The Estonian Aviation Museum

A nice and lively university town in the heart of the Estonian countryside, Tartu has really something for every kind of tourist – including those interested in aviation history. The Estonian Aviation Museum, or ‘Eeesti Lennundusmuuseum’ as they write it in the tricky local idiom, boasts a substantial and heterogenous collection of aircraft preserved in exceptionally good condition, which will not leave indifferent even the most knowledgeable aviation expert.

Having being for long a socialist republic in the realm of the Soviet Union – and today sharing a border with Russia – Estonia had access to massive surplus reserves after the end of the Cold War, so it is no surprise that Soviet aircraft are well represented in an Estonian museum. This already might appeal to western tourists, for the exotic, menacing silhouettes of MiGs and Sukhois are not often to be found except in less accessible spots in the former Eastern Bloc. Yet some more unexpected and rare models have been added over the years, including some SAAB aircraft from Sweden which are authentic collectibles.

The following photographs cover almost every plane that was there in summer 2017.

Sights

Most part of the collection has been preserved in a cleverly designed structure, made of small open-walled hangars with translucent canopies. The aircraft are illuminated by natural light, helping much when taking pictures, but they are not exposed to direct sunlight, rain or snow, which tend to damage both metal and plexiglas on the long run. Furthermore, the lack of doors and frames allows you to move around freely, and the place is not suffocating nor excessively warm.

The aircraft are basically all from the Cold War era, but some of them have outlived the end of the USSR and were retired more recently. The portraits are grouped here roughly based on the nationality of the manufacturers or aircraft mission.

Designs from the US

The American production is represented in this museum firstly by a McDonnell Douglas F-4 Phantom II, operated by the West-German Luftwaffe. The General Electric J79 turbojets have been taken out of the airframe, so you can see them separately.

A pretty unusual sight, also the antenna and electronic group in the nose cone have been taken out and are on display. This Phantom is a F-4F, a version specifically developed for West Germany from the basic F-4E. The former inventory number was 99+91.

Another iconic model on the menu is a Lockheed F-104 Starfighter, formerly from the Italian Air Force. This exemplar is actually an Italian-built ‘S’ version, and among the latest to be retired by the Aeronautica Militare. The engine, again a J79, is on display elsewhere in the museum. An unusual crowd of instruction and warning stencils populate the external surface of the aircraft.

Soviet Military Models

The majority of the aircraft on display were designed in the Soviet Union or other countries of the Warsaw Pact.

Two aggressive aircraft include a MiG-21 and a MiG-23. The first, present here in the colors of the Polish Air Force, is a MiG-21bis Fishbed, the latest development of this fast delta-wing fighter/light-interceptor.

Possibly one of the most ubiquitous fighters of the jet age, the MiG-23 Flogger is part also of this collection. The aircraft you see in the pictures is a MLD variant, representing the last upgrade of this iconic fighter, which was also the basis for the very successful MiG-27 design.

It bears the markings of the Ukrainian Air Force, therefore it is likely an ex-USSR aircraft. The engine is sitting besides the aircraft, and two rocket canisters are placed beneath the fuselage, close to the ventral GSh-23 twin-barreled cannon.

A less usual sight is a MiG-25 Foxbat, a super fast interceptor/recce aircraft. Conceived in the late Fifties when the race for speed was in full swing, it was developed into a high performance platform to counteract the threat of the SR-71 Blackbird. It was built around two massive Tumansky R-15 afterburning turbojets, rated at a pretty high wet thrust of 110 kN, resulting in an incredible top speed around Mach 3.2! The aircraft is pretty sizable, and you can appreciate that looking at the picture of the main landing gear – search for the cover of my Canon wide lens close to the ground and compare sizes!

The menacing silhouette of this huge bird, with red stars on the vertical fins and a bare metal fuselage, will likely make relive in you an ‘Iron Curtain feeling’!

One which will not go unnoticed is a Polish Air Force Sukhoi Su-22M4 Fitter in a flamboyant, very colored livery. This massive fighter-bomber represents the export version of the Su-17M4 built by the USSR for domestic orders.

