Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.

A Walk in Murmansk – A Soviet Industrial Port of Our Time

Murmansk is a port town in the northwestern corner of todays Russian Federation. It bolsters the biggest population among the centers north of the Arctic Circle in the world. It was founded in 1916, just months before the Revolution, and developed rapidly thanks to its strategic position for the needs both of the Navy and of maritime commerce. Actually this is the only Russian port on the Barents Sea which is not blocked by ice in winter, and it is in a region rich of substantial natural deposits, including nickel and coal. Furthermore, the coast in the vicinity of this town and along the Kola peninsula features countless coves and bays, providing an ideal setting for stationing a military fleet.

Probably the highest point in the history of Murmansk, which also contributed greatly in forming its current shape, was in the Great Patriotic War, i.e. WWII as they call it in Russia and the USSR until the Nineties. Murmansk was a key port on the supply line between the Western Allies and the USSR. A railroad linking Murmansk and St. Petersburg – some 900 miles south – existed since before its foundation. For this reason, and for the abundant raw materials in the region, the area was a dramatic theater of war, the German Wehrmacht relentlessly hitting there from both Norway and Lapland, the northernmost region of Finland. As a matter of fact, the resistance of the Soviets around Murmansk meant that the town was never conquered by Hitler’s forces, which where stopped just some tens of miles away to the west.

The damage and destruction brought by the war, acknowledged by the Soviet government with medals and the title of “Hero of the Soviet Union” awarded to Murmansk, meant that today the city has a mostly ‘modern’ appearance – in the Soviet sense. From the viewpoint of architecture, Murmansk has been rebuilt with industrial and military activities in mind, as most cities all around the USSR and differently from the most famous Moscow and Leningrad (today St. Petersburg). During the Cold War Murmansk developed into a huge port town and industrial center, with a population reaching almost half a million at some point. At the same time, military ports and shipyards multiplied in the region. The Soviet Northern Fleet has been stationed there since its foundation in the Thirties, and during the Cold War it was tasked with patrolling the Atlantic up to the northern coast of the USSR. The Northern Fleet was supplied with many iconic firsts for the USSR, including nuclear submarines and strategic nuclear missiles.

A trip to this industrial city is probably not in the list of many tourists, and even less from abroad. But for those looking for a full immersion in the atmosphere of an authentic Soviet town of the Cold War days, conveniently located not far from the Russian western border and still populated and very active, Murmansk has really much in store. Furthermore, if you care about the history of WWII and the Cold War, then this is definitely a place to go. The closed town of Polyarny, from where Marko Ramius sets off in Tom Clancy’s memorable fiction ‘The Hunt for Red October’, is just miles away from Murmansk.  If you would like to see something in this region which still retains much of its ‘CCCP aura’, unless you are from Russia Murmansk is one of the few towns in an extensive region which has been opened to foreign visitors – Polyarny, as well as Severomorsk, where the headquarters of the Northern Fleet are, and other military centers nearby unfortunately are not accessible to foreigners even today.

This post shows a possible itinerary touching some Soviet- or war-themed highlights in town. At the end of the chapter you can find information about reaching Murmansk, which itself may turn an interesting part of the trip. Photographs were taken in August 2017.

Map

The Google map below shows the itinerary I followed during my visit. All sights pinpointed on the map are mentioned or portrayed in the post. I covered the whole itinerary with a long walk, resulting in a very requiring 24 miles which I walked in one day. Despite the great photo opportunities you can get walking around alone, this distance can be definitely too much for the majority of visitors, so you may choose to hire a taxi or move with public transport for at least a part of the itinerary. Or you may decide to explore the town in one and a half or two days instead of just one.

Sights

Ploschad Pyat’uglov

The central square of Murmansk – ‘Five Corners Square’ in English – is where the two oldest hotels are, the ‘Azimuth’ and the ‘Meridian’. If you are staying at the Meridian – a good level executive hotel  – you can enjoy a good view of the Azimuth, a typical modern Soviet building, a section of the port and the northern districts of Murmansk. Your view will reach to one of the most famous Soviet monuments in Russia – Alyosha, the gigantic statue of a Soviet soldier.

On the façade of the building to the left of the Meridian you can see a sculpture of some Soviet decorations attributed to Murmansk. Not far cross the road is a similarly themed obelisk.

To the southeast of the square, Tsentralnyy Park is a nice park frequented by Russian families with children. On the southeastern side of the park are a statue of Kirov – a friend of Stalin, who killed him at some point, as he often used to do with friends – and a couple of neoclassic Soviet public palaces with Soviet-themed decoration.

To the northwest of the Ploschad there is another smaller park with monuments and fountains, and the Regional Art Museum of Murmansk in one of the corners (website here). The latter is a nice little art museum, where works of many regional artists from the 19th century and well into the Soviet era can be found.

