Military Collections in Sweden – Third Chapter

The rich military tradition of Sweden can be retraced by means of many interesting dedicated collections. Many of them are scattered in the nice southernmost country regions of the Scandinavian peninsula, and make for an interesting detour from the most popular touristic destinations.

As reported in the previous two chapters on the topic (see here and here), the neutrality of Sweden in the major confrontations taking place during the 20th century allowed this northern Country to operate in a unique and original way, especially in terms of military procurement. Besides picking what was actually deemed suitable for their internal needs especially from the West, Sweden managed develop a strong domestic design and manufacturing capability, such to fulfill its own self-defense role in a cost-effective and credible way.

The defense of neutrality was carried out in the air by a strong Air Force, often updated over the years. With the end of communism in Eastern Europe and the collapse of the Soviet Union in the early 1990s, the major threat in the Baltic area came to an end as well, resulting in a major scale-down of this defense force and the disbandment of many military organizations. Correspondingly, memorial museums can be found often close to former airbases. One of them, dedicated to the ‘Scania’ wing F10, in operation since WWII to the early 2000s, is covered in this chapter.

A rather complete collection of aircraft from the entire span of the Cold War can be found in the unusual frame of a private museum, established in the 1960s from the will of the founder to display primarily his own collection of cars. The mix is particularly interesting, witnessing also the close link between Sweden and the vehicle industry of the US, possibly the tightest among all Countries in Europe.

Of course, in the theater of WWII Sweden was politically and geographically in an interesting position as well as later in the Cold War. Its relative proximity to the Third Reich meant it was often overflown by bombers on their way back from missions over mainland Germany. Dogfights and bomber chase missions reached the airspace of Sweden, sometimes ending with either German or Allied aircraft crashing on Swedish territory. An interesting museum covered in this chapter is fully dedicated to the topic.

Photographs in this chapter were taken in the summer of 2024.

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Sights

Ängelholms Flight Museum, Ängelholm

This nice collection of military aviation can be found on the former premises of the air base of Barkåkra (today Helsingborg airport), which has been the home of the 10th Wing ‘Scania’ (aka. F10 or ‘Ängelholm Wing’) between 1945 until the disbandment of the latter in 2002. Established during WWII, the illustrious history of the F10 wing spanned the entire Cold War, reaching into the 21st century. Correspondingly, the Scania Wing was supplied over the years with a rich inventory of aircraft models, ranging from classic fighters of WWII to the more recent SAAB Viggen and Gripen.

The structure of the exhibition, rather compact in size, is composed of two major areas.

In the first, the history of F10 is retraced especially by means of interesting photographs and memorabilia items. Among the pictures, some portray American bomber crews as well as German fighters landed on Swedish territory, which remained neutral during WWII.

In this area are also a few dioramas and reconstructions of typical military scenes, including a medical room, from the earlier days of operation of the Scania Wing. Everyday items, as well as military training and illustrative material, is presented in display cases.

The second major area is where most hardware of the collection can be found – aircraft, engines, vehicles, and much gear from the days of operation of the F10 wing. Among the earliest models acquired by F10 back in the WWII years was – rather interestingly – an Italian fighter, the Reggiane Re-2000 Falco, a batch of which was obtained from Italy in a supply shortage scenario, where especially the US had halted material export to non-allied countries. Pressed into service with the Air Force of Sweden (and specifically also with the F10 wing) as an interceptor with the locally attributed code of J20, this generally adequate machine was powered by a Piaggio P.XI 14-cylinders radial engine (which according to Roman numbering then often employed in Italy translates into P.11), a 1.040 hp model license-made in Italy, and originally a French design by Gnome-Rhone. A Re-2000 is not on display, but a Piaggio P.XI is! This engine has been quite popular in those years in Sweden, ending up also as an interim power plant for the Swedish own SAAB B17C single-engine light bomber/diver (not to be confounded with the homonym American Flying Fortress).

Close by the P.XI is the oldest aircraft on display belonging to the F10, in the form of a FFVS J22. The company FFVS was actually a Swedish state-managed entity, borne in the years of WWII to cope with the wartime supply requirements on one side and the overbooking of the SAAB plants on the other. Introduced during WWII, this rugged fighter was powered by a Pratt & Whitney R-1830, the ubiquitous Twin Wasp, license-built in Sweden by Svenska Flygmotor. The Scania Wing received the J22 model only in 1945, the last propeller-driven aircraft in its inventory. The exemplar on display looks under maintenance, and is possibly in airworthy conditions.

Next on display is a SAAB J29 Tunnan, with its distinctive barrel-shaped fuselage enshrouding the single, centrifugal flow jet engine. The F10 wing transitioned to jets in 1946 with the early SAAB J21R and the British-supplied DeHavilland DH100 Vampire (named J28R in Sweden). The Tunnan was provided to the F10 wing in 1953, and there it remained until 1963, while more advanced models were becoming available. The engine of the J29 was a DeHavilland Ghost, manufactured under licence in Sweden by Svenska Flygmotor under the name RM2B – an example is on display.

Close to the tail cone of the Tunnan is also a DeHavilland Goblin engine, originally employed on the Vampire.

The longest-lasting workhorse in F10 service has been the SAAB J35 Draken. An exemplar of the J version, the most updated and last (with the actual modification taking place in the late 1980s), is on display. The distinctive bulge for the IR seeker under the fuselage, appearing from the modern F version on, can be checked out from very close.

Interestingly, the Draken is presented with an exemplar of the Rb-28 missile hanging from an underwing pylon. This is a SAAB-modified version of the US-designed Hughes AIM-4D Falcon, an air-to-air missile conceived as an anti-bomber weapon, but hastily pressed into service against Vietnamese MiGs during the Vietnam war, under the wings of the Phantom, and proving very ineffective in the dogfighting role. For the Soviet bomber interdiction role of the Draken, this missile platform was deemed more effective, and it was retained for service for decades in Sweden.

