The Cold War in Hungary – Military Collections, Leftovers & More

Many traces of the communist dictatorship can be found in today’s modern and thriving Hungary. The most visited ones, like Memento Park or Terror Haza in capital city Budapest, tell about the inhumane and pervasive aspect of propaganda and political repression. However, the history of this country in the second half of the 20th century is closely bound to the Soviet-backed communist seizure of power, and this has left traces also elsewhere, especially in terms of military leftovers. As a matter of fact, the Soviet Red Army was directly present in Hungary, to keep the status quo and to to be closer to the border with the West in case of an attack – and this of course left traces.

You can find a significant deal of material concerning more urbex-connected destinations in Hungary in another post.

In this one, you will find a mainly pictorial portrait of some of the best known attractions related to the Cold War period in Hungary, as well as some well accessible but less known ones, especially considering the general public visiting from abroad. As usual on this website, a good share of these sites is aviation-themed!

Photographs were taken in August 2020.

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Sights

Iron Curtain Museum, Felsocsatar

The Iron Curtain Museum has been created soon after the collapse of the Iron Curtain in 1989 on the sight of a former small sector of the state border between communist Hungary and free Austria.

The site is mainly the result of the effort of a man, Sandor Gojak, a former border guard in the 1960s, who dedicated this permanent exhibition to those who attempted escaping the repressive communist regime in Hungary towards Austria and the West – both those who succeeded and those who did not, hence facing arrest or losing their lives due to the minefields prepared along the border line.

The site features three examples of the border line placed in the area over the years. They are look less impenetrable than those created between Eastern and Western Germany (see this post), yet they were similarly deadly in scope and facts.

The first is basically a simple line of barbed wire with wooden poles, and it was put in place soon after WWII. Mines were placed in close vicinity to the line. After wooden poles started to rot around the mid-1950s, mines were removed, a dangerous job which cost the health of some border guards, who were severely injured due to accidental explosions.

For a short while at that time, the border was free of mines, and about 300’000 people managed to leave the ‘paradise of workers’!

Soon after the anti-communist uprising in 1956, suffocated with violence by the Soviets, the border was further fortified with concrete poles, and the mine strip was increased in width.

Only at the end of the 1960s the mines were removed, after multiple accidents involving Austrian citizens, when the mines slipped into a creek near the border due to a flood, injuring many who touched them incautiously. This time the border security system was strongly potentiated, with the adoption of an electrified system for the immediate detection of proximity, linked to signal collection centers dislocated along the line. This system had been implemented by the USSR on the Pakistani border. Something similar can be found also on the border between Czechoslovakia and West Germany (see here).

The exhibition is completed by an example of a wooden turret, as well as a more modern fence – a specimen of the one put in place in 2015 between today’s Hungary and neighbor Serbia and Croatia, when a wave of migrants from the Middle East swept the Balkans.

The museum is full of vivid testimonies, thanks to the many historical pictures and artifacts on display, and to the fact that the founder is actually the man who runs the museum! – he is totally available to answer your questions.

Getting there and visiting

The museum can be reached here: 47.20376801287036, 16.429799972912328, on the border between Hungary and Austria, not far from Szombathely. The coordinates point to a convenient parking. The site is operated as an open-air museum, with opening times and an entrance fee. Moderate climbing is required, as the museum area is on the slope of a nice hill. Only cash accepted. Visiting may take about 45 minutes. Website here.

Military Park, Zanka

This small military park is a nice and cared for exhibition of Soviet-made weapons, located ahead of a resort which used to be an exclusive destination for vacation on the coast of Lake Balaton.

You can find here a couple of Mil helicopters – including the legendary Mil-24 in all its ‘beauty’! – in the colors of the Hungarian Air Force.

There is a MiG-21, also formerly of the Hungarian Air Force, a T-64 tank, a howitzer, a military snow blower, an amphibious truck and more light trailers.

Perhaps the most striking sight in this collection is the surface-to-air missile (SAM) SA-2, aka S-75 Dvina in the Soviet codification. A rather basic but powerful – and successful – missile from the 1950s, sold by the Soviets to many satellite Countries and clients over the world.

A revolving antenna can be seen on top of a truck. This is an example of the target acquisition antenna for the SA-2 system, code-named Spoon Rest by NATO, and known as P18 in Soviet codification. This radar system had a range of approximately 170 miles, and was an improvement of the previous P12 design. The launch site of SA-2 SAMs was always complemented by a set of antennas, including a Spoon Rest system. Actually, P18 could be coupled with the launch system of more advanced SAMs too.

All items in the collection here are pretty well preserved, making the visit an enjoyable stop along the exploration of the Balaton coastline.

Getting there and moving around

The park can be found here: 46.881838498667996, 17.7098619193198. The site can be visited in 10-30 minutes depending on your level of interest. This is an open-air museum, with ticket and opening times. Website (referral) with some information here.

Komarom Monostor Fort & Soviet Weapons Collection

An incredible, perfectly preserved military fort from the years of the Austrian Empire, Monostor Fort in Komarom can be found on the Danube, marking the border with Slovakia. At the time of construction, the two nations were united in the Austrian Empire, and the fort was erected between 1850-71 as a part of a defense line extending also north in today’s Slovakia.

Despite being extremely interesting for its articulated and complex construction – a brilliant example of military engineering from the time – the fort saw no action in its intended purpose. It was used for training for most of its life, then briefly as a prisoner’s camp in the years of Hitler’s administration, and finally as an immense weapons storage during the Cold War years, when it saw tenancy by the Soviets.

Today, the fort is open as a museum, duly centered on the interesting original construction from the 19th century.

One cellar has been left as it was in Soviet times, when weapons of all sorts were stored here, moved by means of a dedicated short-gauge railway.

In a corner of the immense apron, you can find a small collection of Soviet weapons, mainly anti-tank and anti-aircraft cannons. There are also a couple of truck-transported antennas, including a very effective early warning Flat Face radar, aka P19 Danube according to the soviet classification, as well as a PRW-9 Thin Skin target altitude detection radar. Similar platforms are still in use today, and can be coupled with modern SAM launching systems.

Getting there and moving around

The fort is a major attraction in the area. It features a large parking ahead of the entrance, address: 2900 Komárom Duna-part 1. Visiting is on a self-guided basis, with a short paper guide in English distributed at the entrance, and the visit will be extremely interesting for anybody interested in history, military engineering, etc. – not only Cold-War-minded subjects.

Visiting may take 1.5 hours, due to the size of the fort. The place is also used as a venue for theater performances and concerts, so timetables may vary. Some info in English can be found on this website.

Papa Airbase

Papa is today an active base of the Air Force, hence it cannot be accessed. However, with a short adventure drive along an unpaved road, you may reach a part of the former premises of the base – from Soviet times – now lying outside the perimeter.

There you can find a pretty unique array of old abandoned aircraft of Soviet make, in the colors of the Hungarian Air Force.

They are MiG-21 of many types, and also massive Sukhoi Su-22.

The state of conservation is not so bad – you can find airframes in worse condition in some museums – but some aircraft are missing some parts, possibly due to spare recycling, or vandalism, even though the place is really secluded, and the proximity with privately owned land and a military base is not ideal for vandals and idiot spoilers.

Of course, a few more years without any attention to these birds and little will remain of this improvised fleet. Hopefully, at least a share of this mighty force will find a due place in some museum or collection over the next years.