Among the elements helping to remember you are in the 21st century and not any more in the Soviet Union, there is a McDonald’s – possibly the northernmost in the world – and some banks around the square.

Prospekt Lenina

One of the two traffic arteries in Murmansk, describing a large arch crossing the central district. Moving south from Ploschad Pyat’uglov, you can walk down the full length of this boulevard. In the most central district, closer to the square, you will find many buildings with typical Soviet facades. Soon after leaving the square, on the eastern side there is a statue of Lenin, creating a nice scenery with the wings of the stately building behind it.

One of the most notable buildings along the boulevard apparently belongs to the heir of the KGB, and still retains a monument with the sword and shield close to the entrance. The façade is adorned with prominent hammer and sickle symbols.

On the eastern side of the boulevard another interesting sight is the Monument to the Border Guards of the Arctic. This is placed in a small, well-kept and quiet park. Close by, a theater can be recognized by the frieze on the front – this was undergoing renovation at the time of my visit, and nothing more could be seen.

Moving further south, the road turns markedly to the southeast, and correspondingly the quality of the buildings starts to decrease sharply, with some exceptions, including some bulky modern buildings. One of them is really imposing, fenced and guarded. It may be a tribunal or a military command of some sort, given the level of security. As the road starts to climb uphill, a monument connected to WWII is clearly noticeable, with and anti-tank cannon prominently standing on a pillar. From that place, it is possible to spot some Soviet decoration on lower profile residential buildings.

In this part the panorama changes rapidly, with wild vegetation and poor housing coexisting side by side. Some buildings look as they are just waiting to collapse, and you think they are abandoned until you see two well dressed clerks coming out of a decrepit door. Hammer and sickles can be found on the façade or to the side of every other building.

Somewhat unceremoniously, Prospekt Lenina comes to an end forming a sharp angle with Prospekt Kirova.

Prospekt Kirova and Ulitsa Shmidta

Turning northwest on Prospekt Kirova the road starts to descend. Here you can find a significant number of Soviet style apartment buildings. Looking carefully, you can see that the construction of the buildings is modular and the style is very repetitive – there are only about five or six variations in the basic module.

As the street turns north changing name into Ulitsa Shmidta you have on the southern corner a building connected with the Navy, possibly an academy, with some strange instrumentation on the roof. Cross the street there is a small park, with a modern church, clearly built after the end of the Soviet period.

From around this point it is possible to get some good pictures of a still working power plant, which is located basically in a block of this district, not far from the city center and surrounded by apartments. The proximity of the chimneys to the apartment buildings is typical to Soviet towns, much harder to find in the west, unless you’re running out of money building your town when playing SimCity. Furthermore, the power plant in Murmansk is really huge and the funnels really monstrous!

Proceeding north on Ulitsa Shmidta, on the eastern side it is possible to spot many Soviet facades, where on the western side you may have problems getting a view of the railway and the port down below, due to the vegetation strip obstructing the view. At some point on the eastern side you will find a military building, recognizable by the red stars on the gates – the same model of gates and stars you can find in many abandoned military sites all over the former Eastern Bloc.

A block south of the last bend to the northeast where Ulitsa Shmidta changes its name into Ulitsa Kominterna, it is possible to find a small nice park with a monument to the Soviet Navy, just ahead of a stately building which may have been a former military headquarter.

The monument is modern in design, and perhaps made after the end of the Soviet Union, yet looking very exotic if you are from the western side of the Iron Curtain.

Railway Station

Possibly one of the oldest buildings in Murmansk, and surely one of the most iconic thanks to the pinnacle with the red star on top, is the railway station. The façade and entrance are on Ulitsa Kominterna, but the building is built on multiple levels, for it is on the rim of a small coast. The passenger railway is at the bottom of the coast, and very close to the building. An old steam locomotive with a big red star is placed on one of the passenger platforms.

On the northern side of the station building it is possible to get access to a footbridge, passing over the passenger terminal and the huge cargo terminal. The latter offers a really impressive show, with countless coal trucks unwinding along endless railways. The railway basically ends in Murmansk, and the port is specialized with taking coal from the trains and putting it on the ships – plenty of dedicated cranes are always active in this transfer work. The railway yard is always very busy.

In the evening you can watch the assembly of the empty convoys, being set up for their travel back to inland Russia. This is a pretty violent and noisy show, as they usually form a train by kicking a car on a railway track against the rest of the convoy waiting at the other end. When the car hits the convoy a very loud bang is produced, which can be heard from a great distance everywhere in town.

Given the number of convoys and cars, this unusual concert goes on for quite a while every evening.