Other missiles, rockets and guns (including a dismounted Aden 30 mm cannon) pertaining to the warload of the Draken are on display as well, together with an interesting console for missile signal testing.

Ahead of the Draken is a memorial wall, and ahead of it is a Rolls-Royce Avon jet engine, displayed as an instructional cutaway – including both the turbomachinery and the afterburning component. License-built in Sweden by Svenska Flygmotor as RM6C, this was the engine of the Draken.

The F10 wing received the SAAB J37 Viggen only after the collapse of the USSR in 1993, marking the beginning of the last, post-Cold War chapter in the history of the unit. Quite elusive due to its adoption only by Sweden, albeit rather successful in its intended roles, an exemplar of this machine can be found in this collection. Specifically, this is a photo reconnaissance version named SF37. Lacking a radar, this model typically operated on reconnaissance missions in a flight of two, together with a radar-supplied SH37 variant.

The Viggen can be neared and checked out entirely with ease, thanks to its positioning on a pedestal. The photo-reconnaissance payload is on display. Under the left wing is a SAAB Rb-04 anti-ship missile. This Swedish own design was conceived for countering invasion starting from the sea. With a radius of 25 km and active radar homing, its warhead was sufficient for knocking out an enemy cruiser with a single hit.

The collection of the Scania Wing also includes the SAAB SK60 trainer, a successful trainer employed for decades, and inducted into the F10 inventory during the 1990s, when the wing took over the basic training role from the F5 wing. Similarly, an ubiquitous Bell 204 (Hkp 3B according to Swedish naming) can be found on display, as it was employed within the F10 for rescue and logistics/transport duties.

Close to the Viggen are further interesting exhibits. One is on the wartime bases (krigsflygbaser, see this post), with models and original signs from one of them.

Another is about weather forecasting within F10. It includes electronic hardware, an entire room with original consoles, and weather balloons, still today employed to carry atmospheric sounds.

A display is dedicated to pilot’s protection helmets, survival kits and ejection seats. Not only in Sweden, the latter have been in the focus of a major technological development over the years of the Cold War. Ejecting from a fast jet in the 1950s was reportedly a highly-risky business, since even when the maneuver was technically successful – i.e. such to take the pilot out of the aircraft alive – the ejection-induced acceleration alone was more than enough to cause serious injury, usually to the spine. Over the years, multi-stage ejection was implemented, allowing for a more gradual maneuver, which albeit remaining lightning-fast, does not inflict so harsh a treatment to the pilot’s body as in the past.

A top exhibit on display is an original cockpit from a SAAB J35 Draken, employed for training purposes. The cockpit is very well preserved, thoroughly described by explanatory panels nearby, and it can be boarded to give you a feeling of the functionality of the onboard systems, as well as of the ergonomics of the cockpit.

Two more training aircraft are included in the exhibition, a SK61 and SK50, both single-propeller machines employed for basic training.

Additionally, the last type in service with the F10 has been the SAAB JAS39 Gripen (from 1999 until disbandment), which is here represented by means of the first serial production machine of the first version (‘A’). This exemplar was actually never pressed in air force service, but it was employed as a test bed for multiple operations, including test firing of missile ordnance in the early 2000s.

Additional dioramas in this compact but rich collection include op-rooms from various ages.

An interesting exhibit is a relatively well-preserved Rolls-Royce Merlin piston enigine, originally powering a British Avro Lancaster bomber which sank south of Trelleborg in the Baltic Sea, presumably early in 1945 after a bombing run over Germany.

Finally, on the outside it is possible to find a British Bristol Bloodhound Mk II missile. This SAM supplied a squadron of F10 wing, complementing the air defense role in proximity to the airbase.

Getting there and visiting

The name of the museum in the local language is Ängelholms Flygmuseum, which translates into Ängelholm Flight Museum. It is located on the southwestern border of the former airbase of Ängelholm, easily reachable at the address Drakenvägen 5, 26274 Ängelholm. This town is 15 mi north of Helsingborg along the E6 highway.

Large parking ahead of the entrance. Nice shop with books, toys and gadgets by the ticket office. The museum facility is rather compact, yet a visit may easily take 1.5 hours for an interested subject, when carefully checking out all items on display and taking pictures. Descriptions are in double language, Swedish/English, allowing for an informative visit even if you are from abroad.

Professional website with full information here.

Museum of Forced Landings, Morup

The Museum of Forced Landings (in Swedish language the museum is named in a rather different way, ‘Morups Samtidsmuseum’) is a one-of-a-kind collection of remains and traces from air crashes or forced landings taking place during WWII in Sweden. Run by a lively group of dedicated enthusiasts, the display is extremely well-crafted, offering not just an array of many and diverse relics from aircraft wrecks, but for each of them a complete synopsis of the story behind that specific flight – and the crewmen who were on board.

Furthermore, in my case I was accompanied by a very knowledgeable English-speaking gentleman for the entire duration of my visit, making the experience even more engaging.

The exhibition starts with a display of general maps of the crash or forced landing sites. A sharp increase towards the end of the war is evident, due to the increase in the number of bombing raids over the center of the Third Reich. The crashed aircraft are mostly from the US and Britain. When hit over Germany but still airworthy, Allied crews attempted an escape to neutral Sweden, to avoid capture by the Germans.

Of course, Sweden was a neutral country, hence all grounded crews, irrespective of their nationality, were interned, albeit in more than decent conditions, especially compared to German or Soviet prison camps.

