Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

Navigate this post – Click on links to scroll

Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.

Communist Relics in Bucharest

Most travel agencies selling trips to Romania agree on the fact that Bucharest is surely not the best this big Country in the easternmost part of Europe has to offer in terms of archaeological or historical significance, nature or art.

Actually the town, originally founded in the 15th century, is today mostly made of modern buildings – meaning it was extensively redesigned and rebuilt in the 1980s. This happened as a result of a huge earthquake in 1977, killing thousands in Bucharest and destroying or damaging many buildings. The earthquake, and the will of the most famous Romanian communist dictator Nicolae Ceausescu, triggered the realization of an incredible architectural master plan, centered on the huge House of the Republic – the second largest building in the world after the Pentagon – which in turn called for the demolition of a good 30% of the existing buildings in Bucharest, including churches and many historical highlights.

This conspicuous palace stands out as one of the world’s most imposing examples of communist architecture, thus making for an interesting destination for those interested in the ‘heritage of Communism’ in Europe. Well, the Palace of the Parliament – as it is called today – is so imposing that everybody coming to Bucharest will probably spot it and pay a visit.

But Bucharest has more to offer for those interested in the traces of the luckily bygone era of communist leadership.

Opened to the public in 2016, the private residence of Nicolae Ceausescu and his wife Helena, both executed on Christmas day in 1989 during the quick but very violent revolution which led to the end of communism in Romania, can be fully visited today as a museum. Built soon after Ceausescu took control of the already established communist regime in 1965, it is an interesting example of eclectic architecture from the 1960s, designed by the Israeli architect Aron Grimberg-Solari. All the original furniture is on display, and many items belonging to the most hated couple in Romanian history can be admired as well.

As usual in communist Countries in Europe, before 1989 the National Military Museum received much attention, growing up to host a collection of weapons, tanks and aircraft of considerable size. The place, located close to central Bucharest, is surely worth a visit especially for those looking for unusual Soviet weaponry!

Another easy-to-find communist-themed site is the Palace of the Free Press, the only imposing building in Stalinist style in Bucharest, built in the early 1950s for the propaganda-press. A big statue of Lenin used to seat prominently ahead of the façade. It was removed in 1990, to celebrate the end of the dictatorship. Many emblems of communism – hammers, sickles and stars – decorate the walls of this now mostly unused relic.

Finally, the very central palace of the Ministry of Internal Affairs, which since the 1950s until 1989 was occupied by the Romanian Communist Party, is a distinctive example of rationalist architecture from the late 1930s, with much to tell about Cold War history. It was from a balcony of this palace that Nicolae Ceausescu gave his famous last speech, just days before he was arrested and shot (see this post).

This post is about all these sights. Photographs were taken in June 2017.

Navigate this post – Click on links to scroll

Sights

House of the Republic – now Palace of the Parliament

No words can describe the size and bulkiness of this building. Together with the Bulevardul Unirii – the boulevard leading to the front façade – with its residential and ancillary office buildings clustered around the palace, each the size of a big shopping mall,  the ensemble is really unique even for the usual pomp of communist Countries. Everything here was built in the 1980s on the design of the young Anca Petrescu, who at that time was in her thirties.

From the boulevard to the square ahead of the façade you can easily spend some time trying to find a good way to photograph this building.

The façade is not flat, and this makes it not excessively imposing inspite of the real width and height. Furthermore, a terraced garden, gently ascending from the street level to that of the front entrance above, somewhat reduces the perceived height of the building.

Access for the public is from the northern side. From there the palace is possibly more imposing, for the façade comes down abruptly to the street level, differently from the front.

