Military Collections in Sweden – Third Chapter

The rich military tradition of Sweden can be retraced by means of many interesting dedicated collections. Many of them are scattered in the nice southernmost country regions of the Scandinavian peninsula, and make for an interesting detour from the most popular touristic destinations.

As reported in the previous two chapters on the topic (see here and here), the neutrality of Sweden in the major confrontations taking place during the 20th century allowed this northern Country to operate in a unique and original way, especially in terms of military procurement. Besides picking what was actually deemed suitable for their internal needs especially from the West, Sweden managed develop a strong domestic design and manufacturing capability, such to fulfill its own self-defense role in a cost-effective and credible way.

The defense of neutrality was carried out in the air by a strong Air Force, often updated over the years. With the end of communism in Eastern Europe and the collapse of the Soviet Union in the early 1990s, the major threat in the Baltic area came to an end as well, resulting in a major scale-down of this defense force and the disbandment of many military organizations. Correspondingly, memorial museums can be found often close to former airbases. One of them, dedicated to the ‘Scania’ wing F10, in operation since WWII to the early 2000s, is covered in this chapter.

A rather complete collection of aircraft from the entire span of the Cold War can be found in the unusual frame of a private museum, established in the 1960s from the will of the founder to display primarily his own collection of cars. The mix is particularly interesting, witnessing also the close link between Sweden and the vehicle industry of the US, possibly the tightest among all Countries in Europe.

Of course, in the theater of WWII Sweden was politically and geographically in an interesting position as well as later in the Cold War. Its relative proximity to the Third Reich meant it was often overflown by bombers on their way back from missions over mainland Germany. Dogfights and bomber chase missions reached the airspace of Sweden, sometimes ending with either German or Allied aircraft crashing on Swedish territory. An interesting museum covered in this chapter is fully dedicated to the topic.

Photographs in this chapter were taken in the summer of 2024.

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Sights

Ängelholms Flight Museum, Ängelholm

This nice collection of military aviation can be found on the former premises of the air base of Barkåkra (today Helsingborg airport), which has been the home of the 10th Wing ‘Scania’ (aka. F10 or ‘Ängelholm Wing’) between 1945 until the disbandment of the latter in 2002. Established during WWII, the illustrious history of the F10 wing spanned the entire Cold War, reaching into the 21st century. Correspondingly, the Scania Wing was supplied over the years with a rich inventory of aircraft models, ranging from classic fighters of WWII to the more recent SAAB Viggen and Gripen.

The structure of the exhibition, rather compact in size, is composed of two major areas.

In the first, the history of F10 is retraced especially by means of interesting photographs and memorabilia items. Among the pictures, some portray American bomber crews as well as German fighters landed on Swedish territory, which remained neutral during WWII.

In this area are also a few dioramas and reconstructions of typical military scenes, including a medical room, from the earlier days of operation of the Scania Wing. Everyday items, as well as military training and illustrative material, is presented in display cases.

The second major area is where most hardware of the collection can be found – aircraft, engines, vehicles, and much gear from the days of operation of the F10 wing. Among the earliest models acquired by F10 back in the WWII years was – rather interestingly – an Italian fighter, the Reggiane Re-2000 Falco, a batch of which was obtained from Italy in a supply shortage scenario, where especially the US had halted material export to non-allied countries. Pressed into service with the Air Force of Sweden (and specifically also with the F10 wing) as an interceptor with the locally attributed code of J20, this generally adequate machine was powered by a Piaggio P.XI 14-cylinders radial engine (which according to Roman numbering then often employed in Italy translates into P.11), a 1.040 hp model license-made in Italy, and originally a French design by Gnome-Rhone. A Re-2000 is not on display, but a Piaggio P.XI is! This engine has been quite popular in those years in Sweden, ending up also as an interim power plant for the Swedish own SAAB B17C single-engine light bomber/diver (not to be confounded with the homonym American Flying Fortress).

Close by the P.XI is the oldest aircraft on display belonging to the F10, in the form of a FFVS J22. The company FFVS was actually a Swedish state-managed entity, borne in the years of WWII to cope with the wartime supply requirements on one side and the overbooking of the SAAB plants on the other. Introduced during WWII, this rugged fighter was powered by a Pratt & Whitney R-1830, the ubiquitous Twin Wasp, license-built in Sweden by Svenska Flygmotor. The Scania Wing received the J22 model only in 1945, the last propeller-driven aircraft in its inventory. The exemplar on display looks under maintenance, and is possibly in airworthy conditions.

Next on display is a SAAB J29 Tunnan, with its distinctive barrel-shaped fuselage enshrouding the single, centrifugal flow jet engine. The F10 wing transitioned to jets in 1946 with the early SAAB J21R and the British-supplied DeHavilland DH100 Vampire (named J28R in Sweden). The Tunnan was provided to the F10 wing in 1953, and there it remained until 1963, while more advanced models were becoming available. The engine of the J29 was a DeHavilland Ghost, manufactured under licence in Sweden by Svenska Flygmotor under the name RM2B – an example is on display.

Close to the tail cone of the Tunnan is also a DeHavilland Goblin engine, originally employed on the Vampire.

The longest-lasting workhorse in F10 service has been the SAAB J35 Draken. An exemplar of the J version, the most updated and last (with the actual modification taking place in the late 1980s), is on display. The distinctive bulge for the IR seeker under the fuselage, appearing from the modern F version on, can be checked out from very close.

Interestingly, the Draken is presented with an exemplar of the Rb-28 missile hanging from an underwing pylon. This is a SAAB-modified version of the US-designed Hughes AIM-4D Falcon, an air-to-air missile conceived as an anti-bomber weapon, but hastily pressed into service against Vietnamese MiGs during the Vietnam war, under the wings of the Phantom, and proving very ineffective in the dogfighting role. For the Soviet bomber interdiction role of the Draken, this missile platform was deemed more effective, and it was retained for service for decades in Sweden.

Other missiles, rockets and guns (including a dismounted Aden 30 mm cannon) pertaining to the warload of the Draken are on display as well, together with an interesting console for missile signal testing.

Ahead of the Draken is a memorial wall, and ahead of it is a Rolls-Royce Avon jet engine, displayed as an instructional cutaway – including both the turbomachinery and the afterburning component. License-built in Sweden by Svenska Flygmotor as RM6C, this was the engine of the Draken.

The F10 wing received the SAAB J37 Viggen only after the collapse of the USSR in 1993, marking the beginning of the last, post-Cold War chapter in the history of the unit. Quite elusive due to its adoption only by Sweden, albeit rather successful in its intended roles, an exemplar of this machine can be found in this collection. Specifically, this is a photo reconnaissance version named SF37. Lacking a radar, this model typically operated on reconnaissance missions in a flight of two, together with a radar-supplied SH37 variant.

The Viggen can be neared and checked out entirely with ease, thanks to its positioning on a pedestal. The photo-reconnaissance payload is on display. Under the left wing is a SAAB Rb-04 anti-ship missile. This Swedish own design was conceived for countering invasion starting from the sea. With a radius of 25 km and active radar homing, its warhead was sufficient for knocking out an enemy cruiser with a single hit.

The collection of the Scania Wing also includes the SAAB SK60 trainer, a successful trainer employed for decades, and inducted into the F10 inventory during the 1990s, when the wing took over the basic training role from the F5 wing. Similarly, an ubiquitous Bell 204 (Hkp 3B according to Swedish naming) can be found on display, as it was employed within the F10 for rescue and logistics/transport duties.

Close to the Viggen are further interesting exhibits. One is on the wartime bases (krigsflygbaser, see this post), with models and original signs from one of them.

Another is about weather forecasting within F10. It includes electronic hardware, an entire room with original consoles, and weather balloons, still today employed to carry atmospheric sounds.

A display is dedicated to pilot’s protection helmets, survival kits and ejection seats. Not only in Sweden, the latter have been in the focus of a major technological development over the years of the Cold War. Ejecting from a fast jet in the 1950s was reportedly a highly-risky business, since even when the maneuver was technically successful – i.e. such to take the pilot out of the aircraft alive – the ejection-induced acceleration alone was more than enough to cause serious injury, usually to the spine. Over the years, multi-stage ejection was implemented, allowing for a more gradual maneuver, which albeit remaining lightning-fast, does not inflict so harsh a treatment to the pilot’s body as in the past.

A top exhibit on display is an original cockpit from a SAAB J35 Draken, employed for training purposes. The cockpit is very well preserved, thoroughly described by explanatory panels nearby, and it can be boarded to give you a feeling of the functionality of the onboard systems, as well as of the ergonomics of the cockpit.

Two more training aircraft are included in the exhibition, a SK61 and SK50, both single-propeller machines employed for basic training.

Additionally, the last type in service with the F10 has been the SAAB JAS39 Gripen (from 1999 until disbandment), which is here represented by means of the first serial production machine of the first version (‘A’). This exemplar was actually never pressed in air force service, but it was employed as a test bed for multiple operations, including test firing of missile ordnance in the early 2000s.

Additional dioramas in this compact but rich collection include op-rooms from various ages.

An interesting exhibit is a relatively well-preserved Rolls-Royce Merlin piston enigine, originally powering a British Avro Lancaster bomber which sank south of Trelleborg in the Baltic Sea, presumably early in 1945 after a bombing run over Germany.

Finally, on the outside it is possible to find a British Bristol Bloodhound Mk II missile. This SAM supplied a squadron of F10 wing, complementing the air defense role in proximity to the airbase.

Getting there and visiting

The name of the museum in the local language is Ängelholms Flygmuseum, which translates into Ängelholm Flight Museum. It is located on the southwestern border of the former airbase of Ängelholm, easily reachable at the address Drakenvägen 5, 26274 Ängelholm. This town is 15 mi north of Helsingborg along the E6 highway.