A map of the internment location in Sweden is presented as well. Clearly, also German aircraft crash-landed in Sweden. Crews of opposing nationalities were interned in totally different locations. Rare photographs from these sites are on display.

Then, one by one, the display cases describe each a notable forced landing, retracing its timeline, and showing some relics from the wreckage, as well as personal items belonging to the crew. Nice detailed scaled models and dioramas of the accident complete the reconstruction.

Among them are a German Messerschmitt Bf110 attack aircraft, with a fragment of the canopy as well as other parts on display, Norwegian training aircraft, a German Junkers Ju-52 transport, with an entire control column put as an exhibit.

The bombsight, radio and other instrument goggles belong to a German Heinkel He-111 bomber landed on ice.

One of the plots documented in the deepest detail is that involving Lt Edward E. Phillips, of USAAF 354th fighter group, which flew escort missions over Germany from Baxton, England, with North American P-51 Mustang fighters. On the 15th of April 1944, on return from a mostly failed bombing mission over Germany in bad weather, Lt. Phillips aircraft was chased north by a Bf109. He was hit over southern Sweden, bailed out but the parachute failed to deploy. He was killed instantly, and his aircraft impacted soft terrain and sank so deeply due to its own energy that it almost disappeared into the ground – and there it remained for 40 years. In the 1990s an excavation attempt was carried out by the future crew of the museum, uncovering substantial remains of the aircraft, including many parts, cockpit gauges, machine guns, an entire landing gear leg, and more.

A link was established by the local crew with the former wife of the man in the US, and the story hit the news. A memorial was inaugurated on the location of the crash.

Another American aircraft with a story to tell is a Consolidated B-24 Liberator. This time the aircraft managed to crash land under control, and the entire crew of 10 was saved and interned. Sgt Robert C. Birmingham, part of the crew, visited the locations of his adventure in Sweden more than once with his family.

More accidents described in the display involve British and German aircraft.

In an adjoining room, an impressive collection of quality scale models reconstruct many of the aircraft in service within the Air Force in Sweden, including details such as different celebration markings and camo coats. Among the artifacts and memorabilia items on display in this part is an autographed photo of WWII German ace Günther Rall.

In another small hangar is an interesting addition to the collection, mostly centered on aircraft engines. Engines from crash-landed aircraft, significantly damaged but undergoing a display-oriented cleaning and refurbishment, make for an unusual and interesting sight.

Outside is also a small collection of classic cars in pristine conditions.

Getting there and visiting

The museum is called ‘Morups Samtidsmuseum’ in Swedish language. It can be found right along the road N.768 about 6 miles north of the coastal town of Falkenberg, 0.25 miles north of the small town of Morup. The exact address is X9MP+84 Morup.

A visit may take about 1 hour, more when stimulating further telling by the very enthusiastic crew of the association running the museum.

Please note that no credit cards are accepted, only cash is – unless you are entitled to employ electronic payment methods allowed for citizens or residents of Sweden.

The website, partially under construction as of spring 2025, can be found here.

Credit for directing me to this hidden gem goes to Martin Steffen, from Sweden.

Svedino’s Automobile and Aviation Museum, Ugglarp

This unusual exhibition originates from the own collection of Lennart Svedfelt, a prominent Swedish stage and TV entertainer borne in 1924 and known as ‘Svedino’. The man started purchasing cars and planes for the purpose of collecting them, in an era when a similar activity was hardly heard of. In 1961 he opened his collection as a permanent display, the first museum dedicated to cars in Sweden. Over the years, and even following his passing, the museum continued to grow, reaching more than 100 cars and 40 aircraft on display today!

Even though this is not an eminently military museum, despite the cars being beautiful civilian cars, most aircraft on display are military machines, including some remarkable items – therefore, Svedino’s perfectly fits within this chapter!

The cars on display make for a really unique collection, in and out of Sweden. A remarkable feature is especially the number and uniqueness of US-made cars from the inter-war period between WWI and WWII. In a first building, these include models by Chevrolet, Buick, Dodge, Nash, Oldsmobile, and more!

Also some classic models from European manufacturers, like Opel, are on display. A special rarity is an Adler Trumpf from 1934. Adler, a German company from the 19th century active in the manufacture of petrol engines, operated in the car market for a relatively short time, roughly coincident with the Third Reich period. They made cars in the intermediate price segment, with good success. The company changed business following WWII, making Adler cars interesting collectible items representing car-making from a specific era.

As expected from a Swedish museum, a full array of classic Volvo is on display! These include small trucks and saloons, and interesting models like the PV36 from the inter-war period. Similar to the PV830 and the iconic PV444 from the immediate post-WWII years, an influence of the contemporary American designs is undeniable in all these models.

Also on display are more modern vehicles employed as state cars. An interesting item is a very old Gräf & Stift, an Austrian luxury sedan from before WWI, salvaged from the bottom of a Swedish lake after spending there more than 40 years, and acquired by the museum.

Two interesting cars on display are personal designs from the early 1950s. In Sweden it was possible at that time to introduce privately-built cars, provided they could sustain a compliance check. An example of a fantasy car, with a rather aggressive design and physically assembled from parts of other cars, is on display. It was never completed nor allowed on the road. Another example, designed and made by the son of the industrialist Wennberg, reportedly roamed around all over the 1950s! This unique exemplar is on display with ‘factory markings’ HW.

In a second adjoining building, a really valuable collection of even older cars, dating from earlier than 1930, is on display. Also here most items in the collection are from the US, a really rare sight on this side of the ocean! Looking at the elaborated labels of these oldies, made by Ford, Anderson, Seneca, and thinking of the craftsmen who personally assembled them back in the America of the early 1900s is really thought-provoking!

