Soviet War Memorials Southeast of Berlin

The final battle for the conquer of Berlin was a massive operation carried out by the Soviet Red Army, who had come on the line of Oder river, marking today’s border between Germany and Poland, at the conclusion of the westward march on the territories of Eastern Europe previously taken over by the Third Reich.

Witnessing the dramatic lack of men and supplies on the German side, the final Soviet attack from that position was launched on April 16th, 1945, to end just less thank two weeks later with the death of Hitler, the conquer of Berlin, and soon after with the German capitulation in early May. In this short time, the Soviets penetrated and gained control of a significant part of what was to become the territory of East Germany, including the capital city of the Reich.

It is estimated that the troops amassed in the spring of 1945 for this operation exceeded 2.2 millions on the Soviet side, whereas the contingent available for the defense of the region on the German side was below 300 thousand men, including almost improvised corps of elders or extremely young people, lacking any military training and experience. As a matter of fact, the original German war machine had been drained of resources also due to the eastward advance of the Western Allies in Western Europe and Germany, where some millions German soldiers were taken prisoners. Actually, by April 1945 the line of the Western front had reached East to the towns of Leipzig, Dessau, Magdeburg and Wismar, very close to Berlin, and all later ceded to the Soviets according to the Jalta and Potsdam agreements.

The defense of Berlin from the Soviet attackers was strenuous though, and heavy losses were recorded on both sides.

One of the most visible remains of these war operations today is a a number of memorials and war cemeteries, of larger and smaller size, scattered over the territory around Berlin. The most conspicuous such memorials are those erected by the winning Soviet forces. Besides their primary role of remembrance, they were in most cases erected soon after the end of the war, then making for an interesting historical trace from that age, when Stalin was the undisputed ruler in the Soviet Union. Their style often reflects the mix of pomp and simplicity typical to the communist art from the time.

Memorials related to these events can be found in Berlin (see here and here) and around. Some to the north of the town have been described in this post. In the present one, three memorials related to the battle around Berlin and located east and south of the German capital are covered – Seelow, Lebus and Baruth.

Photographs were taken in 2021 and 2023.

Sights

Seelow

The memorial in Seelow was designed and installed in 1945, soon after the end of the war in Europe, and was therefore one of the first of the kind. The location is that of the Battle of the Seelower Heights.

The small town of Seelow is located about 8 miles west of the Oder river, marking a natural border with Poland. The hills around the town dominate the flat country reaching to the river. Therefore, for the defending Wehrmacht, this was a natural obstacle between the Soviet invaders and Berlin. The hills were fortified heavily with guns and mortars, and the villages in the area were evacuated in anticipation of a major confrontation.

Fighting was started on the fateful April 16th, 1945, when a Soviet attack was triggered all along the line of the Oder, with a major focal point in the region of Küstrin and Seelow.

The battle went on for four days despite the clear imbalance of resources in favor of the Soviets, due to the advantageous geographical position of the heights around Seelow and the effectiveness of the German defense.

The memorial was erected around a simple statue of a Soviet soldier, put on top of a pinnacle, and portrayed beside the turret of a tank.

To the base of the pinnacle is a small Soviet cemetery, with some marked graves and some gravestones with multiple names, or dedicated to unknown soldiers perished in the battle.

From the cemetery, a good view of the plains extending to the east, where this fierce battle was fought in April 1945, can be observed from a vantage point. Purpose-designed maps allow to retrace the positions of the attackers and to pinpoint relevant locations.

To the base of the monument is a memorial museum. The exhibition is compact but very interesting. Two thematic areas are presented, one related to the historical reconstruction of the battle, the other to the history of the monument and the archaeology of the battlefield around Seelow.

Among the artifacts on display related to the history of the battle are German and Soviet uniforms, machine guns and rifles.

Interestingly, also mortar shells carrying leaflets are on display: these were employed by the Soviets, who launched propaganda leaflets inviting Germans to surrender, and even passes for the German military who wished to defect to the Soviets side. An armband of the ‘Deutscher Volkssturm Wehrmacht’, the non-professional corps recruited by the Third Reich in a desperate move to gather fresh units for the final defense of the German territory from invasion during the last stages of the war, is also on display.

The history of the monument is interesting as well, and shows how it evolved from being primarily a Soviet monument – like others in the area – to a public gathering place for official ceremonies in the German Democratic Republic – a place for the celebration of friendship between the USSR and the GDR. Historical pictures, and the addition of a poetic commemoration stone written in German only to the base of the monument, witness this evolution.

Outside the museum, a courtyard is framed by two original small obelisks with inscriptions in Russian and Soviet iconography. On the courtyard, some heavy armored vehicles – including a Katyusha rocket launcher – are on display.

Getting there and visiting

The monument has a special relevance in the history of the liberation of Germany, and has been modernized and updated over the years. It is still a rather relevant destination for visitors. A ticket is required for the museum only. A visit to the monument may take 20-30 minutes. A complete visit including the museum may require 45 minutes to 1 hour.

Access is very easy, since the location is immediately to the side of the road leaving Seelow for Küstrin (now Kostrzyn, Poland). The name of the site in German is ‘Gedenkstätte Seelower Höhen’, and the address is Küstriner Straße 28a, 15306 Seelow. A small parking can be found right ahead of the access, further parking options cross the street and near the railway station, 1 minute away by walk. A new modern building to the side of the monument hosts the ticket office and a small shop. Website with full information here.

Lebus

The cemetery in Lebus, located on the German bank of the Oder river, about 10 miles southeast of Seelow (see above) was activated already in April 1945 for burying Soviet soldiers perished in the final war actions against Germany. Starting 1946, the status of Soviet cemeteries and monuments established on the territory of the Third Reich was officially defined. The Lebus site received Soviet staff perished in Germany after the war, or unrecognized fallen Soviet soldiers whose remains were found in the years soon after WWII on the East German territory.

Following an agreement between Russia and reunified Germany, extending the relationship formerly existing between the USSR and the GDR on the management of war memorials, the Lebus site became a Russian cemetery. It was refurbished in 2014-16, and at the time of writing it is still an active cemetery, often receiving the remains of Soviet soldiers moved from elsewhere, or still found in the area.

