War Museums in Western Poland

Similar to other Countries around the Baltic Sea, Poland has a positive attitude towards its military past. Beside castles, barracks and traces of war from older ages, remarkably also some war material from the 20th century, and especially from WWII and the Cold War, has been in the focus of conservation activities.

The mystery bunkers in the southwest of the Country dating from the years of the Third Reich (see here), or the Soviet Monolith-type bunker in Podborsko (see here) and the impressive fallout monitoring center in Kalisz (see here), stand out as major remains from WWII and the Cold War for everybody to check out – and they are just examples.

Along those sites with a history of their own, Poland has many war museums, thematic collections and exhibitions to offer, retracing the evolution of its rich and extremely complex military history.

Looking at the 20th century, it is apparent that Poland has been swept violently and insistently by the winds of war. At the start of WWII, it was surrounded by the Third Reich on two sides, something that contributed to its quick invasion and defeat at the beginning of the conflict. A special relationship with the British meant some from the Polish military ended up directly in the British ranks in exile, whereas others were incorporated in a pro-German Army. However, in the closing stage of the war, when the unfriendly Soviets invaded from the East on their run to Berlin, some from Poland entered the ranks of a pro-Soviet, anti-German army.

Following WWII, Poland was re-founded with new borders, basically those we know today, and due to the presence of the Soviet Army on their territory, they quickly fell under communist control. The relationship between the USSR and Poland military was strong during the Cold War, and the military assets of the Polish Army were massive. The Red Army was also physically stationed in the Western part of the Country, in preparation to a much planned full-scale ‘atomic-supported blitz’ to the Atlantic coast, which luckily never materialized.

The many collections to check out in Poland these days are especially rich in Cold War era supply, and therefore they are tremendous resources for finding many examples of Soviet technology from the Cold War era. However, in most cases also highly valuable material from WWII and from the fierce battles fought on Polish territory mainly between the Germans and the Soviets can be checked out.

This post presents a quick, mainly pictorial description with excerpts from several collections open for a visit in Western Poland. Photographs were taken in the summer of 2020.

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The sites presented in this chapter are all in the Western part of Poland, i.e. west of Gdynia and Poznan. They are listed here below, basically from south to north on a map.

Sights

Museum of Military History, Jelenia Gora

The collection of the Museum of Military History in Jelenia Gora is arranged on an open-air apron. Here you can find several items mainly from the Soviet inventory – albeit in several instances physically manufactured in Poland – and once adopted by the Polish Armed Forces.

In the area closer to the ticket office, possibly the most exotic – or harder to find – items include transportable radar antennas. Items like these are still today the backbone of anti-aircraft defense, and are employed to either detect enemy aircraft or to guide surface-to-air missiles (SAMs) against this type of target. Differences among antennas reflect their actual purpose, as well as different range, intended target level (close to the ground, higher layers of the atmosphere, …) and ease of deployment. The latter is clearly inversely proportional to the bulkiness and weight of the antenna.

Truck-mounted antennas on display include an RW-31 and JAWOR-M2, both from the 1970s, respectively with a vertically- and horizontally-mounted antenna on top.

Exemplars of more modern RT-17 (on top of a taller tower) and PRW-17 models from the 1980s, the latter manufactured in the USSR, feature a somewhat larger size. Despite movable, these antennas are mounted on more articulated trailers.

Many more trailers and trucks are on display as well.

Further on, a few tanks and armored vehicles can be found. These include a well preserved Soviet T34-85, a modernized version from the early 1950s of the original homonym design, which gained fame with the Red Army in the closing stages of WWII against Hitler’s Wehrmacht.

Similarly interesting are a BTR-152, a troop transportation armored truck of Soviet make, and a launcher for a triplet of SA-6 Gainful SAM. The latter, namely a 2K12M, is an interesting and pretty widespread Soviet-made item from the early 1970s, with very good tactical deployment capability granted by its tracks. Also on display is a classical BM-13 Katyuscha rocket launcher, again a workhorse of the Red Army in Stalin’s era.

The latter part of the museum hosts a number of artillery pieces of various size, ranging from ship-mounted anti-aircraft machine guns, to field cannons, anti-tank cannons, etc. These are mostly from WWII, but reaching to the early Cold War period, and invariably share a Soviet design.

An especially interesting design is a recoilless B-11 cannon, designed against light armored vehicles. Of lighter design with respect to other guns of the same bore, it was pretty widespread as a tactical weapon in the early Cold War stage in countries of the Warsaw Pact.

A Mil helicopter, warship guns and some water mines complete this compact yet rich and well-maintained collection.

Getting there & Visiting

The museum is called ‘Muzeum Historii i Militariów’ in Polish. It can be found less than 1 mile southeast of the city center, to the east of the road 367 going south to the border with the Czech Republic. It can be reached easily with a walk from the city center, or by car. Free parking on site (limited capacity, but properly sized for the place). The exact address is Sudecka 83, 58-500 Jelenia Góra.

The museum is made of an open-air exhibition only (no inside display), where all artifacts can be checked out on a self-guided basis once past the ticket office. Plates with basic data and information in double language Polish-English are available ahead of most of the items on display.

The site is rich in material, yet not too big or extensive in size, hence easily digestible even for those without a special interest in military technology. Very convenient to reach and walk. Most artifacts are in a good to very good general condition. A visit taking many good pictures may take up to 1 hour for an interested subject, 15 minutes may be enough for a quick walk. Website with many detailed information, including an inventory of the weapons on display (also in English) here.

Lubuskie Museum of Military History, Zielona Gora

The prominent collection of the Lubuskie Museum of Military History is composed of an inside exhibition, hosted in a converted villa from the 19th century, and a major open-air display in the garden, where some of the items are protected under light structures.

Inside the museum building, a few rooms witness the involvement of Poland in several wars over the centuries. Beautifully crafted weapons from the 17th century, including both firearms and edged weapons, can be found in a number.

Several display cases are related to the involvement of Poland in WWII. The articulated history of the Polish Armed Forces in WWII is witnessed by the number of uniforms, medals and papers resulting from actions of Polish corps within the ranks of foreign Armed Forces – especially British.

Light weapons and technical gear from the time is abundant, including genuine material from the Armed Forces of the Third Reich, which occupied substantial parts of the Polish territory for almost the entire duration of WWII.

A historically interesting item is the headdress of a Polish officer killed in the Soviet town of Katyn, in the homonym massacre ordered by Stalin against the the ranks of the the Polish Armed Forces, soon after portions of the Country had been taken over by the Soviets upon agreement with Hitler. This was an unprecedented move to devitalize the Polish military structure by killing all key-figures in it. A pistol employed for executions and a few more memorabilia items from this awful chapter of Polish history are similarly on display.

Other rooms cover the technological evolution of military gear during the Cold War. Here, items on display range from air-to-air missiles – partly dismounted to allow looking at the electronics inside – tactical weapons, aircraft-mounted guns (always with impressively sized cartridges!), as well as anti-radiation suits with protection masks, flight suits, helmets, visors, and much more. Most of the material from those years obviously comes from the Soviet inventory.

In the outside exhibition a few thematic areas can be found. Possibly the richest among them is that of armored vehicles and artillery pieces. A major highlight is a couple of exemplars of the Soviet SU-152 self-propelled gun from WWII, made of an impressive 152 mm gun on a tracked vehicle. One of the exemplars has been recently refurbished and looks mint.

More Soviet tanks include some versions of the T-34 – a classic combatant of WWII – a T-55, and a more recent fully-working T-72, an icon of the Cold War in the 1970s. This is sometimes moved around in the apron.

A long array of guns, mostly field cannons, can be found on the border of the museum garden.

An impressive sight is the gigantic 2S7, a 207 mm self-propelled cannon manufactured in the Soviet Union from the 1970s, and still employed today by both Russia and Ukraine. Side by side with its ‘little cousins’, the monster size of this asset from the Eastern Bloc is readily apparent.

A second thematic area is centered around SAM missiles and their launchers, as well as theater missiles. Also radar antennas for aerial target tracking or missile guidance are on display.

Some major SAM Soviet systems are on the list, including the SA-2 Guideline, the SA-3 Goa and the SA-4 Ganef. The latter is present with the corresponding deployable radar (model code SNR 1S32M1), together composing the 2K11M1 SAM system, codenamed ‘Krug’ in Russian.

Theater missiles include the so-called Luna-M system (model code 9K52), composed of a wheeled transport truck and a missile (9M21), as well as an original transport trailer with a Scud missile! (See this and this chapter for dedicated information on Soviet-designed theater missiles)

Aircraft on display range from the early Cold War period – end of the 1940s – to the more hi-tech stage of the 1980s. Early jets include MiG-15 and MiG-17, and a pretty rare Jak-23, all in the colors of the Polish Air Force. Propeller aircraft include an Il-14 transport and a license-built Douglas C-47, aka. Lisunov Li-2 in the USSR.

Notably, the first defection to the West of a pilot from the Eastern Bloc on a Soviet-made jet fighter happened from Poland. A Polish pilot flew a MiG-15 to the Danish island of Bornholm, having departed from the Baltic coast of Poland. This was immediately after the death of Stalin, in March 1953. The controversial diplomatic case that ensued from this action was settled returning the aircraft to Poland, obviously after a secret and thorough inspection. The pilot moved to Britain and the US. His flight suit is in the Smithsonian collection in Washington, DC.

More recent aircraft include two MiG-21, a Su-20 and a Su-22. The latter is still operated by the Polish Air Force, and is presented in the museum with an underwing cannon pod for strafing. Also on display is a larger Il-28 light bomber.

Massive technical trucks, like movable pontoons, amphibious vehicles, etc. can be found in yet another thematic area, together with a small WWII diorama. The latter features a possibly original Third Reich emblem.

Finally, a small hangar to the far end of the exhibition area has on display a range of restored items of special interest. A didactically disassembled SA-4 Ganef missile allows to see the inner structure of this modern machine, still in use today.

Several field rocket launchers, including a Katyuscha, as well as field cannons and shells, make for a comparative display.

Interestingly, also a full array of air-to-air missiles, and aircraft components including almost complete engines can be checked out in this display.

Getting there & Visiting

The Polish name of the museum is Lubuskie Muzeum Wojskowe. It is located southeast of the small village of Drzonow, just west of Zielona Gora. The exact address is  Drzonów 54, 66-008 Świdnica. Easy parking possible along the little-trafficked road ahead of the entrance.

Rather unapparent until you get very close to it, the museum hosts a very rich collection, with a long list of artifacts to check out in an open-air exhibition, as well as really interesting and well-presented thematic rooms in the classical building – once a private residence – employed as ticket office and museum.

Despite the understated appearance, the museum is really worth visiting for everybody with an interest in weapons, especially field artillery and air defense. The physical extension of the site is relatively small especially for the content, hence the display is very dense and easy to tour. A complete visit may easily take 2 hours or more for an interested subject, and when visiting with kids or uninterested subjects the site offers plenty of intriguing sights as well, so it may take at least 1 hour.

The organization is really active, with a very rich website and many temporary war-themed exhibitions and events. Unfortunately, all plates and descriptions are in Polish only. Yet the collection is in a generally very good state of conservation (with the exception of some of the aircraft exposed to the elements in the courtyard), and offers a very rich insight in the past assets of the Polish Armed Forces, including literally tons of Soviet-made gear.

Armored Weaponry Museum, Poznan

For those visiting Europe with a specific interest to armored vehicles and tanks, the Armored Weaponry Museum of Poznan is a must-see. Besides an extensive collection with some tens of tanks and vehicles mainly from WWII onward, all preserved in mint condition (many of them still running!), the museum has been carefully and modernly designed, making for a very enjoyable visiting experience.

The exhibition is hosted in a few adjoining hangars, where vehicles are grouped based on technology, provenience, intended role, etc. The following pictures provide only an excerpt from this great collection. Tanks from different Countries are well represented. Starting from WWII, a British Centaur tank and an Achilles anti-tank self-propelled gun are displayed side by side with lighter vehicles.

A very rare Sturmgeschütz-IV, a self-propelled assault cannon from the Third Reich Wehrmacht, has been carefully restored and colored in an impressive camouflage. A SU-76 and ISU-152 self-propelled cannons of Soviet make are also on display.

Battle tanks include an ubiquitous Soviet T-34, and comparatively less common IS-2 and IS-3 Soviet designs. Both conceived amidst the battles of WWII based on experience against the technologically impressive German armored machines, the IS-3 entered production too late for WWII, and was instead rather widespread among the Countries falling in the Soviet orbit during the Cold War, to see action in the Cold War era.

Tracked missile launchers as well as cut-out engines are on display.

Among the most iconic tanks from the early Cold War period are the Soviet T-54 and T-55. The exemplars on display are movie stars, having been featured in ‘The bridge of spies’ by Steven Spielberg, who also left an autograph signature on the huge turret of one. From the same period is a PT-76 Soviet amphibious tank.

NATO counterparts from the early 1950s include the US-made M47 and M60 Patton.

Many more vehicles are on display from the Cold War, mostly from the Soviet galaxy, and covering several functions from carrying troops to vehicle recovery and repair. Also modern self-propelled guns like the 2S1, another Soviet model, are on display.

A small collection of parade cars, once employed by high-ranking military or governmental staff from the USSR, is on display.

An interesting addition is a couple of PT-91, which is a Polish-designed development of the highly-successful Soviet T-72 design, currently manufactured and employed by Poland, and exported to several Armies in the world.

Outside, a WWI scene is reproduced with a steam railway engine carrying a WWI fighter replica on a trailer!