Among the most unique cars on display is a Pierce-Arrow from 1918, sitting alongside a Haynes from the same year.

Moving on to another adjoining hall, here cars are on display alongside a few classic planes from the first half of the 20th century. A DeHavilland Moth, a Götaverken GV-38 seaplane (a licence-built Rearwin Sportster, a US design), as well as a German Klemm Kl-35 and a Focke-Wulf FW-44 designs, are on the list together with more light airplanes and a few engines.

The latter include an original Rolls-Royce Goblin and Avon, respectively from a DeHavilland Vampire and a SAAB Draken, both in service with the Air Force of Sweden during the Cold War.

A focus of the exhibition is on the memory of a pioneer of Swedish aviation industry, Enoch Tulin, who is the author of many ‘firsts’ in the aeronautical history of this Country – the largest aviation workshop to date before WWI (with 900 employees), the first air mail service, the first air rescue mission, and more. A graduated engineer, flight instructor and early aerobatic pilot, Tulin died in an airplane crash in 1919, after gaining unquestioned prominence in many fields of aeronautical industry and operation in his era.

A final adjoining hall concludes the oldest part of the exhibition premises. Here the spotlight is on a few fighters from the Cold War era, namely a SAAB J29 Tunnan, two DeHavilland Vampire, and even a SAAB J35 Draken.

The latter is really a unique exemplar. As can be guessed by the monstrous red and white spine on the nose cone, typical to experimental aircraft and not a feature of the production machine, the one on display is actually the first prototype!

Another curious item is a Soviet-made Kamov Ka-26 helicopter. Alongside the helicopter is a vintage advertisement from 1975, written in Swedish, and made by Aviaexport, a Soviet agency for the commercialization of Soviet aeronautical products abroad. Borne as an import-export, Aviaexport acted also as a recipient of foreign certification rules, spreading the growing body of western aeronautical regulation within the Soviet design bureaus, to the aim of keeping the quality standard to a level sufficient for commercialization in foreign countries. Actually, thanks to Aviaexport the Kamov Ka-26 received a type certification in Sweden, which allowed its commercialization and regular employment there. Aviaexport is still existent in today’s Russia.

Interspersed between closely-packed aircraft are more cars, including a beautiful Jaguar Mk V and an East-German Trabant, as well as aircraft engines.

A massive Wright Cyclone R-3350 is among them – the power plant of the Lockheed Constellation and Douglas DC-7, often considered the pinnacle and swansong of American piston power, this massive 1.2 tons, 18 cylinders engine produced 3.700 hp of shaft power!

Svedino’s aircraft collection is mostly hosted in a modern hall added more recently beside the original museum’s building. The first item on display is an original Junkers Ju-52! This aircraft is among those license-built in Spain. It operated for some time as far as in California in the 1970s, being later transferred to Ireland, and finally here. The camouflage and markings reenact those of a Third Reich’s Luftwaffe machine force-landed in Sweden during WWII. The cockpit of the Ju-52 has been reproduced separately, to allow checking it without boarding this precious aircraft.

As expected for a Swedish aircraft collection, the most prominent models which have served in the local Air Force are represented. These include a SAAB J32B Lansen, a Cold War attack aircraft from the 1950s, a SAAB SK60 trainer, and a SAAB J35 Draken – a production machine, not a prototype like in the previous hall.

These aircraft are presented alongside their engines. The Swedish licence-built version of the Rolls-Royce Avon, named RM6A, powered the Lansen and later the Draken.

The latest addition to the SAAB heritage on display is the J37 Viggen, here presented in the nice and distinctive camo coat of the Air Force of Sweden. This is presented alongside its mighty engine, the RM8A, a modified version of the Pratt & Whitney JT8D turbofan.

Additionally, a display of an open nose cone allows to see the arrangement of the radar antenna of the Viggen.

An interesting display case hosts the instrument panels, radar and reconnaissance gear of the Lansen, Draken and Viggen, as well as a collection of flight helmets and pilot’s gear, showing the evolution of this technical material over time.

But the collection of Svedino’s is not limited to aircraft in service in Sweden. A Lockheed F-104 Starfighter from the Air Force of Denmark is on display, next to a Gloster Meteor early twin jet. The blue exemplar on display is a former factory demonstrator originally employed by Gloster, and later sold to Sweden for target towing (in a batch of seven aircraft).

A rarity to be found close by is a Percival P.66 Pembroke, a twin-engined multi-purpose transport from the early 1950s, employed for training and passenger transport within the Air Force. Manufactured in Britain in just 128 exemplars, this type was mostly sold abroad to Western-European Countries and in Africa. Sweden originally got a batch of 16.

Another British type on display is a Hawker Hunter, which was actually employed by Sweden as a stop-gap model in the late 1950s, waiting for the completion of the design and the entrance into service of the J35 Draken.

Another Soviet addition to the collection is a MiG-21. A Cold War veteran, this exemplar is Soviet-built, and served in Hungary until 1982 and later in the Latvian SSR.

A recent addition to the exhibition is a Douglas Skyraider! Possibly overshadowed by the illustrious career the type enjoyed in the US Armed Forces, a part of the history of this massive attack aircraft is about Sweden. Some 13 exemplars were actually purchased by Sweden for target towing in the mid 1960 from Britain, which had got a larger batch from the US. The exemplar on display is an AD-4W, the early warning version of the Skyraider. It is currently (2024) being refurbished.

Among the biggest additions to the aircraft collection is actually an English Electric Canberra. As typical to this type, employed by the British for the first, high risk overflights of the Countries of the Soviet bloc before the high-performing Skunk Works aircraft became available, the Canberra (including its modified Martin version in the US) was employed for quintessentially Cold War signal intelligence missions opposite the Soviet Union. Two exemplars were employed also in Sweden from the early 1960s until the mid-1970s, and one of them is that on display.