It is estimated that more than 5.000 from the USSR/Russia are buried in Lebus.

The memorial is not much visited by the general public, and is an authentic place of remembrance, sober and silent.

The architecture is rather simple, with a central perspective leading to an obelisk with a red star on top, a hammer and sickle emblem to the front, and inscriptions in Russian.

To the sides are two lateral wings, where the names of many fallen soldiers are inscribed on memorial stones.

To the sides of the perspective are an anti-tank cannon, and some more fields, marked with marble red stars as places of interment of unknown soldiers.

Also two further memorial walls with many names in Cyrillic alphabet are symmetrically placed to the sides of the perspective.

Getting there and visiting

The location of the Soviet cemetery in Lebus, now called officially ‘Russische Kriegsgräberstätte in Lebus’, is on Lindenstrasse, immediately after leaving Strasse d. Freiheit, Lebus. It is clearly marked by an indication sign, and recognizable by the external fence. Parking can be found 200 ft further north on Lindenstrasse, on the side of a local school.

The site is not mainly a touristic destination, but a real, well maintained (war) cemetery. It is apparently open 24/7 and not actively guarded. Visiting may take 20 minutes, or more for specifically interested subjects.

Baruth

The Soviet war cemetery of Baruth was erected between 1946 and 1947 for the fallen soldiers of the Battle of Halbe. The battle was a last confrontation between the Soviet Red Army and the Wehrmacht, taking between April 24th to the first days of May 1945 – the very last battle out of Berlin.

The battle was fought around the village of Halbe, south of Berlin, between what remained of the German defense retreating from the bank of the Oder, and two large columns of the invading Soviet Army. The German forces got mostly surrounded in a salient. Losses were very heavy on both sides, of the order of the tens of thousands.

The war cemetery for Soviet soldiers, the final resting place for some thousands of fallen troops, is clearly visible when passing by, thanks to the two T-34 tanks put as gate guardians.

The architecture of the place is rather simple, and composed of a rectangular yard crossed by an alley, leading to a very tall obelisk. The obelisk features a big metal star on top, and a hammer and sickle metal emblem in the middle.

To the base of the obelisk are two bas-reliefs with war scenes.

A number of marked gravestones can be found on the greens around the obelisk. More recent – yet pretty old – additions, somewhat altering the original neat appearance of the ensemble, include a wall with applied gravestones and names inscribed on it.

Getting there and visiting

The Baruth war cemetery, named ‘Sowjetischer Ehrenfriedhof Baruth/Mark’ in German, can be found along the road 96 (Bundestrasse 96), about 1 mile north of the homonym town of Baruth. The monument can be clearly spotted on the eastern side of the road. A small parking can be found ahead of the entrance.

Due to the secluded and isolated location, the place is not a highly popular tourist destination, yet it is frequented by relatives and descendants of those interred on site. It is well cared for and perfectly maintained. It is apparently open 24/7.

A prototypical Soviet war cemetery from Stalin’s years, likely the largest in the region south Berlin, it is definitely worth a stop when visiting the area. A visit may take 20 minutes.

Notably, the place is located about 7 miles south of Wünsdorf (see this post), the former Soviet headquarters in the German Democratic Republic, which is crossed by the same road 96.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.

 

Plokstine – A Preserved Nuclear Missile Site in Lithuania

While almost all nuclear sites you can find in European Countries once beyond the Iron Curtain are today totally abandoned and fairly unaccessible, there exists a perhaps unique exception. The Plokstine site in northwestern Lithuania has been selected around 2010 for complete refurbishment with the help of public money, and in 2012 it has opened its doors as a museum. Located in a beautiful natural setting crowded with hikers – namely Zemaitija National Park, a national recreation area around Plateliai lake – it has quickly grown to international fame, and is now recording several thousands visitors per year, with guided tours in multiple languages – including English – offered on a regular basis during the warm season.

What is today an intriguing tourist destination, used to be part of a large Soviet installation for launching ballistic missiles armed with nuclear warheads. It is worth mentioning that Lithuania was a ‘Soviet Socialist Republic’ in the realm of the USSR, i.e. not just a satellite country of the Soviet Union, but part of it. Actually, this small country on the shores of the Baltic Sea, on the extreme western border of Soviet territory, was an ideal location for deploying weapons to hit European targets from within the Union. Furthermore, the Plokstine forest was – and still is – a little populated area, where construction works for a large top-secret military facility for storing and operating offensive cutting-edge hi-tech warfare would go likely unnoticed.

The missile complex was completed in December 1962, in the years of Khrushchev and Kennedy. The Plokstine site comprises of four interred silos and an extensive underground command station in the middle – the ensemble constituted a so-called ‘Dvina’ launch complex.

The ‘Dvina’ site in Plokstine was actually the last part of the missile base to be built. Two more sister surface sites, with four launchpads each, had been completed one year before, just west of the nearby village of Saiteikiai. These surface sites were similar to those you can find in Latvia (see this post), a neighbor country where unfortunately the last remaining ‘Dvina’ site was demolished in 2017, but abundant traces of the Soviet presence can still be found.

All three launch complexes in this region were designed around the R-12 missile. The R-12U missile was actually used in the underground ‘Dvina’ complex, slightly different from the surface-launched R-12. This weapon was better known by its NATO designation – SS-4 Sandal – and was a 2.3 megaton, single warhead, single stage nuclear missile. It reached true international notoriety before the base in Plokstine was activated, for this was the type deployed to Cuba in the missile crisis of 1962. Coincidentally, part of the staff transferred to Cuba in the days preceding the crisis was from the same rocket regiment of the Red Army (the 79th) stationed in Plokstine. Sandal missiles from here were reportedly transferred in complete secrecy to Cuba, via the port town of Sevastopol in Crimea in that occasion.

The base remained operational until the last missile – by then obsolete – left in 1978.

The Baltics were the first republics to leave the dying Soviet Union, openly defying the military authority of neighbor Russia. After the collapse of the Union and the end of communism in Europe, these three states – which historically do not belong to Russian culture – quickly joined the NATO and European Union, to escape Russian influence as much as possible. Most Soviet military installations were shut down and abandoned, and have been for two decades an interesting destination for explorers and war historians (see this post for many examples). Later on, most sites have been slowly demolished or converted into something else. Really a few of them have been preserved for posterity.