Large parking ahead of the entrance. Nice shop with books, toys and gadgets by the ticket office. The museum facility is rather compact, yet a visit may easily take 1.5 hours for an interested subject, when carefully checking out all items on display and taking pictures. Descriptions are in double language, Swedish/English, allowing for an informative visit even if you are from abroad.

Professional website with full information here.

Museum of Forced Landings, Morup

The Museum of Forced Landings (in Swedish language the museum is named in a rather different way, ‘Morups Samtidsmuseum’) is a one-of-a-kind collection of remains and traces from air crashes or forced landings taking place during WWII in Sweden. Run by a lively group of dedicated enthusiasts, the display is extremely well-crafted, offering not just an array of many and diverse relics from aircraft wrecks, but for each of them a complete synopsis of the story behind that specific flight – and the crewmen who were on board.

Furthermore, in my case I was accompanied by a very knowledgeable English-speaking gentleman for the entire duration of my visit, making the experience even more engaging.

The exhibition starts with a display of general maps of the crash or forced landing sites. A sharp increase towards the end of the war is evident, due to the increase in the number of bombing raids over the center of the Third Reich. The crashed aircraft are mostly from the US and Britain. When hit over Germany but still airworthy, Allied crews attempted an escape to neutral Sweden, to avoid capture by the Germans.

Of course, Sweden was a neutral country, hence all grounded crews, irrespective of their nationality, were interned, albeit in more than decent conditions, especially compared to German or Soviet prison camps.

A map of the internment location in Sweden is presented as well. Clearly, also German aircraft crash-landed in Sweden. Crews of opposing nationalities were interned in totally different locations. Rare photographs from these sites are on display.

Then, one by one, the display cases describe each a notable forced landing, retracing its timeline, and showing some relics from the wreckage, as well as personal items belonging to the crew. Nice detailed scaled models and dioramas of the accident complete the reconstruction.

Among them are a German Messerschmitt Bf110 attack aircraft, with a fragment of the canopy as well as other parts on display, Norwegian training aircraft, a German Junkers Ju-52 transport, with an entire control column put as an exhibit.

The bombsight, radio and other instrument goggles belong to a German Heinkel He-111 bomber landed on ice.

One of the plots documented in the deepest detail is that involving Lt Edward E. Phillips, of USAAF 354th fighter group, which flew escort missions over Germany from Baxton, England, with North American P-51 Mustang fighters. On the 15th of April 1944, on return from a mostly failed bombing mission over Germany in bad weather, Lt. Phillips aircraft was chased north by a Bf109. He was hit over southern Sweden, bailed out but the parachute failed to deploy. He was killed instantly, and his aircraft impacted soft terrain and sank so deeply due to its own energy that it almost disappeared into the ground – and there it remained for 40 years. In the 1990s an excavation attempt was carried out by the future crew of the museum, uncovering substantial remains of the aircraft, including many parts, cockpit gauges, machine guns, an entire landing gear leg, and more.

A link was established by the local crew with the former wife of the man in the US, and the story hit the news. A memorial was inaugurated on the location of the crash.

Another American aircraft with a story to tell is a Consolidated B-24 Liberator. This time the aircraft managed to crash land under control, and the entire crew of 10 was saved and interned. Sgt Robert C. Birmingham, part of the crew, visited the locations of his adventure in Sweden more than once with his family.

More accidents described in the display involve British and German aircraft.

In an adjoining room, an impressive collection of quality scale models reconstruct many of the aircraft in service within the Air Force in Sweden, including details such as different celebration markings and camo coats. Among the artifacts and memorabilia items on display in this part is an autographed photo of WWII German ace Günther Rall.

In another small hangar is an interesting addition to the collection, mostly centered on aircraft engines. Engines from crash-landed aircraft, significantly damaged but undergoing a display-oriented cleaning and refurbishment, make for an unusual and interesting sight.

Outside is also a small collection of classic cars in pristine conditions.

Getting there and visiting

The museum is called ‘Morups Samtidsmuseum’ in Swedish language. It can be found right along the road N.768 about 6 miles north of the coastal town of Falkenberg, 0.25 miles north of the small town of Morup. The exact address is X9MP+84 Morup.

A visit may take about 1 hour, more when stimulating further telling by the very enthusiastic crew of the association running the museum.

Please note that no credit cards are accepted, only cash is – unless you are entitled to employ electronic payment methods allowed for citizens or residents of Sweden.

The website, partially under construction as of spring 2025, can be found here.

Credit for directing me to this hidden gem goes to Martin Steffen, from Sweden.

Svedino’s Automobile and Aviation Museum, Ugglarp

This unusual exhibition originates from the own collection of Lennart Svedfelt, a prominent Swedish stage and TV entertainer borne in 1924 and known as ‘Svedino’. The man started purchasing cars and planes for the purpose of collecting them, in an era when a similar activity was hardly heard of. In 1961 he opened his collection as a permanent display, the first museum dedicated to cars in Sweden. Over the years, and even following his passing, the museum continued to grow, reaching more than 100 cars and 40 aircraft on display today!

Even though this is not an eminently military museum, despite the cars being beautiful civilian cars, most aircraft on display are military machines, including some remarkable items – therefore, Svedino’s perfectly fits within this chapter!

The cars on display make for a really unique collection, in and out of Sweden. A remarkable feature is especially the number and uniqueness of US-made cars from the inter-war period between WWI and WWII. In a first building, these include models by Chevrolet, Buick, Dodge, Nash, Oldsmobile, and more!

Also some classic models from European manufacturers, like Opel, are on display. A special rarity is an Adler Trumpf from 1934. Adler, a German company from the 19th century active in the manufacture of petrol engines, operated in the car market for a relatively short time, roughly coincident with the Third Reich period. They made cars in the intermediate price segment, with good success. The company changed business following WWII, making Adler cars interesting collectible items representing car-making from a specific era.

As expected from a Swedish museum, a full array of classic Volvo is on display! These include small trucks and saloons, and interesting models like the PV36 from the inter-war period. Similar to the PV830 and the iconic PV444 from the immediate post-WWII years, an influence of the contemporary American designs is undeniable in all these models.

Also on display are more modern vehicles employed as state cars. An interesting item is a very old Gräf & Stift, an Austrian luxury sedan from before WWI, salvaged from the bottom of a Swedish lake after spending there more than 40 years, and acquired by the museum.

Two interesting cars on display are personal designs from the early 1950s. In Sweden it was possible at that time to introduce privately-built cars, provided they could sustain a compliance check. An example of a fantasy car, with a rather aggressive design and physically assembled from parts of other cars, is on display. It was never completed nor allowed on the road. Another example, designed and made by the son of the industrialist Wennberg, reportedly roamed around all over the 1950s! This unique exemplar is on display with ‘factory markings’ HW.

In a second adjoining building, a really valuable collection of even older cars, dating from earlier than 1930, is on display. Also here most items in the collection are from the US, a really rare sight on this side of the ocean! Looking at the elaborated labels of these oldies, made by Ford, Anderson, Seneca, and thinking of the craftsmen who personally assembled them back in the America of the early 1900s is really thought-provoking!

Among the most unique cars on display is a Pierce-Arrow from 1918, sitting alongside a Haynes from the same year.

Moving on to another adjoining hall, here cars are on display alongside a few classic planes from the first half of the 20th century. A DeHavilland Moth, a Götaverken GV-38 seaplane (a licence-built Rearwin Sportster, a US design), as well as a German Klemm Kl-35 and a Focke-Wulf FW-44 designs, are on the list together with more light airplanes and a few engines.

The latter include an original Rolls-Royce Goblin and Avon, respectively from a DeHavilland Vampire and a SAAB Draken, both in service with the Air Force of Sweden during the Cold War.

A focus of the exhibition is on the memory of a pioneer of Swedish aviation industry, Enoch Tulin, who is the author of many ‘firsts’ in the aeronautical history of this Country – the largest aviation workshop to date before WWI (with 900 employees), the first air mail service, the first air rescue mission, and more. A graduated engineer, flight instructor and early aerobatic pilot, Tulin died in an airplane crash in 1919, after gaining unquestioned prominence in many fields of aeronautical industry and operation in his era.

A final adjoining hall concludes the oldest part of the exhibition premises. Here the spotlight is on a few fighters from the Cold War era, namely a SAAB J29 Tunnan, two DeHavilland Vampire, and even a SAAB J35 Draken.

The latter is really a unique exemplar. As can be guessed by the monstrous red and white spine on the nose cone, typical to experimental aircraft and not a feature of the production machine, the one on display is actually the first prototype!

Another curious item is a Soviet-made Kamov Ka-26 helicopter. Alongside the helicopter is a vintage advertisement from 1975, written in Swedish, and made by Aviaexport, a Soviet agency for the commercialization of Soviet aeronautical products abroad. Borne as an import-export, Aviaexport acted also as a recipient of foreign certification rules, spreading the growing body of western aeronautical regulation within the Soviet design bureaus, to the aim of keeping the quality standard to a level sufficient for commercialization in foreign countries. Actually, thanks to Aviaexport the Kamov Ka-26 received a type certification in Sweden, which allowed its commercialization and regular employment there. Aviaexport is still existent in today’s Russia.

Interspersed between closely-packed aircraft are more cars, including a beautiful Jaguar Mk V and an East-German Trabant, as well as aircraft engines.

A massive Wright Cyclone R-3350 is among them – the power plant of the Lockheed Constellation and Douglas DC-7, often considered the pinnacle and swansong of American piston power, this massive 1.2 tons, 18 cylinders engine produced 3.700 hp of shaft power!