Port of Murmansk and Icebreaker Lenin

Descending from the far end of the footbridge towards the sea you reach the platform of the port of Murmansk with a short walk. You can walk only a small part of the port area, including two piers. The famous icebreaker Lenin (website here), the first nuclear-propelled non-military vessel in the world, is permanently moored here and can be visited as a tourist attraction – in theory.

[NOTE: Obviously the dates of my trip had been chosen accounting for the opening times of this museum ship, one of the most relevant sites in town. I was very unlucky, experiencing the harsh treatment Russia still reserves to tourists this day – in spite of a published timetable of the tours available online, even though in Russian only, I found a printed paper in Russian on the entrance to the pier, basically telling ‘no tours for today and tomorrow’, full stop. Unfortunately, you can experience similar issues even in cities with a touristic vocation like St. Petersburg, so this happening in the remote Murmansk was not unbelievable. Yet considering I visited from quite afar, tuned my trip specifically for this attraction standing to the available information and came during the peak season, this shows a very low-level preparedness for tourism and especially a generally bad attitude towards foreign visitors, both parts of an unwanted heritage of the Soviet times. You’d better go ready to similar problems when traveling to Russia.]

Anyway the icebreaker can be admired also from the pier. The size is really stunning, especially if compared to the older and glorious Krassin, which can be found in St. Petersburg (see this post). Along the Lenin, on another pier a modern icebreaker can be seen. Murmansk is also a well-known starting point for arctic cruises.

A monument remembering the Great Patriotic War closes the square ahead of the piers on one side. Cross the bay from this point it is possible to spot another war monument, including a jet aircraft and a cannon.

Kursk Monument and Church of the Savior on Waters

Going back to Ploschad Pyat’uglov and restarting northeast along Prospekt Lenina after some walk and more interesting buildings, including the local government of Murmansk adorned with all the decorations earned by this town for the effort during WWII and the Regional Museum (website here) – which unfortunately was closed on the day of my visit -, you reach Ulitsa Papanina. Taking it to the northwest you soon cross Ulitsa Chelyuskintsev.

Again, here the quality of the housing and parks decreases sharply. Ulitsa Chelyuskintsev climbs aggressively uphill. After a distance the main road takes slightly to the left, and a building resembling a beacon can be seen further uphill, reachable with a flight of stairs. This beacon is a monument to the seamen lost at sea, and it includes a chapel which is closed most of the time irrespective of the published opening times.

Just behind the beacon there is a monument to the ill-fated nuclear submarine K-141 Kursk, a new strategic ship of the Northern Fleet launched in post-Soviet times, which in the year 2000 sank following two accidental explosions, killing all on board. Thanks to the shallow waters where this accident happened, it was later possible to recover the wreck. Part of the turret was taken away and transformed into the monument you see, which is actually a piece of the original vessel.

Proceeding further uphill, it is possible to reach the small nice Orthodox church of the Savior on Waters, which is operated regularly and is probably the most central temple in Murmansk.

Leninskiy Okrug and Museum of the Northern Fleet

To the back of the temple it is possible to reach again Ulitsa Chelyuskintsev. Keeping the Museum of the Northern Fleet as a destination, located close to the northern border of Murmansk, you can walk some miles crossing the district called Leninskiy Okrug, which is a very populated residential area of the ‘working class’. Here you can see by yourself the very low-level of the housing, roads, walkways and services of this industrial town, where most of the population is living today. This standard of living appears to be in striking contrast with what you see in Moscow and St. Petersburg, and you can imagine how the neighborhood must have looked like when all cars around where Soviet made and there were no services like banks and cell phones retailers giving a modern touch to the scene.

The building hosting the Museum of the Northern Fleet is no exception – it looks like an abandoned building from the outside. The entrance hall is purely Soviet style, too large and very grim. An old lady stands knitting in one corner, watching a TV show. She will instruct you about the ticket price – very low, only cash accepted – and the way to go. The building must have been a former clubhouse for officers or retired staff.

The museum (information here) covers the history of the Navy at least until the creation of the Northern Fleet. There are about ten small rooms, packed with tons of memorabilia items, documents, flags, parts of ships, photographs, paintings, portraits, uniforms, medals, models, maps, weapons and so on. Notwithstanding the old-style exhibition and the plenty of information mainly on the facts of WWII and the Cold War period, the museum is fairly up to date, mentioning also post-Soviet history and the current status of the fleet. It is noteworthy that most of the descriptions are in Russian only, so you should go with some knowledge of the topic if you don’t know the language.

Some Soviet memorials and the portraits of all commanders of the fleet from its foundation to the present day can be found on the stairs.

Monument to the Waiting Woman

Setting the course back to downtown Murmansk, it is possible to reach the monument to the Waiting Woman, dedicated to the women of the seamen, with a multi-miles walk from the Museum of the Northern Fleet, again crossing Leninskiy Okrug.