Getting there & Visiting

The Polish name of this world-class museum is ‘Muzeum Broni Pancernej’, and it is located in the western outskirts of Poznan, one of the largest cities in Poland. The exact address is 3 Pułku Lotniczego 4, 60-421 Poznań. Large parking inside, flat access, totally easy to tour.

The collection has been transferred to its current purpose-built location in 2019-20, therefore it is totally modern and exceptionally well presented. The collection is completely indoor and away from the elements, with a suggestive low-light atmosphere, and tons of information for every single tank or vehicle on display, in double language – Polish and English.

A primary destination in Europe for everybody with an interest in tanks and armored vehicles, visiting may easily take more than 2 hours for an interested subject. Due to the number and attractive good condition of the items on display, not less than 1 hour is advised also for those with a less specialized interest.

Museum of Armaments, Poznan

Conveniently located in a nice park, which lies in the area formerly belonging to a Prussian fortress from the 19th century, this museum is a branch of a larger entity, which manages several war-themed exhibitions in town. The museum is composed of an inside display and an open-air area, where larger items like tanks, cannons and aircraft have been placed for display.

Due to an unforeseen closure on the day of my visit (2020) I could only access the outside part of the exhibition.

The most prominent asset is an Il-28 twin-jet light bomber. This is flanked by a Su-22 fighter-bomber, as well as a MiG-21 and a MiG-17 fighters, all Soviet designs adopted by the Polish Air Force over the years of the Cold War.

A beautifully restored An-2 biplane, an ubiquitous workhorse in the USSR, the Eastern Bloc and exported to many clients around the world still operating it today, can be found to complement this heterogeneous collection.

A display of transport vehicles include both vans and transports from the Eastern Bloc, and a US-made 4×4 vehicle.

An SA-2 Guideline SAM is presented on its launcher in a ready-for-launch attitude.

A big collection of field cannons, anti-tank guns and lighter pieces of artillery from various ages starting from WWII is aligned on a side of the exhibition, where you can spot also a MiG-15 fighter from the late 1940s.

Armored vehicles include some armored transports for tactical deployment, self-propelled cannons and tanks.

Getting there & Visiting

The museum in Polish bears the name ‘Muzeum Uzbrojenia’. Among the many war-related museum in Poznan, which also cover conflicts from various ages in history, this can be found easily in the middle of the Citadel, north of downtown Poznan. Access to the old Citadel fortress – now a park – is not possible by car, but parking for accessing the park by walk is abundant all around. I would suggest parking on the southern side of the citadel, for instance in the public parking area located at Al. Niepodległości, 61-001 Poznań, for easily accessing also other monuments of interest, like the war cemetery and the Soviet commemoration monument from the Great Patriotic War (described here).

The exhibition is convenient to reach, and located in a very nice and relaxing park, ideal also for taking a breath from the crowded historical city center of popular Poznan.

As noted above, I could not visit the inside exhibition on the underground level, due to an unforeseen closure. The outside part can be walked in 20-30 minutes, since it is arranged on a relatively compact apron. Most exhibits feature a modern explanatory panel in double language, including English. An institutional website with visiting info (in Polish) is here.

Land Forces Museum, Bydgoszcz

The collection of the Land Force Museum branch in Bydgoszcz is displayed in two parts. A large purpose-built – and recently renovated – building hosts temporary exhibitions, as well as a number of thematic rooms, with high-quality dioramas flanked by display cases with material ranging from weapons and technical gear to uniforms and memorabilia.

The thematic rooms cover the history of land armed forces in Poland over the ages. Among the most striking war material from before the 20th century are authentic pieces of armories, swords and edged weapons from the 16th and 17th centuries. In those years, the Polish Army was pivotal in helping the Empire to fight against the invading Islamic Ottomans, who had conquered the eastern-European territories up north to today’s Hungary, and had reached the gates of Vienna. Some material, including uniforms, maps and firearms, dates back to the 19th century, including the Napoleonic Wars and the German Second Reich period.

Of course, most of the items on display date from the 20th century. Especially nice dioramas include a setting in WWI and the inter-war period.

The evolution of the war material, including the appearance of automatic firearms, is readily apparent following the display cases, which of course include much gear from WWII.

Looking at the uniforms on display, you can note the number of unusual affiliations of the Polish ranks, who due to the complex evolution of the occupation of their national territory, had to deal with several allies and invading forces, who were enemies to one another. Thus the original Polish Army survived a kind of incorporation within the British Army in exile, but also within the Third Reich, the Red Army, and tried also to act independently at home. It is hard not to get confused, and possibly the best way to get the hang of this fascinating plot is by following the display in a museum like this one!

Dioramas from the Cold War are particularly interesting, and perfectly recognizable by the distinctive anti-radiation or chemical warfare suits worn by the models. Also the firearms and the technical gear on display is in line with the evolution of the tactical hazards faced on the front.

Much of the material on display from this age is clearly of Soviet make. The inside exhibition ends with the most modern engagements of the Polish Army in recent conflicts.

Outside, a nice array of perfectly preserved field guns, anti-tank guns and anti-aircraft guns can be found on the platform ahead of the front entrance.

Also mortars and tactical rocket launchers are on display.

Possibly even more captivating for the eye are a T-34 tank in a rampant position, and a the sheer beauty of a T-72 tank. Both iconic Soviet-designed models, these tanks were supplied to most Countries in the Soviet orbit over various stages of the Cold War.

Another massive tracked object is a 2S1 self-propelled cannon, looking mint like the T-72!

Finally, also two missiles can be found, an SA-2 Guideline SAM, and the Scud, a tactical nuclear-capable missile which became a widespread asset in Eastern Europe over the years of the Cold War (see this post).

Getting there & Visiting

The Polish name of this very nice museum is ‘Muzeum Wojsk Ladowych’, which includes also other branches in Torun (see here) and Wroclaw. The location of this major branch is in the northern outskirts of the town of Bydgoszcz, at the address Czerkaska 2, 85-641 Bydgoszcz.

The museum does not feature a private parking, but good parking opportunities can be found for free on most of the quiet residential streets around (for instance, I found a number of free lots on Świerkowa, 85-632 Bydgoszcz).

The collection is interesting and generally attractive both inside and outside, with high-quality dioramas with much original material, as well as ‘big items’ like guns, tanks and missiles outside. Its size and level of detail are well balanced for both the more committed technically-minded subjects and those with only a general interest in the topic, especially kids. Visiting may require 1 hour for the permanent exhibition, more including the always interesting temporary exhibitions.

Some paneling with double language explanations including English can be found along the visit. The official website with access information in English is here.

Museum of Coastal Defense – Fort Gerharda, Swinoujscie

The collection of the Museum of Coastal Defense is reportedly one of the largest private military collections in Poland. It is hosted in the evocative frame of an original Prussian fort from the 19th century, Fort Gerharda. Originally designed to guarantee free access to trade ships entering the Szczecin Lagoon and going to the major inner port of Szczecin, the fort was potentiated in more instances, but basically never saw war action. It was later employed as a reserve fort by the German Kriegsmarine, and by the Soviets as a depot for a while after WWII (similar to Komarom in Hungary, see here). Over the last two decades the fort was substantially restored, and opened to the public as a major attraction.

Access to the fort, rather compact in size, is through a drawbridge. The inner courtyards are the setting for bulkier collection items, including original cannons from the 19th century, as well as anti-tank cannons from WWII!

Range-finding gear, half-dismantled torpedoes, machine gun turrets and more can be found in the recesses of the articulated geometry of the low-rise constructions inside the fort.

Some of the ammo storage bunkers in the fort can be seen inside.

The core of the collection of the Museum is inside the central building in the fort, an interesting multi-level construction. Older items date from the 19th century or earlier. Reconstructed scenes from the life in the fort at the time include men working around a heavy piece of artillery, a communication office with a telegraph and the nicely reconstructed kitchen of the fort.

Other scenes are from WWI and WWII, including men around a howitzer and a German soldier hiding in an apartment!

Interesting memorabilia items range from larger ones, like original flags from warships, to smaller personal items for everyday use, like canned food or table games employed by the troops.

The collection of weapons and technical gear is really rich and interesting, and mostly centered on material from the inter-war period onward. Racks of rifles an light arms of various makes are on display.

A part of the collection is especially focused on weapons by the marvelous Soviet/Russian weapons designer Mikhail Kalashnikov.

Of major interest are also special military suits, against poisonous agents, gas, etc. dating from the Third Reich and Soviet era.

Some of the displays of foreign origin are really unique – and unexpected on the northern boundary of Poland! Others bear Cyrillic-written tags, witnessing their Soviet origin.

Many artillery range finders are on display, of different make and level of complexity. They include a rare Cold War computer-assisted model.

Getting there & Visiting

Fort Gerharda is right in the northwestern corner of Poland, on the Baltic Coast less than 1.5 miles from the German border. The reference town of Swinoujscie (Swinemünde in Prussian times) is located on the western bank of the water access from the Baltic to the Szczecin Lagoon. The fort is instead on the eastern bank. The waterway can be crossed via a quick ferry. Access from mainland Poland is seamless along the E65.

Fort Gerharda is a bit hidden in the trees, despite in a rather urbanized area, and therefore not easy to spot even from close apart. However, a fence with a small parking clearly mark the entrance. The address is Ku Morzu 5, 72-602 Świnoujście. More parking spots can be found along the same road.

The ensemble of the fort plus the collections in the museum make for a very interesting and rich visit for everybody, including families. For the more technically-minded subjects, the military collection, despite compactly presented, is rich of very interesting items. A visit of 1-1.5 hours to the complex is likely, depending on the level of interest.

A website with many updated information is here (in Polish, with a rich downloadable leaflet in English).

This area is rich of interesting sights for those with an interest in military history, including the ‘Vineta Battery’ WWII/Cold War fort (see here), and a prototype of Hitler’s V-3 multi-stage cannon, actually built in northern France (see here).

Polish Arms Museum & Navy Museum, Kolobrzeg

Kolobrzeg is the Polish name for Kolberg, a town belonging to Prussia (then Germany) at the times of the two World Wars of the 20th century. The place was a theater of war, in the focus of a fierce battle in the March of 1945. The Polish Army and the Soviet Red Army, along their march to Berlin, isolated the town from the south, triggering a massive evacuation of German military forces and civilian population by sea, to further west along the Baltic coast in Germany. It is estimated that more than 100’000 people were evacuated in less than a week. In the attack, the town was almost completely destroyed. As a matter of fact, most residential housing today clearly dates from the communist era.

The Polish Arms Museum is the ideal location to see memories from this great battle, as well as for retracing the military history of the Polish Armed Forces more at large. The collection on display is composed of an inside display and an outdoor exhibition.

Inside, the items on display, mainly preserved weapons, armories, but also parts of ships, date to as far back as the 16th century. The role of the Poles in countering the Ottoman Islamic domination in Europe is retraced through precious weapons from the time. Clearly more abundant are the items from the interwar and WWII period. An organic display of uniforms is featured, witnessing the many affiliations of the Polish troops during WWII.

Uniforms and light weapons belonging to the Western Allies, the USSR and of course the Third Reich are on display in this nice collection.

A small diorama with a painting related to the conquer of Kolobrzeg in WWII is clearly part of the show.

In a hall immediately ahead of the open air exhibition, some restored light transport vehicles are on display, including jeeps and trucks, as well as a light plane.

The outdoor exhibition features an array of heavy armored vehicles. These range from Soviet-made tanks – including a T-34 and IS-2 – and self-propelled cannons – for instance a massive ISU-122 – and armored vehicles, to a tracked Scud missile launcher, in very good general conditions.

A well-stocked array of field guns, anti-aircraft and anti-tank guns is aligned along a side of the exhibition court.

Aircraft on display include Soviet-made material which saw service with the Polish Air Force, in particular an Il-28 Beagle, as well as a Su-22.

A rather unusual item on display is a railway carriage, in the colors of the USSR railway service, the same model employed for the deportation of people from Europe to the gulag system in the USSR at the time of Stalin, and later – in some cases – to return them to their home Countries. A vivid exhibition on this terrible part of WWII and early Cold War history is narrated inside the carriage, through maps, photographs and other memorabilia items (unfortunately only in Polish, but many of the artifacts are almost self-explanatory).

A Soviet SAM, an SA-2 Guideline, is on display on its pivoting launch platform.

The Navy Museum in the same town is an outdoor-only exhibition, mostly made of two well-preserved warships, namely the anti-submarine patrol ‘Fala’, from 1965, and the missile launcher ‘Wladyslawowo’ (NATO class Osa-I) from 1975. The former was laid down in Poland (Gdynia), and withdrawn from service in the 1990s, whereas the latter was manufactured in the USSR and saw service until the 2000s.

Both are interesting examples of Cold War warships. The armament of the ‘Fala’ was mainly composed of depth charges. Many of the original rooms are preserved in good conditions, showing some of the most interesting technical gear installed on this type of warship.

This includes the navigation room and the deck, with the helm and engine controls on top. The canteen, cabins and official quarters are on display, with a depressing – likely original – Soviet-style upholstery and furniture. Interestingly, despite being a Polish warship, most of the labels, including explanatory ones intended for use by the hands on board, is in Russian.

Technical gear include an inertial system, and acoustic sensors to find and track enemy submarines.

The engine compartment hosts two big 2.500 hp Diesel engines, plus three Diesel generators for electric energy supply. The control room for the electric and propulsion system is inside a dedicated cabin. Again, writing is almost invariably in Cyrillic only.

