The Aeronautical Museum of Belgrade

With a few parallels in aviation history, especially in the years immediately following WWII, former Yugoslavia benefited from supplies by a great number of countries. As a matter of fact, the air force of this newborn communist republic was formed at first from leftovers of retreating Germany and conquering Britain, followed by the establishment of a supply line initially from the USSR, and later the US and again Britain.

The special political ability of marshal Tito, who ruled uncontested as a communist dictator since the foundation of Yugoslavia in 1945 until his death in 1980, and the credit he benefited from especially in Britain, allowed him to keep out of the sphere of influence of the USSR since 1948. In a strategic position on the border with NATO countries like Italy and Greece, Tito adopted a detente policy of ‘equal-distance’ between the two opposing blocs over the Cold War period (even though NATO did not trust him fully, as testified by the deployment of a SAM defense line in northeastern Italy, see this post).

Of course, most of the military supply was of Soviet make, especially after the death of Stalin and well until the end of communism in Europe and the bloody fragmentation of the Yugoslav state. However, concerning civil aviation, autonomy from Moscow allowed the adoption of western aircraft, like the French Aerospatiale Caravelle and much of the Boeing and McDonnell-Douglas inventory, in the major national airline JAT – something which happened very rarely anywhere in the communist bloc over the years of the Cold War, another notable instance being Romania, again a ‘semi-autonomous’ communist dictatorship, who refused the Soviet Tupolev Tu-134 in favor of license-built British BAC 1-11s.

Another effect of the autonomy from the USSR was the creation of a national aviation industry, which especially in the case of SOKO, produced military trainers and light attack aircraft of good success, which despite ageing, are still flying today.

More recently, the fierce conflicts raging over the Balkans in the 1990s have created a major active front for modern aviation, where the air force of Serbia – which inherited the geographically central part of Yugoslavia and its capital city, Belgrade – confronted the NATO alliance in an open conflict. The unbalance of forces allowed the western coalition to quickly establish air superiority, which did not come without a few notable material losses however.

A rich display of this peculiar aviation history, actually tracing back to WWI and the early years of aviation, can be found in the Aeronautical Museum of Belgrade, which despite being in today’s Serbia, acts as a kind of Yugoslav Aviation Museum. As a matter of fact, it was founded as such back in the years of Tito, and opened in its current building nearby ‘Nikola Tesla’ civil airport of Belgrade in 1989, when Yugoslavia was still a reality.

This short post provides an outline of what you can find in this museum, with photographs taken on a visit in April 2019.

Sights

The museum occupies a relatively large area in the vicinity of the airport of Belgrade, and is made of an open-air exhibition, open-air storage area, and big mushroom-shaped building hosting an indoor exhibition.

The ‘gate guardian’ is a SOKO J-21 Jastreb, a nice light multi-role aircraft from the 1960s, powered by a British Rolls-Royce Viper jet engine.

Indoor exhibition

The entry hall of the mushroom-shaped building features is a good example of the architectural style from the late communist era. The ground floor hosts a small exhibition about the early days of aviation in the former region of the Balkans, with documents from WWI years. Among the items on display, you can find early pilot’s licenses from notable war pilots, likely granted after training abroad, and actually written in French.

The main hall of the museum can be found upstairs. This large can be walked on two levels. Most aircraft are to be found on the lower level, but a few are suspended to the glassy circular sidewall of the mushroom, lighted from behind by the sunlight – so that taking pictures is just a nightmare!

The centerpiece of the collection is an exemplar of the SOKO J-22 Orao, a twin-engined – two Rolls-Royce Viper turbofans – light ground-attack and trainer aircraft from the 1970s. Designed jointly by Yugoslavia and Romania, this model equipped the Yugoslav (then Serbian) air force during the 1990s, where a handful exemplars are still flying today.

Indeed a clean design with an interesting performance, this aircraft was possibly the last heir of the Ikarus-then-SOKO lineage, originated back in the years before WWII. In this respect, some unique exemplars of aircraft are preserved in this museum, witnessing the existence of a school of skilled aircraft designers in Serbia, not much known in the western world.

A key figure of the Ikarus design bureau, Dragoljub Beslin led the design of Ikarus S-451, a nice, very small, twin-prop attack aircraft flown in 1951, especially designed to sustain high load factors in maneuvers at high speed.

Another unique specimen is the twin-jet Ikarus 451M, the first jet aircraft built by Yugoslavia. Same designer as the S-451, this unusual jet-engined taildragger flew in 1952, but was soon superseded by more modern models, in those years of quick-paced development of aviation technology. Again, the engines were from the West, in the form of two French Turbomeca Palas turbojets.