A curious item also on display is a one-off design which won a competitive call of the Aviation Engineering Association in Stockholm in 1988, and which was later actually built by its designers. Unfortunately, it was eventually never tested due to one of the owners need to quit for health issues when the aircraft was undergoing a certification test for obtaining airworthiness. The name of the prototype is LLS-1.

Scattered among the aircraft are more engines, radars, consoles, simulators, and more aircraft than described, making for an overall very rich and interesting visit.

Getting there and visiting

Svedinos Bil & Flygmuseum – this is the name of the museum in the local language – can be found in a nice countryside 15 miles north of the port town of Halmstad. The exact address is SE-311 69 Ugglarp.

The premises are rather compact, with a large parking ahead of the entrance. Fresh cookies, homemade sandwiches and cakes are available for a light lunch in the exotic lobby, matching in style with this unusual collection.

A visit may take 2 hours for an interested subject. Most items are described with modern panels in double language Swedish/English, making the visit very informative. The website with logistical information is here.

Soviet Traces in the Caucasus – Armenia, Azerbaijan & Georgia

A visit to the three Caucasian republics – Armenia, Azerbaijan and Georgia – today offers much to virtually any type of traveler. An incredible range of sceneries can be found there, from beaches to mountain ridges, from abundant traces of a multi-millennial civilization to futuristic skyscrapers and oil rigs.

As recent history has dramatically shown, these countries are inhabited by markedly different, deeply divided populations. Furthermore, all three of course still have a complicated relationship with their gigantic neighbor, Russia, which shares a border with both Georgia and Azerbaijan – with some unsolved uncertainties especially with the former, as shown in the cases of the contended territories of Abkhazia and Ossetia. On the other hand, Armenia is historically at loggerheads with Turkey, with which it shares a long – and impenetrable – border.

The three Caucasian nations have suffered the influence of stronger powers for ages. Constant clashes between Czar’s Russia and the Turks meant the loss of independence for long. As a matter of fact, both today’s Georgia and Azerbaijan where under Russia, and Armenia under the Turks, when WWI broke out. Soon after the war, short-lived independent nations were extirpated by the deadly action of the communist Bolsheviks, invading from Russia. The three Caucasian nations were forcibly incorporated in the Soviet Union, creating an artificial, uncomfortable friendship between each other and with Russia.

For roughly seven decades the three nations were on the southern border of the USSR, sharing a frontier with Turkey and Persia (later Iran). Turkey collaborated with the Third Reich in WWII, and later joined NATO, hosting – as it still does today – Western military forces on its territory. That border with the USSR was very active in the Cold War years. Aerial espionage missions were flown by the US from Turkey, ballistic missiles were installed, gigantic radar plants were put in place by the Soviets, who also manufactured MiGs in the outskirts of the Georgian capital – really a hot region in the Cold War!

As soon as the Soviet power started to creak at the very end of the 1980s, national movements faced again, eventually leading to the birth of independent nations as we know them today. This was not without a deadly struggle however, as for the case of Azerbaijan, mostly relevant for its oil reserves and the border with Iran. Furthermore, religious and cultural differences and unsolved disputes over the actual borders among each other meant that these three nations were never friends over the last three decades.

Besides this complicated geopolitical inheritance, the long-lasting Soviet tenancy of the three Caucasian Soviet Socialist Republics (SSRs) left traces, of course. Some highlights among the architectural leftovers of Soviet times are presented in this post, from all three Republics. Monuments, from Soviet times, or celebrating independence from the Soviets, are similarly included. Further traces are preserved in museums – military museums dating from the Soviet era, like in Gori (Stalin’s birth town in Georgia, see this post) and Yerevan, history museums like in Baku and Tbilisi, or collections of artifacts from Soviet times, like the world-class Auto-Museum next to the airport in Tbilisi.

Photographs are from a long visit to the Caucasus in summer 2019.

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Armenia

Azerbaijan

Georgia

Sights in Armenia

Republic Square, Yerevan

A fine example of Soviet-times architecture, Republic Square – originally named Lenin’s Square – was designed in the mid-1920s, soon after the creation of the USSR, and was actually built little by little, reaching completion in the 1970s. It is a great example of Soviet-classicism, contaminated by some Armenian motifs – Armenia boasts an original architectural school originating several centuries ago, and particularly evident in medieval Armenian churches.

The focal point, once a statue of Lenin at the center of the square and pulled down in the 1990s, is possibly the front facade of the rich History Museum of Armenia, in a pale color and openly recalling the lines of the beautiful monasteries to be found in the country.

Besides the museum building, fronted by a huge fountain, the oval shaped square is defined by four more buildings, coordinated in terms of volumes and colors. The frieze on some of the buildings is centered on the usual Soviet iconography – five-pointed stars, sickles, harvest, …

The easternmost building with a clock tower used to be the seat of the government of the Armenian SSR, and is now the palace of the Armenian Government.

The westernmost building was designed, and still is, a hotel.

At night, they regularly offer a nice show with music, lights and water games.

Visiting

Centrally located in Yerevan, you can reach this place in several ways. You probably won’t miss it if traveling to the Armenian capital city. Just note that parking is not possible on the square.

Cascade, Yerevan

A large – better, a monster-size… – stairway, climbing uphill from central Yerevan to a residential uptown neighborhood, was designed in the early 1970s and built in two stages, both in the 1970s and in the 2000s.

The stairway is interrupted by platforms, with sculptures and fountains, which make it look pretty irregular and full of details to discover.

Access to the famous Cafesjian Museum is along the stairway.