The Osa-I class ‘Wladyslawowo’ was designed around four P-15 (SS-N-2 Styx) surface-to-surface passive-active homing anti-shipping missiles. The mission of this very fast warship, capable of a peak speed of 40 knots, was that of hitting surface shipping. For self-defense, the ship was equipped with two AK-230 turrets, served by an automatic aiming system, as well as a rack of four Strela-2 light surface-to-air missiles. The overstructure of the ship is very limited, the upper deck being mostly taken by the Styx missile hangars. Inside, the technical rooms – still in very good condition – include sensors, inertial navigation gear, as well as compartments for the troops.

Also visible are the engine rooms. Three bulky 4.000 hp Diesel engines provided power to as many propellers, producing the power needed for the high speed of the warship.

The deck (GSD) is stocked with yellow cabinets, allowing to monitor virtually all plants on board. As expected on a Soviet-made warship all writing is in Cyrillic.

All in all, a visit to the Navy Museum is really evocative especially for those with a fascination for the Cold War. The Osa-I class saw extensive service in the cold waters of the Baltic, including with the GDR, and this exemplar represents an easy-to-reach specimen offering a rare glimpse in Soviet marine technology from the time (similar to the K-24 Juliet-class submarine in Usedom, not too far from this location, see here).

Getting there & Visiting

The Polish Arms Museum, named ‘Muzeum Oręża Polskiego w Kołobrzegu’ in Polish, is located in the city center of the coastal town of Kolobrzeg. The exact address is Gierczak 5, 78-100 Kołobrzeg. The open-air part can be clearly spotted from outside – like a fenced city park – when walking the (really) crowded pedestrian area. Due to the totally central location of the museum, right in the most touristic area of this small town, parking in the vicinity may be not the easiest task, but many parking lots are theoretically available in this district. Another option is parking out of the city center at all, and enjoy a pleasant walk to the museum and other attractions in its vicinity.

The Museum is rather compact in size, and a popular destination. It offers many interesting items, including less obvious ones for more technically-minded visitors, as well as well as heavier armored vehicles, artillery pieces and planes which will appeal to everybody. A visit of about 45 minutes to 1 hour may be fine for a complete tour.

The open-air Navy Museum, aka. ‘Kołobrzeski Skansen Morski’ in Polish, is located beside the marina. A convenient public parking just 150 ft from the museum entrance is here, 54.175972, 15.559315. The two warships can be boarded and visited thoroughly on your own, making for an interesting and rewarding visit for everybody. A time of 45 minutes to 1.25 hours may be adequate depending on your level of interest.

Walking between the two destinations in town is an easy stretch of about 20 minutes one way.

The two locations are brilliantly administrated by the same subject, the ‘Muzeum Oreza Polskiego’, which also has under its umbrella other sites of great interest in the vicinity of Kolobrzeg, including the world-class exhibition of one of only two preserved and accessible Monolith-type Soviet bunkers for nuclear warheads in Europe (Podborsko, see here). The website – unfortunately only in Polish – covering all the sites managed by this association, with many details on the exhibits beside logistical information, is here.

Museum of Air Defense, Koszalin

The Museum of the Air Defense in Koszalin offers an exceptional insight in the capacity and evolution of the anti-aircraft defense systems deployed in Poland. The collection in this hidden gem, relatively far from the tourist path (especially from abroad), is based on the heritage of a similar initiative from the Cold War years, when Poland was a satellite of the USSR especially in terms of weapons supply. As a result, the display allows to get a detailed overview of the Cold War anti-aircraft technology of the Soviet Union, with examples of material (especially surface-to-air missiles) still in use today in many Countries.

The collection is located close to an active military academy, in a quiet and secluded neighborhood of the town. The exhibits are partly inside, partly outside on a small apron around the museum building.

Some initial dioramas are focused on range-finding gear, with material dating from WWII and the Cold War era. Anti-aircraft machine gun  batteries are also on display.

A centerpiece of the exhibition is a didactic cutout of an SA-2 Guideline (aka. S-75 Dvina) SAM, an early anti-aircraft missile from the 1950s, which was however rather effective. The propulsion system, guidance mechanisms and warhead are on display. The latter appears relatively small compared to the overall size of the missile, but it is actually rather powerful. This system was not intended to physically touch the target, but an explosion of the warhead in proximity to the target could be enough to irrecoverably damage an aircraft.

A super-interesting sight is the array of cabinets employed for the launch of the SA-3 Goa (or S-125 Neva). An example of the corresponding battery of missiles is located outside. This suite, was called Karat-2 in Soviet standard, allowed for TV-guidance of the SAM system. This incredible piece of technology from the time of the Iron Curtain – and from the early age of miniaturized electronics – is presented partly lit-up, revealing the colors of the buttons, and making it even more captivating – you would like to try all its functions like in a new video game! Needless to mention, all writing on the labels is in Russian.

Another unusual sight in the collection is a static example of the still widespread SA-6 Gainful (or 2K12 Kub). Further material on display include instrumentation and cabinets for launch control and guidance of other missiles, or for managing radar-gathered information.

Smaller anti-aircraft weapons are also represented, like the Strela-2 shoulder launched missiles.

On display in the outside exhibition are very interesting items, starting from a battery of two SA-3 Goa, side by side with their corresponding target tracking antenna. The latter, pretty rare to see in museums, is actually composed of a suite of antennas, and is designed to track smaller and low-flying targets, against which the relatively small SA-3 missile is particularly effective.

Close by are an SA-2 Guideline in an upright ready-for-launch attitude, as well as a SA-4 Ganef, sitting horizontally.

Another radar antenna is the truck-mounted PRW-9 altitude finder, complementing the guidance suites of the SA-2 and SA-3 as well.

Armored anti-aircraft vehicles are also on display, similar to anti-aircraft guns, trailers, SAM missile canisters and field range finders. An interesting item is a searchlight (model APM-90), which unexpectedly does not come from WWII, but was instead put in production in the early 1950s, well in the turbojet era and atomic age. It was a handy item mostly for helping aircraft in homing on obscured airbases in case of war. It was truck-mounted, and could employ the same engine of the truck for power production – ingesting up to 17.5 kW, thus remaining visible from a distance of 80 miles!

As a bonus, two aircraft are on display in the museum, a PZL TS-11 Iskra trainer, and a Yakovlev Yak-40 three-jet small transport, employed for state flights. The latter, a Soviet aircraft from deep in the Cold War era, was withdrawn from service apparently in the 2000s. Manufactured in more than 1.000 exemplars, this type was rather widespread in the USSR and its satellites.

The aircraft can be accessed – through the unusual back door! – revealing a neat interior, and a captivating purely analog cockpit. The typically Soviet black rubber ventilation fan for the pilot is prominently hanging from the ceiling!

Getting there & Visiting

The name of this exhibition in Polish is ‘Muzeum Obrony Przeciwlotniczej’, and its location is in the southeastern suburbs of the northern town of Koszalin, itself less than 5 miles from the Baltic coast. The exact address is Wojska Polskiego 70, 75-903 Koszalin. The place is surrounded by neat, active military facilities (academy). The museum is easily noticed from the road, thanks to the bulky and unusual items on display in the outdoor exhibition! A small parking area can be found cross the road with respect to the gate.

The display is gathered in a single building, surrounded by a small yard. Visiting is totally easy, and the collection is not too big, yet extremely interesting and well preserved. A visit of at least 1 hour will be needed for technically-minded subjects, whereas for the general public 30 minutes may suffice for a quick look at everything. The place is managed and frequented by former men from the military, who will likely offer you further insight if you ask. Some information is in double language (Polish and English) in any case.

The museum is currently a branch of the bigger Museum of the Air Force located southeast of Warsaw (Deblin). The website of the latter provides information also on the Koszalin site (see here).

Naval Museum, Gdynia

The port town of Gdynia, since long the major industrial port of Poland, is also home to the collection of the Naval Museum, an eminently military collection, with some unique items on display from various ages, making it a primary addition to the panorama of naval museums in Europe.

This museum is composed of two parts, namely an exhibition building, located right ahead of the nice touristic waterside and featuring an indoor and outdoor exhibition, as well as nothing less than an original destroyer from the 1930s, the venerable ORP ‘Blyskawica’, a true WWII veteran!

The indoor exhibition has been refurbished recently, making the visit light and enjoyable. Among the artifacts on display are original anti-aircraft guns, previously installed on warships, of diverse size and provenience.

Torpedoes, including old German designs from before WWI, are on display together with rare examples of sea mines. Some of them are cut to ease looking inside.

The Soviet anti-shipping missile P-15 (SS-N-2 Styx) and its evolution P-21/22 are on display as well, with photographs witnessing their deployment on board Polish warships.

Interestingly, also aircraft-carried missiles and rocket pods, of Soviet make, are on display. Everything comes with a technical description in double language, allowing to obtain many information on the exhibits on site.

A rare artifact is an experimental weapon from the Third Reich, a rocket-torpedo. Valuable memorabilia items include many documents and papers, as well as uniforms, from ages before the 20th century. A fragment of the flag of the ill-fated ORP ‘Gryf’, a massive mine-layer from WWII sunk by the German forces at the beginning of WWII, is prominently on display.

The outdoor exhibition is hosted in a small yard to the side of the museum building. Bulkier artifacts have been put here, including cannons from the ORP ‘Gryf’, several torpedoes and torpedo-launching tubes, depth-charge launchers, older cannons from the age of sailing ships, weapons, propellers (of downed aircraft and ships) and even a helicopter!

Perfectly visible for everybody passing by, a major focal point of the museum is the ORP ‘Blyskawica’. This destroyer was laid down in Britain, together with a twin ship, for the Polish Navy in the mid-1930s. Unfortunately, Poland was among the first Countries to fall under the attack of Hitler’s Third Reich. The Polish Government and a good part of the Armed Forces were evacuated to Britain. In particular, the troops and much of the savaged war material was incorporated in the ranks of the British, with a special agreement which kept the two formally independent, and defined a scheme of mutual anti-German cooperation.

A very modern ship for the time, well armed and propelled by steam turbines granting a speed nearing 40 kn, the ‘Blyskawica’ fought for the entire duration of the war, with key roles in several war actions. After the war, the ship was reclaimed by communist Poland. Following an accident to the propulsion system, it was never fully repaired, and it was converted to a marginal role before retirement and re-opening as a museum ship in the 1970s.

Today, this perfectly preserved warship makes for a really captivating sight. The naval guns and much of the machinery on board clearly bear British markings.

The engine room can be visited, and offers an exciting view of the mighty boilers an steam turbines allowing the destroyer to reach its incredible top speed.

Beside this warship, even though not part of the museum, chance is to see the ‘Dar Pomorza’, a splendid sailing ship from 1909, employed as a training ship between the 1930s and the 1980s.

Getting there & Visiting

The museum, called ‘Muzeum Marynarki Vojennej w Gdyni’ in the local idiom, is located in a prominent location in the most touristic part of the port town of Gdynia. The building of the museum is separated from the destroyer ORP ‘Blyskawica’, which can be reached with a 3 minutes walk from the museum. The address of the museum building (hard to miss) is ul. Zawiszy Czarnego 1B, 81-374 Gdynia. Parking lots are available around the building and in public parking. However, please note that this totally central area may be very crowded in the high season, so be prepared to some traffic congestion.

The inside collection is very interesting and valuable, yet not disproportionately big. Therefore visiting can be enjoyable for the committed military minded subjects and for the general public as well. A visit to the building may take 30-45 minutes. A visit to the glorious destroyer Blyskawica may take as much, depending on what parts of the ship are actually visible – thanks to the prominent position and historical value, ceremonies and cultural events or visit sometimes take place, therefore the ship is at times only partially open.

The museum is very modern, boasting a well-designed, up-to-date website in double language (here). A smartphone app can be employed to take you along the museum historical path.

Museum of Military Technology ‘Gryf’, Dabrowka

This impressive collection was created through a private initiative after 2010. It bolsters two equally interesting and fascinating sections, one devoted to shells and bombs, the other to vehicles – either armored, transport or civilian. The collection is very rich and exceptionally well presented.

The shells and bombs display is one of the largest collections of shells, cartridges, shoulder-launched rockets, air-dropped bombs, land mines, etc. to be seen in Europe. The presentation follows a thematic-chronological order, therefore you will start with cannon balls, walk through shells from field cannons from the 19th century and WWI, and end up with a plethora of WWII and Cold War items.

To the inexpert eye, a cannon or mortar shell may look like a dull piece of metal. Looking closer, you notice that most of the shells are actually rather complex pieces of machinery, with mechanisms inside them to regulate the behavior of the shell after fire.

Furthermore, many types of shells exist, engineered to maximize the damage against some type of target or another – armored vehicles, buildings, ships, troops, deposits of explosives, wooden constructions, metal constructions, etc.

Extremely interesting is the collection of WWII air-dropped bombs. As known, the accuracy of bombing raids left much to be desired during WWII. Furthermore, as you can clearly see here, bombs from the time were relatively small, with a limited yield. These factors in turn forced bombing groups to carry out massive attacks, with many aircraft involved, to maximize the effectiveness of the mission.

Mortar shells take several dedicated display cases. Represented are many and diverse models from different provenience.

A similar impression as with shells you get looking at land mines – so many different designs, corresponding to different targets, and of course resulting from engineering efforts carried out in different Countries, and over several ages. These include material from WWII, like explosives put on railway tracks, glass mines or air-launched land-mines.

Original explosives from the Third Reich are on display, with clear swastika and eagle insignia on them!