In this post you can find photographs from the Cold War Museum now open in the former ‘Dvina’ site of Plokstine, from a visit in 2017. Close to the bottom, you can find a few further photographs from a previous visit made by appointment in 2009, before the site was selected for renovation – these may be more appealing for Soviet-aura lovers!

Sights

What can be visited today is all in the area of the old ‘Dvina’ complex. The complex is mainly composed of four interred silos, covered by heavy steel & concrete bulged covers, placed on the four corners of a square. These gigantic caps are the most prominent components of the site from the outside. Today, an observation deck has been erected on the south of the area. From there, you can appreciate the distinctive plan of the ‘Dvina’ complex, with an access road terminating in a loop touching all four armored silo covers.

The weight of each cover is told to be around 100 tonnes, as it was armored to withstand a nuclear explosion. The covers would be pulled sideward with a sled mechanism, to open the silos before launch. Unmovable missile launch complexes, like the ‘Dvina’ site in Plokstine, were easy and attractive targets for western weapons, thus requiring a very strong defense barrier. Similar considerations led the design of the Titan missile sites in the US, which albeit more powerful and capable of a greater range, are roughly from the same era (see this post).

To get near the silos or get access to the museum, you need to pay a ticket and join a guided tour. The visit includes a tour of the Cold War Museum, which has been prepared inside the rooms of the former control center. The tour will start from the visitor center, a new modern building. You will soon go through a specimen of the original fences which ran around the ‘Dvina’ complex, and which included barbed wire and high-voltage electrified lines. Close by, you can find traces of original unarmored constructions, likely service buildings. The missile site was operated by more than 300 troops stationing in a number of smaller centers in the area around the complex.

The guide will lead you along a walk around the surface part of the complex, where you can see the construction of the caps from very close. The metal part is very rusty, but the concrete cover has been refurbished and looks like new – a pretty unusual sight, for connoisseurs of Soviet military relics!

Access to the underground missile service and control center is via a small metal door, right in the middle of the square formed by the four silos.

A few rooms in the control center today host the exhibitions of the Cold War Museum. A room displays a quick time-line of the Cold War, since the end of WWII to the end of the USSR. In the adjoining rooms you can find propaganda items

Another room is about defense against nuclear threat. This is interesting, with many artifacts like dosimeters and medical tools, plus easily readable instructions of ‘dos and don’ts’ in case of nuclear attack.

Another room is about the evolution of weapons over the Cold War decades, with original material from the time, including heavier tactical weapons.

The exhibition is modern, small but not superficial, and may appeal to any public, including children. Besides the exhibits, you can appreciate the relatively small size of all rooms and connecting corridors in the former control center.

As you are driven next to the missile operation part, you can find a scale model of the ‘Dvina’ complex and a cut-out of a R-12U silo, together with a map of the relatively few missile sites in Lithuania – from the map, it can be argued that, for some reason, many more sites were prepared in nearby Latvia.

Resting quarters for the troops and a communication station with original electronic gear have been reconstructed based on original footage and pics. Communication with the military headquarters was clearly an essential task – it was the only way an order to launch could be issued – and the serviceman on duty was responsible for assuring a permanent link with the chain of command. In other words, he was instructed not to leave his headphones under any circumstances, during a several hours-long shift!

On the sides of the corridors you can see holes for the extensive network of cables and pipes. Further on, you meet the most ‘hardware’ part of the exhibition. First, the original diesel-fueled power generator has been refurbished and is standing in its original room. The underground complex was designed not only to withstand a nuclear blast, but also to provide shelter for all servicemen for several days following an attack. This meant air filters, food, water, technical supplies and of course electrical power, were all essential assets. Oil for the generator was stored in a container in an adjoining room.

Finally, you get access to one of the four silos. You need to go through a tight door opened on the wall of the concrete structure of the control center. Writings in Cyrillic can be spotted on the walls in this area. From there, you will see the cylindrical shape of the metal structure of the silo from the side. This metal canister is really big, the ‘Dvina’ silos featured a much greater diameter than the SS-4 missile they were built for. This was somewhat different from their US counterpart (see this post), where the missile diameter fits the size of the silo without much margin.

You can get access to the silo via the original hatch, cut in the metal wall close to the rim on top of the silo, just beneath the external cap. Going through this hatch is incredibly difficult – it is extremely narrow, much longer than the size of a human step, and tilted upwards! It is hard to understand why the Soviets built it in a size so small – this applies to the control center too, for all corridors are really narrow and the ceiling in the rooms is so low you may easily need to bend forward! For those who don’t want to try the original entry to the silo, there is now a non-original door cut in the side of the canister.

The inside of the silo can be observed from an original service deck, immediately under the external cover. From here you can clearly appreciate the size of the construction – the missile was more than 70 ft long, and sat here in a vertical position. The SS-4 was among the first missiles to make use of a storable liquid propellant, which allowed it to stay in almost-launch-ready conditions for a prolonged time, if resting in a silo. Nonetheless, the time for opening the armored caps was about 30 minutes, which meant this was not exactly quick to launch. The understructure of the armored caps can be clearly appreciated from inside the silo.

Photographs Before Restoration Works – Ghost Base

When I visited this site for the first time in 2009, it was open only by appointment. Unfortunately, I had only a compact camera at the time, and the very low light inside plus a rainy day outside, meant I could take only a few acceptable pictures.

However, they provide an idea of the state of the ‘Dvina’ complex before it was decided to reconfigure it as a museum.

As you can see, the armored silo caps were in a worse shape than today, yet not heavily damaged. The barbed wire fence around the four silos was probably original Soviet.

Inside, the control rooms were basically empty, except for some communist emblems and flags. Green wall paint and Cyrillic writings could be found even at the time, so what you see today is likely original. The generator, whilst in bad shape, was there.

The silo could be accessed only via the original hatch, and except for the partial darkness, its appearance is similar today.