Svedino’s aircraft collection is mostly hosted in a modern hall added more recently beside the original museum’s building. The first item on display is an original Junkers Ju-52! This aircraft is among those license-built in Spain. It operated for some time as far as in California in the 1970s, being later transferred to Ireland, and finally here. The camouflage and markings reenact those of a Third Reich’s Luftwaffe machine force-landed in Sweden during WWII. The cockpit of the Ju-52 has been reproduced separately, to allow checking it without boarding this precious aircraft.

As expected for a Swedish aircraft collection, the most prominent models which have served in the local Air Force are represented. These include a SAAB J32B Lansen, a Cold War attack aircraft from the 1950s, a SAAB SK60 trainer, and a SAAB J35 Draken – a production machine, not a prototype like in the previous hall.

These aircraft are presented alongside their engines. The Swedish licence-built version of the Rolls-Royce Avon, named RM6A, powered the Lansen and later the Draken.

The latest addition to the SAAB heritage on display is the J37 Viggen, here presented in the nice and distinctive camo coat of the Air Force of Sweden. This is presented alongside its mighty engine, the RM8A, a modified version of the Pratt & Whitney JT8D turbofan.

Additionally, a display of an open nose cone allows to see the arrangement of the radar antenna of the Viggen.

An interesting display case hosts the instrument panels, radar and reconnaissance gear of the Lansen, Draken and Viggen, as well as a collection of flight helmets and pilot’s gear, showing the evolution of this technical material over time.

But the collection of Svedino’s is not limited to aircraft in service in Sweden. A Lockheed F-104 Starfighter from the Air Force of Denmark is on display, next to a Gloster Meteor early twin jet. The blue exemplar on display is a former factory demonstrator originally employed by Gloster, and later sold to Sweden for target towing (in a batch of seven aircraft).

A rarity to be found close by is a Percival P.66 Pembroke, a twin-engined multi-purpose transport from the early 1950s, employed for training and passenger transport within the Air Force. Manufactured in Britain in just 128 exemplars, this type was mostly sold abroad to Western-European Countries and in Africa. Sweden originally got a batch of 16.

Another British type on display is a Hawker Hunter, which was actually employed by Sweden as a stop-gap model in the late 1950s, waiting for the completion of the design and the entrance into service of the J35 Draken.

Another Soviet addition to the collection is a MiG-21. A Cold War veteran, this exemplar is Soviet-built, and served in Hungary until 1982 and later in the Latvian SSR.

A recent addition to the exhibition is a Douglas Skyraider! Possibly overshadowed by the illustrious career the type enjoyed in the US Armed Forces, a part of the history of this massive attack aircraft is about Sweden. Some 13 exemplars were actually purchased by Sweden for target towing in the mid 1960 from Britain, which had got a larger batch from the US. The exemplar on display is an AD-4W, the early warning version of the Skyraider. It is currently (2024) being refurbished.

Among the biggest additions to the aircraft collection is actually an English Electric Canberra. As typical to this type, employed by the British for the first, high risk overflights of the Countries of the Soviet bloc before the high-performing Skunk Works aircraft became available, the Canberra (including its modified Martin version in the US) was employed for quintessentially Cold War signal intelligence missions opposite the Soviet Union. Two exemplars were employed also in Sweden from the early 1960s until the mid-1970s, and one of them is that on display.

A curious item also on display is a one-off design which won a competitive call of the Aviation Engineering Association in Stockholm in 1988, and which was later actually built by its designers. Unfortunately, it was eventually never tested due to one of the owners need to quit for health issues when the aircraft was undergoing a certification test for obtaining airworthiness. The name of the prototype is LLS-1.

Scattered among the aircraft are more engines, radars, consoles, simulators, and more aircraft than described, making for an overall very rich and interesting visit.

Getting there and visiting

Svedinos Bil & Flygmuseum – this is the name of the museum in the local language – can be found in a nice countryside 15 miles north of the port town of Halmstad. The exact address is SE-311 69 Ugglarp.

The premises are rather compact, with a large parking ahead of the entrance. Fresh cookies, homemade sandwiches and cakes are available for a light lunch in the exotic lobby, matching in style with this unusual collection.

A visit may take 2 hours for an interested subject. Most items are described with modern panels in double language Swedish/English, making the visit very informative. The website with logistical information is here.

War Museums in Western Poland

Similar to other Countries around the Baltic Sea, Poland has a positive attitude towards its military past. Beside castles, barracks and traces of war from older ages, remarkably also some war material from the 20th century, and especially from WWII and the Cold War, has been in the focus of conservation activities.

The mystery bunkers in the southwest of the Country dating from the years of the Third Reich (see here), or the Soviet Monolith-type bunker in Podborsko (see here) and the impressive fallout monitoring center in Kalisz (see here), stand out as major remains from WWII and the Cold War for everybody to check out – and they are just examples.

Along those sites with a history of their own, Poland has many war museums, thematic collections and exhibitions to offer, retracing the evolution of its rich and extremely complex military history.

Looking at the 20th century, it is apparent that Poland has been swept violently and insistently by the winds of war. At the start of WWII, it was surrounded by the Third Reich on two sides, something that contributed to its quick invasion and defeat at the beginning of the conflict. A special relationship with the British meant some from the Polish military ended up directly in the British ranks in exile, whereas others were incorporated in a pro-German Army. However, in the closing stage of the war, when the unfriendly Soviets invaded from the East on their run to Berlin, some from Poland entered the ranks of a pro-Soviet, anti-German army.

Following WWII, Poland was re-founded with new borders, basically those we know today, and due to the presence of the Soviet Army on their territory, they quickly fell under communist control. The relationship between the USSR and Poland military was strong during the Cold War, and the military assets of the Polish Army were massive. The Red Army was also physically stationed in the Western part of the Country, in preparation to a much planned full-scale ‘atomic-supported blitz’ to the Atlantic coast, which luckily never materialized.

The many collections to check out in Poland these days are especially rich in Cold War era supply, and therefore they are tremendous resources for finding many examples of Soviet technology from the Cold War era. However, in most cases also highly valuable material from WWII and from the fierce battles fought on Polish territory mainly between the Germans and the Soviets can be checked out.

This post presents a quick, mainly pictorial description with excerpts from several collections open for a visit in Western Poland. Photographs were taken in the summer of 2020.

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The sites presented in this chapter are all in the Western part of Poland, i.e. west of Gdynia and Poznan. They are listed here below, basically from south to north on a map.

Sights

Museum of Military History, Jelenia Gora

The collection of the Museum of Military History in Jelenia Gora is arranged on an open-air apron. Here you can find several items mainly from the Soviet inventory – albeit in several instances physically manufactured in Poland – and once adopted by the Polish Armed Forces.

In the area closer to the ticket office, possibly the most exotic – or harder to find – items include transportable radar antennas. Items like these are still today the backbone of anti-aircraft defense, and are employed to either detect enemy aircraft or to guide surface-to-air missiles (SAMs) against this type of target. Differences among antennas reflect their actual purpose, as well as different range, intended target level (close to the ground, higher layers of the atmosphere, …) and ease of deployment. The latter is clearly inversely proportional to the bulkiness and weight of the antenna.

Truck-mounted antennas on display include an RW-31 and JAWOR-M2, both from the 1970s, respectively with a vertically- and horizontally-mounted antenna on top.

Exemplars of more modern RT-17 (on top of a taller tower) and PRW-17 models from the 1980s, the latter manufactured in the USSR, feature a somewhat larger size. Despite movable, these antennas are mounted on more articulated trailers.

Many more trailers and trucks are on display as well.

Further on, a few tanks and armored vehicles can be found. These include a well preserved Soviet T34-85, a modernized version from the early 1950s of the original homonym design, which gained fame with the Red Army in the closing stages of WWII against Hitler’s Wehrmacht.

Similarly interesting are a BTR-152, a troop transportation armored truck of Soviet make, and a launcher for a triplet of SA-6 Gainful SAM. The latter, namely a 2K12M, is an interesting and pretty widespread Soviet-made item from the early 1970s, with very good tactical deployment capability granted by its tracks. Also on display is a classical BM-13 Katyuscha rocket launcher, again a workhorse of the Red Army in Stalin’s era.

The latter part of the museum hosts a number of artillery pieces of various size, ranging from ship-mounted anti-aircraft machine guns, to field cannons, anti-tank cannons, etc. These are mostly from WWII, but reaching to the early Cold War period, and invariably share a Soviet design.

An especially interesting design is a recoilless B-11 cannon, designed against light armored vehicles. Of lighter design with respect to other guns of the same bore, it was pretty widespread as a tactical weapon in the early Cold War stage in countries of the Warsaw Pact.

A Mil helicopter, warship guns and some water mines complete this compact yet rich and well-maintained collection.

Getting there & Visiting

The museum is called ‘Muzeum Historii i Militariów’ in Polish. It can be found less than 1 mile southeast of the city center, to the east of the road 367 going south to the border with the Czech Republic. It can be reached easily with a walk from the city center, or by car. Free parking on site (limited capacity, but properly sized for the place). The exact address is Sudecka 83, 58-500 Jelenia Góra.

The museum is made of an open-air exhibition only (no inside display), where all artifacts can be checked out on a self-guided basis once past the ticket office. Plates with basic data and information in double language Polish-English are available ahead of most of the items on display.

The site is rich in material, yet not too big or extensive in size, hence easily digestible even for those without a special interest in military technology. Very convenient to reach and walk. Most artifacts are in a good to very good general condition. A visit taking many good pictures may take up to 1 hour for an interested subject, 15 minutes may be enough for a quick walk. Website with many detailed information, including an inventory of the weapons on display (also in English) here.

Lubuskie Museum of Military History, Zielona Gora

The prominent collection of the Lubuskie Museum of Military History is composed of an inside exhibition, hosted in a converted villa from the 19th century, and a major open-air display in the garden, where some of the items are protected under light structures.