By the way, the former military area where these planes are sitting was perhaps a place for SAMs, put for protection of the base in the Cold War years.

Getting there and moving around

This is the only item on this post which is not a museum. It’s hard to tell whether these aircraft are lying on private land or not. However, to reach this strange flock of aircraft, you can move with a standard city car to this crossroads: 47.33966571405878, 17.550239693088113.

From here, you need to take north, until you reach this other waypoint: 47.35812676567956, 17.530436267329513. At some point along this path, the road turns unpaved, but the condition is generally manageable. On the latter waypoint you need to turn sharp left. You may notice old concrete posts, from the original soviet fence of the base.

You will finally land here: 47.35812676567956, 17.530436267329513, where you find an asphalted road, in the middle of a former peripheral area of the base. Driving towards the base along this road, you will find the aircraft here: 47.3541655146187, 17.514827811942904.

Visiting is not a long business, cause you should not move around the aircraft, as they are likely on the border of a private lot (fenced). Totally recommended for Cold War aircraft enthusiasts however.

Komo-Sky 51 Air Museum, Dunavarsany

This wonderful military exhibition is the based on the collection of a Hungarian military pilot, Zoltán Néhai Komócsi, nicknamed ‘Komo’, from which came the name of the museum. Unfortunately, the man passed away years ago in a crash. The collection was publicly put on display only more recently.

Items on display include military aircraft and helicopters, military trucks, trucks from the firefighting squad, engines, and more! Some of the exhibit can be boarded, and reportedly some vehicles are still operative.

Most of the exhibits are in very good condition, a few are still awaiting light refurbishment. An old Mil-2 helicopter can be boarded, revealing an old-fashioned cockpit, made more exotic by the Russian inscriptions.

Also an attack Mil-8 helicopter in Hungarian colors can be checked inside. A Mil-24 is undergoing restoration (as of 2020).

The ‘MiG alley’ includes MiG-15, 21 – in various versions – and 23, all in very good condition, refurbished for display.

Also some trucks can be boarded, revealing once more the excellent state of preservation, as well as abundant Russian signs.

To the far end of the collection, an Antonov An-2 utility biplane, an ubiquitous workhorse of the Soviet empire, can be boarded up to the cockpit.

You can sit in the pilot’s seat, getting a nice view from the cockpit of this bird.

Three deployable radar antennas can be seen on their trailers – apparently a not complete P80 Back Net system from the 1960s is the largest one.

Finally, a MiG-21 in the colors of the Hungarian national flag can be boarded. This is extremely interesting, as it provides a look in the cockpit of this high-performance and successful fighter/interceptor from the Cold War years, when ‘high-performance’ implied ‘high-complexity’ analog cockpits!

Getting there and moving around

The museum can be found at these coordinates, 47.292057190313706, 19.029565655926707, corresponding to a convenient parking. The site is about 30 minutes driving south of central Budapest. It is an open-air museum, with timetables and ticket. Information on their website (in Hungarian). Time required for visiting may range between 30 minutes to 1.5 hours for an interested subject, taking all the pictures.

Komo-Sky Bunker, Dunavarsany

A recent addition by the current managers of the Komo-Sky 51 Air Museum is this fully refurbished Soviet bunker, once used for air traffic control. The place is actually in the vicinity of the former Soviet airbase of Tokol, one of the largest in Hungary in its heyday (see this post).

Today the bunker has been partly restored in look, with some rooms changed into ambiances for interactive experiences, including shooting!

Some rooms host interesting collections of artifacts from the everyday life of communist Hungary.

Military memorabilia from the Red Army, with conspicuous Russian writings, are scattered everywhere.

A room of special interest hosts a collection of militaria from the Eastern Bloc, with artifacts ranging from weapons to flight suits, military decorations to aircraft parts. Really something for everybody!

Getting there and moving around

The bunker is a recent (as of 2020) addition to the Komo-Sky 51 Air Museum. No dedicated website available at the time of writing. The place can be reached at the coordinates 47.297663350792774, 19.0351554512774, about 3 minutes driving north of the Air Museum. I visited by invitation of the owner, hence I don’t know about the actual timetable. A website of a hotel nearby – actually on the very same lot of the bunker – is here, with some information on the bunker in Hungarian.

Museum of Military History, House of Terror, Memento Park, Houses of Parliament – Budapest

Budapest is rightly famous for a history spanning many centuries, for its art collections, incredible architectures, thermal baths and many other enjoyable features. However, having been the capital of a communist country in the Eastern Bloc, it also hosted a ‘state security service’, i.e. an agency of the government attempting to control the minds of Hungarian citizens, and keeping everybody’s behavior under strict surveillance. The palace chosen as the seat for this service is named ‘House of Terror’ (‘Terror Haza’ in the local idiom). Here many were kept under arrest, interrogated, and in some instances secretly murdered in the basement.

The place is among the most visited museums in Hungary, and can be found right in the city center. Comprehensibly, no photo is allowed in the most sensitive areas of this sad building. Website here.

Another place of Cold War interest, making for a rather popular touristic attraction, is Memento Park. In this small park about 15 minutes driving south of the city center most of the statues and monuments once adorning the capital’s downtown have been collected and put on display.

Some from older times, celebrating the friendship of the Soviet and Hungarian peoples, are unbearably rhetoric.

Others are more artistically interesting, in the context of official artistic currents authorized by the Communist Party.

Lenin is of course a favorite subject.

By the entrance, Marx, Engels and Lenin are kind of ‘gate guardians’.

In front of the entrance, you can find a reproduction of the base of a statue of Stalin put in place at some point and surviving in pictures, and later dismantled after the death of Stalin. In the basement of the same construction, you can find a weird set of official busts of Lenin and Stalin, as well as a once popular image of Lenin as a child.

Close by, a small deposit of statues still waiting to be put on display can be found. Website here.

A less visited museum covering the military history of Hungary over the ages, but especially the 19th and 20th centuries, can be found right in the old district of Buda. The display is rather classical and didactic, but for more military-minded people, or those interested in the recent history of Hungary, it is for sure worth a stop when visiting uptown. Website here.

Finally, in the gorgeous building of the Houses of Parliament, you can find interesting info about the changes implemented to the architecture of the building during the communist period.

A unique artifact is the big red star once standing on top of the building, emulating the famous ruby stars placed on top of the towers of the Kremlin in Moscow. Website here.

Secrets of a Soviet Airbase, Berekfurdo

This museum is located in the small town of Berekfurdo, in the eastern region of Hungary, just a few minutes from the former airbase of Kunmadaras, which used to be operated by the Soviets in the Cold War era (see this post for the nuclear storage bunker to be found there).

Unfortunately, I could not visit the museum – it is open only rarely, on a very limited timetable. However, in the courtyard you can easily spot a Mil-24 attack helicopter, as well as a MiG-21. Both have been vividly and freshly refurbished – ready for take-off!

Getting there and moving around

The website of the museum provides good information, and the folks there appear pretty reactive in case you are writing to get more info. It is really a pity they have a timetable so limited. The place can be reached at these coordinates: 47.38366735314769, 20.84155882970934. The museum is made of a small hangar and an outside apron. Considering the size, I guess visiting might take about 1 hour.