It is out of doubt that the ‘Soviet ghost aura’ of the base was somewhat lost in the restoration process, yet credit must be given to the effort of the local government in preserving a rare and relevant trace of military history through an expensive restoration process.

Getting there and moving around

The Cold War Museum (Šaltojo karo muziejus in the local idiom) is located in the Zemaitija National Park, northwestern Lithuania, east of lake Plateliai. Access is via the road 2302. The place is totally accessible and well advertised locally. Visiting the outside of the armored caps and inside is possible only with a guided tour, offered in many languages including English, and lasting about 50 minutes. No fee is required for climbing on top of the observation deck. Full information through the official website here.

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

Minsk – A Soviet Capital of the New Millennium

Belarus is exceptional in the panorama of post-soviet countries. Maybe thanks to its geographical location, next to the heart of Europe yet in the closest vicinity of todays Russian Federation, this large piece of almost flat and fertile land is the contact point of two civilizations and ways of life – Russia and core Europe – which merge here in an inexplicable harmony. And this is perfectly reflected in the appearance of its unique capital town – Minsk.

If you have never been there but you are not new to former-communist countries in Europe, what you might expect from the capital of very little-mentioned Belarus, a republic once in the realm of the USSR, is a chaotic town, full of rotting, stripped buildings built with the huge volumes typical to the peripheral areas of Moscow and St. Petersburg, old and smoky Ladas and Chaikas rumbling along rough roads full of puddles, like ten years ago in Sofia or Bucharest (see for instance this chapter). Once there, you will soon understand the picture is really different.

The impression is that of a rich country, with infrastructures right at the level or even above those of western Europe, large and paved roads, modern cars, gas stations everywhere, freshly painted buildings, leveled walkways, colored lights and nightlife.

Of course, the soviet grand architecture is all there. Actually, since Minsk was totally destroyed in 1944, in a fierce battle between the Red Army and the slowly retreating German Wehrmacht – an episode which gained the town the high honor of ‘Hero of the Soviet Union’, still eagerly displayed today – after the war was over, a master-plan for the reconstruction in a perfect Stalinist style was put in place. As a result, Minsk is a rare – perhaps unique – example of a Soviet model-capital from the early Cold War era, when the USSR ruled by Stalin had just triumphed on the stage of a world conflict, and it was setting about to keep up its hold on all eastern Europe. In this sense, at least for a westerner Minsk looks today a town more soviet than others in Russia.

Another element you perceive clearly, not so typical to bigger and way more populated metropolitan areas in the nations of eastern Europe and even in Russia, is a strong sense of order. Nightlife is quiet and not bombastic, cars move around at moderate speed and without creating jams, everything is very clean and calm. Minsk is both busy and quiet, thriving and disciplined – maybe this is just how a soviet capital should have looked like? Belarus suggests how the Soviet Union might have evolved in our days, had it survived its own social and economic failure.

Still today the strong ties with the Russian Federation help feeding the economy on the one hand, but on the other make entering this country a complicated business, like the case is for Russia – anticipated invitations, visas, stringent time frame limitations, … All these rules are gradually being lifted, but the country remains oriented mainly towards its huge eastern neighbor – something you see confirmed looking at the airport timetable in Minsk, from where you can fly to anywhere in Russia, but almost nowhere in Europe. While possibly difficult to deal with, all these controls and bureaucracy help preserving some ‘soviet aura’, which may add to an uncommon travel experience.

This post presents some photographs from central Belarus, taken during a visit to Minsk and some neighbor sites – conveniently reached with a car in less than two hours – in spring 2018.

Map and Visiting

The majority of the sites listed on this chapter can be reached with a relatively short walk from whatever hotel in the city center. Nonetheless, the city is not small and some perspectives are really broad and long. For a more relaxed visit as well as for reaching Khatyn and the Stalin’s Line a car is highly recommended.

Entering the country with a car can be a nightmare, but flying into Minsk and renting a car is indeed possible – I landed in Minsk from Kiev in the Ukraine, and got my car from Avis. Differently from most former countries of the Eastern Bloc, roads are well in line with the highest European standard. Gas stations are abundant, and they accept credit cards. Plus traffic is really well-disciplined, totally different from the Balkan states or even Russia. Parking is generally not a problem, so hop-on/hop-off from your car allows for a time-saving, very effective way of moving in downtown Minsk.

Of course, if you are not planning to go beyond the city limits, you may choose to move around with the public transport system, with a fairly extensive network. Generally speaking, everything is like in the western world from the viewpoint of services, most top-tier western hotels are represented, there are shopping malls with international brands, and so on.

Minsk and its surroundings are unrealistically ordered, you feel perfectly safe both day and night – totally to the other end of the spectrum, compared to other post-soviet cities in eastern Europe.

I spent three full days visiting Minsk and its surroundings, including some historical sites not covered in this chapter, located farther west in the country. I would say this is a good compromise for getting a decent insight of this city.

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Sights in Minsk

Praspyekt Nyezalyezhnastsi – World’s longest boulevard

The backbone of the Stalinist architectural master-plan put in place in Minsk is a multi-miles boulevard called Praspyekt Nyezalyezhnastsi, the longest boulevard in the world at least in Minsk’s tradition, cutting through the most monumental districts and connecting the executive airport to the southwest of downtown to the eastern peripheral belt of the city. The end of the boulevard to the east is not evident, for at some point it changes into a highway, leaving Minsk behind, heading for Smolensk and Moscow.

If you are coming in town from the main airport, located well out of the urban area to the southeast, you are likely to be driven along the full length of this boulevard – with its unpronounceable name.

Along this boulevard, or very close to it, you will meet the majority of the sights described in this chapter.

You may get a really striking impression from this boulevard visiting at night, for every building along it is lighted. The pictures below give some examples.

Independence Square

Locating the actual focal point in the center of Minsk is not easy, but a choice may be Independence Square, once Lenin’s Square – as the name of the underground station recalls. This may be also a trail-head for your tour of the town.

This long and narrow square hides an underground shopping mall. The crystal cupolas on the ground are a distinctive feature of the square. The central monument is centered on the stork as a subject. This bird is not uncommon in this part of Europe, and is the national bird of Belarus.