Inside the museum building, a few rooms witness the involvement of Poland in several wars over the centuries. Beautifully crafted weapons from the 17th century, including both firearms and edged weapons, can be found in a number.

Several display cases are related to the involvement of Poland in WWII. The articulated history of the Polish Armed Forces in WWII is witnessed by the number of uniforms, medals and papers resulting from actions of Polish corps within the ranks of foreign Armed Forces – especially British.

Light weapons and technical gear from the time is abundant, including genuine material from the Armed Forces of the Third Reich, which occupied substantial parts of the Polish territory for almost the entire duration of WWII.

A historically interesting item is the headdress of a Polish officer killed in the Soviet town of Katyn, in the homonym massacre ordered by Stalin against the the ranks of the the Polish Armed Forces, soon after portions of the Country had been taken over by the Soviets upon agreement with Hitler. This was an unprecedented move to devitalize the Polish military structure by killing all key-figures in it. A pistol employed for executions and a few more memorabilia items from this awful chapter of Polish history are similarly on display.

Other rooms cover the technological evolution of military gear during the Cold War. Here, items on display range from air-to-air missiles – partly dismounted to allow looking at the electronics inside – tactical weapons, aircraft-mounted guns (always with impressively sized cartridges!), as well as anti-radiation suits with protection masks, flight suits, helmets, visors, and much more. Most of the material from those years obviously comes from the Soviet inventory.

In the outside exhibition a few thematic areas can be found. Possibly the richest among them is that of armored vehicles and artillery pieces. A major highlight is a couple of exemplars of the Soviet SU-152 self-propelled gun from WWII, made of an impressive 152 mm gun on a tracked vehicle. One of the exemplars has been recently refurbished and looks mint.

More Soviet tanks include some versions of the T-34 – a classic combatant of WWII – a T-55, and a more recent fully-working T-72, an icon of the Cold War in the 1970s. This is sometimes moved around in the apron.

A long array of guns, mostly field cannons, can be found on the border of the museum garden.

An impressive sight is the gigantic 2S7, a 207 mm self-propelled cannon manufactured in the Soviet Union from the 1970s, and still employed today by both Russia and Ukraine. Side by side with its ‘little cousins’, the monster size of this asset from the Eastern Bloc is readily apparent.

A second thematic area is centered around SAM missiles and their launchers, as well as theater missiles. Also radar antennas for aerial target tracking or missile guidance are on display.

Some major SAM Soviet systems are on the list, including the SA-2 Guideline, the SA-3 Goa and the SA-4 Ganef. The latter is present with the corresponding deployable radar (model code SNR 1S32M1), together composing the 2K11M1 SAM system, codenamed ‘Krug’ in Russian.

Theater missiles include the so-called Luna-M system (model code 9K52), composed of a wheeled transport truck and a missile (9M21), as well as an original transport trailer with a Scud missile! (See this and this chapter for dedicated information on Soviet-designed theater missiles)

Aircraft on display range from the early Cold War period – end of the 1940s – to the more hi-tech stage of the 1980s. Early jets include MiG-15 and MiG-17, and a pretty rare Jak-23, all in the colors of the Polish Air Force. Propeller aircraft include an Il-14 transport and a license-built Douglas C-47, aka. Lisunov Li-2 in the USSR.

Notably, the first defection to the West of a pilot from the Eastern Bloc on a Soviet-made jet fighter happened from Poland. A Polish pilot flew a MiG-15 to the Danish island of Bornholm, having departed from the Baltic coast of Poland. This was immediately after the death of Stalin, in March 1953. The controversial diplomatic case that ensued from this action was settled returning the aircraft to Poland, obviously after a secret and thorough inspection. The pilot moved to Britain and the US. His flight suit is in the Smithsonian collection in Washington, DC.

More recent aircraft include two MiG-21, a Su-20 and a Su-22. The latter is still operated by the Polish Air Force, and is presented in the museum with an underwing cannon pod for strafing. Also on display is a larger Il-28 light bomber.

Massive technical trucks, like movable pontoons, amphibious vehicles, etc. can be found in yet another thematic area, together with a small WWII diorama. The latter features a possibly original Third Reich emblem.

Finally, a small hangar to the far end of the exhibition area has on display a range of restored items of special interest. A didactically disassembled SA-4 Ganef missile allows to see the inner structure of this modern machine, still in use today.

Several field rocket launchers, including a Katyuscha, as well as field cannons and shells, make for a comparative display.

Interestingly, also a full array of air-to-air missiles, and aircraft components including almost complete engines can be checked out in this display.

Getting there & Visiting

The Polish name of the museum is Lubuskie Muzeum Wojskowe. It is located southeast of the small village of Drzonow, just west of Zielona Gora. The exact address is  Drzonów 54, 66-008 Świdnica. Easy parking possible along the little-trafficked road ahead of the entrance.

Rather unapparent until you get very close to it, the museum hosts a very rich collection, with a long list of artifacts to check out in an open-air exhibition, as well as really interesting and well-presented thematic rooms in the classical building – once a private residence – employed as ticket office and museum.

Despite the understated appearance, the museum is really worth visiting for everybody with an interest in weapons, especially field artillery and air defense. The physical extension of the site is relatively small especially for the content, hence the display is very dense and easy to tour. A complete visit may easily take 2 hours or more for an interested subject, and when visiting with kids or uninterested subjects the site offers plenty of intriguing sights as well, so it may take at least 1 hour.

The organization is really active, with a very rich website and many temporary war-themed exhibitions and events. Unfortunately, all plates and descriptions are in Polish only. Yet the collection is in a generally very good state of conservation (with the exception of some of the aircraft exposed to the elements in the courtyard), and offers a very rich insight in the past assets of the Polish Armed Forces, including literally tons of Soviet-made gear.

Armored Weaponry Museum, Poznan

For those visiting Europe with a specific interest to armored vehicles and tanks, the Armored Weaponry Museum of Poznan is a must-see. Besides an extensive collection with some tens of tanks and vehicles mainly from WWII onward, all preserved in mint condition (many of them still running!), the museum has been carefully and modernly designed, making for a very enjoyable visiting experience.

The exhibition is hosted in a few adjoining hangars, where vehicles are grouped based on technology, provenience, intended role, etc. The following pictures provide only an excerpt from this great collection. Tanks from different Countries are well represented. Starting from WWII, a British Centaur tank and an Achilles anti-tank self-propelled gun are displayed side by side with lighter vehicles.

A very rare Sturmgeschütz-IV, a self-propelled assault cannon from the Third Reich Wehrmacht, has been carefully restored and colored in an impressive camouflage. A SU-76 and ISU-152 self-propelled cannons of Soviet make are also on display.

Battle tanks include an ubiquitous Soviet T-34, and comparatively less common IS-2 and IS-3 Soviet designs. Both conceived amidst the battles of WWII based on experience against the technologically impressive German armored machines, the IS-3 entered production too late for WWII, and was instead rather widespread among the Countries falling in the Soviet orbit during the Cold War, to see action in the Cold War era.

Tracked missile launchers as well as cut-out engines are on display.

Among the most iconic tanks from the early Cold War period are the Soviet T-54 and T-55. The exemplars on display are movie stars, having been featured in ‘The bridge of spies’ by Steven Spielberg, who also left an autograph signature on the huge turret of one. From the same period is a PT-76 Soviet amphibious tank.

NATO counterparts from the early 1950s include the US-made M47 and M60 Patton.

Many more vehicles are on display from the Cold War, mostly from the Soviet galaxy, and covering several functions from carrying troops to vehicle recovery and repair. Also modern self-propelled guns like the 2S1, another Soviet model, are on display.

A small collection of parade cars, once employed by high-ranking military or governmental staff from the USSR, is on display.

An interesting addition is a couple of PT-91, which is a Polish-designed development of the highly-successful Soviet T-72 design, currently manufactured and employed by Poland, and exported to several Armies in the world.

Outside, a WWI scene is reproduced with a steam railway engine carrying a WWI fighter replica on a trailer!

Getting there & Visiting

The Polish name of this world-class museum is ‘Muzeum Broni Pancernej’, and it is located in the western outskirts of Poznan, one of the largest cities in Poland. The exact address is 3 Pułku Lotniczego 4, 60-421 Poznań. Large parking inside, flat access, totally easy to tour.

The collection has been transferred to its current purpose-built location in 2019-20, therefore it is totally modern and exceptionally well presented. The collection is completely indoor and away from the elements, with a suggestive low-light atmosphere, and tons of information for every single tank or vehicle on display, in double language – Polish and English.

A primary destination in Europe for everybody with an interest in tanks and armored vehicles, visiting may easily take more than 2 hours for an interested subject. Due to the number and attractive good condition of the items on display, not less than 1 hour is advised also for those with a less specialized interest.

Museum of Armaments, Poznan

Conveniently located in a nice park, which lies in the area formerly belonging to a Prussian fortress from the 19th century, this museum is a branch of a larger entity, which manages several war-themed exhibitions in town. The museum is composed of an inside display and an open-air area, where larger items like tanks, cannons and aircraft have been placed for display.

Due to an unforeseen closure on the day of my visit (2020) I could only access the outside part of the exhibition.

The most prominent asset is an Il-28 twin-jet light bomber. This is flanked by a Su-22 fighter-bomber, as well as a MiG-21 and a MiG-17 fighters, all Soviet designs adopted by the Polish Air Force over the years of the Cold War.

A beautifully restored An-2 biplane, an ubiquitous workhorse in the USSR, the Eastern Bloc and exported to many clients around the world still operating it today, can be found to complement this heterogeneous collection.

A display of transport vehicles include both vans and transports from the Eastern Bloc, and a US-made 4×4 vehicle.

An SA-2 Guideline SAM is presented on its launcher in a ready-for-launch attitude.