RepTar Szolnok Aviation Museum, Szolnok

This is probably the ‘official’ aviation museum in Hungary, at least concerning the military field. It is clearly a well-financed endeavor, with a remarkable collection of aircraft from various ages, helicopters, engines and missiles. Most of the aircraft are preserved outside in an open-air exhibition, the oldest ones having found a place inside a modern and well-designed building. Everything on display has been recently refurbished, hence the collection looks fresh and well cared for.

Two aircraft will likely capture your attention in the main hall, namely a Spitfire in the colors of a Polish squadron fighting with the RAF, facing a Bf 109 in German Luftwaffe colors. The two opponents are displayed besides one another, allowing also for a configuration and size comparison.

Not far is the wreck of an Ilyushin Il-2 Sturmovik, built in huge numbers by the USSR over the years of the Great Patriotic War.

Interesting specimens in the inside hangar include a Messerschmitt Me-108 trainer, some Soviet trainers, classic Kamov and Mil helicopters.

A Soviet H-29L semi-active laser homing air-to-ground missile for the Sukhoi Su-22, which the Hungarian Air Force owned and operated, is on display.

A very interesting old analog approach simulator is also presented. It is made of a cabin mock-up and a large model of an airport, with cameras mounted on moving trolleys, likely projecting a magnified image of the ‘terrain’ in the cabin.

You can board a MiG-21, and see the mysterious content of the noses of some fighter aircraft – typically radar antennas of various levels of sophistication.

An array of engines, from WWII up to our days, are on display on the first floor.

Outside you can find a sample list of virtually all popular MiG models, from MiG-15 to MiG-29.

A colorful example of a MiG-21 will sure capture your eye, similarly to a set of Mil-24 attack helicopters, wrapped in incredible liveries!

A MiG-21 has been placed in an enclave resembling an aircraft shelter, an example of the care adopted in designing this top-tier museum. An SA-2 Guideline is on display by the entrance, visible also from the parking.

To the far end of the external apron, you can find a ‘MiG alley’ with several fighters from that design bureau. Also there is a massive Sukhoi Su-22, and two Lockheed F-104 Starfighter – from Turkey and Germany respectively.

The SAM part is rather interesting. You can see at least two SA-2 (aka S-75 Dvina, according to Soviet nomenclature), on trolleys or on the launch pad, with a distinctive flame deflector.

A P37 Bar Lock early warning and target acquisition radar has been put on top of a mound. This type of radar constituted the first line of border defense of many countries of the Eastern Bloc, against intrusion from the West. It featured a range of approximately 250 miles.

Another radar antenna is the P15 Flat Face low-altitude target acquisition radar. With a range of about 75 miles, this scanner operated typically with the SA-3 Goa anti-aircraft system (aka S-125 Pechora in Soviet nomenclature).

The latter is on display on a movable launcher as well as on a four missile rack, prominently placed on top of a rampart, somehow resembling its typical launching position. A battery of more missiles on the same launching rack is typical of this highly successful missile, sold to many Countries, and easier to operate than its older cousin, the SA-2.

Inside another smaller hangar – apparently a former railway depot – you can find the console for the control of the SA-2 system, together with another example of this SAM.

Getting there and moving around

Really an unmissable sight for aviation enthusiasts, military-minded people or the whole family as well! This very nice collection can be found in Szolnok. Address: Szolnok, Indóház u. 4-6, 5000 Hungary. Large parking ahead, restaurant and gift shop. Website here. You may easily spend a whole morning here, but if you are in a hurry, you can have a quick look in about 1 hour.

Emlekpont, Hódmezővásárhely

A rather unusual collection of soviet ‘authorized’ art can be found in this recently renovated building, which also hosts temporary exhibitions. The central part of the display is basically a single room on two floors, with paintings from the Cold War era.

A huge statue of a Soviet soldier takes the full height of the room! Some paintings refer to the 1956 uprising, clearly on the side of the rebels, hence they might be from a post-1989 time.

Surely worth a stop for those with an interest in Soviet art, like you can find only in Tretjakowsky Gallery in Moscow!

Getting there and moving around

This little museum can be found in Hódmezővásárhely, Andrássy út 34, 6800 Hungary, a few minutes driving from university town Szeged, close to the border with Serbia and Romania. Visiting may take about 30 minutes, more if you know Hungarian. Website here.

Pinter Works Military Park, Kecel

A one-of-a-kind exhibition, this place is hidden deep in the countryside between Balaton and the Serbian border, but it is really worth a detour for anybody interested in Soviet weapons from the Cold War era. It is likely one of the largest displays of heavy military gear you may find in Europe!

The sample list covers anti-aircraft guns, anti-tank guns, field artillery, self-propelled cannons and tanks.

But you also get special function trucks, moving bridges, transport, trailers, portable radar equipment.

Also SAMs are represented, including the SA-2 Guideline (S-75 Dvina), SA-4 Ganef (2K11 Krug) and the more conspicuous SA-5 Gammon (S-200 Vega). Some of the SAMs feature also transport cartridges on purpose-assembled trucks – some of them on tracks! – which are displayed side by side with field rocket launchers.

The huge Square Pair radar, used in conjunction with the modern SA-5 Gammon, makes for a really rare and impressive sight – it is tall like a multi-storey building, but it is on a trailer, implying it can be moved. There are two on display!

Also rather rare is the ST-68U Tin Shield early warning border patrolling radar, still in use today, with its movable trailer.

Even SCUDs surface-to-surface theater missiles can be found. One is located on board its movable launch-pad, similar to what you can see in Bucharest (see here).

Some of the trailers are open, so you can get a view of the inside – with all equipment apparently in place, including radar scopes and huge consoles, resembling an old-fashioned science fiction!

Finally, a series of fighter aircraft, including several MiG and Sukhoi models, are on display.

Curiously enough, a SAAB 35 Draken from Sweden found its way to here, whereas a T-72 and a T-34 make for gate guardians, together with an Antonov An-24.

Finally, what looks like a monster-size ballistic missile encapsulated in a canister completes the show…

All in all, as said this is really an impressive collection, both as an ensemble, and for some of the pieces in it. The origin of the collection is rather mysterious – nobody spoke anything except Hungarian there, but if I got it right through much gesticulation, the place is owned by somebody residing in Dallas area, TX. The military park sits in the premises of a metal-recycling company, so maybe there is some connection between the two, even though it does not look like they are fueling recycling with the items on display. Actually, the military park is well maintained and presented as a very nice open-air museum.

Getting there and moving around

The museum is located at the address Kecel, Rákóczi Ferenc u. 177, 6237 Hungary. The website is here, with accurate visiting info. Please note they accept only cash. Visiting may easily take 2 hours for an interested subject, taking all the pictures. For a quick overview, you may spend 30-40 minutes on site.

Taszar Airbase Museum, Taszar

Another unique museum, somewhat far from the major touristic paths in Hungary, can be found on the premises of the currently (as of 2020) inactive military airbase of Taszar, in southwest Hungary. This airbase was operated by the Hungarian Air Force over the years of the Cold War, with training and fighter units flying MiGs of many sorts over the years. Curiously, the base was lent to the US in the 1990s, and was used for attacks over Serbia and more support functions during the Balkan crisis in the late 1990s, and up to the early 2000s. After the American troops left, the base was shut down, and is now waiting for a novel use.

The museum is located in the building of the US chapel, itself in the middle of the now deserted living area of the base.