Around the square you can find some notable buildings. On the northern side is the Roman Catholic church of Saint Simon and Saint Helena, dating from the beginning of the 20th century, and closed for the long decades of the communist dictatorship.

In the northwest corner it is impossible to miss the huge Palace of the Government, with a prominent statue of Lenin. Similar to Russia, the father of pragmatic communism and of the Soviet Union is still kept in high respect.

Continuing around the square, the tallest building to the west and the adjoining facades on the southern side are all part of the Belorussian State University. To the southeastern corner you can spot an office of the Department of Justice.

Central Post Office

Leaving the square along Praspyekt Nyezalyezhnastsi to the east, a first distinctive building is the central post office. The hammer and sickle emblem is still proudly standing on top of the eclectic, soviet-classicism façade. You can find also an interesting clock, looking like a gigantic copy of a vintage radio alarm from the 1960s.

Inside, the small cupola covers a fully functional post office, where also many items of philatelic interest from the Eastern Bloc can be found (they accept credit cards).

Stately apartment and office buildings can be found on both sides of the boulevard as you walk east.

KGB Headquarters

Yes, the name is correct. It is not an exaggeration. Differently from the Russian Federation, the Belorussian government did not change the name of the world-famous State’s security service since the time of the USSR. The huge building of the headquarters is clearly the same. The façade looks impenetrable and grim.

The shield and sword emblem is still prominently standing on the wooden front door.

The ‘soviet aura’ around here couldn’t be more intense. This building is really magnetic, a living witness of a bygone era.

Cross the street, where a nice boulevard – with the very Soviet name of Komsomolskaya Ulitsa – takes to the south going slightly downhill, you can even spot a bust of Felix Dzerzhinsky, a Bolshevik, Lenin’s friend, revolutionary, and founder of the Cheka – the revolutionary executive repression service, years later to evolve in the KGB.

Dzerzhinsky was the armed hand of Lenin, and due to its clear and heavy responsibility in the killing of many of the early victims of the October Revolution, he was put aside even in Russia, his statue being reportedly removed from ahead the Lubjanka, the KGB headquarter in Moscow. The same did not happen in Minsk, possibly because the man was from a noble family from around here.

Crossing with Ulitsa Lenina

Moving on, you will find more buildings with nice soviet-themed friezes and decorations, including the building of the Central Bank of Belarus.

The crossing with Ulitsa Lenina – not unexpectedly – is another focal point of the architectural master-plan. Clearly, here is McDonald’s – probably the neatest in the world!

One block to the south from this crossing along Ulitsa Lenina, you can find a house with tons of marble commemorative tablets on the front, where many notable people have lived. They include Felix Dzerzhinsky.

Kastrycnickaya Square

Taking again Praspyekt Nyezalyezhnastsi and going west, you soon find to the north of the road a huge square – Kastrycnickaya Square – with the modern-soviet building of the Palace of the Republic right in the middle. This building was designed in the 1980s and partly built under soviet leadership. Following the collapse of the USSR, construction was halted for years, and the building was completed only in the late Nineties. It is basically an auditorium for artistic performances, conventions and public governmental meetings as well.

To the eastern side of the square the Labor Union Palace of Culture is a great example of soviet classicism, with sculptures adorning the façade and corners of the greek-temple-like building.

Presidential Palace

Cross the road there is a garden going gently uphill. There is no car access to the eastern side of the garden, and you can spot the stately, grim front of a building of the Armed Forces – once the Soviet Red Army. Today this is mainly a representative building, featuring also a theater. On the southern side of the park you can find the Presidential Palace, a pure soviet-style monster occupying the majority of the block. You will see policemen discreetly keeping a watch on the area.

There are other smaller government-connected buildings around, some with soviet insignia. On a corner of the park there is the Yanka Kupala National Academic Theatre, which for the location and style may be one of the few remains of pre-soviet Minsk in the area.

Television Center and Lee Harvey Oswald’s Home

Again on Praspyekt Nyezalyezhnastsi, the road goes downhill and crosses a small waterway. The area is really nice, and looking northeast from the bridge you can spot the Television Center, with a distinctive tower made of iron beams and likely dating from soviet times.

Getting close to the center, you see the building right ahead of the tower, still today hosting a TV channel, is just another Soviet neoclassical building, still part of the Stalinist master-plan.

The nice apartment building to the the southern side of the TV channel headquarters has some historical significance, since it was there that Lee Harvey Oswald used to live when he spent some years in the Soviet Union in the Fifties.

Much has been said about the intricate plot leading to the shooting of President Kennedy, and the actual part of Oswald will probably remain largely unknown (see this post). Especially his relationships with the USSR are shrouded in mystery, but looking at the building – stately and very nice even for todays standard – the idea that Oswald could live there while being a poor, anonymous worker in a soviet factory does not seem very credible.

House of the First Congress of the Russian Social Democratic Labour Party

This small and modest house belonging to the pre-soviet era was until the end of the USSR a pilgrimage destination from all over the Union. It was here that the embryo of the Communist Party of the Soviet Union, namely the Russian Social Democratic Labour Party, held its first congress. This happened back in 1898, and the reportedly largely unsuccessful meeting was held in secrecy among only a few notable political figures, known as troublemakers to the government of the Tzar.

Besides the political-historical interest, the small museum offers interesting memorabilia and furniture from the late Tzar’s era. This house was visited also by communist dictators and dignitaries from around the world, including Nikita Khruschev, Walter Ulbricht and Fidel Castro, whose visits are witnessed by signed documents and photographs.

Victory Monument

Going back to Praspyekt Nyezalyezhnastsi and proceeding slightly farther east, you immediately find an oval square, with an eternal flame and a tall obelisk in the middle. This is the Soviet Victory Monument, celebrating the triumphal march of the Red Army against the invading forces of Nazi Germany. Passing under German control soon after the invasion of the Soviet Union in the summer of 1941, Minsk was hit with extreme violence by the maneuvers of both contending armies three years later, in a crucial battle which opened the Red Army the gate to the last rush through Poland to Berlin. The town was besieged by the Red Army, and as a result of the heavy fighting it was almost leveled when the front line moved west.

