The Aeronautical Museum of Belgrade

With a few parallels in aviation history, especially in the years immediately following WWII, former Yugoslavia benefited from supplies by a great number of countries. As a matter of fact, the air force of this newborn communist republic was formed at first from leftovers of retreating Germany and conquering Britain, followed by the establishment of a supply line initially from the USSR, and later the US and again Britain.

The special political ability of marshal Tito, who ruled uncontested as a communist dictator since the foundation of Yugoslavia in 1945 until his death in 1980, and the credit he benefited from especially in Britain, allowed him to keep out of the sphere of influence of the USSR since 1948. In a strategic position on the border with NATO countries like Italy and Greece, Tito adopted a detente policy of ‘equal-distance’ between the two opposing blocs over the Cold War period (even though NATO did not trust him fully, as testified by the deployment of a SAM defense line in northeastern Italy, see this post).

Of course, most of the military supply was of Soviet make, especially after the death of Stalin and well until the end of communism in Europe and the bloody fragmentation of the Yugoslav state. However, concerning civil aviation, autonomy from Moscow allowed the adoption of western aircraft, like the French Aerospatiale Caravelle and much of the Boeing and McDonnell-Douglas inventory, in the major national airline JAT – something which happened very rarely anywhere in the communist bloc over the years of the Cold War, another notable instance being Romania, again a ‘semi-autonomous’ communist dictatorship, who refused the Soviet Tupolev Tu-134 in favor of license-built British BAC 1-11s.

Another effect of the autonomy from the USSR was the creation of a national aviation industry, which especially in the case of SOKO, produced military trainers and light attack aircraft of good success, which despite ageing, are still flying today.

More recently, the fierce conflicts raging over the Balkans in the 1990s have created a major active front for modern aviation, where the air force of Serbia – which inherited the geographically central part of Yugoslavia and its capital city, Belgrade – confronted the NATO alliance in an open conflict. The unbalance of forces allowed the western coalition to quickly establish air superiority, which did not come without a few notable material losses however.

A rich display of this peculiar aviation history, actually tracing back to WWI and the early years of aviation, can be found in the Aeronautical Museum of Belgrade, which despite being in today’s Serbia, acts as a kind of Yugoslav Aviation Museum. As a matter of fact, it was founded as such back in the years of Tito, and opened in its current building nearby ‘Nikola Tesla’ civil airport of Belgrade in 1989, when Yugoslavia was still a reality.

This short post provides an outline of what you can find in this museum, with photographs taken on a visit in April 2019.

Sights

The museum occupies a relatively large area in the vicinity of the airport of Belgrade, and is made of an open-air exhibition, open-air storage area, and big mushroom-shaped building hosting an indoor exhibition.

The ‘gate guardian’ is a SOKO J-21 Jastreb, a nice light multi-role aircraft from the 1960s, powered by a British Rolls-Royce Viper jet engine.

Indoor exhibition

The entry hall of the mushroom-shaped building features is a good example of the architectural style from the late communist era. The ground floor hosts a small exhibition about the early days of aviation in the former region of the Balkans, with documents from WWI years. Among the items on display, you can find early pilot’s licenses from notable war pilots, likely granted after training abroad, and actually written in French.

The main hall of the museum can be found upstairs. This large can be walked on two levels. Most aircraft are to be found on the lower level, but a few are suspended to the glassy circular sidewall of the mushroom, lighted from behind by the sunlight – so that taking pictures is just a nightmare!

The centerpiece of the collection is an exemplar of the SOKO J-22 Orao, a twin-engined – two Rolls-Royce Viper turbofans – light ground-attack and trainer aircraft from the 1970s. Designed jointly by Yugoslavia and Romania, this model equipped the Yugoslav (then Serbian) air force during the 1990s, where a handful exemplars are still flying today.

Indeed a clean design with an interesting performance, this aircraft was possibly the last heir of the Ikarus-then-SOKO lineage, originated back in the years before WWII. In this respect, some unique exemplars of aircraft are preserved in this museum, witnessing the existence of a school of skilled aircraft designers in Serbia, not much known in the western world.

A key figure of the Ikarus design bureau, Dragoljub Beslin led the design of Ikarus S-451, a nice, very small, twin-prop attack aircraft flown in 1951, especially designed to sustain high load factors in maneuvers at high speed.

Another unique specimen is the twin-jet Ikarus 451M, the first jet aircraft built by Yugoslavia. Same designer as the S-451, this unusual jet-engined taildragger flew in 1952, but was soon superseded by more modern models, in those years of quick-paced development of aviation technology. Again, the engines were from the West, in the form of two French Turbomeca Palas turbojets.