Another member of the ‘Ikarus 451’ family – it must be said this Yugoslav one is likely the oddest model numbering systems ever created… –  the T 451 MM Strsljen (Hornet) features a more convincing configuration, resembling the single-engined British BAC Jet Provost and the Italian Macchi MB 326, both rather successful trainers from the late 1950s. On display is actually the ‘Strsljen II’ version, which is a attack/training version with more thrust than the first series aircraft. This model was conceived to operate from unprepared runways, and featured two Turbomeca Marbore II French turbojets. The aircraft flew in 1958, but an air force contract was not granted.

Some functional wind tunnel models of other aircraft, actually never reaching the 1:1 prototype stage, are on display. These include a rare ekranoplane design, the UTVA 754. With a mechanic-monster-like appearance like all ekranoplanes (the most famous being probably the Bertini-Beriev preserved at the Russian Air Force Museum in Monino, see here), this machine was designed in 1982 in the then-Yugoslav town of Zagreb, today the capital city of Croatia.

A medevac aircraft conceived for easy conversion between floats and wheels, the UTVA 66H can be visited also inside. The indigenous SOKO is represented by a number of models. These include the SOKO G-2 Galeb, a successful trainer/light attack aircraft from the 1950s, built around a single Rolls-Royce Viper turbofan. During its long history it was exported to several international operators, and gave birth to the more recent SOKO J-21 Jastreb. The Galeb was in service with Serbia until 1999.

Another section of the museum features aircraft of foreign make which witness the intricate history of alliances of both the pre-WWII Kingdom of Yugoslavia and the post-WWII communist Yugoslavia. Most remarkably, these include a Messerschmitt Bf-109-G! The history of this particular aircraft is not very clear, some sources stating it was captured from Bulgarian air force. As a matter of fact, Yugoslavia acquired about 70 Bf-109-E from Germany in 1940, which in turn furiously invaded from north in a quick an violent campaign in spring 1941.

Next in line is nothing less than a British Hawker Hurricane! A group of Hurricanes were acquired from Britain in the immediate pre-war years, and even license-built in Belgrade in a small number – Yugoslavia apparently purchased aircraft seamlessly from both opponents at the outbreak of WWII. Later on, Hurricane-equipped squadrons of Yugoslavia fought back on the side of the Allies from bases in southern Italy, finally regaining control over the Balkans.

In a similar fashion, a Supermarine Spitfire Mk.V witnesses the involvement of British-supplied national air force squadrons in the liberation of Yugoslavia from the German invaders.

In the closing years of WWII, Yugoslavia benefited also from the help of the USSR. This is witnessed by a massive – and pretty rare, out of former soviet republics! – Ilyushin Il-2 Sturmovik. This big attack aircraft, possibly the most famous Soviet aircraft of WWII, equipped three squadrons in the Yugoslav air force, and helped in the fight on the so-called ‘Srem front’ north of Belgrade. An often overlooked sector of the European front, substantial operations were carried out since late 1944 until April 1945, with the forces of Nazi Germany slowly retreating under the offensive of the Red Army (including Bulgarian divisions) and of Yugoslavia from the south. These operations involved 250’000 troops on either side, thus engaging the Germans and draining resources from mainland defense. At that time, an entire division of the Yugoslav air force were equipped with this aircraft type, kept in service until the 1950s.

Similarly, an elegant WWII Yakovlev Yak-3 fighter of Soviet make can be found nearby in the colors of Yugoslavia.

After the end of WWII, Tito was determined not to surrender his political and economic independence to Stalin. In this high-stake gamble, he made no secret of his thoughts, and sought international recognition from the west. As expected, Stalin showed no sense of humor in that matter, and as the USSR broke relationships with Yugoslavia, this country faced the risk of isolation and of Soviet invasion in the early stage of the Cold War (late 1940s).

Over the years, the good relationship established with the western Allies during WWII were strengthened further, and most incredibly for a communist country, the US provided aircraft and helicopters, in the form of Republic P-47 Thunderbolt, Lockheed T-33 Shooting Star, Republic F-84G Thunderjet and (much later, in the early 1960s) North American F-86D ‘long-nosed’ Sabre.

The years of Kennedy administration saw a significant improvement of the relationship between Tito and Khrushchev, and this led to a switch to Soviet aircraft in the form of the supersonic MiG-21, which equipped the Yugoslav air force in substantial numbers over the following two decades. An exemplar of this iconic and ubiquitous aircraft, an unquestionably well-performing aircraft in his age, is preserved in the museum. By the way, the early 1960s saw also the widespread adoption of SOKO Galeb trainers and the phase out of older British/US models.