The monument celebrates without excesses the sacrifice of many soldiers and civilians in the struggle. Minsk and a handful of other Soviet towns – Stalingrad, Kursk and Murmansk, to name a few – were later decorated with the title of City Hero of the Soviet Union. These towns, which were the stage of as many fierce battles, are remembered here with stones bearing their names.

The monument is particularly striking at night, thanks to the eternal flame ahead of it and the accurate lighting of the buildings nearby making for a nice scenery.

Yakuba Kolasa Square

Further east along the Praspyekt Nyezalyezhnastsi buildings start to look more average, but there are also more nice examples of soviet architecture. You soon meet the Yakuba Kolasa square, with a the philharmonic theater and other office buildings presumably from Stalin’s time or a little later.

National Library of Belarus

Closer to the eastern border of Minsk, where big apartment buildings from soviet times as well as more modern ones frame the road, you can find one of the most prominent modern buildings of Belarus, the state’s National Library, dating from 2006. The large glass volume over the main building is nicely lighted at night, but unfortunately I could not get a picture.

Close to this point, the long Praspyekt Nyezalyezhnastsi changes into the M2 highway, leaving Minsk to the east.

Mound of Glory

An incredible Soviet relic lies about ten miles along the M2, right on the interchange with the road leading to the main airport of Minsk a few miles south. This monument is a further celebration of the victorious battle of 1944 against Germany.

It is built in the form of a mound with an assembly of four bayonets on top, representing the cooperation of various armies and local partisans, and a victory crown with the faces of representatives of the branches of the army and of soviet society. The monument is really soviet in style, and while not necessarily esthetically pleasant, is not excessively bombastic either.

The monument on top of the mound can be reached with a flight of stairs. From there you can enjoy a 360° view of the hilly and relaxing countryside around.

The monument is lighted at night, but I could not take a picture at that time.

Belorussian State Museum of the History of the Great Patriotic War

This fantastic museum alone may easily justify a trip to Minsk! It is hosted in a building prepared on purpose, overlooking a huge green area in the city center. At the base of the hill you can spot a kind of triumphal arch, presumably built with the main building itself and forming an interesting ensemble.

The always growing collection relocated from a previous venue, where it had been opened to the public back in 1944, before the war had ended! By the way, the Great Patriotic War is WWII in the Soviet/Russian culture. Website here.

The collection is really huge, with rooms devoted to the many major battles fought by the Red Army in WWII. There are tons of memorabilia, including a very good collection of light weapons, and even a few larger crafts – tanks, aircraft, Katyusha rocket launchers, anti-aircraft guns, field cannons, …

Similar to other museums in the USSR, it is packed with material from Nazi Germany, which by comparison cannot be found in Germany, nor in this measure in western Europe or the US. Among the countless items, you can find also display cases devoted to soviet war spies in the west, modern dioramas and uniforms from the time.

On the top floor there is a large modern commemorative installation, with the names of fallen soldiers, and hammer and sickle insignia. This installation is recent – or recently refurbished – so the presence of abundant Soviet symbolism produces a strange ‘dystopia effect’.

Outside, on top of the building you can find a further monument, with an obelisk, some sculptures, and a Red Banner waving above the cupola. Behind, there is a Lisunov Li-2, a licensed  USSR-built Douglas C-47.

Minsk hosts an excellent aviation-themed museum, centered on warplanes and transport aircraft from the soviet era. This is covered in this dedicated chapter.

Palace of Independence

This palace not far to the back from the Museum of the Great Patriotic War is apparently another building of the Government or where the president lives – not very clear. On the rare occasions when Belarus is mentioned internationally, this is what appears on TV. It is very big and carefully watched, so the only pictures I could get were from cross the road.

Zamcyska District

This central district is located roughly between the KGB building and the Museum of the Great Patriotic War. It features a large and nice pond in the middle. Here some of the few remaining notable buildings from pre-soviet age in Minsk can be found. The main group is composed of a handful of churches making for a nice sight on a low hill to the south of the pond.

There are an Orthodox and two Catholic churches, surrounding the old city hall. The area is really nice to tour, and at night it is very lively and fully lighted.

Close by, the Trinity Hill displays some rebuilt or refurbished buildings from the 18th century or earlier, giving an idea of how Minsk would have looked had it not been totally destroyed. Also this district is very picturesque at night, definitely a nice place for a relaxed stroll.

To the far end of the pond you can spot an unimaginable residential building, with a façade roughly as long as an airport, made a little more digestible when lighted at night.

In the same area there are a large soviet-themed metallic sculpture on the front of a building, and multiple huge banners in neon lights with celebration exclamations and slogans.

…More!

The city is full of majestic perspectives and interesting buildings. One of them is the totally ‘Stalin’s gothic’ Gate of Minsk, right behind the central railway station. It is composed of two bulky towers, with the façade adorned in a way resembling Kutuzovsky Alley in Moscow, or Karl-Marx-Allee in Berlin, two eminent examples of this style. See this chapter for more examples of this iconic architecture.

There are also churches dating back to before the USSR era, or rebuilt after it. One of them is quite central, and surrounded by an Orthodox cemetery still used today.

To the west, the peripheral belt has been built functionally, with large infrastructures but also very big – let’s say, excessively big! – apartment buildings, in a style which is typical to post-soviet countries. Yet, as previously observed, even these areas do not look degraded, but on the contrary rather well looked after and actively maintained.

Sights around Minsk

Khatyn

Much confusion exists about this location, which is actually where the forces of Nazi Germany burned an entire village with its occupants back in 1943. By chance – or may be not – in a place with the same name but some 100 miles to the east in Russian territory the NKVD (later to evolve in the KGB) by direct order of Stalin had deported and mass executed a substantial quota of the officials of the Polish Army – in the order of the thousands – in 1940. The responsibility for this tragedy was fully recognized by Russia only after the end of the USSR.

The memorial in (Belorussian) Khatyn is a celebration monument made in the 1960s to remember the local tragedy with typical soviet pomp, with statues, stonewall retracing the area of the village and stones with inscriptions.