An incredible and unique display is related to triggered explosive devices. This includes several original triggers, from the US, Soviet Union or Third Reich, and from various ages.

Shoulder-launched rockets include the pretty famous RPG from the Soviet Union – displayed together with original instructional panels! But also more technically evolved rockets are on display – or parts of them, like what appears to be the homing system of a SAM missile!

Demining gear follows suit – a rich collection also in this respect – together with grenades, both hand-launched or rifle-mounted.

A collection of purely Cold War gear is that of anti-radiation suits, measurement gear, and instructions for emergency in case of a nuclear bombing raid. These are very similar to their Western counterparts (see this post).

A few dioramas are build including original material from WWII, including Third Reich uniforms, and the Cold War.

This really impressive collection is just a part of this great museum. The second part is composed of a series of vehicles, ranging from cars and buses, to military trucks and, of course, armored vehicles and tanks. Similar to the previous part, the appearance of this component of the museum is exceptional. It is no surprise that all the vehicles here are working, or undergoing restoration to a working condition!

A first display is related to civilian vehicles from the communist era, some from the Soviet union – like a GAZ car – or from Poland – like interesting license-built Italian cars, labeled as ‘Polish-FIAT’!

A second hangar has on display a set of wonderful trucks, including German Mercedes-Benz trucks from WWII – similar to the one featured in the Indiana Jones movie ‘Raiders of the Lost Ark’! – and massive Soviet designs, like ZIL and more modern KRAZ.

A separated hangar hosts a number of US-made trucks and jeeps, and a nice collection of rare OPEL light trucks from Germany. Also on display are a glider and a few side-cars.

A focus of the visit is of course the hangar dedicated to armored vehicles. These include Soviet designs, like the iconic T-34 and T-54, and  working replicas of German vehicles – in particular a Panther. Even an original Gepard moving light artillery battery from West Germany is part of this collection!

Even on standard days when non special events are planned, it is likely you will see some of this massive vehicles moving around, on the apron and along a small circuit to the back of the museum!

Also field cannons and other artillery pieces – including anti-aircraft guns – are on display.

Leaving the museum, you may notice a Guideline and a Ganef SAM from the USSR, as well as a static T-54 in a desert camo.

Getting there & Visiting

The location of this impressive collection (‘Muzeum Techniki Wojskowej ‘Gryf” in Polish) is somewhat secluded in the trees, close to the small village of Dabrowka. The address is ul. Ppłk. Ryszarda Lubowiedzkiego 2, 84-242 Dąbrówka, and the coordinates to the entrance are 54.55185, 18.17217. The place is in the countryside, some 20 miles west of the major port town of Gdynia.

The museum is compact to tour, but the exhibits are many, extremely interesting and nice to check out, especially thanks to the exceptional state of preservation. This is true for both the many vehicles and for the exhibition on artillery inside, one of the most impressive of the kind to be seen in Europe – and one of the most neatly presented!

The collection may require 1.5-2 hours at least for a technically minded person. A 1 hour visit is advised for the general public. Time may vary, however, in case live exhibitions are taking place – usually involving tanks performing some acrobatic maneuver!

A small restaurant is open inside for lunch around midday.

Their very good website, with full information for a visit and also about the collection, in both Polish and English, is here.

German and Soviet Military Traces in Jüterbog

The area around Jüterbog, about 1 hour and 15 minutes south of Berlin by car, has enjoyed a long military tradition, dating from the years of the Kaiser and WWI, through the Third Reich and all the more than four decades of the Cold War, until the departure of the Soviet Army in the early 1990s.

Almost for the entire duration of the 20th century, the area has been scattered with barracks, immense training grounds, shooting ranges, officer’s houses, army administration buildings, technical depots, airports and military academies.

The town of Jüterbog is actually much older than the 20th century, but the Soviets, who grew to a much greater population than the Germans in town after 1945, did not pay much attention to this nice medieval town. Following their withdrawal and the end of all military operations around, the town center received substantial money for restoration from the Government of reunified Germany, and the result is really remarkable – Jüterbog is today possibly one of the most lively and nice-looking centers in the region, with medieval towers, gates and churches, hotels, restaurants and bright-painted houses all around.

However, one hundred years of military activities in this province could not be wiped out at once, and despite nature is now invading the old army premises after operations ceased, to a careful eye the heritage of the German and Soviet Armies stationed there can be spotted quite easily, immediately out the lovely historical town.

Perhaps the most prominent witnesses of the past activities are the old flight academy, installed in the Third Reich years and later employed also by the Soviets, who got control of the area after they arrived in 1945, and kept it even after the foundation of the GDR and the corresponding Armed Forces (i.e. the Nationale Volksarmee, or NVA). The flight academy is today a listed building, despite in a state of partial disrepair. Another example is the big airbase of Jüterbog/Altes Lager, which went on operating as an NVA and Soviet airbase until the very end of the Cold War, and is now being used as a sport airfield, a kart circuit track, an event venue and a solar power plant.

Both these two items are covered in another chapter.

In the following report, more locations in and around Jüterbog are pinpointed, photographed during two visits, partly guided by the knowledgeable Dr. Reiner Helling, in the Summer seasons of 2021 and 2022.

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Sights

The material in this post covers ‘Shelter Albrecht’, a one-of-a-kind private collection of items from WWII and especially from Soviet times, more views of the former airfield of Altes Lager, with a Granit bunker still in very good conditions, an abandoned military hospital with evident traces of Soviet operations, a Soviet cemetery, and a few more items, silent and overlooked witnesses of a recently bygone era.

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Shelter Albrecht

The airbase of Jüterbog/Altes Lager was selected by the Soviets for further development with the arrival of jets in the late 1940s-early 1950s, and grew to be a prominent attack aircraft and helicopter base in the territory of the GDR. Now reduced in size to the point that some taxiways have been turned into public roads, some of the incredibly many aircraft shelters originally in place in the peripheral parts of the base – mostly AU-16 – have been wiped out. However, a set of two to the east of the runway have been spared this fate, and have been redeemed by a private business. One has been turned into a venue for events, whereas the other has been employed to showcase a great collection of WWII and Cold War memorabilia. Actually, the two hangars are located inside a somewhat larger perimeter, with an original technical building and room for even more exhibits.

A first impressive sight is the original Soviet scheme of the base. Similar signs were typically put close to the gate of any Soviet base (as seen for instance here in Ribnitz/Damgarten), and with their Russian writings today they witness the Soviet tenancy of the base.

On the apron, an original military version of the ubiquitous Trabant, in army green color, is on display together with a field kitchen and a gigantic roadwork machine. The latter is Russian made, with tank tracks, and powered by a 12-cylinder Diesel engine.

A Mil Mi-2 helicopter, which for some hard-to-imagine reason had ended up on the Adriatic coast of Italy in a private collection, where it sat almost derelict, has been brought back to the other side of the Iron Curtain, and restored in a camo coat and placed in a prominent position. Not far, a wing from an old Lavochin La-5 Soviet aircraft can be found.

Still on the open air exhibition are a decorated panel once gracing a Soviet hospital – possibly the one described later (here) – and another celebrating the Warsaw Pact. But the exhibits are really countless, and include propaganda posters, and canisters for ordnance.

To the side of the main exhibition hangar, in the area of an interred fuel tank once serving the base, is an incredible set of Soviet panels, originally from this or other Soviet bases around. These panels are partly decoration/celebration signs, with portraits of Soviet soldiers and emblems.

Other are technically-themed, with explanations concerning driving habits and rules, hand-to-hand combat, and more. Similar items, including fake targets for assault training, can be found for instance in Forst Zinna, an abandoned Soviet base not far from Jüterbog (covered here).

Also part of the collection is a rare mural, apparently retracing the push to the west of a Soviet division (?) during the Great Patriotic War.

Inside, the aircraft shelter is stuffed with interesting memorabilia. From WWII, exhibits include remains of downed aircraft, including damaged engines, propellers and canopies. Among them are remains of an Avro Lancaster, a Focke-Wulf 190, a Junkers Ju-87 and the canopy of a pretty rare training (two-seats) version of the Messerschmitt Bf-109.

Four large scale models cover as many interesting sights around. The first is the former flight academy of the Third Reich (mentioned above and covered here), north of the Altes Lager airbase premises. Also on display are books and furniture originally from the library of the academy.

A second model portrays the entire area between the academy (north) and the airfield (south), including the latter. This area, now largely shrouded in the trees and partially in private hands, used to host technical installations and even factories connected with warfare business – all linked by an extensive network of roads and railways.

Another model is that of two airship hangars from the years of German tenancy. These had to be really huge, but are today completely gone. Among the factories in place in the area, were those for supplying gas for the airships.

Finally, a fourth scale model represents the older airfield of Jüterbog/Damm. The latter is not far from Altes Lager, and is today in private hands for some cattle breeding business. It features very peculiar concrete hangars, an interesting specimen of Third Reich construction engineering. Some aerial pictures can be found here. That airfield was not selected for further development by the Soviets, due to the limited potential for runway lengthening, in turn due to the proximity with Jüterbog town.

Soviet-related items on display range from painted tables, originally gracing the walls of the base, to technical signs in Russian, to a full array of personal and military items, all belonging to the Soviet staff stationed in Jüterbog. These include an interesting overall map of the Soviet airfields on GDR territory, with basic technical data.

Among the highlights, an official printed portrait of Stalin, and one of Brezhnev in a military uniform, parachutes and parts from attack aircraft, many direction signs and instructional panels for low-ranking military staff. Also very interesting is a radar scope with the three air corridors to West-Berlin and the position of Altes Lager printed on it!

Of special interest for aircraft enthusiasts are many pictures from the days of operation of the airbase, with many exotic Soviet aircraft seen landing, departing or taxiing around.

Other panels tells about the presence of rocket forces in the area of Jüterbog – in particular the 27th R.Br. of the NVA. They operated the SCUD-B system.

Back outside, the exhibition is completed by an original monument from Altes Lager, often employed as a background for official ceremonies, and more personal memorabilia of the owner of the museum, formerly serving within a tank division of the NVA.

Reconstructed shops and schools are on display, with much original furniture and everyday items of Soviet make.

Getting there and Visiting

The place is really worth a visit for everybody interested in memorabilia items from Soviet times, or for those looking for tangible traces of the military past of Jüterbog. The location is easy to reach by car, with a convenient internal parking. The address is Niedergörsdorfer Allee 4, 14913 Niedergörsdorf, Germany.

An updated official website with opening times is apparently not available. However, Mr. Helmut Stark, the owner of the place, may be contacted beforehand (in German only) to inquire about opening times and plan a visit – try Googling his name and that of the site for updated contacts. The place is regularly open at least in the weekends in the warm season. A visit to this site will be likely with Mr. Stark following you and giving explanations in German. This will take about 45 minutes.

Granit Bunker and Hangars in Jüterbog/Altes Lager

Some views of the Altes Lager airbase are provided in this chapter, and some aerial views can be seen here. The huge, flat-top hangars date from the Third Reich era, and similarly the control tower with its annexes. Some of the hangars were reportedly dismounted by the Soviets and taken to the Soviet Union soon after the end of WWII.

Besides all the aircraft shelters scattered all around the runway, a relevant and pretty secluded Soviet addition north of the airfield is a Soviet Granit-type bunker. This type of bunker was among the lightest in Soviet inventory, and could serve multiple purposes, e.g. storing movable radar trucks, tanks, other machinery, or weapons. Actually, its presence on an airfield may suggest the purpose of storing special air-dropped weapons, maybe tactical nuclear, high-explosive or chemical ordnance.

Bunkers of Granit-type are possibly the most frequent special constructions in former Soviet bases (see for instance here or here), but the one in Jüterbog is interesting since it is very well conserved, and its massive metal doors are still perfectly in place, providing a nice impression of how this technical item should have looked like in the days of operation.

Getting there and Visiting

The airport of Altes Lager is today pretty busy, with several companies having taken over much of its original premises now open for business. Multiple access points are available, and chances of looking inside the original installations are many. Given the still exceptional state of conservation of the Granit bunker, in order to protect this rare historical artifact from the impressive hordes of catatonic idiot spoilers and writers out there, no indication is provided on its exact location.

Military Hospital

Among the buildings now shrouded by the overgrown vegetation in the area between Jüterbog/Altes Lager airfield and the town of Jüterbog is a sizable military hospital. Totally invisible from the road, the hospital is basically made of a single, building featuring three long interconnected rows.

It is made of the typical German dark-red brick, a design which is way too elegant for Soviet occupants. The arrangement of the facade and the nice railings suggest a construction date from the years of the Kaiser and the German Empire, maybe early 20th century.

However, the years of Soviet use are witnessed by a big mural, portraying Lenin with some Soviet soldiers in the background, with a black and yellow striped ribbon and a red star, emblems of the Red Army.

To the more careful eye, a few graffiti in Russian can be found here and there, with a date as usual.

The aura is very silent and mysterious, and as such, this location is a mecca for urban explorers. Actually, the only noise came from a fast spinning ventilation fan in a window frame! This was pushed by an air stream however, not likely by a motor…

Some more buildings complete this complex, and original GDR-style lamps can still be seen around – the tall trees now surrounding the building were likely not in place when the hospital was closed, presumably in the early 1990s.

Getting there and Moving around

Not difficult to find in the trees between Jüterbog and the airfield of Altes Lager, there is no clear interdiction sign to access this complex from behind, yet vibration sensors planted in the ground can be spotted around, and some security cars can be seen sometimes parked on the main road. A walk around the hospital is not especially dangerous nor difficult, and may take about 25 minutes taking all the pictures. The building is architecturally nice and possibly listed. Yet it is in partial disrepair and largely sealed, and getting in is obviously not advisable.