As of 2021, the complex is unfinished, still missing a planned building on top. The stairway offers a beautiful view of Yerevan, basically in its entirety. The panorama reaches to Turkey and mount Ararat.

Visiting

This is a highlight in town you won’t probably miss. A climb with a taxi to the top is recommended, descending the stairway instead of climbing it, especially on torrid summer days.

Mother Armenia & Victory Park, Yerevan

A unique sight in the former SSRs of the Caucasian area, the Mother Armenia statute is a typical relic of the Cold War, like you can find elsewhere in Russia or more rarely in the Soviet satellite countries of Eastern Europe.

The statue was born as a commemorative monument for the effort of the Armenian SSR in the Great Patriotic War. Having been designed soon after WWII, when Stalin was still the leader of the USSR, the monument was pretty different from now – a huge statue of Stalin used to stand on top of the huge pillar! This was removed in the early 1960s, being swapped with a nicer statue resembling an Armenian young woman, and titled ‘Mother Armenia’.

The base of the monument features a few decorations, based on typical Soviet iconography.

Around the monument, in what is called Victory Park, a few specimens of Soviet military technology are there to see. These include a few tanks, missiles and aircraft.

Ahead of the monument, an eternal flame is still lighted today (invisible in the pics due to the extreme sunlight). A majestic perspective leads to a balcony, from where you can enjoy a nice view of the Armenian capital city.

The base of the statue is home to a war museum, conceived in Soviet times, and later updated with documents over the most recent  Armenian war actions.

The latter, including the countless clashes with Azerbaijan and Turkey, are documented on the much visited ground floor, besides the main hall.

A part on the same floor is dedicated to the actions of soldiers from the Armenian SSR in Soviet times, and more generally to the Cold War period.

Little or no attention is devoted by visitors to the rich collection on the underground floor, mostly centered on the actions of the Red Army against Hitler’s Wehrmacht in WWII.

Here the exhibition is very rich of relics from both the German and Russian sides, including weapons, papers, uniforms, … Several maps retrace the epic battles and actions, leading to the defeat of the German military machine.

Portraits of generals, insignia and mottoes in Russians, not limited to the actions in WWII, relive the genuine ‘Soviet remembrance’ feeling, to be appreciated also in similar museums like in Kiev (see here) or Moscow (see here).

Visiting

Reaching Victory Park, where the monument is immersed, is easy with a taxi, or climbing uphill from downtown on top of the Cascade described previously. Visiting inside the monument is totally recommended for curious visitors, war history enthusiast and similar folks. Nothing can be found in a western language. A visit of about 45 minutes may suffice for a rich overview of the inside exhibition.

Railway Station, Matenadaran, Opera Theater & Other buildings in town, Yerevan

Soon after its annexation to the USSR, Armenia started receiving many prototypical items of Soviet architecture. However, like in the case of Republic Square (see above), some buildings were designed by local architects, including elements of traditional Armenian style.

A typically Soviet building in Yerevan is the Railway Station, dating from the 1950s, still featuring the emblem of the Armenian SSR on top of a tall spine, and double Russian/Armenian signs on top.

An example of a blend between Armenian architecture and Soviet ‘magnificence’ is constituted by the Matenadaran, designed soon after WWII (Stalin’s era), to host a unique world-class collection of ancient books and papers.

This enigmatic building, despite of course imposing, is definitely not the usual Soviet ‘monster block’ like other museums elsewhere in Soviet capital cities.

Similarly peculiar is the Opera Theater, dating back again to the years of Stalin. Soviet pomp is scaled down to Armenian proportions, and the color of local stone makes the outcome different from buildings with a similar function in other communist capital cities.

Other examples of Soviet buildings can be found scattered in downtown Yerevan, which is generally speaking a nice-looking, neat city center. These include residential buildings, as well as hotels and more.

Even for more recent low-level, purely-‘communist style’ blocks, they put some effort in reducing the inevitable impact of these bulky constructions.

Visiting

With the exception of the railway station, located south of the city center, all sights just cited can be found in the very center of Yerevan, at a walking distance from one another, highlights along a nice stroll in the area.

Mikoyan Brothers Museum, Alaverdi

Besides the gorgeous monasteries gracing the area of Sanahin, in the northernmost part of Armenia, an unmissable destination in the area for seekers of Soviet relics and aviation enthusiasts is the home of the two Mikoyan brothers.

For aviation connoisseurs, the name ‘Mikoyan’ is one of the most prominent – the ‘M’ in the acronym ‘MiG’ being borrowed from the surname of Artem Mikoyan. This marvelous aircraft designer, whose design bureau grew to top fame in the Cold War period, created with his designs the backbone of the fighter force of the USSR and all its Eastern Bloc satellites. Some of his models have been manufactured in the highest numbers in aviation history, and have served in the Air Forces of the world for several decades. The firm remained alive well after the collapse of the USSR, until the (Russian) state-imposed incorporation of several aircraft design bureaus in a single conglomerate, in the early 2000s.

Possibly less-known today, but a really prominent personality in his era, and perhaps even more influential in recent history than his brother, was Anastas Mikoyan. This was a member of the Soviet Politburo since its foundation in the years of the civil war following the communist revolution in 1917, until 1965 – i.e. managing to stay on top for the entire length of Stalin’s and Khrushchev’s reigns, and resigning only some time after Brezhnev had taken the lead. He over-viewed production in the USSR, acted as an emissary to the US and Cuba in the years of the Kennedy administration, and especially during the missile crisis in 1962.

The two Mikoyan brothers were born in the small mountainous town of Alaverdi, Armenia, where a monument and museum was created back in Soviet times to commemorate their achievements.