There are also bells producing a sad rhythmical tone. The place stands as a memorial of all similar horrible episodes for which the Nazis are responsible.

This location is very popular since the Cold War years, and it still attracts many visitors from Belarus and nearby Russia these days. There is also a very small indoor museum, which I had not the chance to visit.

Stalin’s Line History and Heritage Museum

Similar to other countries in the inter-war period – for instance, France and Czechoslovakia – the Soviet Union invested in the preparation of a long defensive line, to fortify the western border against an invasion from central Europe. The name of the USSR’s defensive line, which passed close to Minsk, was ‘Stalin’s Line’.

This was composed of a backbone of reinforced concrete bunkers, with a capability to withstand fire from the tanks of the enemy’s armored divisions. In these bunkers, often prepared in groups of interconnected pillboxes, anti-tank cannons and machine guns were installed for effectively counteract an invasion.

The strongholds of the line were surrounded by various obstacles, including anti-tank obstacles, barbed wire traps and so on.

Construction of the Stalin’s Line was interrupted after the Ribbentrov-Molotov agreement between the USSR and Hitler’s Germany in 1939. The unfinished line turned little effective in containing the surprise aggression by the Wehrmacht in 1941, when the country fell under German controls.

Nonetheless, parts of this line are duly preserved as monuments. The Stalin’s Line History and Heritage Museum is centered on one such fort, which can be visited thoroughly. The inside of most of the bunkers have been restored to a mint condition, and are really interesting to visit.

The size of the rooms in the bunkers is generally smaller than the French, Czechoslovakian or Finnish counterparts. All bunkers are painted in a camo coating.

The museum presents also a reproduction of the border line with the Soviet Union, with a watchtower, anti-penetration barriers and green-red posts with the emblem of the USSR. In the same area, a collection of turrets from more countries is displayed.

A second, very large part of the museum is composed of a world’s class collection of weapons, dating from various ages from WWII and the Cold War, and providing an insight on the USSR’s warfare capabilities.

On a first apron there are field cannons, motorized cannons, rocket-launchers and armored vehicles. Close by, you can try shooting with a machine gun or even an anti-tank cannon! This unique feature of the museum makes it very lively, for you are often distracted by the loud bang of a firing weapon!

In another area you can spot a group of soviet aircraft and helicopters, a steam locomotive, and a full array of prefabricated structures, intended to be buried to form bunkers with various purposes – missile storage, interred barracks, … These are extremely interesting, as you can see here the actual shape of the items often found elsewhere in the former Eastern Bloc, typically in abandoned bases covered in other chapters (see for instance this chapter).

Furthermore, there are both tactical and strategic missiles with their launching and monitoring equipment. Of particular interest is the SS-4 ‘Stiletto’

– involved in the Cuban crisis of 1962 – with its launching gantry. Notice the rig anchoring the gantry to the ground – you can find similar items even in Germany (see for instance this chapter), witnessing the deployment of this type of missile in eastern Europe.

Finally, if you dare, you can enjoy a run on an armored vehicle. The place is reportedly active with reenactments, and actually you can find a good reconstruction of a theater of war from the WWII years.

A striking feature, a recent bust of Stalin has been placed in the parking – close by an Orthodox chapel, to suitably exorcise his deadly presence.

The place is managed like a top class museum, and reportedly there are many visitors, also due to the close proximity with Minsk. Website with full information here.

The Estonian Aviation Museum

A nice and lively university town in the heart of the Estonian countryside, Tartu has really something for every kind of tourist – including those interested in aviation history. The Estonian Aviation Museum, or ‘Eeesti Lennundusmuuseum’ as they write it in the tricky local idiom, boasts a substantial and heterogenous collection of aircraft preserved in exceptionally good condition, which will not leave indifferent even the most knowledgeable aviation expert.

Having being for long a socialist republic in the realm of the Soviet Union – and today sharing a border with Russia – Estonia had access to massive surplus reserves after the end of the Cold War, so it is no surprise that Soviet aircraft are well represented in an Estonian museum. This already might appeal to western tourists, for the exotic, menacing silhouettes of MiGs and Sukhois are not often to be found except in less accessible spots in the former Eastern Bloc. Yet some more unexpected and rare models have been added over the years, including some SAAB aircraft from Sweden which are authentic collectibles.

The following photographs cover almost every plane that was there in summer 2017.

Sights

Most part of the collection has been preserved in a cleverly designed structure, made of small open-walled hangars with translucent canopies. The aircraft are illuminated by natural light, helping much when taking pictures, but they are not exposed to direct sunlight, rain or snow, which tend to damage both metal and plexiglas on the long run. Furthermore, the lack of doors and frames allows you to move around freely, and the place is not suffocating nor excessively warm.

The aircraft are basically all from the Cold War era, but some of them have outlived the end of the USSR and were retired more recently. The portraits are grouped here roughly based on the nationality of the manufacturers or aircraft mission.

Designs from the US

The American production is represented in this museum firstly by a McDonnell Douglas F-4 Phantom II, operated by the West-German Luftwaffe. The General Electric J79 turbojets have been taken out of the airframe, so you can see them separately.

A pretty unusual sight, also the antenna and electronic group in the nose cone have been taken out and are on display. This Phantom is a F-4F, a version specifically developed for West Germany from the basic F-4E. The former inventory number was 99+91.

Another iconic model on the menu is a Lockheed F-104 Starfighter, formerly from the Italian Air Force. This exemplar is actually an Italian-built ‘S’ version, and among the latest to be retired by the Aeronautica Militare. The engine, again a J79, is on display elsewhere in the museum. An unusual crowd of instruction and warning stencils populate the external surface of the aircraft.

Soviet Military Models

The majority of the aircraft on display were designed in the Soviet Union or other countries of the Warsaw Pact.

Two aggressive aircraft include a MiG-21 and a MiG-23. The first, present here in the colors of the Polish Air Force, is a MiG-21bis Fishbed, the latest development of this fast delta-wing fighter/light-interceptor.

Possibly one of the most ubiquitous fighters of the jet age, the MiG-23 Flogger is part also of this collection. The aircraft you see in the pictures is a MLD variant, representing the last upgrade of this iconic fighter, which was also the basis for the very successful MiG-27 design.