The monument is an example of Russian ingenuity, yet somehow evocative. The place where the small sculpture is located is a vantage point from where it is possible to have a look to the northernmost part of the port of Murmansk, invisible from the town center. Much precise information about the home port of the vessels of the current Northern Fleet is not easy to get, anyway in the pictures you can see the aircraft carrier Admiral Kuznetsov, the only Russian aircraft carrier, recently deployed to the Black Sea and now returned to the bay of Murmansk – somewhat mimetic, carefully look at the pictures below.

Alyosha

The most famous monument in Murmansk and in the region surrounding it, the monument to the Defenders of the Soviet Arctic during the Great Patriotic War, informally known as Alyosha – ‘little Alexander’ in English -, is a gigantic statue to the Soviet Soldier, commemorating the battles fought by the Soviet Army against the Third Reich during WWII. Not only is this monument placed on top of a hill, but it is some 115 feet tall, making it the third tallest monument in the former USSR, after Stalingrad, now Volgograd, and Kiev, today in Ukraine. It is visible from many places in town and from the area around Murmansk.

It can be reached easily from downtown with a taxi, or if you are coming following the itinerary, climbing uphill at a short distance from the Monument of the Waiting Woman (see the map for a detailed trail to follow).

The monument is surely worth a visit. The size is impressive, and the eternal flame still burning ahead of the statue adds to the authenticity of the ensemble as a place of remembrance.

There are also two anti-aircraft guns and some ancillary parts to the back of the monument. The square ahead of it, possibly made for ceremonies, is not very well-kept and infested by mosquitoes in the warm season.

Leaving from the monument towards the city center can be done cutting through a wild green area along a well-marked trail. A mystery communication central can be found at some point. I met people grilling meat on a barbecue in this partially wild park.

From here you have a good view of the industrial port and of the central districts of Murmansk. Upon reaching Ulitsa Chelyuskintsev there is a small modern memorial showing some pictures of Murmansk soon after the devastation caused by WWII.

From here it is possible to go back to the city center where your hotel will probably be and where you can find some very good local restaurants.

Getting to Murmansk

Notwithstanding the interesting ensemble and some noteworthy monuments, this city alone can hardly motivate a trip from abroad even for dedicated enthusiasts. On the other hand, it makes for a quick and easy detour from a travel to scenic Lapland (Finland) or northern Norway. After some investigation about going there with a car I abandoned the idea – too complicated in terms of papers and risky – and elected to go there starting from Kirkenes, a small town in northern Norway just a few miles from the only border crossing point between Norway and Russia. There is a local Norwegian travel agency called Pasvikturist selling on the Internet the tickets of a bus service operating between Kirkenes and Murmansk with no stops. The service is operated once per day in both directions. They also sell travel packages of one or two days to Murmansk including a part-time guide and accomodation.

The bus is actually a comfortable Russian registered minibus. The pick-up point in Kirkenes is by the Scandic Hotel, where there are some possible pick-up points in Murmansk, which is much larger, typically by all the biggest hotels.

You must have the visa for entering Russia, and you can get the necessary invitation from both the Azimuth and Meridian hotel. I noticed not all hotels in Murmansk offer this service, so be careful if you want to opt for a smaller hotel. Getting the invitation involves an easy electronic procedure worth a few dollars. Passport control – both Norway and Russia – takes a while, about 45 minutes in total for all on the minibus. Restrictions on the goods you can transport apply, but are by far less stringent than when traveling by air. You are not required to pass a metal detector, and bags are inspected only sporadically. My small army knife and all photographic gears passed without trouble.

The trip from Kirkenes to Murmansk can be very interesting. The region you cross is full of military installations. Extensive areas along the road are fenced and under surveillance. Going to Murmansk we had to stop to let a number of tanks cross the road. There is at least one military checkpoint where all passports are quickly inspected again by military staff!

Among the unusual sights along the road are the huge nickel mines between Nickel and Zapolyarny, the countless memorials of WWII along the valley of the Pechenga river, the military town of Sputnik, and a ropeway built by the German Army to carry supplies to the front. The background scenery is that of an endless sequence of hills with arctic vegetation.

Getting closer to Murmansk you will see directions to many ‘closed towns’ – connected with military activities, and where foreign visitors cannot enter – including Polyarny, cited in ‘The Hunt for Red October’. This surely adds to the atmosphere and prepares you to the visit of the town.

Entering the town you will pass over the bay on a bridge and you will get a view of the southern part of the port and of the city, otherwise difficult to reach by foot.

Murmansk is clearly served also by an airport, so if you want or need you can surely reach the city by air – and also by train – from within Russia, but you will not get a view of the region, which may be very interesting if you are traveling as a tourist.