This museum is the display of a collection of artifacts, put together over many years by a former officer of the Hungarian Air Force, Sandor Kontsagh, who is the owner and who personally runs the place – you are likely to meet him, if you are going to pay a visit! An extremely kind and knowledgeable person, more than available to spend his time showing his collection in detail.

The most massive items on display include several aircraft parts, ranging from canopies, to entire cockpit panels, to parts of the innermost plants onboard Soviet-made fighters, including their electronics. What multiplies the value of this assortment is the fact that every single piece has its own history, as you will be told by Mr. Kontsagh.

The original survival kit from an early MiG, similar to a soviet flight suit from the 1950s, are among the many invaluable collection items.

Also the machine guns and cannon of a MiG-15 can be found – compare the size to the cap of my wide lens!

The panel of a MiG-15 has been refurbished, linking it to electric power to light the electro-optical gunsight – hi-tec from the early Cold War.

Photography is of special relevance to the owner of the museum – he was tasked with technical photography functions during his career, and he has a real thing for this activity. Cameras usually mounted on the gunsight of fighter jets are part of the collection – for the first time, I could carefully look inside what always appears as a bulky black box impeding the pilot’s view on most aircraft from the Cold War period!

Some of the cameras are accompanied by the their original technical registry, showing annotations from the 1950s – incredible.

Of special interest are also the cathode ray tubes to be found for instance on MiG-21. You would not suspect they are so long, looking at their flat appearance, besides other goggles on the panel of that fighter.

Interesting historical pictures are many. Among them, some are from decoy aircraft – inflatables – to fool enemy analysts watching satellite pictures taken above military bases. Others are from visits of president Clinton and princess Diana to Taszar. You can also find an aerial view of the base from Cold War times.

In an adjoining room you can find a collection of radio equipment, with very interesting pieces made in the USSR. These include an original wire recorder.

Maps, trophies and models complete this room, together with a unique collection of cameras, from different countries and makes.

Another room hosts mainly uniforms – including the one belonging to Mr. Kontsagh – and flight suits. Also arresting parachute canister of a MiG-21 is on display.

A corner of the main hall is dedicated to memorabilia from the US tenancy period. These include original uniforms, pictures, papers and even meals, proudly prepared in SC for American troops. By comparison, Hungarian packed meals, also on display, are much heavier!

More memorabilia include training progress registries from pilot’s training – in Russian – as well as textbooks from the training group operating on the base.

All in all, I would say this museum alone is a good reason for a trip to this area!

On the outside, you find yourself in the setting of the old Taszar base, with some gate guardians of Soviet make, and an incredible mural on what was likely an academy building.

Access to the airport is interdicted, as the base is inactive but not abandoned.

Getting there and moving around

When I visited in August 2020, the place was not even pinpointed on Google Maps, but later things have rapidly changed, so you can spot this as an attraction on Google Maps to the west of the airport in Taszar (‘Katonai repulo muzeum’ is the name you find). However, here are the coordinates 46.377887110631455, 17.89899149846632, which take you to a former living area of Taszar airbase, where you can enter with your car. The place is not abandoned, even though most buildings are now unused. The aura is a bit strange, for you have the sensation of intruding into a governmental property – but soon you realize this part of the base is not any more off-limits.

When I visited there was no info about opening timetables whatsoever available in advance, so we just popped up there, finding a closed door with a telephone number. We called and the man – Mr. Kontsagh – told us to wait a few minutes, and came in by foot, opening the place just for us.

I attach the phone number, in case you want to call in advance.

There is no website as of 2020, but the place is totally worth the effort of planning a visit anyway! You might spend a time ranging from 30 minutes to some hours, especially if you are interested in the topic of the museum, or you are simply into military aviation with a technical mind, and also have questions for the knowledgeable owner, who will answer in detail. In case you don’t know Hungarian, understanding a little German and a technical preparation will allow you to take much out of your visit (little English spoken, unfortunately, but this is not strange in this part of the world).

The Atlantic Wall in Denmark

A pleasant country in northern Europe, Denmark is geographically surrounded by the North and Baltic seas, and shares its only land border with Germany. In the late 1930s, this meant having a very dangerous dictatorship as the only neighbor, and no possible direct help coming by land from other allies. Without natural defenses against and attack from the south, the Kingdom of Denmark was militarily occupied basically in one day, on April 9th, 1940. This happened through a joint operation carried out by the land, air and naval forces of Nazi Germany.

A quick historical overview

The interest of Germany in controlling Danish territory was mainly strategic. It served as a springboard to attack Norway further north. The latter was in itself more interesting to the economy of the Third Reich, as it was rich of natural resources, including raw materials not available in Germany. These were so needed by the Führer, who was dreaming of making Germany independent from international supply trade.

Furthermore, controlling both Denmark and Norway meant control over the eastern coast of the North Sea, and a chance to control the only access to the Baltic Sea. The USSR was not a declared enemy before 1941, but withdrawing from the mutual cooperation pact with Stalin – signed in a hurry just days before the invasion of Poland in September 1939 – at some point, and openly attacking Russia, had been in the mind of the Führer since he first put on paper his worrying geopolitical thoughts. By controlling the Baltic, Hitler could control sea trade to non-freezing ports of the USSR, which in 1940 had already taken over Estonia, Latvia and Lithuania in agreement with Germany.

As a matter of fact, the conquer of Norway was not without significant losses for Germany. This was also the result of Britain starting to militarily oppose Germany. The two countries had been already at war since September 1939, but without any serious confrontation having taken place for months.

Since then, the British – and later also the American – threat from the west had to be faced through the fortification of the western coast of the Third Reich, which by the end of the summer of 1940 extended roughly from the Pyrenees in southern France to Kirkenes in northern Norway. This highly visionary task was taken up very seriously by the German military-economic machine, and produced the ‘Atlantikwall’ – which translates pretty obviously into the ‘Atlantic Wall’. This long defensive line had to be built all along the coast, and was mainly based on a catalog of standardized reinforced concrete constructions, to be reproduced in great numbers. Construction was coordinated by the main contractor, the German ‘Organization Todt’, which made extensive use of subcontracted local companies in the various occupied states where construction had to take place.

Despite the majority of the elements in the line were reinforced barracks for troops watching the coastline, ammo and supply storages, command and communication bunkers, canteens, and other service buildings, there were of course also a number of heavier constructions. These included coastal gun batteries, to counter attacking ships, lighter gun batteries, to stop troops attempting a beach landing, aiming stations, to adjust the line of fire of gun batteries, anti-aircraft guns to defend the line from air attacks, and some technical buildings serving as bases for advanced radar systems. The latter were among the most useful and widespread items along the line, as German technology developed fast during the war, to produce powerful detection systems against air and sea menaces.

Needless to remember, similar to many pharaonic works conceived by the Führer and his entourage, the Atlantic Wall was never completed, and it failed to spare the Third Reich from total annihilation. The once-modern military installations along the western coast of Europe soon became obsolete, as war changed face at a quick pace following WWII, with new weapons and techniques. Furthermore, the front line of the new Cold War shifted geographically to the middle of Europe. A tangible sign of enemy occupation, the massive bunkers of the Atlantic Wall met different destinies depending on the country. However, albeit only rarely preserved, thanks to their bulkiness and sturdy make, they are in most cases still visible.

About this post

Being the first land along the western coast to fall under German control, work on the Atlantic Wall started in Denmark earlier than anywhere else. Today extensive traces of the line are still pointing the shores of the North Sea.