A big collection of field cannons, anti-tank guns and lighter pieces of artillery from various ages starting from WWII is aligned on a side of the exhibition, where you can spot also a MiG-15 fighter from the late 1940s.

Armored vehicles include some armored transports for tactical deployment, self-propelled cannons and tanks.

Getting there & Visiting

The museum in Polish bears the name ‘Muzeum Uzbrojenia’. Among the many war-related museum in Poznan, which also cover conflicts from various ages in history, this can be found easily in the middle of the Citadel, north of downtown Poznan. Access to the old Citadel fortress – now a park – is not possible by car, but parking for accessing the park by walk is abundant all around. I would suggest parking on the southern side of the citadel, for instance in the public parking area located at Al. Niepodległości, 61-001 Poznań, for easily accessing also other monuments of interest, like the war cemetery and the Soviet commemoration monument from the Great Patriotic War (described here).

The exhibition is convenient to reach, and located in a very nice and relaxing park, ideal also for taking a breath from the crowded historical city center of popular Poznan.

As noted above, I could not visit the inside exhibition on the underground level, due to an unforeseen closure. The outside part can be walked in 20-30 minutes, since it is arranged on a relatively compact apron. Most exhibits feature a modern explanatory panel in double language, including English. An institutional website with visiting info (in Polish) is here.

Land Forces Museum, Bydgoszcz

The collection of the Land Force Museum branch in Bydgoszcz is displayed in two parts. A large purpose-built – and recently renovated – building hosts temporary exhibitions, as well as a number of thematic rooms, with high-quality dioramas flanked by display cases with material ranging from weapons and technical gear to uniforms and memorabilia.

The thematic rooms cover the history of land armed forces in Poland over the ages. Among the most striking war material from before the 20th century are authentic pieces of armories, swords and edged weapons from the 16th and 17th centuries. In those years, the Polish Army was pivotal in helping the Empire to fight against the invading Islamic Ottomans, who had conquered the eastern-European territories up north to today’s Hungary, and had reached the gates of Vienna. Some material, including uniforms, maps and firearms, dates back to the 19th century, including the Napoleonic Wars and the German Second Reich period.

Of course, most of the items on display date from the 20th century. Especially nice dioramas include a setting in WWI and the inter-war period.

The evolution of the war material, including the appearance of automatic firearms, is readily apparent following the display cases, which of course include much gear from WWII.

Looking at the uniforms on display, you can note the number of unusual affiliations of the Polish ranks, who due to the complex evolution of the occupation of their national territory, had to deal with several allies and invading forces, who were enemies to one another. Thus the original Polish Army survived a kind of incorporation within the British Army in exile, but also within the Third Reich, the Red Army, and tried also to act independently at home. It is hard not to get confused, and possibly the best way to get the hang of this fascinating plot is by following the display in a museum like this one!

Dioramas from the Cold War are particularly interesting, and perfectly recognizable by the distinctive anti-radiation or chemical warfare suits worn by the models. Also the firearms and the technical gear on display is in line with the evolution of the tactical hazards faced on the front.

Much of the material on display from this age is clearly of Soviet make. The inside exhibition ends with the most modern engagements of the Polish Army in recent conflicts.

Outside, a nice array of perfectly preserved field guns, anti-tank guns and anti-aircraft guns can be found on the platform ahead of the front entrance.

Also mortars and tactical rocket launchers are on display.

Possibly even more captivating for the eye are a T-34 tank in a rampant position, and a the sheer beauty of a T-72 tank. Both iconic Soviet-designed models, these tanks were supplied to most Countries in the Soviet orbit over various stages of the Cold War.

Another massive tracked object is a 2S1 self-propelled cannon, looking mint like the T-72!

Finally, also two missiles can be found, an SA-2 Guideline SAM, and the Scud, a tactical nuclear-capable missile which became a widespread asset in Eastern Europe over the years of the Cold War (see this post).

Getting there & Visiting

The Polish name of this very nice museum is ‘Muzeum Wojsk Ladowych’, which includes also other branches in Torun (see here) and Wroclaw. The location of this major branch is in the northern outskirts of the town of Bydgoszcz, at the address Czerkaska 2, 85-641 Bydgoszcz.

The museum does not feature a private parking, but good parking opportunities can be found for free on most of the quiet residential streets around (for instance, I found a number of free lots on Świerkowa, 85-632 Bydgoszcz).

The collection is interesting and generally attractive both inside and outside, with high-quality dioramas with much original material, as well as ‘big items’ like guns, tanks and missiles outside. Its size and level of detail are well balanced for both the more committed technically-minded subjects and those with only a general interest in the topic, especially kids. Visiting may require 1 hour for the permanent exhibition, more including the always interesting temporary exhibitions.

Some paneling with double language explanations including English can be found along the visit. The official website with access information in English is here.

Museum of Coastal Defense – Fort Gerharda, Swinoujscie

The collection of the Museum of Coastal Defense is reportedly one of the largest private military collections in Poland. It is hosted in the evocative frame of an original Prussian fort from the 19th century, Fort Gerharda. Originally designed to guarantee free access to trade ships entering the Szczecin Lagoon and going to the major inner port of Szczecin, the fort was potentiated in more instances, but basically never saw war action. It was later employed as a reserve fort by the German Kriegsmarine, and by the Soviets as a depot for a while after WWII (similar to Komarom in Hungary, see here). Over the last two decades the fort was substantially restored, and opened to the public as a major attraction.

Access to the fort, rather compact in size, is through a drawbridge. The inner courtyards are the setting for bulkier collection items, including original cannons from the 19th century, as well as anti-tank cannons from WWII!

Range-finding gear, half-dismantled torpedoes, machine gun turrets and more can be found in the recesses of the articulated geometry of the low-rise constructions inside the fort.

Some of the ammo storage bunkers in the fort can be seen inside.

The core of the collection of the Museum is inside the central building in the fort, an interesting multi-level construction. Older items date from the 19th century or earlier. Reconstructed scenes from the life in the fort at the time include men working around a heavy piece of artillery, a communication office with a telegraph and the nicely reconstructed kitchen of the fort.

Other scenes are from WWI and WWII, including men around a howitzer and a German soldier hiding in an apartment!

Interesting memorabilia items range from larger ones, like original flags from warships, to smaller personal items for everyday use, like canned food or table games employed by the troops.

The collection of weapons and technical gear is really rich and interesting, and mostly centered on material from the inter-war period onward. Racks of rifles an light arms of various makes are on display.

A part of the collection is especially focused on weapons by the marvelous Soviet/Russian weapons designer Mikhail Kalashnikov.

Of major interest are also special military suits, against poisonous agents, gas, etc. dating from the Third Reich and Soviet era.

Some of the displays of foreign origin are really unique – and unexpected on the northern boundary of Poland! Others bear Cyrillic-written tags, witnessing their Soviet origin.

Many artillery range finders are on display, of different make and level of complexity. They include a rare Cold War computer-assisted model.

Getting there & Visiting

Fort Gerharda is right in the northwestern corner of Poland, on the Baltic Coast less than 1.5 miles from the German border. The reference town of Swinoujscie (Swinemünde in Prussian times) is located on the western bank of the water access from the Baltic to the Szczecin Lagoon. The fort is instead on the eastern bank. The waterway can be crossed via a quick ferry. Access from mainland Poland is seamless along the E65.

Fort Gerharda is a bit hidden in the trees, despite in a rather urbanized area, and therefore not easy to spot even from close apart. However, a fence with a small parking clearly mark the entrance. The address is Ku Morzu 5, 72-602 Świnoujście. More parking spots can be found along the same road.

The ensemble of the fort plus the collections in the museum make for a very interesting and rich visit for everybody, including families. For the more technically-minded subjects, the military collection, despite compactly presented, is rich of very interesting items. A visit of 1-1.5 hours to the complex is likely, depending on the level of interest.

A website with many updated information is here (in Polish, with a rich downloadable leaflet in English).

This area is rich of interesting sights for those with an interest in military history, including the ‘Vineta Battery’ WWII/Cold War fort (see here), and a prototype of Hitler’s V-3 multi-stage cannon, actually built in northern France (see here).

Polish Arms Museum & Navy Museum, Kolobrzeg

Kolobrzeg is the Polish name for Kolberg, a town belonging to Prussia (then Germany) at the times of the two World Wars of the 20th century. The place was a theater of war, in the focus of a fierce battle in the March of 1945. The Polish Army and the Soviet Red Army, along their march to Berlin, isolated the town from the south, triggering a massive evacuation of German military forces and civilian population by sea, to further west along the Baltic coast in Germany. It is estimated that more than 100’000 people were evacuated in less than a week. In the attack, the town was almost completely destroyed. As a matter of fact, most residential housing today clearly dates from the communist era.

The Polish Arms Museum is the ideal location to see memories from this great battle, as well as for retracing the military history of the Polish Armed Forces more at large. The collection on display is composed of an inside display and an outdoor exhibition.

Inside, the items on display, mainly preserved weapons, armories, but also parts of ships, date to as far back as the 16th century. The role of the Poles in countering the Ottoman Islamic domination in Europe is retraced through precious weapons from the time. Clearly more abundant are the items from the interwar and WWII period. An organic display of uniforms is featured, witnessing the many affiliations of the Polish troops during WWII.

Uniforms and light weapons belonging to the Western Allies, the USSR and of course the Third Reich are on display in this nice collection.

A small diorama with a painting related to the conquer of Kolobrzeg in WWII is clearly part of the show.

In a hall immediately ahead of the open air exhibition, some restored light transport vehicles are on display, including jeeps and trucks, as well as a light plane.

The outdoor exhibition features an array of heavy armored vehicles. These range from Soviet-made tanks – including a T-34 and IS-2 – and self-propelled cannons – for instance a massive ISU-122 – and armored vehicles, to a tracked Scud missile launcher, in very good general conditions.