Another member of the ‘Ikarus 451’ family – it must be said this Yugoslav one is likely the oddest model numbering systems ever created… –  the T 451 MM Strsljen (Hornet) features a more convincing configuration, resembling the single-engined British BAC Jet Provost and the Italian Macchi MB 326, both rather successful trainers from the late 1950s. On display is actually the ‘Strsljen II’ version, which is a attack/training version with more thrust than the first series aircraft. This model was conceived to operate from unprepared runways, and featured two Turbomeca Marbore II French turbojets. The aircraft flew in 1958, but an air force contract was not granted.

Some functional wind tunnel models of other aircraft, actually never reaching the 1:1 prototype stage, are on display. These include a rare ekranoplane design, the UTVA 754. With a mechanic-monster-like appearance like all ekranoplanes (the most famous being probably the Bertini-Beriev preserved at the Russian Air Force Museum in Monino, see here), this machine was designed in 1982 in the then-Yugoslav town of Zagreb, today the capital city of Croatia.

A medevac aircraft conceived for easy conversion between floats and wheels, the UTVA 66H can be visited also inside. The indigenous SOKO is represented by a number of models. These include the SOKO G-2 Galeb, a successful trainer/light attack aircraft from the 1950s, built around a single Rolls-Royce Viper turbofan. During its long history it was exported to several international operators, and gave birth to the more recent SOKO J-21 Jastreb. The Galeb was in service with Serbia until 1999.

Another section of the museum features aircraft of foreign make which witness the intricate history of alliances of both the pre-WWII Kingdom of Yugoslavia and the post-WWII communist Yugoslavia. Most remarkably, these include a Messerschmitt Bf-109-G! The history of this particular aircraft is not very clear, some sources stating it was captured from Bulgarian air force. As a matter of fact, Yugoslavia acquired about 70 Bf-109-E from Germany in 1940, which in turn furiously invaded from north in a quick an violent campaign in spring 1941.

Next in line is nothing less than a British Hawker Hurricane! A group of Hurricanes were acquired from Britain in the immediate pre-war years, and even license-built in Belgrade in a small number – Yugoslavia apparently purchased aircraft seamlessly from both opponents at the outbreak of WWII. Later on, Hurricane-equipped squadrons of Yugoslavia fought back on the side of the Allies from bases in southern Italy, finally regaining control over the Balkans.

In a similar fashion, a Supermarine Spitfire Mk.V witnesses the involvement of British-supplied national air force squadrons in the liberation of Yugoslavia from the German invaders.

In the closing years of WWII, Yugoslavia benefited also from the help of the USSR. This is witnessed by a massive – and pretty rare, out of former soviet republics! – Ilyushin Il-2 Sturmovik. This big attack aircraft, possibly the most famous Soviet aircraft of WWII, equipped three squadrons in the Yugoslav air force, and helped in the fight on the so-called ‘Srem front’ north of Belgrade. An often overlooked sector of the European front, substantial operations were carried out since late 1944 until April 1945, with the forces of Nazi Germany slowly retreating under the offensive of the Red Army (including Bulgarian divisions) and of Yugoslavia from the south. These operations involved 250’000 troops on either side, thus engaging the Germans and draining resources from mainland defense. At that time, an entire division of the Yugoslav air force were equipped with this aircraft type, kept in service until the 1950s.

Similarly, an elegant WWII Yakovlev Yak-3 fighter of Soviet make can be found nearby in the colors of Yugoslavia.

After the end of WWII, Tito was determined not to surrender his political and economic independence to Stalin. In this high-stake gamble, he made no secret of his thoughts, and sought international recognition from the west. As expected, Stalin showed no sense of humor in that matter, and as the USSR broke relationships with Yugoslavia, this country faced the risk of isolation and of Soviet invasion in the early stage of the Cold War (late 1940s).

Over the years, the good relationship established with the western Allies during WWII were strengthened further, and most incredibly for a communist country, the US provided aircraft and helicopters, in the form of Republic P-47 Thunderbolt, Lockheed T-33 Shooting Star, Republic F-84G Thunderjet and (much later, in the early 1960s) North American F-86D ‘long-nosed’ Sabre.

The years of Kennedy administration saw a significant improvement of the relationship between Tito and Khrushchev, and this led to a switch to Soviet aircraft in the form of the supersonic MiG-21, which equipped the Yugoslav air force in substantial numbers over the following two decades. An exemplar of this iconic and ubiquitous aircraft, an unquestionably well-performing aircraft in his age, is preserved in the museum. By the way, the early 1960s saw also the widespread adoption of SOKO Galeb trainers and the phase out of older British/US models.