Soviet Cemetery

The only relic of the years of Soviet occupation which is immediately visible to the general public in Jüterbog is the Soviet military cemetery. This is located to the back of the Liebfrauenkirche, in the historical center of Jüterbog.

Actually, a monumental part, with railings embellished with hammer and sickle emblems and a monument with writings in German and Russian to the back, is detached from the church yard.

However, possibly in later times, the limited space available in the lot originally planned for the monument meant some graves were dug right in the church graveyard, side by side – but not mixed – with German graves.

Getting there and Visiting

The exact address is Am Dammtor, 14913 Jüterbog, Germany. The place is well-kept, being part of the historical city center of Jüterbog. Parking opportunities all around on the street. A visit may take 10 minutes.

Railway Yard, School and Command Building

The town of Jüterbog acted as a ‘local capital’ for the many Soviet troops and their families scattered in the corresponding district. The hospital (see above) was not the only large installation in place. A district school was also installed, which served not only the very town of Jüterbog – with a Russian-speaking population of more than 70.000, greater than the German nationals – but also the residing Soviet population of smaller technical installations in the area. A notable example is the impressive nuclear depot in Stolzenhain (see here), where a dedicated staff and their families occupied four residential blocks now gone. Their children reportedly attended school in Jüterbog.

The school is today largely abandoned, and a quick tour around reveals typical Soviet decorations in the large sporting hall.

The school building is geographically close to the railway station. The latter had a passenger terminal dedicated to the Soviet population, which was completely segregated from the German one.

Furthermore, the railway in Jüterbog had also a primary logistic function, connected with the military activities going on in the area. Besides transporting tanks, vehicles and other material, also nuclear warheads arrived by rail from Belarus or Ukraine (both in the USSR at the time), for storage in the Stolzenhain Monolith-type bunkers (see here). A special railway track with a dead end in the trees featured a special interchange platform, allowing to move the sensitive warheads in their controlled canisters to trucks, and by road to Stolzenhain – usually at night. Since warheads were also sent back for maintenance or overhaul, the transport operated also in the opposite direction.

Very close to the railway station and the school is also a large grassy area, surrounded by a nice, old-style metal fence. This area is that of an older training ground, dating to the years of the Kaiser. A command building, now in disrepair, betrays the same origin, featuring decorations in a typical old-German style.

Getting there and Moving around

The school can be found in Jüterbog here. Cross the street from the school, the old training grounds and command building are immediately spotted. Walking north past the command building, you get access to a pedestrian bridge over the railway tracks, with a nice view of the station. An exploration of the railway tracks has to be considered extremely dangerous, since the railway line there is today a high-speed one, with bullet-fast trains appearing in just seconds. A walk around this spot in Jüterbog may take 15 minutes. Parking opportunities ahead of the command building.

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Belgrade War Heritage – From WWII to the Yugoslav Wars

Belgrade, the capital city of today’s Serbia, with a population of 1.3 millions, boasts traces of dating back to the Roman Empire. Strategically located on the confluence of the Danube and Sava rivers, through the ages it grew to become a major military and trading post.

A city at war – brief historical perspective

In the 19th century, with the foundation of a Kingdom of Serbia free from the Ottoman rule, Belgrade became a capital city of an independent power, right at the geographical center of the Balkan region.

In 1914, tense relations with the better established and more powerful Austrian Empire triggered WWI, where Serbia fought on the side of the winners, gaining territories extending to the Adriatic Sea from the dismembered Austrian empire. These regions were encapsulated in an unprecedented entity, the Kingdom of Yugoslavia, where Belgrade played again as capital city.

Soon after, WWII saw a bloody and rather unsung front opening in the Balkans, conquered from the north by Hitler’s Wehrmacht, and from the south by fascist Italy. The Kingdom of Yugoslavia ceased to exist, and Belgrade – initially the target of massive air attacks by Germany – was made for a while the capital of a kind of German protectorate. It was in the final years of WWII that communist-led resistance para-military corps led by Marshal Tito, secretly supported by the Western Allies, started operating massively against the Axis. Tito was backed especially by the British, who provided war materiel, staff for tactical decisions and political support.

When Serbia was liberated, with the help of the Red Army attacking from southern Ukraine through today’s Romania on Serbia’s eastern border, Tito raised to power, re-founding Yugoslavia as a communist country extending from Greece to Austria and Italy, and with borders with Hungary, Romania and Bulgaria – all the latter three being communist countries, deeply entangled with the Soviet Union. Belgrade was again the capital city of a powerful and strategically relevant state.

Quite oddly from Stalin’s perspective, Tito did not capitulate the sovereignty of Yugoslavia to the USSR – unlike most states in Eastern Europe. This again was possible likely through the support of the West, in the quickly evolving geo-political situation soon after WWII leading to the Cold War, where former allies split on the two sides of the Iron Curtain. As a matter of fact, no Soviet military bases were ever placed in Yugoslavia, a communist country which until the Fifties even obtained war material from the West!

Tito managed to keep his post on the international scene and internally until his death in 1980. Soon after, the artificial ties between the many nations united in Yugoslavia began to crack, and almost at the same time of the end of communism in Eastern Europe, the country literally fell apart. As of now the bloodiest conflicts in post-WWII Europe, the Yugoslavian Wars saw the secession of several new national entities from one another and from Serbia. Belgrade is now the capital city of the Republic of Serbia.

War heritage in Belgrade – What is covered in this chapter

The troubled history of Belgrade as a capital city has left permanent traces in the fort, one of the oldest and most prominent highlights in town. The foundations bear traces of the ancient Roman fort, but a defense bunker dug underground within its premises is a witness of the role of this old part of the town in more recent years.

An ideal setting for a weapons display, the fort is also where the museum of military history can be found. Dating from Tito’s era, this place boasts a remarkable collection of war material from all ages, including WWII, the Cold War and the 1990s. It stands as a perfect counterpart for the air museum, covered in this chapter. Further items of interest include one-of-a-kind memorabilia items belonging to Marshal Tito.

Being Tito’s Yugoslavia capital city, it is no surprise the founder of postwar Yugoslavia was buried here. An extremely interesting purpose-built museum – a major relic of the Cold War era – surrounds the mausoleum. There you can find a massive documentation on the dictator, including signed photographs and gifts from prominent western political leaders – including virtually every US President in office during Tito’s many decades in charge! This witnesses the special status of Marshal Tito in the eyes of western powers.

Another characteristic sight is the ‘Genex Tower’, a unique skyscraper of American size, with a style resembling ‘Blade Runner’ motion picture’s set. A real punch in the eye in the landscape, this is tower is of course another witness of how private enterprises – this time, the Yugoslavian tourism group Genex – could get a prominent status in communist Yugoslavia, differently from Soviet-style fully centralized economies. It is also an example of an original architectural style from the Cold War era, showing the great care given to art and architecture by the communist party of Yugoslavia – another prominent example being ‘spomeniks’, monuments scattered over the entire former territory of the country (see this dedicated chapter).

Similarly interesting is ‘Avala Tower’, a TV tower with an elevated panorama platform from the 1960s. Besides the architectural interest, it is worth mentioning this tower was targeted by NATO air raids in 1999, and completely demolished. It was rebuilt in an identical shape and re-opened only recently.

The oddest among war-connected items in town is the former building of the ministry of defense, close to today’s capital directional center. Having being targeted by NATO bombing raids in 1999 and severely damaged, it was left for years damaged and derelict, a memento for the attack by NATO forces, and the focus of much controversy.

Photographs of these sites are from a visit in Spring 2019.

Map

The sites covered in this chapter can be found on the map below.

Navigate this post – click on links to scroll

Sights

Military Museum of Belgrade

When getting access to the beautiful historical fort of Belgrade, a vantage point to watch the oldest districts and the rivers, you will hardly miss an impressive array of cannons, howitzers, tanks and missile batteries from earlier than Napoleon to the Cold War.

This rich collection is the outside part of the Military Museum of Belgrade. Founded back in Tito’s era, this museums offers an overview of the war history of this war-battered part of the world, since ancient times to the latest Yugoslavian Wars of the 1990s.

The collection features interesting items especially from WWII, including pieces of German make, as well as from the Cold War period, like Soviet-made ‘Katyusha’ launchers and SAM batteries.

Despite the initial struggle with Stalin, after the latter’s death, relations with the USSR improved. Since then, military supply for Yugoslavia mainly came from the USSR, flanked by a non-negligible domestic production.

The indoor collection starts from much back in time, with weapons dating from the centuries of the struggle against the Ottoman rule. A major section is dedicated to the 19th century, when the Kingdom of Serbia was founded. As known, the spark for WWI came from the Balkans. Serbia took part to the war on the side of the Entente. As a result, after WWI the Kingdom of Serbia increased its territory and became known as the Kingdom of Yugoslavia since the late 1920s.

Resulting from the political union of peoples of diverse ethnicity, religion, language and commercial vocation, this kingdom never experienced much stability. As a matter of fact, king Alexander I was murdered on a visit to France by Macedonian fighters for independence. The blood stained shirt of the king following the assassination – notably the first such event to be video recorded, albeit in 1934 quality – is preserved in the museum.

Like elsewhere in Europe, WWII years saw the suppression of the existing institutions. In 1941 Yugoslavia was invaded by neighboring Hitler’s Germany (which at that time was a single entity with Austria). The Nazi rule was implemented in the region of today’s Serbia, administrated by a German-backed local government. Items from this era are abundant, and include maps, weaponry and uniforms.

Of special interest are also the double-language notices – in German and Serbian – produced by Nazi Germany, with the distinctive eagle and swastika (similar to what you can find in the occupied territories of the USSR, see for instance here).

Also interesting are the bounty signs about Tito and other ‘comrades’ – the resistance movements were well organized and supplied, with the backing of Western Allies operating from Greece and southern Italy in the latter years of the war, thus creating real troubles to the invading powers.

Despite that, also improvised weapons were used, presented in the museum. Being an installation from Tito’s time, the operations of the communist-led resistance para-military units is showcased with flags, banners, uniforms and weapons.

A true relic in the museum is made of a small collection of Marshal Tito’s own uniforms and everyday items. These include some field items – torchlight, map magnifier – as well as more personal belongings – glasses, a USSR souvenir, apparently a pencil case, and more.

Some interesting photographs include portraits of US staff and aircraft operating from Yugoslavia, as well as a copy of the declaration of support to Tito’s army from the participants to the Tehran conference – Churchill, Stalin and president Roosevelt.

A very Soviet-style part of the museum is a kind of memorial, with a statue of Tito and a myriad of banners from various military groups – a kind of homage – completed by a massive engraved metal map of communist Yugoslavia.

A significant part of the museum deals with the 1990s wars. These include the early secession war mainly opposing Croatia, but deeply involving Bosnia-Herzegovina. Weapons of the Croatian army are on display.

A latter part is devoted to the war with Kosovo, which resulted in an open, mainly air-fought conflict against overwhelming NATO forces. From the fierce and polemical titles of the display cases in this latest part of the museum, it is clear that this fragment of history is still an open wound in the collective memory of Serbia. Maps of NATO bombing incursions have been created, and curiously translated into English, for the eyes of western visitors.

More substantial remains from this relatively recent struggle can be found at the air museum of Belgrade, covered in this post, in the form of wrecks of downed aircraft and western missile bodies.

Visiting

The museum is a major attraction among those scattered over the premises of the fort. Access to the outdoor part, surely deserving a walk-through also for those not particularly interested in history, is free of charge, and may be very appealing for the kids. The indoor collection is extremely interesting for war historians or history-minded people, but the exhibition may be hard for children. Most items are labeled also in English, making the visit interesting. Visiting the inside part may take from .5 to more than 1 hour, depending on your level of interest. A photo permit is required to take pictures inside. Website with info here.

Mystery Bunker in the Fort of Belgrade

This bunker is poorly advertised, and only scarce on-site descriptions are provided. It is basically made of a tunnel built close to a the most panoramic corner of the fortress. Access is via a narrow stair, giving access to a U-shaped corridor, connecting two double-floor underground circular towers.

On the lower floor of the towers, sleeping rooms for troops can be found, together with water tanks. On the upper floor what appears as an unfinished or lately interred firing position for high-caliber artillery can be found.

Construction is similar to some installations of the Atlantic Wall (see for instance here and here), hence it may date from WWII or soon after.

Due to the (strangely) scant description, it is hard to tell the history of this mystery bunker, and I am only guessing its function.

Visiting

The site can be visited with an inexpensive ticket, to be purchased (cash only) by the entrance to the helical pit, a much more advertised attraction nearby. To be honest, nobody checked my ticket once by the entrance to the bunker, which at a first glance can be confused with a backyard deposit (it is really not much celebrated as an attraction). Anyway, I came across a Serbian-speaking small guided group on my visit, so there must be chance of getting inside like that, enjoying some better explanation. Visiting alone may take 15 minutes. A little info on the site of the Fortress, here.

Marshal Tito’s Mausoleum and Memorabilia Museum

This installation lies to the back of the older building of the Museum of Yugoslavia, dating from Tito’s era and currently closed for renovation (2020). The neighborhood is very nice, with buildings of many embassies. The mausoleum and the annexed museum are part of a nice ensemble, surrounded by a garden. A very modern entrance hall with shop and services has been prepared at the entrance.