A well-stocked array of field guns, anti-aircraft and anti-tank guns is aligned along a side of the exhibition court.

Aircraft on display include Soviet-made material which saw service with the Polish Air Force, in particular an Il-28 Beagle, as well as a Su-22.

A rather unusual item on display is a railway carriage, in the colors of the USSR railway service, the same model employed for the deportation of people from Europe to the gulag system in the USSR at the time of Stalin, and later – in some cases – to return them to their home Countries. A vivid exhibition on this terrible part of WWII and early Cold War history is narrated inside the carriage, through maps, photographs and other memorabilia items (unfortunately only in Polish, but many of the artifacts are almost self-explanatory).

A Soviet SAM, an SA-2 Guideline, is on display on its pivoting launch platform.

The Navy Museum in the same town is an outdoor-only exhibition, mostly made of two well-preserved warships, namely the anti-submarine patrol ‘Fala’, from 1965, and the missile launcher ‘Wladyslawowo’ (NATO class Osa-I) from 1975. The former was laid down in Poland (Gdynia), and withdrawn from service in the 1990s, whereas the latter was manufactured in the USSR and saw service until the 2000s.

Both are interesting examples of Cold War warships. The armament of the ‘Fala’ was mainly composed of depth charges. Many of the original rooms are preserved in good conditions, showing some of the most interesting technical gear installed on this type of warship.

This includes the navigation room and the deck, with the helm and engine controls on top. The canteen, cabins and official quarters are on display, with a depressing – likely original – Soviet-style upholstery and furniture. Interestingly, despite being a Polish warship, most of the labels, including explanatory ones intended for use by the hands on board, is in Russian.

Technical gear include an inertial system, and acoustic sensors to find and track enemy submarines.

The engine compartment hosts two big 2.500 hp Diesel engines, plus three Diesel generators for electric energy supply. The control room for the electric and propulsion system is inside a dedicated cabin. Again, writing is almost invariably in Cyrillic only.

The Osa-I class ‘Wladyslawowo’ was designed around four P-15 (SS-N-2 Styx) surface-to-surface passive-active homing anti-shipping missiles. The mission of this very fast warship, capable of a peak speed of 40 knots, was that of hitting surface shipping. For self-defense, the ship was equipped with two AK-230 turrets, served by an automatic aiming system, as well as a rack of four Strela-2 light surface-to-air missiles. The overstructure of the ship is very limited, the upper deck being mostly taken by the Styx missile hangars. Inside, the technical rooms – still in very good condition – include sensors, inertial navigation gear, as well as compartments for the troops.

Also visible are the engine rooms. Three bulky 4.000 hp Diesel engines provided power to as many propellers, producing the power needed for the high speed of the warship.

The deck (GSD) is stocked with yellow cabinets, allowing to monitor virtually all plants on board. As expected on a Soviet-made warship all writing is in Cyrillic.

All in all, a visit to the Navy Museum is really evocative especially for those with a fascination for the Cold War. The Osa-I class saw extensive service in the cold waters of the Baltic, including with the GDR, and this exemplar represents an easy-to-reach specimen offering a rare glimpse in Soviet marine technology from the time (similar to the K-24 Juliet-class submarine in Usedom, not too far from this location, see here).

Getting there & Visiting

The Polish Arms Museum, named ‘Muzeum Oręża Polskiego w Kołobrzegu’ in Polish, is located in the city center of the coastal town of Kolobrzeg. The exact address is Gierczak 5, 78-100 Kołobrzeg. The open-air part can be clearly spotted from outside – like a fenced city park – when walking the (really) crowded pedestrian area. Due to the totally central location of the museum, right in the most touristic area of this small town, parking in the vicinity may be not the easiest task, but many parking lots are theoretically available in this district. Another option is parking out of the city center at all, and enjoy a pleasant walk to the museum and other attractions in its vicinity.

The Museum is rather compact in size, and a popular destination. It offers many interesting items, including less obvious ones for more technically-minded visitors, as well as well as heavier armored vehicles, artillery pieces and planes which will appeal to everybody. A visit of about 45 minutes to 1 hour may be fine for a complete tour.

The open-air Navy Museum, aka. ‘Kołobrzeski Skansen Morski’ in Polish, is located beside the marina. A convenient public parking just 150 ft from the museum entrance is here, 54.175972, 15.559315. The two warships can be boarded and visited thoroughly on your own, making for an interesting and rewarding visit for everybody. A time of 45 minutes to 1.25 hours may be adequate depending on your level of interest.

Walking between the two destinations in town is an easy stretch of about 20 minutes one way.

The two locations are brilliantly administrated by the same subject, the ‘Muzeum Oreza Polskiego’, which also has under its umbrella other sites of great interest in the vicinity of Kolobrzeg, including the world-class exhibition of one of only two preserved and accessible Monolith-type Soviet bunkers for nuclear warheads in Europe (Podborsko, see here). The website – unfortunately only in Polish – covering all the sites managed by this association, with many details on the exhibits beside logistical information, is here.

Museum of Air Defense, Koszalin

The Museum of the Air Defense in Koszalin offers an exceptional insight in the capacity and evolution of the anti-aircraft defense systems deployed in Poland. The collection in this hidden gem, relatively far from the tourist path (especially from abroad), is based on the heritage of a similar initiative from the Cold War years, when Poland was a satellite of the USSR especially in terms of weapons supply. As a result, the display allows to get a detailed overview of the Cold War anti-aircraft technology of the Soviet Union, with examples of material (especially surface-to-air missiles) still in use today in many Countries.

The collection is located close to an active military academy, in a quiet and secluded neighborhood of the town. The exhibits are partly inside, partly outside on a small apron around the museum building.

Some initial dioramas are focused on range-finding gear, with material dating from WWII and the Cold War era. Anti-aircraft machine gun  batteries are also on display.

A centerpiece of the exhibition is a didactic cutout of an SA-2 Guideline (aka. S-75 Dvina) SAM, an early anti-aircraft missile from the 1950s, which was however rather effective. The propulsion system, guidance mechanisms and warhead are on display. The latter appears relatively small compared to the overall size of the missile, but it is actually rather powerful. This system was not intended to physically touch the target, but an explosion of the warhead in proximity to the target could be enough to irrecoverably damage an aircraft.

A super-interesting sight is the array of cabinets employed for the launch of the SA-3 Goa (or S-125 Neva). An example of the corresponding battery of missiles is located outside. This suite, was called Karat-2 in Soviet standard, allowed for TV-guidance of the SAM system. This incredible piece of technology from the time of the Iron Curtain – and from the early age of miniaturized electronics – is presented partly lit-up, revealing the colors of the buttons, and making it even more captivating – you would like to try all its functions like in a new video game! Needless to mention, all writing on the labels is in Russian.

Another unusual sight in the collection is a static example of the still widespread SA-6 Gainful (or 2K12 Kub). Further material on display include instrumentation and cabinets for launch control and guidance of other missiles, or for managing radar-gathered information.

Smaller anti-aircraft weapons are also represented, like the Strela-2 shoulder launched missiles.

On display in the outside exhibition are very interesting items, starting from a battery of two SA-3 Goa, side by side with their corresponding target tracking antenna. The latter, pretty rare to see in museums, is actually composed of a suite of antennas, and is designed to track smaller and low-flying targets, against which the relatively small SA-3 missile is particularly effective.

Close by are an SA-2 Guideline in an upright ready-for-launch attitude, as well as a SA-4 Ganef, sitting horizontally.

Another radar antenna is the truck-mounted PRW-9 altitude finder, complementing the guidance suites of the SA-2 and SA-3 as well.

Armored anti-aircraft vehicles are also on display, similar to anti-aircraft guns, trailers, SAM missile canisters and field range finders. An interesting item is a searchlight (model APM-90), which unexpectedly does not come from WWII, but was instead put in production in the early 1950s, well in the turbojet era and atomic age. It was a handy item mostly for helping aircraft in homing on obscured airbases in case of war. It was truck-mounted, and could employ the same engine of the truck for power production – ingesting up to 17.5 kW, thus remaining visible from a distance of 80 miles!

As a bonus, two aircraft are on display in the museum, a PZL TS-11 Iskra trainer, and a Yakovlev Yak-40 three-jet small transport, employed for state flights. The latter, a Soviet aircraft from deep in the Cold War era, was withdrawn from service apparently in the 2000s. Manufactured in more than 1.000 exemplars, this type was rather widespread in the USSR and its satellites.

The aircraft can be accessed – through the unusual back door! – revealing a neat interior, and a captivating purely analog cockpit. The typically Soviet black rubber ventilation fan for the pilot is prominently hanging from the ceiling!

Getting there & Visiting

The name of this exhibition in Polish is ‘Muzeum Obrony Przeciwlotniczej’, and its location is in the southeastern suburbs of the northern town of Koszalin, itself less than 5 miles from the Baltic coast. The exact address is Wojska Polskiego 70, 75-903 Koszalin. The place is surrounded by neat, active military facilities (academy). The museum is easily noticed from the road, thanks to the bulky and unusual items on display in the outdoor exhibition! A small parking area can be found cross the road with respect to the gate.

The display is gathered in a single building, surrounded by a small yard. Visiting is totally easy, and the collection is not too big, yet extremely interesting and well preserved. A visit of at least 1 hour will be needed for technically-minded subjects, whereas for the general public 30 minutes may suffice for a quick look at everything. The place is managed and frequented by former men from the military, who will likely offer you further insight if you ask. Some information is in double language (Polish and English) in any case.

The museum is currently a branch of the bigger Museum of the Air Force located southeast of Warsaw (Deblin). The website of the latter provides information also on the Koszalin site (see here).

