in fashionable military colors.

The Ju-52 and He-111 were the main characters involved in the blitzkrieg attack to Oslo-Fornebu, the now bygone airport of central Oslo, which was the stage of a massive air-launched German attack in April 1940, a substantial contribution and a prelude to the complete invasion of Norway. Both aircraft are surrounded by a set of accessories from the time, including searchlights, fuel tanks, spare parts, anti-aircraft guns and even service trolleys with skis to be used on snowy aprons! The ensemble is really quite a sight.

From roughly the same age is also a perfectly preserved Douglas C-47 Skytrain – a true war veteran! Preserved in the colors of the RNoAF, it was originally incorporated in the USAAF and employed in action in Europe since mid-1944. It flew during the Berlin Airlift, operating in and out West Berlin transporting goods during Stalin’s blockade of the town in 1948-49 (see this chapter). It later joined the RNoAF and was employed for radar tuning and for transport until the mid-1970s.

The color scheme of the RNoAF looks great on this C-47, and the presentation among some airport service vehicles from the time adds to the display.

Further recent aircraft

Approaching the extremity of the U-shaped building, you can find a De Havilland Twin Otter with skis, some classic helicopters, some aircraft undergoing restoration – including substantial remains of a Junkers Ju-88 bomber from the Third Reich! – and a massive Lockheed C-130 Hercules.

The latter is possibly the aircraft in the collection having been retired most recently. It has been deprived of its vertical fin, which simply couldn’t fit inside the building, but the rest is almost complete. The engine pods are opened, so that you can see inside. An array of JATO bottles to enhance take-off performance has been anchored to the side of the fuselage.

The aircraft is on display with the back and side doors opened, so that boarding its preserved interior and cockpit is indeed possible.

Inside the cockpit, chance is you meet a living legend, the flight engineer of the RNoAF Mons Nygård, who will explain you the features and operations of his aircraft! The man joined the Armed Forces in the late 1950s until the 1990s, with a military career spanning a big part of the Cold War. He flew extensively the Hercules, as well as other aircraft including the Lockheed P-3 Orion, logging a staggering  more-than-17’000 hours in flight!

We could interview him about his career, which unfolded several nice anecdotes and memories from the Cold War years, and a real passion for his super-reliable aircraft and for his job. It’s no wonder the Hercules, being designed in the 1950s, is still in service with many Armed Forces of the world.

Anti-aircraft defense system

Finally, the exhibition includes Nike-Ajax and Nike-Hercules anti-aircraft missiles (SAM). Installed in batteries against an attack from the USSR also in Norway (see for instance this preserved battery in Italy, this in Denmark, or this ghost one in former Federal Germany), these nuclear-capable massive missiles were in service typically between the 1950s and the early 1980s, becoming by then obsolete.

Of great interest for technically-minded people are some of the inside components of these missiles, including components of the guidance system and some electronics, which can be seen in display cases, as well as technical vehicles for launch control, radar operation etc.

Other lighter anti-aircraft weapons from the Cold War era are displayed nearby, thus covering also this interesting subject in good detail.

Balcony

The visit may be concluded with a walk along the inside balcony, from which a good view of all the aircraft just mentioned is obtained.

On the same balcony, you can find also many trainers once used for teaching young pilots the basics of flight. Some are classic models belonging to the era of Little Norway and WWII, when training for freshly recruited pilots was carried out in Ontario, Canada.

The gate guardians for this beautiful collection are an F-5 and an F-104, the latter in the greenish colorway seen also in the collection in Bodø.

Visiting

This fantastic collection can be found in the southwestern corner of the premises of Oslo-Gardermoen airport, the main airport serving the Norwegian capital city.

The museum is administrated by the Armed Forces.

Visiting for the aircraft enthusiast may be very rewarding and may take more than 2 hours, since the exceptional state of preservation of the artifacts and the many details you can explore through a walk around very close to the aircraft invite to spend time inside. You have also chance to speak with former military crew, which adds much to the experience. Very good photo opportunities for an indoor collection.

Large free parking ahead of the entrance, with picnic facilities. Nice model shop by the ticket office.

The museum is normally open on weekends, but further visits may be scheduled out of these opening slot. Please check the info on their website here.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

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Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.