A few focal points are preserved as first-class museums. These include the strongholds of Hirtsthals and the huge battery at Hanstholm, in Northern Jutland. The latter had been designed around a cluster of four monster coastal guns, to the aim of controlling the passage through the Skagerrak channel, providing access to the Baltic Sea. A twin battery – Vara – was built to the north of the strait in Norway.

Closer to the German border, the area of Blavand – featuring also the famous ‘Tirpitz battery’ in its arsenal – is another example of a partly preserved portion of the line. Bangsbo fort in Frederikshaven has been partly refurbished and opened as a museum, after being used by the Danish military for a while. There you can find one of the few remaining examples of an Atlantic Wall installation with its original guns still in place.

Smaller strongholds, opened as smaller scale museums or left to more adventurous explorers, often feature unique special constructions, which justify a detour at least for more committed war historians. These include the Skagen battery, the disguised bunkers in Thyboron, and the complicated Stauning battery, built on two opposite coasts of a closed firth.

All these sites – and a few more – are covered in this post, which is based on photographs taken in August 2019. Denmark is officially protecting the installations of the Atlantic Wall as historical buildings – unlike France, for instance – so visiting even abandoned sites maybe rewarding, especially if they are out of the mainstream touristic routes. Unfortunately, many bunkers now closer to crowded touristic areas have been damaged by vandals.

Sights

Map

The sites covered in this post are listed on the following map. Sites opened as museums are pinpointed in red, wild sites are marked in blue.

The sites are listed in the post following the coastline of Jutland from its southwestern end.

Navigate this post – Click on links to scroll

Blavand – Shore Battery & Military Area

Located about 50 miles north of the German border along the coast of the North Sea, the small town of Blavand sits on a promontory protruding towards the sea, and protecting the access to the port town of Esbjerg – still today a major commercial port of Denmark.

The area of Blavand saw the construction of an incredible number of Atlantic Wall elements, which grew up in more instances during the war years.

Close by the parking ahead of the lighthouse on the very tip of the promontory, you can find trailheads leading to the southern and western shores of the promontory.

The southern shore makes for a typical North Sea landscape – an endless sand beach. What makes it different from others is the number of light bunkers placed along the shoreline. Despite little imposing, this model – type ‘F’ – was purpose built for the wide shores of Denmark in 1944, in view of a potential enemy beach landing. These firing positions were armed with machine guns, and placed at pre-determined intervals – about 1’500 ft – matching their accuracy range.

Many bunkers are slowly sinking in the sand, and only small parts of them can be seen emerging from the ground.

Others have been turned into strange sculptures, adding a horse head and tail.

Under favorable tide conditions, you may enter some of the bunkers. There you can appreciate their simple structure, with a defensive embrasure by the entrance (looking towards the coast) and loopholes to the sides of the firing chamber.

On the beach close to the lighthouse you can find a very big bunker with a wide hollow cave on the inland side, which used to support a searchlight.

Along the western shore you can find more massive bunkers. These include four former coastal gun batteries. These heavier constructions have assumed strange attitudes, after sinking in the sand somewhat irregularly over the years.

Looking towards the inland from the beach, you can spot an aiming/fire control positions, with a distinctive bulbous roof and a long curved slot on the facade.

Your walk along the northern shore may be interrupted by safety warnings concerning mine threat. As a complement to the defensive potential of the Atlantic Wall, extensive minefields were set up on most of the Danish beaches. This turned into a big issue soon after WWII, when an extensive demining action had to be carried out.

Furthermore, part of the Blavand promontory is occupied by a military firing range. When training exercises are taking place, special warning lights are lit and flags are raised, to delimit the territory where you should not venture.

In the dunes slightly inland from the shoreline, it is possible to find another big number of bunkers. They are not always visible from the distance, and entrance is in most cases from one side only – the only side emerging from the sand.

A very distinctive item is the colossal platform for a ‘Mammut’ type long-range anti-aircraft radar. This used to be operated by the Luftwaffe, whereas other bunkers in Blavand – like elsewhere along the Atlantic Wall – used to be run by other branches of the Germany military.

The base for the radar is in itself a rather complex bunker, with several cavities and extensive piping, once needed for power cables feeding the antenna, as well as other wiring.

Close by, a smaller radar base bunker used to be operated by the German Navy. Also here, holes and passages for cables can be found in the walls and roof.

It is noteworthy how many bunkers feature traces of original decorations, like painted walls, fake wallpaper, frescoes and small frieze lines. This is typical to many other installations of the Atlantic Wall.

Metal hardware can be found in the form of a bulky aiming turret emerging from a bunker.

In another instance, a mortar mouth pops out from the ground.

The underground bunker underneath the latter can be explored with some difficulty – there are also quite annoying bats inside -, but it reveals an aiming wheel with original markings in a reinforced concrete dome!

An interesting sight nearby the lighthouse is the tower once supporting a ‘See Riese’ radar. The protruding arms once sustained a wooden platform for military operators.

Getting there and moving around

The area of Blavand is rather extensive and rich of diverse installations, so notwithstanding the general bad shape of most of the bunkers, visiting may easily take 3-4 hours for a committed tourist, getting inside most of the items. A good starting point is the free parking by the lighthouse, provided you come early especially in summer, cause it tends to get more and more crowded along the day.

Blavand – ‘Tirpitz’ Coastal Guns

Despite at least some of the bunkers on the shores of Blavand being in a relatively good shape, there is a part of the Atlantic Wall which is officially preserved as a museum. This is one of the two unfinished bunkers intended to support a set of massive 38 cm coastal guns.

These guns – four, two for each bunker – were originally intended to be put on board battleship Gneisenau. The latter got damaged in port, and the guns were diverted to coastal use. The decision to build the Tirpitz battery to protect the port of Esbjerg came relatively late during the war, in 1944. As a result, construction of the battery supporting structures was not completed when the war ended, and the four never installed guns were scrapped – except one, which can be admired in Hanstholm (see below).

The name ‘Tirpitz’ attributed to this battery is of uncertain origin, and sometimes this installation is also referred to as ‘Vogelnest’.

The museum has been built only in the southernmost bunker. The installation is very modern (and crowded), and it has been designed as a thematic museum in five sections. Two of the most interesting are about the Atlantic Wall and its impact on local life, and on the extensive mining and demining operations on the shores of Denmark.

Other sections are related to amber trade and local seamen activities.

Finally, you can get access to the base of the gun turret. Photographs are bad here, due to very poor lighting and limitations on camera use.

You can see a central round dome, surrounded by an external corridor. Traces of a post-war explosion can be noticed looking at the metal part of the construction.

Outside of the museum you can find a cannon cut in pieces, plus rigs used for construction. The bulky concrete arms protruding from the roof were meant to support the crane for mounting the cannons.

With a five minutes walk from this bunker, you can get to the northern battery. This is not preserved, and the entrances have been bricked up. Yet you may better appreciate the size of the bunker from this exemplar than from the one turned into a museum.

Getting there and moving around

The museum is located east of Oksby along Tane Hedevey, a local road connecting Blavand to Esbjerg. There are signs along the road, and a large parking ahead of the entrance. The museum is very modern, and may turn very crowded in summer. Website with full information here. You can visit on your own with an audio-guide. The visit to the military-related sections may take about 1 hour.