The most notable feature, really an unexpected view in this mountain town, is a MiG-21 placed under a concrete canopy, with inscriptions nearby. This supersonic fighter is a true icon of the Cold War, and of course a good way to commemorate Artem Mikoyan’s contribution to aviation history.

The museum is housed in a small building, where visiting is with a guide (English speaking) and photography forbidden and impossible. Several artifacts, pictures and papers unfold the life of the two brothers, since their birth in this village until their respective rise to prominence and success.

An old Soviet car, likely belonging to one of the two (unclear), can be found in an adjoining building.

Despite a primary touristic destination, the area around Alaverdi and the town itself is (as of 2019) a prototype of post-Soviet decay, with a monster-size, partly abandoned factory building dominating the valley, and old-fashioned, shabby working-class blocks scattered along a road in poor conditions, where buses dating back to the Soviet middle-ages move people around.

Visiting

Visiting the museum is recommended for all aviation enthusiasts and for those interested in the Cold War. The town is a tourist destination thanks to the beautiful monasteries. The museum and monument can be visited in less than 1 hour by a committed visitor.

Sights in Azerbaijan

Museum Center, Baku

One of the few prominent remains of Soviet Baku, the Museum Center has taken over the former building of the Lenin Museum, born in the the early 1960s to celebrate the achievements of communism in the USSR (?).

Today this relatively small building hosts several institutions, including a museum on the history of Azerbaijan. The latter includes many pics and smaller artifacts from older and more recent history. Among them, mock-ups of the famous statues in Berlin-Treptow (see here) as well as the one in Volgograd can be found. The museum covers also the contribution to the history of the country made by the influential Heydar Aliyev, a former member of the Soviet Politburo and first president of newborn Azerbaijan.

However, the Soviet roots of the building are clearly visible in the details of parts of the decoration, which include hammer and sickles on the facade as well as inside. The Soviet-neoclassic architecture of the exterior, and some evident miscalculations in the size of the stairs inside (the ceiling is embarrassingly low!), are other distinctive features of communist design.

Visiting

Centrally located along the nice seaside park, this museum is worth a visit for the small art collection and for the history exhibit. Visiting may take about 45 minutes for the committed visitor.

Martyrs’ Lane and Shehidlar Monument, Baku

Despite not dating to the Cold War, this monument is strongly bound to the Soviet impact on the history of Azerbaijan – in particular, to the victims of Soviet military actions.

The annexation of Azerbaijan by hand of the Bolsheviks was fiercely opposed by the population, and many lost their lives trying to stop the attack of the communists. A first memorial for them was erected here, wiped out soon after when the Bolsheviks finally gained control of the area.

A small monument from Soviet time can be seen in the area, from the time of WWII.

A more recent episode in the closing stages of the Cold war, largely forgotten in the West, was the brief but bloody war fought by Azerbaijan against the agonizing USSR, which militarily invaded the region of Baku to prevent secession. Many were killed in the so-called Black January of 1990.

Today’s monument, made of an alley with graves and an eternal flame, is rather scenic but not excessively pompous.

The location is really gorgeous, with a stunning view of Baku and the gulf in the Caspian Sea, as well as of the iconic Flame Towers.

Visiting

Reaching is easy with the funicular starting from downtown Baku. Highly recommended for both the significance of the place and for the panorama.

House of Soviets & Other buildings

The government of the Azerbaijan SSR operated from a stately building, designed in a purely Soviet formal style, and completed under Stalin after WWII. A statue of Lenin originally ahead of the building was demolished following the independence war in 1990 and the secession from the USSR. The building still retains an official role, hosting some ministries of Azerbaijan.

In the peripheries of the pretty big town of Baku, more typically Soviet alleys, architectures… and cars can be easily found. These are in striking contrast with the hyper-futuristic architectures of the big central district, dominated by the iconic Flame Towers.

Visiting

The House of the Soviets, now Government House, can be found in central Baku, along the nice seashore garden. For touring the outskirts of Baku, rich of interesting touristic destinations, a full-service taxi or a car rental are advised.

Sights in Georgia

Georgian Parliament Building, Tbilisi

The Parliament of Georgia was designed and built under Stalin, starting in the 1930s, as the seat of the government of the Georgian SSR. The formal appearance of the front facade is typically Soviet. A now empty medallion on top of the facade used to display the emblem of the SSR. This was destroyed following the clashes against the agonizing USSR which led to the independence of Georgia in 1991-92.

Visiting

A look to the outside is easy to take walking along very popular Shota Rustaveli avenue, a short walk from Liberty Square (formerly Lenin’s Square).

Georgian National Museum, Tbilisi

This world-class museum is dedicated to the history of the Georgian culture, and displays invaluable artifacts dating from all ages.

A small but pretty rich hall is dedicated to the bloody invasion of the Bolsheviks in 1921, which quickly destroyed the short-lived independent Georgian state. This had been created following the collapse of the Czarist empire as a result of WWI and the ensuing revolution/civil war in Russia.

The communist invaders did not waste any time, and openly persecuted all political opponents, quickly imprisoning and killing many in more instances.

The exhibition is centered on documents on both the sides of the independence movement and the invading communists.

Artifacts from the quick and bloody war of 1921 are on display, including guns, insignia, and more. The setting of the shooting of political opponents in a prison (similar to the one you can see in the KGB house in Riga, Latvia, see here) is reconstructed.

A particularly striking memorial is constituted by a train truck used for mass execution – bullet holes are clearly visible.

Visiting

Anybody with an interest in Georgian culture will hardly miss this wonderful museum. Visiting the hall dedicated to the communist attack and the installation of a  Soviet dictatorship will take just a part of the overall time devoted to the visit. The place is centrally located in front of the Parliament Building.