Naval Museum, Gdynia

The port town of Gdynia, since long the major industrial port of Poland, is also home to the collection of the Naval Museum, an eminently military collection, with some unique items on display from various ages, making it a primary addition to the panorama of naval museums in Europe.

This museum is composed of two parts, namely an exhibition building, located right ahead of the nice touristic waterside and featuring an indoor and outdoor exhibition, as well as nothing less than an original destroyer from the 1930s, the venerable ORP ‘Blyskawica’, a true WWII veteran!

The indoor exhibition has been refurbished recently, making the visit light and enjoyable. Among the artifacts on display are original anti-aircraft guns, previously installed on warships, of diverse size and provenience.

Torpedoes, including old German designs from before WWI, are on display together with rare examples of sea mines. Some of them are cut to ease looking inside.

The Soviet anti-shipping missile P-15 (SS-N-2 Styx) and its evolution P-21/22 are on display as well, with photographs witnessing their deployment on board Polish warships.

Interestingly, also aircraft-carried missiles and rocket pods, of Soviet make, are on display. Everything comes with a technical description in double language, allowing to obtain many information on the exhibits on site.

A rare artifact is an experimental weapon from the Third Reich, a rocket-torpedo. Valuable memorabilia items include many documents and papers, as well as uniforms, from ages before the 20th century. A fragment of the flag of the ill-fated ORP ‘Gryf’, a massive mine-layer from WWII sunk by the German forces at the beginning of WWII, is prominently on display.

The outdoor exhibition is hosted in a small yard to the side of the museum building. Bulkier artifacts have been put here, including cannons from the ORP ‘Gryf’, several torpedoes and torpedo-launching tubes, depth-charge launchers, older cannons from the age of sailing ships, weapons, propellers (of downed aircraft and ships) and even a helicopter!

Perfectly visible for everybody passing by, a major focal point of the museum is the ORP ‘Blyskawica’. This destroyer was laid down in Britain, together with a twin ship, for the Polish Navy in the mid-1930s. Unfortunately, Poland was among the first Countries to fall under the attack of Hitler’s Third Reich. The Polish Government and a good part of the Armed Forces were evacuated to Britain. In particular, the troops and much of the savaged war material was incorporated in the ranks of the British, with a special agreement which kept the two formally independent, and defined a scheme of mutual anti-German cooperation.

A very modern ship for the time, well armed and propelled by steam turbines granting a speed nearing 40 kn, the ‘Blyskawica’ fought for the entire duration of the war, with key roles in several war actions. After the war, the ship was reclaimed by communist Poland. Following an accident to the propulsion system, it was never fully repaired, and it was converted to a marginal role before retirement and re-opening as a museum ship in the 1970s.

Today, this perfectly preserved warship makes for a really captivating sight. The naval guns and much of the machinery on board clearly bear British markings.

The engine room can be visited, and offers an exciting view of the mighty boilers an steam turbines allowing the destroyer to reach its incredible top speed.

Beside this warship, even though not part of the museum, chance is to see the ‘Dar Pomorza’, a splendid sailing ship from 1909, employed as a training ship between the 1930s and the 1980s.

Getting there & Visiting

The museum, called ‘Muzeum Marynarki Vojennej w Gdyni’ in the local idiom, is located in a prominent location in the most touristic part of the port town of Gdynia. The building of the museum is separated from the destroyer ORP ‘Blyskawica’, which can be reached with a 3 minutes walk from the museum. The address of the museum building (hard to miss) is ul. Zawiszy Czarnego 1B, 81-374 Gdynia. Parking lots are available around the building and in public parking. However, please note that this totally central area may be very crowded in the high season, so be prepared to some traffic congestion.

The inside collection is very interesting and valuable, yet not disproportionately big. Therefore visiting can be enjoyable for the committed military minded subjects and for the general public as well. A visit to the building may take 30-45 minutes. A visit to the glorious destroyer Blyskawica may take as much, depending on what parts of the ship are actually visible – thanks to the prominent position and historical value, ceremonies and cultural events or visit sometimes take place, therefore the ship is at times only partially open.

The museum is very modern, boasting a well-designed, up-to-date website in double language (here). A smartphone app can be employed to take you along the museum historical path.

Museum of Military Technology ‘Gryf’, Dabrowka

This impressive collection was created through a private initiative after 2010. It bolsters two equally interesting and fascinating sections, one devoted to shells and bombs, the other to vehicles – either armored, transport or civilian. The collection is very rich and exceptionally well presented.

The shells and bombs display is one of the largest collections of shells, cartridges, shoulder-launched rockets, air-dropped bombs, land mines, etc. to be seen in Europe. The presentation follows a thematic-chronological order, therefore you will start with cannon balls, walk through shells from field cannons from the 19th century and WWI, and end up with a plethora of WWII and Cold War items.

To the inexpert eye, a cannon or mortar shell may look like a dull piece of metal. Looking closer, you notice that most of the shells are actually rather complex pieces of machinery, with mechanisms inside them to regulate the behavior of the shell after fire.

Furthermore, many types of shells exist, engineered to maximize the damage against some type of target or another – armored vehicles, buildings, ships, troops, deposits of explosives, wooden constructions, metal constructions, etc.

Extremely interesting is the collection of WWII air-dropped bombs. As known, the accuracy of bombing raids left much to be desired during WWII. Furthermore, as you can clearly see here, bombs from the time were relatively small, with a limited yield. These factors in turn forced bombing groups to carry out massive attacks, with many aircraft involved, to maximize the effectiveness of the mission.

Mortar shells take several dedicated display cases. Represented are many and diverse models from different provenience.

A similar impression as with shells you get looking at land mines – so many different designs, corresponding to different targets, and of course resulting from engineering efforts carried out in different Countries, and over several ages. These include material from WWII, like explosives put on railway tracks, glass mines or air-launched land-mines.

Original explosives from the Third Reich are on display, with clear swastika and eagle insignia on them!

An incredible and unique display is related to triggered explosive devices. This includes several original triggers, from the US, Soviet Union or Third Reich, and from various ages.

Shoulder-launched rockets include the pretty famous RPG from the Soviet Union – displayed together with original instructional panels! But also more technically evolved rockets are on display – or parts of them, like what appears to be the homing system of a SAM missile!

Demining gear follows suit – a rich collection also in this respect – together with grenades, both hand-launched or rifle-mounted.

A collection of purely Cold War gear is that of anti-radiation suits, measurement gear, and instructions for emergency in case of a nuclear bombing raid. These are very similar to their Western counterparts (see this post).

A few dioramas are build including original material from WWII, including Third Reich uniforms, and the Cold War.

This really impressive collection is just a part of this great museum. The second part is composed of a series of vehicles, ranging from cars and buses, to military trucks and, of course, armored vehicles and tanks. Similar to the previous part, the appearance of this component of the museum is exceptional. It is no surprise that all the vehicles here are working, or undergoing restoration to a working condition!

A first display is related to civilian vehicles from the communist era, some from the Soviet union – like a GAZ car – or from Poland – like interesting license-built Italian cars, labeled as ‘Polish-FIAT’!

A second hangar has on display a set of wonderful trucks, including German Mercedes-Benz trucks from WWII – similar to the one featured in the Indiana Jones movie ‘Raiders of the Lost Ark’! – and massive Soviet designs, like ZIL and more modern KRAZ.

A separated hangar hosts a number of US-made trucks and jeeps, and a nice collection of rare OPEL light trucks from Germany. Also on display are a glider and a few side-cars.

A focus of the visit is of course the hangar dedicated to armored vehicles. These include Soviet designs, like the iconic T-34 and T-54, and  working replicas of German vehicles – in particular a Panther. Even an original Gepard moving light artillery battery from West Germany is part of this collection!

Even on standard days when non special events are planned, it is likely you will see some of this massive vehicles moving around, on the apron and along a small circuit to the back of the museum!

Also field cannons and other artillery pieces – including anti-aircraft guns – are on display.

Leaving the museum, you may notice a Guideline and a Ganef SAM from the USSR, as well as a static T-54 in a desert camo.

Getting there & Visiting

The location of this impressive collection (‘Muzeum Techniki Wojskowej ‘Gryf” in Polish) is somewhat secluded in the trees, close to the small village of Dabrowka. The address is ul. Ppłk. Ryszarda Lubowiedzkiego 2, 84-242 Dąbrówka, and the coordinates to the entrance are 54.55185, 18.17217. The place is in the countryside, some 20 miles west of the major port town of Gdynia.

The museum is compact to tour, but the exhibits are many, extremely interesting and nice to check out, especially thanks to the exceptional state of preservation. This is true for both the many vehicles and for the exhibition on artillery inside, one of the most impressive of the kind to be seen in Europe – and one of the most neatly presented!

The collection may require 1.5-2 hours at least for a technically minded person. A 1 hour visit is advised for the general public. Time may vary, however, in case live exhibitions are taking place – usually involving tanks performing some acrobatic maneuver!

A small restaurant is open inside for lunch around midday.

Their very good website, with full information for a visit and also about the collection, in both Polish and English, is here.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

Planes of Fame Air Museum in California and Arizona

The collection of Planes of Fame is probably among the world’s finest of the kind. The group keeps many extremely rare aircraft in full flying conditions, both jet and prop powered warbirds. They also perform flying activities on an almost-regular basis, including a huge airshow taking place in Chino, CA in mid-spring every year.

What is possibly less known is that the collection is hosted in two branches.

The ‘frontline’ branch is in Chino, between San Bernardino and Pomona, Los Angeles area. Here most of their aircraft and all jet planes are preserved in dedicated hangars on Chino Airport, crowded with commercial and private general aviation activities.