Adding a walk to the northern battery will take further 20 minutes at most, as there is no chance to step in.

Stauning Battery

Construction of this battery started in the second half of 1944, and consequently it was only partially completed before the end of the war. The geography of the Stauning battery is rather peculiar. The intended design was based on four coastal guns to be placed on the inland side of the Ringkobing firth – basically a lake with a channel-like small mouth connecting it to the sea. On the other coast of the firth, i.e. very close to the North Sea in Hvide Sande, the aiming station for the battery was finally built.

In the event, only one of the reinforced concrete gun positions reached completion, whereas the other three cannons were kept on basic, not reinforced aprons. The gun bunker is the only exemplar of this model built along the Atlantic Wall, and was designed around a 19,4 cm gun manufactured in France.

Located far from the shore in a secluded area of the countryside, this battery is in a relatively good shape, and thanks to the hard soil its position has not drifted since it was installed. You can even walk on top.

More elements are scattered in the bushes and over the private pasture nearby. Among them, a firing position presumably for anti-aircraft or light field guns, and corresponding ammo storages.

There is also a reinforced concrete barrack or command post. This can be toured inside, revealing some metal piping still in place.

Traces of gun concrete platforms – likely gun firing positions – blown up after the war can be seen, similar to many smaller cubic buildings of uncertain purpose.

A couple of unattractive half-interred ‘living bunker’ can be found too, another design present only in Denmark – the type was named ‘Falkenhorst III’. Inside, traces of original wall paintings can be easily spotted.

There is actually a fire direction post of some sort in this part of the battery too. This is a square-based concrete booth, with an adjoining living bunker.

The aiming position in Hvide Sande is rather easy to find, on top of a mound close to the city center. There are actually two concrete accesses on the eastern side of the hill. The one closer to the top gives access to the metal dome you can spot on top of the mound.

Climbing up to the dome is possible along a rusty ladder, going through a narrow vertical passage. Once there you can see the mounting of a telescope for measurements. There are side slots looking outside, and an original marked wheel to provide measurements. You can also spot small foldable wooden tables (or perhaps jump-seats).

Downstairs, there are a few panels explaining the history of the battery.

The second concrete entrance gives access to a ‘living bunker’ for the troops, with explanatory panels on the history of the place.

Getting there and moving around

The inland part of the Stauning battery with the gun station is located close to Stauningvej 55. You may park your car not far north from this address, on a wide lot close to the entrance of a local residential area. Most notably, this battery is about .5 miles from the beautiful Danish Museum of Flight (see this post). Exploring the battery may take 1-1.5 hours, as the place is totally wild and inconvenient to visit.

The Hvide Sande point is on the northern rim of the channel linking the firth to the North Sea. You can see the mound close by a major round about, where road 181 meets Troldbjergsvej. There are several parking options nearby. The place is technically not abandoned, but there was no ticket/staff, and it was totally dark when I visited. You would better take a small torch with you.

Sondervig

Just as an example of how extensive the construction of the Atlantic Wall was in Denmark, you may have a look to the beach in Sondervig, where people spending the day by the sea are accustomed to the view of the monstrous German bunkers pointing the shore.

Getting there and moving around

You may find a parking spot in Sondervig and access this famous touristic beach by foot.

Thyboron

The coastal battery at Thyboron has a unique place in the panorama of Atlantic Wall buildings. Here a sort of sample list of possible deceptive techniques were tested on otherwise normal bunkers. The usual constructions pointing the shore have a strange appearance here, thanks to the imaginative talent of a Danish architect – who turned out to be a spy working for the Allies.

At least two gun batteries bear a special roof, resembling that of a house. Also thanks to erosion, they now have even odder shapes, resembling some Star Wars spaceship.

An observation bunker bears a tiled roof. Surprisingly, an apparently original fragment of telegraph wire can be found inside.

Given the position of the bunkers – lying isolated on a deserted beach – it’s pretty difficult to suppose this kind of deception was ever effective…

There are also some more straightforward constructions around, some of them in a relatively good shape. The cusped lintels above most doors and openings are typical to elements of the Atlantic Wall in northern countries, and are made for protecting the passages against snow and icing rain.

Just inland from the ‘sample list’, you can find a large underground bunker, somewhat difficult to access – it is sinking in the sand. Conspicuous traces of original wall painting and even writings in German can be found on the walls.

The message in German is a warning message, telling to stay away of the walls in case of bombardment. This warning sign is rather ubiquitous in Danish bunkers.

Close to the the city center – and actually a part of the Coastal Center, a museum for children dedicated to the life along the western coast of Jutland – it is possible to find another bunker deceived as a wooden house! This deception technique is far more convincing than those on the shore…

Getting there and moving around

To visit the bunkers on the shore you can reach a convenient public parking at the southern end of Vesterhavsgade, southern Thyboron. Visiting these bunkers may take about 45 minutes for a committed tourist. To get to the Coastal Center you may follow the signs and park at your convenience ahead of the building. The deceived bunker can be seen from the outside of the museum, so getting the ticket is not needed if you are not interested in the rest of the installation.

Extra feature – Sea War Museum, Thyboron

Thyboron has a prominent place in WWI history, being the Danish village closest to the area of the Battle of Jutland, one of the very few naval battles of that war, and one of the top-ranking in history for the number of vessels and tonnage involved, and for the casualties – almost 9’000 seamen were killed.

The battle was fought between two major formations of the the German Kaiser on one side and the King of England on the other. Started almost by chance, as the two opposing factions appeared on the same sector unaware of each other, the fighting was so intense that cannon fire was heard along the shores of Thyboron for many hours. The battle ended with a tactical defeat on the British side, but the Kriegsmarine of the Kaiser avoided any other serious clashes with the British for the rest of the war – in this sense, this was a British strategic victory.

Today, a monument dedicated to those who perished in the Battle of Jutland occupies a wide area over a promontory in northern Thyboron, close by the Coastal Center (see above).

A nice museum dedicated to sea war has been put in place nearby. On the exterior you can find old mines, torpedoes and even parts of relics taken from the bottom of the sea.

Inside you can find many unique artifacts, including cannons, insignia, and everyday items from ships taking parts to the Battle of Jutland.

Also unique are parts of early submarines dating from WWI, recovered from the sea thanks to novel investigation and capture technologies.

The museum is at large dedicated to naval battles and ventures of WWI. A section is dedicated to the most modern sea archaeology techniques.

Outside of the museum, you may spot a few Atlantic Wall bunkers as well, likely converted into more modern military installations in a post-WWII period. They are apparently run as museums, but they were closed when I passed by.

Getting there and moving around

The Sea War Museum is located very close to the Coastal Center in central Thyboron. Dedicated free parking right ahead of the entrance. Visiting may take about 1.5-2 hours for more committed subjects, despite the small size. The museum is stacked with extremely interesting details, the exhibition is rich and well made. Really an interesting detour for anybody interested in sea war. Website here.

Agger

Agger is located north of the Thyboron Channel, and can be reached with a five minutes ferry ride from nearby Thyboron. The long, windy, wild and distressing beaches south of the village of Agger are not really welcoming, nor easy to visit. Yet here you can find some unique and imposing elements of the Atlantic Wall.

These include a firing control bunker of the Navy. A feature often found also elsewhere, you can see some of the concrete bunkers are made of joined blocks. Light can be seen coming from the thin slots between the blocks in some occasions.