The burial place of Marshal Tito is in a greenhouse-like building, pretty nice and peaceful. The tomb is definitely plain and not bombastic, nothing you would expect from a dictator. Tito’s wife is buried nearby.

To the sides of the building you can find a well designed exhibition including personal belongings of Tito, parts of his office furniture, as well as pictures – including a magnified one with dignitaries attending his funeral ceremony in 1980.

A small excerpt of the huge collection of scepters, a traditional gift offered to Tito by every group or local society on his domestic visits, can be visioned here. Some of these are really nicely crafted, some are funny – some are really kitschy and caricatural.

A second part of the installation is hosted in a small, separate building. Here an incredible collection of gifts, personal belongings, photographs, authentic papers from the fund of the Museum of History about momentous events in Yugoslavian history, autographs and scepters can be found.

Of special interest are the official portraits – often signed – of presidents, dignitaries, kings and queens from various ages and from all over the world. This collection witnesses the relative popularity of Marshal Tito in the West, even though NATO forces never trusted him fully – the missile defense system placed in northeastern Italy in the 1960s and 1970s is a clear memory of that (see this post).

Similar to Ceausescu’s house in Bucharest (see here), the items on display make for a very vivid memory of Marshal Tito life and actions, and really bring back the man from history. Really an evoking place those interested in the Cold War can’t miss out!

Visiting

This attraction can be easily reached by car, a few minutes from central Belgrade, in a nice and safe neighborhood (see map). The local name is ‘Kuca Cveca’. As a branch of the Museum of Yugoslavia, it is modernly managed and has been recently revamped, making the visit enjoyable and interesting. For those with an interest in the Cold War era or Tito’s life and legacy, a visit to this site may easily take 1-1.5 hours on a self-guided basis, despite the place being relatively small and easy to tour. Guided tours are possible as well, info on the official website (in English) here.

Genex Tower

An internationally known piece of contemporary architecture, this strange looking massive skyscraper can be clearly spotted from the fortressof Belgrade, looking west towards ‘Nikola Tesla’ airport. It was built between 1977 and 1980, and is made of two bodies connected at the top through an elevated platform.

The name Genex Tower comes from the legacy Genex company, a large tour operator from the Yugoslavian era, operating even an independent airline, Aviogenex, flying mainly touristic routes conveying visitors from western Europe to the beautiful coast of Dalmatia. This openness of Yugoslavia to western tourism has been an uncommon characteristic in the panorama of communist-led countries. Overt trade relations with the West contributed to a higher standard of living of Yugoslav population, compared to the USSR-controlled Eastern Bloc neighbors.

The tower is today partly a relic. The half once hosting the offices of Genex and its subsidiaries is mostly empty, even though not abandoned – there is a porter apparently living there, and willing to answer your questions on the history of the place! Going beyond the entry hall is not possible, but the hall itself deserves a glance – built with style, it is much more pleasant than the outside of the building!

The atmosphere is really evocative of the Cold War era. Like other buildings – mainly hotels – in former Yugoslavia, the style of the interior somehow recalls the old-fashioned luxury of some older James Bond movie setting!

The residential part is still inhabited as a high-rise condominium. The entrance is via a small door, but despite the derelict appearance of the small square ahead of the building, it looks normally cared for.

The circular platform on top of the tower used to host a panorama restaurant, today long gone.

The view of the platform from between the two main bodies from the base makes for a peculiar photographic set – as a matter of fact, professional photographers were taking pictures  from that spot for a fashion review!

Visiting

The tower can be reached by car, a few minutes north of the city center. This is basically a non-public building, so while visiting is not possible, the open, unfenced premises at the base of the tower allow walking freely around the tower. The neighborhood is densely populated and safe, despite the base of the tower not looking good, due to disrepair. Parking opportunities all around. A walk around the base may take 15 minutes. If you like to get inside the hall of the largely unused (as of 2020) commercial building, you may also have a chat with the porter about the history of the place. The visit won’t be much longer, anyway.

Avala Tower

This tower is located south of Belgrade, and is a vantage point for observing the town and the countryside around. The original tower was completed between 1961 and 1964, entering the world’s top-ten list of tallest buildings at the height of the Cold War era. That tower was targeted by NATO bombing in 1999 and destroyed. It was rebuilt between 2007 and 2009, mostly identical to the original design.

It is today a renowned tourist attraction. A remarkable engineering and design masterpiece, the tower boasts an uncommon three-leg base, giving a shape well fitting in the years of the space age when it was designed – despite the inspiration being reportedly from a three-legged Serbian traditional chair.

The platform on top can be reached via a fast elevator. Strange massive condominiums in the southern outskirts of Belgrade can be clearly spotted from here, but the most striking feature is the wild countryside surrounding Belgrade, really a spot in the green.

Not far from the tower, the interesting Monument to the Unknown Soldier from the 1930s is a remarkable national shrine from the years of the Kingdom of Yugoslavia.

Visiting

The Avala Tower can be reached by car in about 45 minutes from central Belgrade – mainly due to traffic, since it is not geographically far (see map). Parking on site. The place is managed as a modern large scale attraction, website here.

The Monument to the Unknown Soldier is open 24/7, a quick and interesting detour from the tower, with a dedicated small parking close to a fashionable ‘old-Europe’ vintage hotel. Explanatory panels nearby.

Ruins of the Ministry of Defense

The building of the ministry of defense was targeted during a bombing raid in April 1999, and severely damaged. An administrative building right in today’s administrative district of downtown Belgrade, it has been left mostly untouched for years now, as a memento of the war against the NATO alliance.

Two buildings can be seen cross the street. Part of the corresponding blocks are still in use, and for safety reasons portions of the damaged buildings have been finally demolished in recent years. More and more plans to convert this very central area to something else have been elaborated, as memory of the troubled 1990s is slowly fading.

Visiting

The place can be reached easily with a walk from the historical and shopping districts of Belgrade (see map). The buildings are inaccessible, and can be seen from the outside. A 5 minutes stop along your walk may suffice to check this item.

The Aeronautical Museum of Belgrade

With a few parallels in aviation history, especially in the years immediately following WWII, former Yugoslavia benefited from supplies by a great number of countries. As a matter of fact, the air force of this newborn communist republic was formed at first from leftovers of retreating Germany and conquering Britain, followed by the establishment of a supply line initially from the USSR, and later the US and again Britain.

The special political ability of marshal Tito, who ruled uncontested as a communist dictator since the foundation of Yugoslavia in 1945 until his death in 1980, and the credit he benefited from especially in Britain, allowed him to keep out of the sphere of influence of the USSR since 1948. In a strategic position on the border with NATO countries like Italy and Greece, Tito adopted a detente policy of ‘equal-distance’ between the two opposing blocs over the Cold War period (even though NATO did not trust him fully, as testified by the deployment of a SAM defense line in northeastern Italy, see this post).

Of course, most of the military supply was of Soviet make, especially after the death of Stalin and well until the end of communism in Europe and the bloody fragmentation of the Yugoslav state. However, concerning civil aviation, autonomy from Moscow allowed the adoption of western aircraft, like the French Aerospatiale Caravelle and much of the Boeing and McDonnell-Douglas inventory, in the major national airline JAT – something which happened very rarely anywhere in the communist bloc over the years of the Cold War, another notable instance being Romania, again a ‘semi-autonomous’ communist dictatorship, who refused the Soviet Tupolev Tu-134 in favor of license-built British BAC 1-11s.

Another effect of the autonomy from the USSR was the creation of a national aviation industry, which especially in the case of SOKO, produced military trainers and light attack aircraft of good success, which despite ageing, are still flying today.

More recently, the fierce conflicts raging over the Balkans in the 1990s have created a major active front for modern aviation, where the air force of Serbia – which inherited the geographically central part of Yugoslavia and its capital city, Belgrade – confronted the NATO alliance in an open conflict. The unbalance of forces allowed the western coalition to quickly establish air superiority, which did not come without a few notable material losses however.

A rich display of this peculiar aviation history, actually tracing back to WWI and the early years of aviation, can be found in the Aeronautical Museum of Belgrade, which despite being in today’s Serbia, acts as a kind of Yugoslav Aviation Museum. As a matter of fact, it was founded as such back in the years of Tito, and opened in its current building nearby ‘Nikola Tesla’ civil airport of Belgrade in 1989, when Yugoslavia was still a reality.

This short post provides an outline of what you can find in this museum, with photographs taken on a visit in April 2019.

Sights

The museum occupies a relatively large area in the vicinity of the airport of Belgrade, and is made of an open-air exhibition, open-air storage area, and big mushroom-shaped building hosting an indoor exhibition.

The ‘gate guardian’ is a SOKO J-21 Jastreb, a nice light multi-role aircraft from the 1960s, powered by a British Rolls-Royce Viper jet engine.

Indoor exhibition

The entry hall of the mushroom-shaped building features is a good example of the architectural style from the late communist era. The ground floor hosts a small exhibition about the early days of aviation in the former region of the Balkans, with documents from WWI years. Among the items on display, you can find early pilot’s licenses from notable war pilots, likely granted after training abroad, and actually written in French.

The main hall of the museum can be found upstairs. This large can be walked on two levels. Most aircraft are to be found on the lower level, but a few are suspended to the glassy circular sidewall of the mushroom, lighted from behind by the sunlight – so that taking pictures is just a nightmare!

The centerpiece of the collection is an exemplar of the SOKO J-22 Orao, a twin-engined – two Rolls-Royce Viper turbofans – light ground-attack and trainer aircraft from the 1970s. Designed jointly by Yugoslavia and Romania, this model equipped the Yugoslav (then Serbian) air force during the 1990s, where a handful exemplars are still flying today.

Indeed a clean design with an interesting performance, this aircraft was possibly the last heir of the Ikarus-then-SOKO lineage, originated back in the years before WWII. In this respect, some unique exemplars of aircraft are preserved in this museum, witnessing the existence of a school of skilled aircraft designers in Serbia, not much known in the western world.

A key figure of the Ikarus design bureau, Dragoljub Beslin led the design of Ikarus S-451, a nice, very small, twin-prop attack aircraft flown in 1951, especially designed to sustain high load factors in maneuvers at high speed.

Another unique specimen is the twin-jet Ikarus 451M, the first jet aircraft built by Yugoslavia. Same designer as the S-451, this unusual jet-engined taildragger flew in 1952, but was soon superseded by more modern models, in those years of quick-paced development of aviation technology. Again, the engines were from the West, in the form of two French Turbomeca Palas turbojets.

Another member of the ‘Ikarus 451’ family – it must be said this Yugoslav one is likely the oddest model numbering systems ever created… –  the T 451 MM Strsljen (Hornet) features a more convincing configuration, resembling the single-engined British BAC Jet Provost and the Italian Macchi MB 326, both rather successful trainers from the late 1950s. On display is actually the ‘Strsljen II’ version, which is a attack/training version with more thrust than the first series aircraft. This model was conceived to operate from unprepared runways, and featured two Turbomeca Marbore II French turbojets. The aircraft flew in 1958, but an air force contract was not granted.

Some functional wind tunnel models of other aircraft, actually never reaching the 1:1 prototype stage, are on display. These include a rare ekranoplane design, the UTVA 754. With a mechanic-monster-like appearance like all ekranoplanes (the most famous being probably the Bertini-Beriev preserved at the Russian Air Force Museum in Monino, see here), this machine was designed in 1982 in the then-Yugoslav town of Zagreb, today the capital city of Croatia.

A medevac aircraft conceived for easy conversion between floats and wheels, the UTVA 66H can be visited also inside. The indigenous SOKO is represented by a number of models. These include the SOKO G-2 Galeb, a successful trainer/light attack aircraft from the 1950s, built around a single Rolls-Royce Viper turbofan. During its long history it was exported to several international operators, and gave birth to the more recent SOKO J-21 Jastreb. The Galeb was in service with Serbia until 1999.

Another section of the museum features aircraft of foreign make which witness the intricate history of alliances of both the pre-WWII Kingdom of Yugoslavia and the post-WWII communist Yugoslavia. Most remarkably, these include a Messerschmitt Bf-109-G! The history of this particular aircraft is not very clear, some sources stating it was captured from Bulgarian air force. As a matter of fact, Yugoslavia acquired about 70 Bf-109-E from Germany in 1940, which in turn furiously invaded from north in a quick an violent campaign in spring 1941.

Next in line is nothing less than a British Hawker Hurricane! A group of Hurricanes were acquired from Britain in the immediate pre-war years, and even license-built in Belgrade in a small number – Yugoslavia apparently purchased aircraft seamlessly from both opponents at the outbreak of WWII. Later on, Hurricane-equipped squadrons of Yugoslavia fought back on the side of the Allies from bases in southern Italy, finally regaining control over the Balkans.

In a similar fashion, a Supermarine Spitfire Mk.V witnesses the involvement of British-supplied national air force squadrons in the liberation of Yugoslavia from the German invaders.

In the closing years of WWII, Yugoslavia benefited also from the help of the USSR. This is witnessed by a massive – and pretty rare, out of former soviet republics! – Ilyushin Il-2 Sturmovik. This big attack aircraft, possibly the most famous Soviet aircraft of WWII, equipped three squadrons in the Yugoslav air force, and helped in the fight on the so-called ‘Srem front’ north of Belgrade. An often overlooked sector of the European front, substantial operations were carried out since late 1944 until April 1945, with the forces of Nazi Germany slowly retreating under the offensive of the Red Army (including Bulgarian divisions) and of Yugoslavia from the south. These operations involved 250’000 troops on either side, thus engaging the Germans and draining resources from mainland defense. At that time, an entire division of the Yugoslav air force were equipped with this aircraft type, kept in service until the 1950s.