It bears the markings of the Ukrainian Air Force, therefore it is likely an ex-USSR aircraft. The engine is sitting besides the aircraft, and two rocket canisters are placed beneath the fuselage, close to the ventral GSh-23 twin-barreled cannon.

A less usual sight is a MiG-25 Foxbat, a super fast interceptor/recce aircraft. Conceived in the late Fifties when the race for speed was in full swing, it was developed into a high performance platform to counteract the threat of the SR-71 Blackbird. It was built around two massive Tumansky R-15 afterburning turbojets, rated at a pretty high wet thrust of 110 kN, resulting in an incredible top speed around Mach 3.2! The aircraft is pretty sizable, and you can appreciate that looking at the picture of the main landing gear – search for the cover of my Canon wide lens close to the ground and compare sizes!

The menacing silhouette of this huge bird, with red stars on the vertical fins and a bare metal fuselage, will likely make relive in you an ‘Iron Curtain feeling’!

One which will not go unnoticed is a Polish Air Force Sukhoi Su-22M4 Fitter in a flamboyant, very colored livery. This massive fighter-bomber represents the export version of the Su-17M4 built by the USSR for domestic orders.

Despite the shape, roughly similar to that of the MiG-21 also on display, the size of this aircraft is much bigger – you might think of Su-22 as a case for a MiG-21…

Soviet bombers are represented by a pretty rare Sukhoi Su-24 Fencer, which is today still in service in Russia. The example on display bears the markings of the Ukrainian Air Force, meaning it was once a Soviet aircraft.

This massive twin-engined beast outsizes all other military aircraft on display. The aircraft is on display with three support tanks under the fuselage and the inner wing pylons.

A less common sight is a Yakovlev Ya-28P Firebar, a long-range intercept version of this multi-role platform from the early Sixties. This design is very interesting, with a four-points undercarriage and a very long nose cone, where a radar system for a target-tracking and missile guidance system was located. The two turbojet engines are mounted in cigar-shaped underwing pods. The relevant sweep of the wing suggests a significant speed capability, yet many variants of this aircraft were developed to exploit also its good range performance. The antenna originally placed in the nose cone is on display besides the aircraft, which bears original Soviet markings.

Soviet Transport Aircraft

Two aircraft which could not find their way in covered shelters mainly due to their bigger size, are a Tupolev Tu-134A-3 and a Yakovlev Ya-40. Both can be accessed, so you can get a view of the inside, including the cockpits.

The Tu-134 twin jet, with its distinctive glass bulge in the nose ahead of the cockpit, has been for long a ubiquitous aircraft in the USSR and in many countries of the Eastern Bloc. The exemplar on display was taken over by the Estonian company Elk Airways, created after Estonia left the USSR.

Notwithstanding this, the aircraft betrays its Soviet ancestry and ownership in every particular, from the all-Cyrillic writings to the hammers and sickles here and there, from the design of interiors to the exotic cockpit, painted in a typical lurid Soviet green and with prominent unframed black rubber fans for ventilation.

The Yak-40 is an interesting three-jet executive/small transport aircraft. The one on display went on flying for at least some good 15 years after the collapse of the wall in Berlin.

The internal configuration features an executive room ahead of a more usual passenger section and tail galley. The style of the cabin and of the pure analog cockpit is really outdated for todays standards!

A rugged workhorse still flying today in many countries is the Antonov An-2, a single propeller, radial-engined, biplane tail-dragger transport. There are two of them in the collection. One is under a shelter and can be boarded. The interiors are very basic, but the visibility from the cockpit is very good especially for a tail-dragger with an engine on the nose.

Swedish Aircraft

An unusual chapter in air museums except in Sweden is that of SAAB aircraft, which are represented in this collection by two iconic models, a Draken and a Viggen, and an extremely rare, very elegant Lansen. All are in the colors of the Royal Swedish Air Force.

The Saab 35 Draken features a very distinctive double-delta wing, and was developed in the Fifties for reaching a high supersonic speed. The design turned out to be pretty successful, and was operationally adopted primarily as a fighter by Sweden and other European countries as well.

The one in the collection is painted in a bright yellow livery. The infra-red pod under the nose cone of this aggressive attack aircraft looks like the lidless eye of an alien!

The Viggen is a an attack aircraft from the late Sixties, developed for the domestic military needs into some sub-variants. With the JA 37 version displayed here, the Viggen went on to constitute the backbone of the intercept fleet of neutral Sweden, and was retired only in the early 2000s. The aerodynamic configuration features a prominent canard wing, and the Viggen was notably the first in such configuration produced in significant numbers.

The most unusual of all three SAAB designs on display is surely the SAAB 32 Lansen. A very neat design from the Fifties, loosely recalling the Lockheed P-80 and the Hawker Hunter, the Lansen was a jet fighter of the early Cold War developed specifically for Sweden and gaining a good success. The ‘E’ version on display was converted from the original fighter variant (‘B’) for the ECM role, and kept flying almost until the end of the 20th century. The green painting of the Royal Swedish Air Force is really stylish, definitely adding to an already elegant design.

Soviet Surface-to-Air Missiles (SAM)

Curiously enough, an extensive collection of SAMs is part of this rich collection. All major missiles from SA-2 to SA-6 are represented, some of them in multiple exemplars. The size of these missiles, especially the oldest, is really striking. They are stored outside, besides some cases for missile transportation, deployable radar antennas, and what appears to be a flak cannon from Hitler’s Germany – a bit of an outsider…

Jet Engines

Many of the engines of the aircraft on display have been taken out of the corresponding airframes and put on display besides the plane where they used to belong, or in a dedicated part of the museum together with others. The J79 belonging to the Italian-built F-104 can be recognized from the Italian plaques on many components.

Many soviet engines bear markings in Cyrillic, and one of them, a larger turbofan which does not fit in any bird on display, has been cut to show all components.

More…

More aircraft in the collection include some Mil and Kamov utility helicopters, a BAe Hawk of the Finnish Air Force and other trainers mainly from countries of the Warsaw Pact, some of them now on the civilian register.