Another special construction here is the support tower for a ‘Seetakt’ radar. The tall concrete tower is assembled together with a bulkier concrete base.

The assembly has slipped to the shoreline, and today it can be neared only in favorable tide conditions. Furthermore, it is sitting in a banked attitude, making it looking really derelict.

Thanks also to a rather bad weather, these elements of the Atlantic Wall looked really eerie when I visited!

Getting there and moving around

The Agger site is wild and not signaled. The area is part of a national preserve, and part of the endless beach is a stage for kites, surfing activities and other beach sports. There is an official parking at the western end of Lange Mole Vej, less than five minutes by car from the ferry terminal to Thyboron. From there you should go to the beach and walk north for about 15 minutes to get to the tower, the highlight of the show.

You may spot it from the distance. I could not get in the tower due to unfavorable tide conditions, but visiting inside may not take much time, for the expected condition is not good, with little left to see.

Hanstholm

The Hanstholm battery is one of the most developed of the entire Atlantic Wall. As pointed out in the introduction, together with the sister site ‘Vara’ in Norway – about 80 miles north – this battery was centered on four massive 38 cm cannons, installed to obstruct surface passage through the Skagerrak, and de facto controlling the access to the Baltic Sea.

An initial battery based on less powerful 17 cm coastal guns was put in place as soon as 1940. The gigantic 38 cm guns arrived only later and were tested, but never used in action. The metal parts of the firing stations, including the turrets and guns, were eventually scrapped in the early 1950s. Over the years, this huge installation, with more than 300 bunkers fell largely into private hands, and today many former storage bunkers are used as warehouses for machinery and goods by local owners.

Nonetheless, battery Nr.3 has been turned into a modern museum, after being largely refurbished to its original splendor. As such, it is a one-of-a-kind museum, with thousands of visitors per year. Two more turrets and a number of bunkers are left to explorers. While they are not actively maintained, they are still in a rather good shape, and responsible exploration is even supported with some indications.

The area of the Hanstholm is almost 4 square miles. In order not to get disoriented, a good starting point is the museum in and around turret Nr.3. There you are greeted by a pretty unique 38 cm cannon! This is actually from the Tirpitz battery (see above), but it is exactly the same item once installed in Hanstholm. The size is really remarkable, especially when compared to more modest and usual 15 cm coastal guns, on display.

The modern museum offers a quick recap of the history of the place, with memorabilia including everyday items, letters, maps and original weapons.

Once you are done with that, you can get access to the underground part, where you first meet the ammo storage rooms, on the side of a long corridor aligned along a narrow gauge railway track. This was used to connect the firing stations – i.e. the four bunkers with the guns – to larger ammo storages scattered around the are of the fort.

There are two major adjoining rooms along the corridor, each dedicated to a different part of the cartridge. The piercing part – the ‘bullet’ – and the exploding fuse were kept separated from each other. This is similar to naval guns, and typical to larger calibers. The complicated railings hanging from the roof were made to allow moving the parts of the cartridge by means of movable cranes.

In action, the bullets and fuses were loaded on a slide, and from there on trolleys which would enter the turret from below. Today, as the turret is not there any more, the trolleys are in an open air corridor, apparently without any sense. It is noteworthy that the inscriptions and frescoes are all original, albeit refurbished.

The structure of the firing station and of the Hanstholm fort can be better appreciated from the drawings and models below.

A second part of the firing station is the bunker for the complement of men needed to operate this complicated cannon. The place was permanently watched, with shifts spending the night in underground quarters. Those pertaining to firing station Nr.3 have been refurbished, and provide a vivid impression of the original appearance. There are sleeping and living quarters, as well as large, military style showers and toilets.

There is also a complete power station, with two Diesel generators, a mechanics shop, water tanks and more.

Out of the Nr.3 firing station you are encouraged to tour at least part of the site along a series of prescribed trails. Among the items you meet on this tour is one of the ammo storages. It is not dissimilar from the ammo storage part of the firing station. The ammo parts were loaded on a railway car passing through, and from there moved towards the gun turret.

There are also many smaller storage and service bunkers, some bearing interesting original inscriptions inside.

The Hanstholm fort was defended by field cannons and anti-aircraft guns. Emplacements for the latter can be spotted around in more instances.

Another suggested part of the visit is firing station Nr.4, which is not really preserved, but is not in a generally bad shape either. You can get in only if you have a torchlight. Visiting may offer something very similar to Nr.3, except everything is more derelict – but for this reason, may be more authentic.

In the living part, you can find inscriptions in German and traces of the original wall paint. With a general knowledge of the plan from the visit to Nr.3, you may easily recognize the corresponding rooms – power station, toilets, living rooms, etc.

To get to the ammo storage part, you can walk along the round corridor outside. No trolleys left here, differently from Nr.3.

Inside the ammo storage rooms, you notice that the inscriptions have been largely canceled for some reason, but the slides as well as the frescoes above them are still there.

Still part of the suggested itinerary, you can find a control station, in a rather bad shape, and more interestingly a very peculiar building, located on top of a cliff.

This was a fire direction station. Due to the high-tech nature of the Hanstholm battery, fire direction worked on what can be considered archaic computers! The building has many floors. There is provision for a permanent team of technicians, hosted in living and sleeping quarters downstairs.

The top floors used to host the computing machines, which were fed by measurements from instruments mounted in metal domes, facing on the roof of the building. The room for the computing machines is rather dark, and due to the black walls it is difficult to see anything even with a torch.

The Hanstholm site offers several ancillary bunkers open to the public. Among them, one for a generator, supplying the whole fort in case of a grid failure.

Another bunker is an ammo storage, with a big concrete arch outside, for a moving crane operating above railway cars. Narrow gauge railway tracks can be seen still today in this part.

The pivot in the middle of firing station Nr.2 has been interred after the war, but the living/sleeping quarters for the troops and the ammo storage parts can be visited, albeit they are not connected any more by a direct passage.

A visit to this firing station is very interesting, for writings are in a generally better shape than in Nr.4, even though this too has not been refurbished.

In the ammo storage part, writings are especially abundant. You can see also traces of the original telephone wiring.

The last firing station, Nr.1, is not accessible, even though not interred.

As said, there are many other bunkers an remains around, which are typically not accessible, especially the farther you go from the museum. They are now largely on private land and used for something else.

Getting there and moving around

The Hanstholm strongpoint is a must for everyone interested in the Atlantic Wall! The museum is modern, completely accessible, with a convenient parking and all usual facilities. Website here.

The refurbished part is basically only firing station Nr.3, but many other bunkers, like the fire control center, as well as firing stations Nr.2 and 4 are open for explorers, and they have not been spoiled by vandals. You need to go with a torchlight and proper clothing, but the visit may be very rewarding.

Many more bunkers around are closed to the public, as they are now private property and used for other purposes.

Due to the enormous size of the area, visiting may easily turn into a full-day or even multi-days business for an enthusiast. For the general public, a visit to the museum and one of the trails may take a 2-3 hours depending on the level of interest.

Hirtshals

Similar to Hanstholm (see above), the area of Hirtshals was soon selected by the Wehrmacht for a coastal fortification, thanks to its strategic position overlooking the mouth of the Skagerrak strait.

The first four 105 mm field guns were positioned here as soon as summer 1941. They occupied open-air concrete aprons, which still today bear trace of the original camouflage paint and deceptive net.