Similarly, an elegant WWII Yakovlev Yak-3 fighter of Soviet make can be found nearby in the colors of Yugoslavia.

After the end of WWII, Tito was determined not to surrender his political and economic independence to Stalin. In this high-stake gamble, he made no secret of his thoughts, and sought international recognition from the west. As expected, Stalin showed no sense of humor in that matter, and as the USSR broke relationships with Yugoslavia, this country faced the risk of isolation and of Soviet invasion in the early stage of the Cold War (late 1940s).

Over the years, the good relationship established with the western Allies during WWII were strengthened further, and most incredibly for a communist country, the US provided aircraft and helicopters, in the form of Republic P-47 Thunderbolt, Lockheed T-33 Shooting Star, Republic F-84G Thunderjet and (much later, in the early 1960s) North American F-86D ‘long-nosed’ Sabre.

The years of Kennedy administration saw a significant improvement of the relationship between Tito and Khrushchev, and this led to a switch to Soviet aircraft in the form of the supersonic MiG-21, which equipped the Yugoslav air force in substantial numbers over the following two decades. An exemplar of this iconic and ubiquitous aircraft, an unquestionably well-performing aircraft in his age, is preserved in the museum. By the way, the early 1960s saw also the widespread adoption of SOKO Galeb trainers and the phase out of older British/US models.

Other peculiar exhibits in the indoor part of the museum are the wrecks resulting from air fight operations during the Yugoslavian wars of the 1990s. On the national (Yugoslav) side, the tail cone of a SOKO G-4 Super Galeb – a totally different design from the quasi-homonym G-2 – damaged by a shoulder-launched Stinger missile in 1991.

But much more material is from NATO countries, resulting from combat during operation ‘Allied Force’ against Serbia in 1999. Most notably, you can see a substantial part of the wing of a Lockheed F-117 Nighthawk, the famous stealth aircraft downed by a vintage Soviet SA-3 Goa surface-to-air missile in March 1999, as well as a landing gear, ejection seat, pilot’s helmet, Vulcan cannon and some smaller parts of a General Dynamics F-16 Fighting Falcon downed the following May, again due to an SA-3 missile. The first stage of the missile which hit the Nighthawk is on display too.

These are basically the only aircraft lost in action over enemy territory during that operation.

An apparently easier prey, General Atomics RQ-1 Predator UAVs were used in great numbers, some twenty of them being downed. One wrecked example is put on display.

More items of the kind include parts of NATO missiles, including HARM anti-radiation missiles and cluster-bombs containers.

On the upper level, you can find a mostly photographic exhibition mainly about the national carrier JAT. Interestingly, not a single Soviet-made model appears in the pictures, whereas you can find Boeing 707s, 727s, 737s, Douglas DC-9s, McDonnell-Douglas DC-10s, Aerospatiale Caravelles and ATR-42/72s – clearly a strong commercial bound with the West, pretty unusual for a communist country!

Another Yugoslav airline started operations to a later date – Aviogenex. This apparently did use aircraft from the USSR, in particular Tupolev Tu-134s, later flanked by Boeing 737s. Aviogenex ceased operations much later than the end of Yugoslavia, and operated as a Serbian company for some years.

One of the most iconic brutalist monstrosities in northern Belgrade is the skyscraper which used to host the headquarters of this airline – it looks like a good setting for some ‘Blade Runner’ or ‘Judge Dredd’ movie…

Some more panels include descriptions of airport history and modern operations in the nearby airport of Belgrade. The history line of the national aviation industry is also presented in detail through historical pictures.

Some more aircraft can be found on this level, as well as a SA-3 Goa missile in a non-operative paint scheme, likely for training or telemetry tuning purposes.

Outdoor exhibition

The large area around the building is split between a small outdoor exhibition prepared for the public, and a larger storage area with many more aircraft which can not be neared nor walked around.

The displayed aircraft include an Aerospatiale Caravelle in the colors of JAT. This exemplar was one of three operated by this airline, and was active between 1963 and 1976.

A much elder transport, a German (French license-built) Junkers 52 with P&W engines represents a fleet of four such aircraft operated by the Yugoslav air force, complementing another group of originally German aircraft captured during the war.

An aircraft of historical significance is an Ilyushin Il-14 twin-prop transport. This aircraft was a personal goodwill gift from Khrushchev to marshal Tito, and the founding member of Yugoslav presidential fleet.

A couple of Lisunov Li-2 and some original Douglas C-47 Skytrain, of which the former is a license-built Soviet version, are on display, albeit not all complete. A MiG-21 Fishbed and a Kamov twin-rotor helicopter are also on display.

Another extremely rare item from the post-WWII years, a Short SA.6 Sealand amphibious aircraft of British make has made its way to Belgrade, after years as a transport aircraft in the Yugoslav air force.

The non-visible part of the museum features a rather impressive collection of MiG-21 in several versions, SOKO J-21 Jastreb and SOKO J-20 Kraguj in a large number, a SA-2 Guideline soviet-made SAM launcher with two missiles, and a number of partly assembled aircraft and wrecks.

A mystery item is a part of an allegedly US aircraft, apparently a part of the tail empennage of a bigger transport – any suggestion about this item welcome!

Visiting

The museum is located to the northwest of the airport of Belgrade. It can be easily reached by car from the access road going to the main terminal area. Website with info in English here. Parking ahead of the entrance.

The museum can be visited in about 2 hours by an interested subject, much less if you have just a mild interest in aviation. Much paneling is in double Serbian and English language, allowing to get the most from your visit.

Despite being fully operative, the place has a somewhat rotting appearance especially from the outside, as mostly typical to former state-run institutions in former Yugoslavia. Furthermore, some form of protection for the aircraft in the outside exhibition is hopefully to be considered by the management, otherwise the aircraft with literally disintegrate to the action of the elements in a matter of some years.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

Base Tuono – Cold War Surface-To-Air Missiles in Italy

Just like West Germany, post-WWII Italy found itself on the border with a communist dictatorship, Marshal Tito’s Yugoslavia. Even though Tito and the government of the USSR were never close friends, from the viewpoint of the western alliances Yugoslavia represented a potential threat.

This mistrust was also a result of the aggressive policy Yugoslavia had adopted against Italy after WWII, imposing the cession of a piece of traditionally Italian territory in the northeast part of the country as a war compensation. This had triggered a significant migration of the local population, who was trying to escape from communism to mainland Italy and abroad. This added to the bitterness of the Italian-Yugoslavian relationship, to the point that the new border was not formally settled until the 1970s.

Italy was among the founding members of anti-communist NATO in 1949. This meant the chance to take part in a coordinated defense effort against the eastern bloc. Among the tangible results of this cooperation was the adoption of American war material, including aircraft and, as soon as they became a reliable war asset, missiles.

Considering air defense, besides a number of manned aircraft, the airspace of western Europe was protected by two defensive lines of surface-to-air missiles (SAM) extending roughly from the North Sea to the area around Venice on the Mediterranean. This was studied especially to counteract bombing raids carried out by a great number of enemy bombers simultaneously attacking from the east. This huge defense system was based on the US-designed Nike and Hawk missile platforms, and deployment started in the late 1950s.

SAM installations in Italy comprised the low to intermediate altitude Hawks, with a quick reaction capacity against low-level intruders. These were managed by the local Army. High altitude Nike-Ajax and later Nike-Hercules missiles were operated by the Italian Air Force against high-altitude targets, typically bombers. New dedicated groups were established since 1959, trained in the US to work with the new missile platform. At its height, the Nike force in Italy counted on 16 such groups, apparently corresponding to as many launch bases.

Concerning the effectiveness of the Nike defense line, it soon became obsolete, in the sense that a significant part of the strategic deterrent was transferred to ICBMs by both the NATO countries and the USSR. As a result, SAM defensive lines conceived against aircraft intrusion and low-level attacks would turn out more useful than the high-altitude and high-yield Nike-Hercules. As a matter of fact, all Nike platforms were deactivated in Italy and everywhere in Europe by the early 1980s, well before the end of communism in Europe.

Following deactivation, most bases, stripped of all hardware of any value, were simply locked up and abandoned. In Germany very few traces of this extensive system remain to this day (see this post). Together with the US, Italy is possibly the only country where this fragment of military history is documented through the active preservation of one of the former SAM launch bases.

The Nike-Hercules base preserved in Italy is called ‘Base Tuono’ – ‘tuono’ meaning ‘thunder’ in Italian language – and was operated between 1966 and 1977. It is in a gorgeous mountainous setting in the northeastern Alps, about an hour from the little town of Trento. After years of disrepair, a part of it has been refurbished with original material and opened as a beautiful, partly open-air museum, where you can get a lively impression of how the base would have looked like in the years of operations.

The following photographs are from a visit to ‘Base Tuono’ in Autumn 2018.

Sights

Nike batteries were composed of two connected but geographically separated areas, an integrated fire control area (IFC) and a launch control area (LCA). In the first resided the electronic aiming part, comprising all the antennas and electronic gear necessary to collimate the target, compute the expected kill point of the missile, and to track and guide the missile to that point. The launch area was composed of an array of three flat concrete pads, each supplied with a hangar for storing the missiles, gantries for putting typically three missiles at a time (per pad) in launch position, and a concrete shelter to oversee and trigger the launch sequence. An extensive description of the Nike SAM system can be found on this excellent dedicated resource website.

Due to the features of the radar guidance system, the IFC had to stay in line of sight from the LCA, and at a higher – but not excessively higher – elevation. At ‘Base Tuono’, due to the mountainous setting, the two areas are not far, yet they are not easily accessible from one another. Furthermore, what remains today of the former base is all concentrated in the launch area. One of the three original pads – ‘Alpha’ – has been preserved, where the other two – ‘Bravo’ and ‘Charlie’ – and other ancillary buildings as well, have been completely demolished, and a water basin can be found in their place. All installations and housing in the former control area on top of a local peak – Mount Toraro – have been wiped out, but you can get an impression of the original plan of this part of the base walking around on your own.

Launch Control Area

The launch pad ‘Alpha’ is the focus of the museum. Approaching from the parking, which is located close to the site of the former barracks and canteen, you can spot from the distance three Nike-Hercules missiles aligned in vertical launch position. A water basin covers a large part of the former base, as you can see from historical pictures. Launch pads ‘Bravo’ and ‘Charlie’ are totally gone, similarly to the original outer fence delimiting the large perimeter of the installation.

Getting closer to the launch pad ‘Alpha’ you can notice an array of radar antennas, which were originally in the IFC area on top of Mount Toraro. The area of the launch pad features a reconstructed inner fence, which was in place around each pad in the original base.

The pad is basically rectangular in shape, with a hangar on one side, a protection rim and the launch control bunker on two opposing sides and a free side where today you can find the ticket office.

Three missiles are placed on top of their launch gantries. The gantries are part of a sophisticated rail system, designed to allow an easy side motion of the missiles from inside the hangar to their respective launch positions outside. The missiles were stored horizontally in the hangar to the far top of the rail on trolleys. When being readied for launch, the trolleys were pushed along the rail to the launch position, where the trolley was joined to the gantry. The missiles were raised to a vertical attitude together with the trolley with the help of a lift, which was a movable part of the gantry.

While the pavement is covered in asphalt, you can see the gantries and the rail system are staying on hard concrete foundations. These are among the few remains you see in the German Nike site covered in this post.

Inside the hangar you can spot a Nike Hercules missile, with lateral cutouts to expose the inner structure. These reveal the four-canister solid-propellant booster stage, which was ignited first and was separated from the bullet-shaped second stage when exhausted. The latter features the warhead, the electromechanical rigs of the guidance system, and a single solid-propellant sustainer rocket engine. The rocket had a range of about 25 miles, and a top speed over Mach 3, making it a really remarkable piece of technology especially compared to the soviet counterparts of the time.

All around the missile in the hangar you can see inner parts of the missile itself and of the ground fire control system as well. There are also panels with the history of the base, and original warning signs and instructions painted on the inner walls of the hangar – and similarly on other walls of the base. These writings are in double language, both in Italian and English. While the base was managed by the Italian Air Force, such installations were integrated in the NATO defense line, so many procedures of the Italian Air Force were in English. Furthermore, US military staff was required on site ‘by design’ in case of operations with nuclear warheads, which the Hercules could optionally carry. Nuclear warheads were never deployed to this base though.

Further items on display around the three missiles on the open apron include an old Nike-Ajax missile, a Lockheed F-104 Starfighter – the Italian Air Force was the last in the world to retire this model from service, as late as 2004 – and two trailers aligned in a row. The trailers are the battery control trailer, or BCT, and the radar control trailer, or RCT. Both trailers were originally in the IFC area of the base, and were operated by the staff responsible for offensive operations. In the days of operation, there was always somebody on duty in the trailers.

The BCT is, roughly speaking, where targets were designated, the kill point computed and the launch sequence triggered. The most notable feature are the two computerized plotting boards used to identify the target and to define the flight trajectory of the missile. The LOPAR detection radar and the identification friend-or-foe (IFF) radar reported information to this trailer, which coordinated the attack.

In the RCT stood the operators of the TTR and TRR radars, which were responsible for keeping trace of the target and for monitoring the missile during the flight towards the designated kill point.