The ‘rear’ collection is in a beautiful location in Arizona called Valle, a few miles from the south rim of the Grand Canyon, halfway between Williams on the Route 66 and Grand Canyon Village. Here especially older aircraft are hosted in a hangar on the local Valle Airport. Thanks to the very thin and dry air, this is an ideal place for storing aircraft even on the outside. Here you can find many recently acquired aircraft used for spares or awaiting restoration.

Flying aircraft from the two branches are often swapped between the two locations, so it may happen to see the same aircraft in either of the two places in different times of the year.

In this small post you can see a series of pics from both brenches of this museum.

Chino Branch, California

This branch is probably where the most famous among the spectacular and rare aircraft of the collection can be found. The majority of those in the hangars, if not all, are in airworthy condition. These include unique early Northrop ‘Flying Wing’, at least two Boeing Stearman, and many exemplars of P-40 and P-51.

Some aircraft from WWII really seem to be ready to spool up and go at any time!

Next comes a hangar with mainly jet aircraft from the early Cold War. These are among the few such aircraft on earth still flying. There are an F-86 as well as British and Soviet fighters.

Another hangar hosts a collection of German and Japanese aircraft from WWII, including a stunning FW190 and a Salamander under Nazi colors, and some extremely rare fighters and light bombers from Japan, including the famous ‘Val’ dive bomber. I’m not sure everything is original here, maybe some of the aircraft are replicas or half-replicas, meaning that there is something original in the aircraft but restoration work included substantial reconstruction of missing or heavily damaged parts.

One of the hangars is custom-made for a P-38, which was out on an airshow when I visited, a P-51 taking its place. Also noteworthy are a group of US divers and torpedo-bombers from WWII, and some other carrier-based aircraft.

A great restoration shop is always busy rebuilding parts and assembling aircraft.

There are more hangars in this branch, but many of them are really cluttered, so room inside is at a premium and many aircraft awaiting restoration are stored outside. At the time of my visit these included F-86, F-100, F-104, an Antonov An-2, not easy to see in this part of the world, and what I think is a mock-up replica of a super-rare Italian seaplane built for the Schneider Trophy competition in the Twenties or early Thirties.

Getting there

The place is between San Bernardino and Pomona, and it can be easily reached from LA. The hangars are on the northern side of the airport. Large parking nearby. Here is their website with hours of operation. Visiting may take from 45 minutes to a couple of hours, depending on your level of interest. As an aircraft enthusiast I especially like to see flying collections and where people restore aircraft. This place is a world-category ‘must-see’ under this respect, similar to few other places in the US and Canada, and to Duxford in Britain.

Please note that there is also another great air museum on the northwestern corner of the same airport, called Yanks Air Museum, which is a different entity. Here is their website.

Valle Branch, Arizona

When driving to the Grand Canyon visitor’s center from the south you will pass by this museum, and it won’t go unnoticed thanks to a handful of big aircraft, including a Constellation, placed in front of it.

This branch is smaller with respect to the main location in Chino, and it is composed by a hangar, with a dozen of aircraft in pristine conditions, almost all of them in airworthy condition.

Some of the aircraft are preserved in restored but ‘cut’ condition, showing the restored inner structure. There are also some parts and memorabilia, including the drop (or egg…) shaped fuselage of a P-38, with full panel.

You can see in the pictures that the Japanese ‘Val’ bomber is the same I photographed in Chino in the previous section another year… this is a proof aircraft from this collection can actually fly!

Many aircraft awaiting restoration are waiting their turn on the outside, i.e. on a corner of the apron of Valle Airport, which is an active mainly leisure airport a few miles south the commercial airport of Grand Canyon Village.

Besides the aircraft in need of some restoration work – including a former aircraft of the Blue Angels Team – at the time of my visit there were also some aircraft parts, engines and what appeared to be a full KC-97 tanker which had a close encounter with a crazy scrapman…

Light and air quality in this area are unrivalled, and if you are interested in taking photographs, this is a place to be!

Getting there

The museum is a unmissable sight along route 64 driving from Williams to the Grand Canyon rim. Website with full information here. This may be a nice 45 minutes addition to your full day in the National Park.

Inside the World’s Largest Aircraft – Antonov 225 Mriya

I am not sure this post does fit in the ‘sightseeing’ category. If you go to Malpensa – the largest airport of Milan – on a regular day, it’s unlikely you will spot the distinctive shape of the unique six-engined Antonov An-225. Yet in this post I will give a pictorial description of this crazy flying machine, so that wherever and when you should see the Mriya, here is what you might expect. This aircraft is a moving attraction, so exceptional that I feel going out to photograph it is still ‘sightseeing’ in some sense…

I had the chance to climb on it one night in early 2015, thanks to Paolo, a friend of mine from Italy, who is working in the company operating the airport system of Milan. The huge aircraft had been going in and out of Italy on an almost regular basis for some weeks, tasked with moving military equipment from central Africa back to the Italian soil.

It was a matter of coordination between me and Paolo, and of course some luck was involved, for the landing and take-off times of the Mriya are usually in the middle of the night and not perfectly predictable, plus good weather is never assured especially in winter. Anyway, in the end I succeeded in arranging a private visit to the Mriya with Paolo and another friend of mine. Paolo registered us as official visitors, so being there and allowed to walk on the apron of the largest airport in Northern Italy, we could come close also to some other interesting items.

The following photos are about that incredible night.

Sights

Mriya Parked

When we went on the apron the plane was still resting on its many (32) wheels, with doors closed and nobody around. The flight scheduled for that evening was basically a ferry flight to Africa, so no loading operations were expected. We were free to walk around taking pictures.

You may see how big this aircraft is by comparing its size to that of the guys walking under it. You will feel like walking close to a moored cruising ship more than an aircraft…

Air India Boeing 787 Dreamliner

While waiting for the crew to come to the aircraft for departure, we came close to a Dreamliner preparing for a flight to India. It still retained its ‘new plastic’ smell. Among the most distinctive features of this model are the beautiful engine nozzles, with a toothed profile for noise suppression.

Emirates Airbus A380

We had the chance to see an A380 taxiing to the gate after arriving from Dubai. This double-decker is really impressive, as you can see again looking at the size of the people walking under its wings. Yet this time this was not the star of the show…

We walked up to the cabin, but were not allowed to take pictures. As it is the case for most modern aircraft, the cockpit is not so fascinating especially when the electronics are switched off – you just have an array of TV scopes…

Inside the Mriya

We then went back to the Mriya to meet the crew and walk in. The crew is composed by about ten people, including those connected with flight operations and those responsible for payload.

You get access to the aircraft through a hatch with an attached ladder. Otherwise, when the cargo door to the front is open, you may access the aircraft from there. There is no cargo door to the back.

The inside is structured with a main cargo deck in the central section of the aircraft, with a built-in crane capable of moving a 5 ton load. There are apparently no hooks on the ground, they possibly fasten the payload to the sides, but I’m not sure. The tail cone section can be accessed through an internal hatch for inspection, and cannot host any payload.

Along the sides of the cargo bay there are tons of bulky items and tools for servicing, spare parts including wheels, gauges connected with the landing gear operation, and small round windows to allow visually checking the wings and the engines underneath. The main cargo section is closed to the front by the folding platform for cargo loading, resting in a vertical position in flight, when the nose cargo door is closed and the nose cone lowered.

A retractable ladder gives access to the cockpit and crew resting area, which is configured in a similar fashion to the upper deck of the Boeing 747. To the front from the hatch on top of the ladder you get access to the seats of the flight engineers and to the cockpit. Seating in the engineering compartment is for four people, but I guess this was necessary for operating the Buran or for more complicate missions. Anyway, I would say at least a crewman for each side would be needed for normal flight operations. Seating in the cockpit is for two, and the arrangement of controls and gauges is neat and linear.

I would have spent one month in the engineering compartment to check every item in detail – tons of late Cold War items, and everything so Soviet-looking! – but this was not a day-off visit for the crewmen, who were busy with preparing the aircraft for the flight. To the back of the access hatch the quarters for the crew include two side compartments for living and sleeping, a small galley and a large storage room. From there it is possible to look through a window to another compartment to the back, with clusters of electronic material and other stuff, close to the wing section.

I noticed the usual placard with evacuation routes, and other strange knobs close to the upper-deck access ladder. Close to the side door of the aircraft the crew has many stickers from various places visited with this wonderful aircraft, and a bell like that of a 19th century ship!

Boeing 747 Cargo

Waiting for the Mriya to depart, we boarded a brand new Boeing 747 cargo of the Russian company ABC cargo. The contrast between this and the Antonov couldn’t be more striking. This new 747 has a fully automatic cargo deck, with a really impressive plethora of sensors and a system of rails to safely fasten cargo pallets. The flying deck is very comfortable and modern, with the typical brownish Boeing plastic, clearly reminding you this aircraft was ‘proudly manufactured in the USA’!

Mriya Leaving

We finally went back to the Mriya to follow the departure sequence. The aircraft was pushed back with a dedicated towing strut, coping with the twin-mast front undercarriage. This item travels with the aircraft, so before engine startup it is necessary to open the front cargo door and load this gear, pushing it inside by pure handwork. The front undercarriage is tilted, lowering the front of the plane and making loading operations possible. After that, a crewman closes the side access door and startup of the six engines is initiated.

I shot a video during engine spool up, posted on my YouTube channel broadbandeagle.

Note

As I wrote at the beginning, this is a ‘special report’ and not a post with many how-to notes. I hope you got an idea of how the An-225 looks inside, but I was clearly lucky to be allowed on this special tour. All thanks go to Paolo, who invited me to join in, registering me as an official visitor. I dare to say that if you don’t know somebody doing his job and with his passion for aeronautics, then unfortunately you’ll hardly have a chance to board this aircraft and see the inside… unless you do his job yourself, or they retire the aircraft and put it in a museum!