Despite the shape, roughly similar to that of the MiG-21 also on display, the size of this aircraft is much bigger – you might think of Su-22 as a case for a MiG-21…

Soviet bombers are represented by a pretty rare Sukhoi Su-24 Fencer, which is today still in service in Russia. The example on display bears the markings of the Ukrainian Air Force, meaning it was once a Soviet aircraft.

This massive twin-engined beast outsizes all other military aircraft on display. The aircraft is on display with three support tanks under the fuselage and the inner wing pylons.

A less common sight is a Yakovlev Ya-28P Firebar, a long-range intercept version of this multi-role platform from the early Sixties. This design is very interesting, with a four-points undercarriage and a very long nose cone, where a radar system for a target-tracking and missile guidance system was located. The two turbojet engines are mounted in cigar-shaped underwing pods. The relevant sweep of the wing suggests a significant speed capability, yet many variants of this aircraft were developed to exploit also its good range performance. The antenna originally placed in the nose cone is on display besides the aircraft, which bears original Soviet markings.

Soviet Transport Aircraft

Two aircraft which could not find their way in covered shelters mainly due to their bigger size, are a Tupolev Tu-134A-3 and a Yakovlev Ya-40. Both can be accessed, so you can get a view of the inside, including the cockpits.

The Tu-134 twin jet, with its distinctive glass bulge in the nose ahead of the cockpit, has been for long a ubiquitous aircraft in the USSR and in many countries of the Eastern Bloc. The exemplar on display was taken over by the Estonian company Elk Airways, created after Estonia left the USSR.

Notwithstanding this, the aircraft betrays its Soviet ancestry and ownership in every particular, from the all-Cyrillic writings to the hammers and sickles here and there, from the design of interiors to the exotic cockpit, painted in a typical lurid Soviet green and with prominent unframed black rubber fans for ventilation.

The Yak-40 is an interesting three-jet executive/small transport aircraft. The one on display went on flying for at least some good 15 years after the collapse of the wall in Berlin.

The internal configuration features an executive room ahead of a more usual passenger section and tail galley. The style of the cabin and of the pure analog cockpit is really outdated for todays standards!

A rugged workhorse still flying today in many countries is the Antonov An-2, a single propeller, radial-engined, biplane tail-dragger transport. There are two of them in the collection. One is under a shelter and can be boarded. The interiors are very basic, but the visibility from the cockpit is very good especially for a tail-dragger with an engine on the nose.

Swedish Aircraft

An unusual chapter in air museums except in Sweden is that of SAAB aircraft, which are represented in this collection by two iconic models, a Draken and a Viggen, and an extremely rare, very elegant Lansen. All are in the colors of the Royal Swedish Air Force.

The Saab 35 Draken features a very distinctive double-delta wing, and was developed in the Fifties for reaching a high supersonic speed. The design turned out to be pretty successful, and was operationally adopted primarily as a fighter by Sweden and other European countries as well.

The one in the collection is painted in a bright yellow livery. The infra-red pod under the nose cone of this aggressive attack aircraft looks like the lidless eye of an alien!

The Viggen is a an attack aircraft from the late Sixties, developed for the domestic military needs into some sub-variants. With the JA 37 version displayed here, the Viggen went on to constitute the backbone of the intercept fleet of neutral Sweden, and was retired only in the early 2000s. The aerodynamic configuration features a prominent canard wing, and the Viggen was notably the first in such configuration produced in significant numbers.

The most unusual of all three SAAB designs on display is surely the SAAB 32 Lansen. A very neat design from the Fifties, loosely recalling the Lockheed P-80 and the Hawker Hunter, the Lansen was a jet fighter of the early Cold War developed specifically for Sweden and gaining a good success. The ‘E’ version on display was converted from the original fighter variant (‘B’) for the ECM role, and kept flying almost until the end of the 20th century. The green painting of the Royal Swedish Air Force is really stylish, definitely adding to an already elegant design.

Soviet Surface-to-Air Missiles (SAM)

Curiously enough, an extensive collection of SAMs is part of this rich collection. All major missiles from SA-2 to SA-6 are represented, some of them in multiple exemplars. The size of these missiles, especially the oldest, is really striking. They are stored outside, besides some cases for missile transportation, deployable radar antennas, and what appears to be a flak cannon from Hitler’s Germany – a bit of an outsider…

Jet Engines

Many of the engines of the aircraft on display have been taken out of the corresponding airframes and put on display besides the plane where they used to belong, or in a dedicated part of the museum together with others. The J79 belonging to the Italian-built F-104 can be recognized from the Italian plaques on many components.