To the back of the two trailers, it is possible to spot the rectangular shapes of the LOPAR radar and of the smaller IFF radar. The two round-shaped antennas are the TTR and TRR radars. In many pictures they are portrayed inside a bulbous cover, conferring them a distinctive spherical shape.

The concrete bunker to the opposite side of the launch pad with respect to the trailers is a protected room for the launch section panel, which is a kind of control panel for triggering the launch sequence of the missiles. The bunker served as a shelter for the operators of the launch section, for remaining on the outside in the vicinity of the missiles during launch operations was extremely dangerous.

During the guided visit, you are given a demonstration of the launch sequence from inside the control room, which is insulated from the outside with double tight doors. The firing procedure was quite complicated. Actually, it was a direct signal traveling along a cable connection from the battery trailer that gave the go to the missiles. Yet there were redundancies for increased safety, and it was possible to trigger the entire launch sequence from within the firing section, in case communication with the BCT was lost. During normal operations, the OK from the operator of the control panel in the bunker had the function of a further go/no go safety layer for the launch.

A trailer with a panel similar to that in the bunker can be found outside. This likely represented a further redundancy, or like the F-104 it is a piece coming from somewhere else.

To the back of the bunker with the fire section panel you can find an original watchtower from a US base in northern Italy, similar to the towers originally in place around the missile base. Close by, there is a nice example of the canisters used to the transport the stages of the Nike-Hercules, as well as the crane used to assemble it. There is also a further example of the second stage of the missile.

Getting there and moving around

The ‘Alpha’ battery of the launch control area is open as a museum, called ‘Base Tuono’. It is located on the road SP143, which departs from Folgaria, a small town about 12 miles south of the regional capital town Trento. You can find clear roadsigns leading to the site from Folgaria.

The museum has opening times, visiting is generally possible on a self-guided basis. Access to the bunker and the trailers is possible only on guided tours. All information on their website (in English). Large free parking about 0.2 miles away from the entrance.

There is much to see for technically minded subjects, but the visit will be surely appealing for children too. I would recommend to allocate at least 45 minutes for the visit, and up to 2 hours if you want to take a guided tour and take all the pictures on your own. The scenery around is gorgeous, so it will be easy to combine this destination with a nature trail or with other tourist destination in the area.

Integrated Fire Control Area

This is where the radars and trailers used to stay, together with barracks and service buildings. It can be found about 2 miles south east direct line of sight from the launch pad, on top of Mount Toraro. Differently from the launch control area, this area has been demolished and sanitized. No buildings remain in place, yet some of the former foundations and platforms to anchor the trailers can still be seen.

Reaching to the top of the peak is interesting to appreciate the view of the launch site from here. Unfortunately, at the time of my visit low clouds obstructed the sight.

Getting there and moving around

Even though the wide original road to reach this part of the base still exists, for some reason access to the top of the mountain is not allowed by car. In order to get to the trailhead from the museum, you can take your car and keep going southeast along the SP143 for about 1.5 miles. As you go ahead, the road will change the name to SP92 on your nav. Soon after the road starts descending, you will find the trailhead to your right, with a horizontal obstacle and a prohibition sign for cars. You may park there. It is likely the trail to the top of Mount Toraro will be on your nav too, for it is basically a normal road. The distance to walk to the top is about 1 mile, along the former service road to the base – covered in asphalt, gently ascending, no risk of any kind.

Inside the World’s Largest Aircraft – Antonov 225 Mriya

I am not sure this post does fit in the ‘sightseeing’ category. If you go to Malpensa – the largest airport of Milan – on a regular day, it’s unlikely you will spot the distinctive shape of the unique six-engined Antonov An-225. Yet in this post I will give a pictorial description of this crazy flying machine, so that wherever and when you should see the Mriya, here is what you might expect. This aircraft is a moving attraction, so exceptional that I feel going out to photograph it is still ‘sightseeing’ in some sense…

I had the chance to climb on it one night in early 2015, thanks to Paolo, a friend of mine from Italy, who is working in the company operating the airport system of Milan. The huge aircraft had been going in and out of Italy on an almost regular basis for some weeks, tasked with moving military equipment from central Africa back to the Italian soil.

It was a matter of coordination between me and Paolo, and of course some luck was involved, for the landing and take-off times of the Mriya are usually in the middle of the night and not perfectly predictable, plus good weather is never assured especially in winter. Anyway, in the end I succeeded in arranging a private visit to the Mriya with Paolo and another friend of mine. Paolo registered us as official visitors, so being there and allowed to walk on the apron of the largest airport in Northern Italy, we could come close also to some other interesting items.

The following photos are about that incredible night.

Sights

Mriya Parked

When we went on the apron the plane was still resting on its many (32) wheels, with doors closed and nobody around. The flight scheduled for that evening was basically a ferry flight to Africa, so no loading operations were expected. We were free to walk around taking pictures.

You may see how big this aircraft is by comparing its size to that of the guys walking under it. You will feel like walking close to a moored cruising ship more than an aircraft…

Air India Boeing 787 Dreamliner

While waiting for the crew to come to the aircraft for departure, we came close to a Dreamliner preparing for a flight to India. It still retained its ‘new plastic’ smell. Among the most distinctive features of this model are the beautiful engine nozzles, with a toothed profile for noise suppression.

Emirates Airbus A380

We had the chance to see an A380 taxiing to the gate after arriving from Dubai. This double-decker is really impressive, as you can see again looking at the size of the people walking under its wings. Yet this time this was not the star of the show…

We walked up to the cabin, but were not allowed to take pictures. As it is the case for most modern aircraft, the cockpit is not so fascinating especially when the electronics are switched off – you just have an array of TV scopes…

Inside the Mriya

We then went back to the Mriya to meet the crew and walk in. The crew is composed by about ten people, including those connected with flight operations and those responsible for payload.

You get access to the aircraft through a hatch with an attached ladder. Otherwise, when the cargo door to the front is open, you may access the aircraft from there. There is no cargo door to the back.

The inside is structured with a main cargo deck in the central section of the aircraft, with a built-in crane capable of moving a 5 ton load. There are apparently no hooks on the ground, they possibly fasten the payload to the sides, but I’m not sure. The tail cone section can be accessed through an internal hatch for inspection, and cannot host any payload.

Along the sides of the cargo bay there are tons of bulky items and tools for servicing, spare parts including wheels, gauges connected with the landing gear operation, and small round windows to allow visually checking the wings and the engines underneath. The main cargo section is closed to the front by the folding platform for cargo loading, resting in a vertical position in flight, when the nose cargo door is closed and the nose cone lowered.

A retractable ladder gives access to the cockpit and crew resting area, which is configured in a similar fashion to the upper deck of the Boeing 747. To the front from the hatch on top of the ladder you get access to the seats of the flight engineers and to the cockpit. Seating in the engineering compartment is for four people, but I guess this was necessary for operating the Buran or for more complicate missions. Anyway, I would say at least a crewman for each side would be needed for normal flight operations. Seating in the cockpit is for two, and the arrangement of controls and gauges is neat and linear.

I would have spent one month in the engineering compartment to check every item in detail – tons of late Cold War items, and everything so Soviet-looking! – but this was not a day-off visit for the crewmen, who were busy with preparing the aircraft for the flight. To the back of the access hatch the quarters for the crew include two side compartments for living and sleeping, a small galley and a large storage room. From there it is possible to look through a window to another compartment to the back, with clusters of electronic material and other stuff, close to the wing section.

I noticed the usual placard with evacuation routes, and other strange knobs close to the upper-deck access ladder. Close to the side door of the aircraft the crew has many stickers from various places visited with this wonderful aircraft, and a bell like that of a 19th century ship!

Boeing 747 Cargo

Waiting for the Mriya to depart, we boarded a brand new Boeing 747 cargo of the Russian company ABC cargo. The contrast between this and the Antonov couldn’t be more striking. This new 747 has a fully automatic cargo deck, with a really impressive plethora of sensors and a system of rails to safely fasten cargo pallets. The flying deck is very comfortable and modern, with the typical brownish Boeing plastic, clearly reminding you this aircraft was ‘proudly manufactured in the USA’!

Mriya Leaving

We finally went back to the Mriya to follow the departure sequence. The aircraft was pushed back with a dedicated towing strut, coping with the twin-mast front undercarriage. This item travels with the aircraft, so before engine startup it is necessary to open the front cargo door and load this gear, pushing it inside by pure handwork. The front undercarriage is tilted, lowering the front of the plane and making loading operations possible. After that, a crewman closes the side access door and startup of the six engines is initiated.

I shot a video during engine spool up, posted on my YouTube channel broadbandeagle.

Note

As I wrote at the beginning, this is a ‘special report’ and not a post with many how-to notes. I hope you got an idea of how the An-225 looks inside, but I was clearly lucky to be allowed on this special tour. All thanks go to Paolo, who invited me to join in, registering me as an official visitor. I dare to say that if you don’t know somebody doing his job and with his passion for aeronautics, then unfortunately you’ll hardly have a chance to board this aircraft and see the inside… unless you do his job yourself, or they retire the aircraft and put it in a museum!

Surrender Sites of Nazi Germany – Reims & Berlin-Karlshorst

Differently from what one is usually taught in schools, World War II in Europe did not stop in one moment with the death by suicide of the Führer, on April 30th, 1945.

As soon as the advancing Western Allies established strongpoints within the original borders of Germany – as these had been before the war – in 1945 the chain of command in Germany began to vacillate. Rumors about contacts between top-ranking Nazi officials and the SHAEF (Supreme Headquarters Allied Expeditionary Force) have lived to this day, and they are reasonable even though not well documented – as a matter of fact, Hitler dismissed both Göring and Himmler just before his death, on account of unauthorized contacts with ‘the enemy’, promoting Admiral Dönitz to the rank of president of Germany.

The understandable confusion of those days at the ‘top of the pyramid’ is reflected by the local autonomous surrender of substantial parts of the German armed forces around Europe, against the will of the Führer, and even before his death. Literally millions of soldiers were disarmed on both fronts in April 1945, and the process culminated in the surrender of all German forces in Italy on April 29th, the day before Hitler’s death.

The new German president Dönitz acted with the same authority of the Führer in the last stormy days of the collapsing Nazi rule, early May 1945. Under Dönitz’s mandate, between the 1st and 7th of May 1945 some separate surrenders took place, including all German forces in Austria, North-West Germany, Holland, Denmark, Berlin – who surrendered to the Soviets -, Mecklenburg and Pommern north of Berlin, and Bavaria. The German navy ceased war operations on May 5th, by direct order of admiral Dönitz.

All this preceded the ‘official’, authorized, unconditional surrender which was signed on behalf of acting president Dönitz separately by General Jödl in the headquarters of the Expeditionary Force in Reims in the early hours of May 7th, and by Feldmarschall Keitel in Berlin-Karlshorst on May 8th, in presence of General Zhukov of the Red Army. The capitulation called for quitting all military operations at 23:01 CET, May 8th. Both of the signers were arrested soon after, as were Dönitz, Göring and other top German players of the war in Europe.

Today, the two locations where the unconditional surrender(s) were signed are open for visitors. The following photographs were taken during visits in 2015 and 2016.

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Reims – Musée de la Reddition

The headquarters of the SHAEF where the ‘instrument of surrender’ was signed on the western front occupied the building of a high school.

Today, the building has returned to its original function, but a small part of it with the original room and table have been preserved inside of a museum on-site. The walls of the room are covered with original maps from the time, resembling how it looked like in 1945.

Other rooms are packed with showcases, where you can see many items, including an official copy of the document signed by Jödl, authenticated by Dönitz, uniforms, original flags and other memorabilia.

The museum is rather small, and can be toured in about 30 minutes at most. This excludes the video presentation, which I had not the chance to watch.

Getting there and moving around

The historical place is located to the north of the city center in Reims, very close to the railway station. The exact address is 12 Rue du Président Franklin Roosevelt, 51100 Reims. There is chance of public parking nearby. If you parked somewhere else for visiting historical Reims, I suggest not moving your car, as the museum can be easily reached with a short 5 minutes walk from Porte de Mars, right on the northern edge of the center. Website here.

Berlin-Karlshorst – Deutsch-Russisches Museum

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Soon after the end of the war and the division of Berlin, with the district of Berlin-Karlshorst falling under Soviet rule, the Soviets converted the building where the capitulation was signed for hosting their headquarters. After the birth of the communist German Democratic Republic (GDR) at the end of the Forties, the place was turned into a museum.

Besides the very room where the document was signed, you can find some dioramas dating back to the first years of the museum, as well as a specifically designed foyer and a stained glass window portraying the statue of the Soviet Soldier in Treptower Park – dating from the same late Stalin’s era.

More recently, the museum has been refurbished and enlarged with very interesting and well prepared exhibits, including many memorabilia items, findings and relics not only from the events of May 1945, but more in general from WWII and the less known eastern front.

Compared to the museum in Reims, this is much broader and richer, going well beyond the preservation of the room and the evocation of the last stage of the war.

Getting there and moving around

The museum is in a nice residential area in southern Berlin. This is not a touristic area, so you’d better go there only if you are interested in this specific museum, cause there is not much else to see. Yet if you are interested in WWII and especially to the eastern front, I would say this absolutely a must – all in all, there is not so much information in the touristic areas of Berlin about WWII, so this might fill the gap.

Anyway, the exact location is Zwieseler Strasse 4. This can be reached with bus 296 from the S-3 station Karlshorst or from U5 stop Tierpark. Alternatively, from S-3 Karlshorst it is a walk of about ten minutes. Finally, if you are going by car – the most convenient way – there is a parking right in front of the building. Website here.