Other peculiar exhibits in the indoor part of the museum are the wrecks resulting from air fight operations during the Yugoslavian wars of the 1990s. On the national (Yugoslav) side, the tail cone of a SOKO G-4 Super Galeb – a totally different design from the quasi-homonym G-2 – damaged by a shoulder-launched Stinger missile in 1991.

But much more material is from NATO countries, resulting from combat during operation ‘Allied Force’ against Serbia in 1999. Most notably, you can see a substantial part of the wing of a Lockheed F-117 Nighthawk, the famous stealth aircraft downed by a vintage Soviet SA-3 Goa surface-to-air missile in March 1999, as well as a landing gear, ejection seat, pilot’s helmet, Vulcan cannon and some smaller parts of a General Dynamics F-16 Fighting Falcon downed the following May, again due to an SA-3 missile. The first stage of the missile which hit the Nighthawk is on display too.

These are basically the only aircraft lost in action over enemy territory during that operation.

An apparently easier prey, General Atomics RQ-1 Predator UAVs were used in great numbers, some twenty of them being downed. One wrecked example is put on display.

More items of the kind include parts of NATO missiles, including HARM anti-radiation missiles and cluster-bombs containers.

On the upper level, you can find a mostly photographic exhibition mainly about the national carrier JAT. Interestingly, not a single Soviet-made model appears in the pictures, whereas you can find Boeing 707s, 727s, 737s, Douglas DC-9s, McDonnell-Douglas DC-10s, Aerospatiale Caravelles and ATR-42/72s – clearly a strong commercial bound with the West, pretty unusual for a communist country!

Another Yugoslav airline started operations to a later date – Aviogenex. This apparently did use aircraft from the USSR, in particular Tupolev Tu-134s, later flanked by Boeing 737s. Aviogenex ceased operations much later than the end of Yugoslavia, and operated as a Serbian company for some years.

One of the most iconic brutalist monstrosities in northern Belgrade is the skyscraper which used to host the headquarters of this airline – it looks like a good setting for some ‘Blade Runner’ or ‘Judge Dredd’ movie…

Some more panels include descriptions of airport history and modern operations in the nearby airport of Belgrade. The history line of the national aviation industry is also presented in detail through historical pictures.

Some more aircraft can be found on this level, as well as a SA-3 Goa missile in a non-operative paint scheme, likely for training or telemetry tuning purposes.

Outdoor exhibition

The large area around the building is split between a small outdoor exhibition prepared for the public, and a larger storage area with many more aircraft which can not be neared nor walked around.

The displayed aircraft include an Aerospatiale Caravelle in the colors of JAT. This exemplar was one of three operated by this airline, and was active between 1963 and 1976.

A much elder transport, a German (French license-built) Junkers 52 with P&W engines represents a fleet of four such aircraft operated by the Yugoslav air force, complementing another group of originally German aircraft captured during the war.

An aircraft of historical significance is an Ilyushin Il-14 twin-prop transport. This aircraft was a personal goodwill gift from Khrushchev to marshal Tito, and the founding member of Yugoslav presidential fleet.

A couple of Lisunov Li-2 and some original Douglas C-47 Skytrain, of which the former is a license-built Soviet version, are on display, albeit not all complete. A MiG-21 Fishbed and a Kamov twin-rotor helicopter are also on display.

Another extremely rare item from the post-WWII years, a Short SA.6 Sealand amphibious aircraft of British make has made its way to Belgrade, after years as a transport aircraft in the Yugoslav air force.

The non-visible part of the museum features a rather impressive collection of MiG-21 in several versions, SOKO J-21 Jastreb and SOKO J-20 Kraguj in a large number, a SA-2 Guideline soviet-made SAM launcher with two missiles, and a number of partly assembled aircraft and wrecks.

A mystery item is a part of an allegedly US aircraft, apparently a part of the tail empennage of a bigger transport – any suggestion about this item welcome!

Visiting

The museum is located to the northwest of the airport of Belgrade. It can be easily reached by car from the access road going to the main terminal area. Website with info in English here. Parking ahead of the entrance.

The museum can be visited in about 2 hours by an interested subject, much less if you have just a mild interest in aviation. Much paneling is in double Serbian and English language, allowing to get the most from your visit.

Despite being fully operative, the place has a somewhat rotting appearance especially from the outside, as mostly typical to former state-run institutions in former Yugoslavia. Furthermore, some form of protection for the aircraft in the outside exhibition is hopefully to be considered by the management, otherwise the aircraft with literally disintegrate to the action of the elements in a matter of some years.

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.