Other peculiar exhibits in the indoor part of the museum are the wrecks resulting from air fight operations during the Yugoslavian wars of the 1990s. On the national (Yugoslav) side, the tail cone of a SOKO G-4 Super Galeb – a totally different design from the quasi-homonym G-2 – damaged by a shoulder-launched Stinger missile in 1991.

But much more material is from NATO countries, resulting from combat during operation ‘Allied Force’ against Serbia in 1999. Most notably, you can see a substantial part of the wing of a Lockheed F-117 Nighthawk, the famous stealth aircraft downed by a vintage Soviet SA-3 Goa surface-to-air missile in March 1999, as well as a landing gear, ejection seat, pilot’s helmet, Vulcan cannon and some smaller parts of a General Dynamics F-16 Fighting Falcon downed the following May, again due to an SA-3 missile. The first stage of the missile which hit the Nighthawk is on display too.

These are basically the only aircraft lost in action over enemy territory during that operation.

An apparently easier prey, General Atomics RQ-1 Predator UAVs were used in great numbers, some twenty of them being downed. One wrecked example is put on display.

More items of the kind include parts of NATO missiles, including HARM anti-radiation missiles and cluster-bombs containers.

On the upper level, you can find a mostly photographic exhibition mainly about the national carrier JAT. Interestingly, not a single Soviet-made model appears in the pictures, whereas you can find Boeing 707s, 727s, 737s, Douglas DC-9s, McDonnell-Douglas DC-10s, Aerospatiale Caravelles and ATR-42/72s – clearly a strong commercial bound with the West, pretty unusual for a communist country!

Another Yugoslav airline started operations to a later date – Aviogenex. This apparently did use aircraft from the USSR, in particular Tupolev Tu-134s, later flanked by Boeing 737s. Aviogenex ceased operations much later than the end of Yugoslavia, and operated as a Serbian company for some years.

One of the most iconic brutalist monstrosities in northern Belgrade is the skyscraper which used to host the headquarters of this airline – it looks like a good setting for some ‘Blade Runner’ or ‘Judge Dredd’ movie…

Some more panels include descriptions of airport history and modern operations in the nearby airport of Belgrade. The history line of the national aviation industry is also presented in detail through historical pictures.

Some more aircraft can be found on this level, as well as a SA-3 Goa missile in a non-operative paint scheme, likely for training or telemetry tuning purposes.

Outdoor exhibition

The large area around the building is split between a small outdoor exhibition prepared for the public, and a larger storage area with many more aircraft which can not be neared nor walked around.

The displayed aircraft include an Aerospatiale Caravelle in the colors of JAT. This exemplar was one of three operated by this airline, and was active between 1963 and 1976.

A much elder transport, a German (French license-built) Junkers 52 with P&W engines represents a fleet of four such aircraft operated by the Yugoslav air force, complementing another group of originally German aircraft captured during the war.

An aircraft of historical significance is an Ilyushin Il-14 twin-prop transport. This aircraft was a personal goodwill gift from Khrushchev to marshal Tito, and the founding member of Yugoslav presidential fleet.

A couple of Lisunov Li-2 and some original Douglas C-47 Skytrain, of which the former is a license-built Soviet version, are on display, albeit not all complete. A MiG-21 Fishbed and a Kamov twin-rotor helicopter are also on display.

Another extremely rare item from the post-WWII years, a Short SA.6 Sealand amphibious aircraft of British make has made its way to Belgrade, after years as a transport aircraft in the Yugoslav air force.

The non-visible part of the museum features a rather impressive collection of MiG-21 in several versions, SOKO J-21 Jastreb and SOKO J-20 Kraguj in a large number, a SA-2 Guideline soviet-made SAM launcher with two missiles, and a number of partly assembled aircraft and wrecks.

A mystery item is a part of an allegedly US aircraft, apparently a part of the tail empennage of a bigger transport – any suggestion about this item welcome!

Visiting

The museum is located to the northwest of the airport of Belgrade. It can be easily reached by car from the access road going to the main terminal area. Website with info in English here. Parking ahead of the entrance.

The museum can be visited in about 2 hours by an interested subject, much less if you have just a mild interest in aviation. Much paneling is in double Serbian and English language, allowing to get the most from your visit.

Despite being fully operative, the place has a somewhat rotting appearance especially from the outside, as mostly typical to former state-run institutions in former Yugoslavia. Furthermore, some form of protection for the aircraft in the outside exhibition is hopefully to be considered by the management, otherwise the aircraft with literally disintegrate to the action of the elements in a matter of some years.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.