A peculiarity of this fort is its extensive network of trenches, which connect all the battle stations to the living quarters for the troops and the service buildings, like the canteen-bunker and the hospital-bunker.

On top of the steep cliff dropping to sea level, you can find the bunkers for the guns. These were moved from the open aprons in 1944, into purpose built reinforced concrete firing positions. A special feature here is the steep flight of stair giving access to the gun area from behind. This construction was made necessary by the particular morphology and rock type of the cliff.

You can spot significant traces of the original camo paint, and the letters ‘St’ on many walls, meaning ‘Ständig’, i.e. resistant in German. These letters were used to mark those buildings capable of sustaining shelling and bombing raids.

A bulbous roof allows to easily recognize the fire direction station.

A more rare item in Hirtshals is the base for the ‘See Riese’ radar. This is a hexagonal concrete hollow platform. The bunker underneath it would serve to host a Diesel power generator.

Back from the coastline, you may enjoy a long exploration of the trenches and of the many restored bunkers. Many bear original markings and paintings.

In some rare cases, you can also find original decorative paintings, likely made by the soldiers stationed in the bunkers.

Restored bunkers include a ‘living bunker’, but many other installations are in good conditions, like interred shelters, ammo storages, etc. Traces of cables, armored doors – some of them with glass lights – and telephone wires can be found in many bunkers.

Furthermore, in Hirtshals you have the chance to get a bird’s eye view of the fort, by climbing on top of the local lighthouse!

Getting there and moving around

The Hirtshals site is an open-air museum. There are technically opening times, but the area is not fenced, so if you are looking for a visit to the exteriors, you can walk around freely at any time. The museum has a website here, and guided visits are offered in many occasions. Many bunkers were closed when I visited, and they might be visible only with a guide. Some other bunkers are open and lighted, whereas the majority are basically left to explorers – open and not lighted – but rather accessible and very easy to visit, maybe with the help of a small torch. There is not a clear entrance (the area is not fenced), nor permanent staff on the site.

There are explanatory signs for basically all of the bunkers, in double Danish/German language.

The parking is ahead of the lighthouse, which is a different entity and operates with opening times you can find here. The parking is large and free. Climbing on top of the lighthouse is possible at a small fee – apparently only Danish Crowns cash accepted.

Together with a climb on top of the lighthouse, the visit may take from 1.5 to 3 hours, depending on your level of interest.

Skagen

The Skagen area is mostly famous for its location on the very tip of the Jutland peninsula, the natural northern end of continental Europe, and ideally as the geographical point where the North Sea and Baltic Sea join together. The long and quiet shores there and the population of seals contribute to making Skagen a prominent touristic attraction, often crowded with visitors from Denmark and abroad.

What people going there may not expect is the presence of a number of massive firing positions from the years of the German occupation! These are concentrated along the eastern coast, and include firing position for 120 mm coastal guns, overlooking the Skagerrak strait.

There are also a fire control bunker, which has drifted to the shoreline, as well as radar support bunkers.

Unfortunately, these installations have been left to the elements and – most sadly – to vandals. Except for their huge size, there is not much left to appreciate.

But there is more related to the Atlantic Wall in Skagen. A former hospital bunker has been partly refurbished and converted into a very interesting smaller museum on the local battery.

Inside, you can first appreciate the special size of the doors and corridors, made to allow moving stretchers around.

Put on display are several items related to the history of the Skagen fortress. There are uniforms from the time, photos from the years of operations, and everyday items left over by the Wehrmacht.

Some of the rooms have been reconstructed, and provide a vivid impression of the original appearance.

Among the exhibits are also some relics from a downed British aircraft.

Getting there and moving around

Visiting the Skagen battery is easier from the small parking Hvide Fyr, Fyrvej, 9990 Skagen. This parking is free. Going on the Baltic shore from the parking means a five minutes walk along a prepared path. A quick walk with a look to the abandoned battery would take about 20 minutes.

You may either walk to the tip from there, or better move your car to shorten the walk, going to the huge dedicated parking area where the road N.40 ends. This parking is not free.

You will find the Skagen Bunker-Museum in the former hospital bunker immediately to the southwestern side of the parking. Website here.

Visiting may take about 30-45 minutes, an interesting small detour from the local natural attractions.

Bangsbo

Comparatively less fortified than the North Sea coast, the eastern cost of Jutland is the place of a primary military and commercial port named Frederikshavn. This is also a starting point for travelers going to Norway from central Europe.

Here the Germans installed one of the few strongpoints on this side of the peninsula. What makes the so-called Bangsbo fort unique among the Atlantic Wall installations is the fact that three of the four original guns in the coastal battery are still in place!

The main area of Bangsbo fort, where the coastal battery is located, can be found to the south of the town, and is somewhat similar to Hirtshals (see above). Both are located on top of a cliff, with a significant area to the back dedicated to command, living and service bunkers.

Today, some of these bunkers have been completely refurbished. These include the command bunker for the local commander of the Kriegsmarine (the German Navy). This is super-interesting, with many artifacts from the time, from military gear to swastika-marked dishware, from maps to photographs of general Rommel – who superintended the construction of the Atlantic Wall – visiting the installation, and much more.

Much interesting is especially the reconstruction of the command/meeting room.

Scattered over the premises of the military area are cannons and several strange items, like a tank turret intended to be placed on top of a defensive Tobruk.

There are a refurbished hospital bunker and reconstructed living quarters.

The firing control post roughly at the center of the area is another highlight, having been completely refurbished, with plenty of Nazi insignia and original material.

To the back of the bunker are a living and command area, whereas the front part is an observation deck.

The firing positions with guns are numbered from Nr.1 to 3. They are based on 15 cm coastal guns, installed in 1944, replacing older and smaller pieces.

The guns can be walked around. The cartridge supply slides to the back of the firing chamber are still in place.

Guns Nr. 1 and 3 are similar, whereas the central gun was taken from a Danish cruiser cannibalized by the Germans in Kiel during the war. Today, it bears a greenish paint.

There used to be a fourth cannon with a field of fire of 360 degrees. Trace of a platform can be seen, as well as an anti-aircraft gun.

The fort shares a border with an active military area, so a part of the original installations cannot be visited. Others are open only for those visiting on guided tours. These include a radar-supporting station. Others can be entered, but are basically empty.

A minor part of the Bansgbo fort is located north of Frederikshavn. It is a partially preserved anti-aircraft firing station. This was made of four firing places and a central fire direction point. The latter is still visible at least from the outside.

One of the anti aircraft guns is also in place. The rest of the installation has been filled with land and made inaccessible.

Getting there and moving around

The major part of Bansgbo fort can be found south of Frederikshavn. It can be accessed from Bakkevej, which ends with the parking of the museum. Website here. The area can be walked and accessed with a ticket. There are picnic facilities and a small shop. Guided tours are offered at pre-defined times, see the website. You can get a good impression even by walking around on your own, but some bunkers can be accessed only with a guide. I did not join a guided tour, and all the pictures above are from a self-guided visit.

The site is not huge, but very interesting thanks to preservation efforts. It may easily deserve a 2 hours visit.

The anti-aircraft site is located north of Frederikshaven, and can be reached from Nordre Strandvej. You may park on the large free parking made for the local beach. This smaller installation may be visited in 10-15 minutes without a ticket.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.