Mother of Georgia Statue & More buildings, Tbilisi

Georgia has got rid of most Soviet relics as quickly as possible. Elusive traces of Soviet architecture remain especially in Tbilisi. This gracious town is not dominated by any Soviet monstrosity, and with the exception of the Parliament Building (see above), buildings dating to the years of Soviet tenancy are blended among older and more modern ones, luckily sparing the town from the typical post-Soviet ghost aura.

The very central Lenin Square has been renamed into Independence Square, when the statue of Lenin gave way to that of St. George.

A nice addition from Soviet times is the Statue of Mother Georgia, from the late 1950s. The idea of gigantic statues was pretty popular in the Soviet Union and other communist countries, like Yugoslavia (see here). However, the nationalistic inspiration of Mother Georgia meant it was not torn down when the Nation gained independence.

A few buildings and decorations from Soviet times can still be found in Tbilisi – side by side with futuristic ones – as well as many cars from the Cold War era!

Batumi

A thriving holiday destination on the Black Sea, closely resembling Miami Beach, the contrast between old-Soviet and novel American-style buildings is sometimes striking in Batumi. International hotels are there side-by-side with old monster apartment blocks from Soviet times, now less visible thanks to the application of some architectural cosmetics.

The town is very lively and enjoyable, as a result of a serious effort to make it an international-level seashore location. Even Donald Trump has been reportedly involved for a while in the construction of a resort on site!

Besides older buildings, some from before the Soviet era, as well as some small-scale Soviet-style monuments are still there. Only rare examples of really shabby Brezhneva (‘Brezhnev-era housing’) can be found in more peripheral areas.

A former port town of the Czar, Batumi was the target of the young communist Stalin, who preached to the workers of the port, spreading the word of Marx in the early 1900s.

Visiting

A visit to Batumi may be for the nightlife, for the sea, or for the Gonio Fortress nearby. The place can be reached directly by plane, car or train.

Kutaisi

The central square of Kutaisi, the second largest town in Georgia and the seat of the Parliament, is centered around the Colchis Fountain, designed in a style similar to that of Mother of Georgia in Tbilisi (see above).

Around the square, the Drama Theater and an adjoining building are clearly built in a Soviet formal style.

Visiting

Easily reachable, the ancient town of Kutaisi may be visited for the many historical and natural attractions in town and around. It is totally easy to reach by plane, train or car.

Borjomi

The name ‘Borjomi’ is known everywhere in the territory of the former USSR, thanks to the water springs in town. The water label ‘Borjomi’ is still today the perfect analogous of ‘Perrier’ or ‘San Pellegrino’ for the western world, meaning a top-quality sparkling water.

Actually, this natural spring was discovered when Georgia was part of the Russian Empire, when Russian soldiers fighting against the Turks  were mysteriously healed from some belly sickness while stationed in the area. The place became famous all over Russia for the its springs. A railway was put in place to connect Borjomi to the rest of the Empire, and famous personalities like Tchaikovsky are celebrated among the illustrious visitors to this nice location in the mountains. This town is still today a popular destination for vacation, with top-level hotels, a theme park, and much nature around to be explored.

Besides some older buildings, dating from before the Soviet era, some others are typically Russian style, like the railway station. Original timetables in Russian are still on display.

Look at this pic from an old Soviet base in the former DDR, to see the name ‘Borjomi’ among the railway stops in Soviet times!

Visiting

Reaching secluded Borjomi is not difficult by train or car from Tbilisi, or from nearby Gori.

Great Patriotic War Museum, Gori

Besides Stalin’s birthplace and the corresponding museum (see this dedicated post), for more curious visitors many memorabilia items, documents and artifacts can be found in Gori, in a museum dedicated to the Great Patriotic War (i.e. WWII for the Soviets). A scaled-down museum totally like the one in Kiev or Moscow (see here and here respectively), this exhibition is centered on the role of the Georgian SSR in the fight against Hitler’s Wehrmacht during WWII.

Many documents and photographs make this exhibition very lively.

Rare German relics are displayed in dedicated cases.

Similarly interesting are various artifacts from WWII and the Cold War.

The local hero – Stalin – is of course celebrated with a dedicated wall sculpture, photographs, and more.

A part of the museum is actually a memorial.

The museum has been more recently updated, with some displays concerning the most recent actions of the Georgian Army.

A large commemoration monument from Soviet times, slightly modified after independence, can be found outside the museum, making it noticeable when passing by.

Visiting

This small but interesting museum is located at a minimal walking distance from Stalin’s birth house, but it is a separate entity from it. It can be easily found at the southern tip of the garden leading to Stalin’s house. The entrance can be spotted thanks to the wall monument ahead of it.

Tbilisi Automuseum, Tbilisi

A full immersion in the history of automobiles of the Eastern Bloc! This museum is a true must for 4-wheels enthusiasts. The collection is hosted in two hangars.

The larger one is stuffed with cars from several decades of the Cold War timeline.

Older Soviet cars from Stalin’s era sit side-by-side with more modern Chaikas.

Not only stately ‘official’ cars, unreachable for the general public, are on display.

Smaller Ladas and Zil, often license-built Russian versions of Italian FIAT cars, can be found – some in the colors of the Police or other services.

At the time of visiting (2019) at least one original Soviet Pobeda car could be boarded!

The second hangar hosts a few light military vehicles, and some motorcycles.

Visiting

Visiting this museum is definitely recommended for car enthusiast, Cold War fanatics and alike. Easy to reach with a car or by taxi, moving from downtown in the direction of the airport. Totally worth a detour from Tbilisi city center. Don’t be discouraged by the ‘industrial’ setting around when approaching this elusive location. The place is polished, and managed like a regular museum. Website here.