The inside is by far the least convincing part of the design. Here you clearly perceive the ‘megalomaniac’ attitude of the Ceausescu, who asked for a building with more than 600 rooms, for which no realistic function could be imagined at that time – nor can be guessed today. You can see a succession of halls in diverse styles, some of which may find a place in an old railway station, some in a congress center, others in a luxury hotel, some in Buckingham Palace, a few in a church, and so on… A collection of stately rooms, some of them really immense, all lacking any focal point – a throne, a dinner table, a work of art. As a matter of fact, this severely oversized building is used today only for a minimal part as a governmental building. Most of the rooms are used for congresses, marriages, company meetings and international summits. But you clearly feel the place is basically uninhabited, and except for the crowds of tourists, mostly unused.

As a part of the tour you can get access to the balcony on the front façade, from which you can enjoy a nice view of the city, and in particular of the perspective created by the boulevard ahead of the palace.

All in all, in my view this palace is much more interesting from the outside, where you can appreciate the size and good proportion of the master plan, and the interesting particulars of the late-classicist communist style. The inside is where you perceive most the unsuitability of the palace for any practical function. You may be stricken by the number and proportion of the rooms and the plenty of high quality materials used for construction and decoration, but you may also get bored soon by the endless sequence of unused – and unusable – halls, corridors and flights of stairs.

Getting there and moving around

For a western tourist taxi is the most efficient and cost-effective way for moving around in Bucharest. Depending on where you are taken first – the north entrance or the front façade – you may choose to take a walk around the building, or a part of it, before or after your tour of the inside. Visiting inside is only possible through a guided tour. Reservation is totally recommended, for this is probably the most visited attraction in town. Furthermore, if you are put in a waiting list you may be forced to stay close to the ticket office in the basement for more than you might want, with nothing to see and do. You can make a reservation through their website or ask your hotel to do it for you. A day in advance may be enough, for entries are at high frequency. Security with metal detector is part of the treatment. For taking pictures inside you need to buy a permit at a small fee. The visit inside takes really long – more than an hour – and it may turn out very boring especially for children, for there are no ‘highlights’ inside.

Palatul Primaverii – The Private Residence of the Ceausescu in Bucharest

The name of the residence translates into ‘Spring Palace’. It was built in the mid-1960s when Nicolae Ceausescu came to power. It was intended from the beginning as a private residence for the dictator, his wife and their three children. Differently from the Palace of the Republic, it is not absurdly sized especially for todays standard, about the size of an average Hollywood villa.

From a historical standpoint this place is very interesting, for as an official residence of the president of Romania, it hosted meetings with leaders and politicians of many foreign Countries, most notably Richard Nixon, the first American president to pay a state visit to Romania. Furthermore, this house has a lot of typical ‘Cold War style’ features. It was not publicized at all inside Romania, where only a restricted group knew of its existence before the revolution in 1989-90. Coming close was made impossible by a guarded perimeter with a few checkpoints all around a large area of the town, where embassies and notable members of the Communist Party had their residences. Inside there are an underground bunker for protection and an access to a network of tunnels leading to the palace of the Central Committee of the Communist Party and other decision centers in Bucharest. The villa was taken during the revolution, but anything was left basically as it was – the intruders, who in 1989 were suffering from a famine plus from heat, electricity and water starvation, took away all the food.

The eclectic style of the building, integrally designed by the same architect, is also an interesting specimen of luxury architecture from the 1960s.

On the ground floor, the first rooms are the studio of the dictator, where most important meetings were held, with the walls covered with wooden panels. Then an ancillary room with a chess table, a central lobby with a fountain and stairs leading to the upper floor and to the basement, a large drawing room and a dining room can be visited close by. On the same floor are also the private rooms of one of the two sons of the Ceausescu couple. From the main drawing room it is possible to reach an inner garden with peacocks – not the original exemplars, but Nicolae loved these birds, which used to live here also before 1990.

In the basement it is possible to find a winery and a nice middle-ages-themed, count-Dracula-style canteen with a fireplace. A private movie theater seating about 30 is part of this area. The projectors in the back – Philips, not from the Eastern Bloc… – together with an archive of rare movies have been carefully cataloged, and are now part of the inventory, similarly to every item in the house.