Many soviet engines bear markings in Cyrillic, and one of them, a larger turbofan which does not fit in any bird on display, has been cut to show all components.

More…

More aircraft in the collection include some Mil and Kamov utility helicopters, a BAe Hawk of the Finnish Air Force and other trainers mainly from countries of the Warsaw Pact, some of them now on the civilian register.

A further notable aircraft is a Dassault Mirage IIIRS from the Swiss Air Force – with multi-language French and German stencils all over.

There are also some anti-aircraft guns, armored vehicles, tanks, and other curios items to whet your appetite!

Getting There and Moving Around

The museum can be reached 10 miles south of central Tartu on road 141, about 15 minutes by car from there. There is a free parking area nearby the entrance. As remarked, the collection is well-kept and somewhat publicized locally. There is a website with all information in English. The time required for visiting may vary from 45 minutes for a quick tour to 2.5 hours for photographers and those with a specific interest in the matter.

Surrender Sites of Nazi Germany – Reims & Berlin-Karlshorst

Differently from what one is usually taught in schools, World War II in Europe did not stop in one moment with the death by suicide of the Führer, on April 30th, 1945.

As soon as the advancing Western Allies established strongpoints within the original borders of Germany – as these had been before the war – in 1945 the chain of command in Germany began to vacillate. Rumors about contacts between top-ranking Nazi officials and the SHAEF (Supreme Headquarters Allied Expeditionary Force) have lived to this day, and they are reasonable even though not well documented – as a matter of fact, Hitler dismissed both Göring and Himmler just before his death, on account of unauthorized contacts with ‘the enemy’, promoting Admiral Dönitz to the rank of president of Germany.

The understandable confusion of those days at the ‘top of the pyramid’ is reflected by the local autonomous surrender of substantial parts of the German armed forces around Europe, against the will of the Führer, and even before his death. Literally millions of soldiers were disarmed on both fronts in April 1945, and the process culminated in the surrender of all German forces in Italy on April 29th, the day before Hitler’s death.

The new German president Dönitz acted with the same authority of the Führer in the last stormy days of the collapsing Nazi rule, early May 1945. Under Dönitz’s mandate, between the 1st and 7th of May 1945 some separate surrenders took place, including all German forces in Austria, North-West Germany, Holland, Denmark, Berlin – who surrendered to the Soviets -, Mecklenburg and Pommern north of Berlin, and Bavaria. The German navy ceased war operations on May 5th, by direct order of admiral Dönitz.

All this preceded the ‘official’, authorized, unconditional surrender which was signed on behalf of acting president Dönitz separately by General Jödl in the headquarters of the Expeditionary Force in Reims in the early hours of May 7th, and by Feldmarschall Keitel in Berlin-Karlshorst on May 8th, in presence of General Zhukov of the Red Army. The capitulation called for quitting all military operations at 23:01 CET, May 8th. Both of the signers were arrested soon after, as were Dönitz, Göring and other top German players of the war in Europe.

Today, the two locations where the unconditional surrender(s) were signed are open for visitors. The following photographs were taken during visits in 2015 and 2016.

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Reims – Musée de la Reddition

The headquarters of the SHAEF where the ‘instrument of surrender’ was signed on the western front occupied the building of a high school.

Today, the building has returned to its original function, but a small part of it with the original room and table have been preserved inside of a museum on-site. The walls of the room are covered with original maps from the time, resembling how it looked like in 1945.

Other rooms are packed with showcases, where you can see many items, including an official copy of the document signed by Jödl, authenticated by Dönitz, uniforms, original flags and other memorabilia.

The museum is rather small, and can be toured in about 30 minutes at most. This excludes the video presentation, which I had not the chance to watch.

Getting there and moving around

The historical place is located to the north of the city center in Reims, very close to the railway station. The exact address is 12 Rue du Président Franklin Roosevelt, 51100 Reims. There is chance of public parking nearby. If you parked somewhere else for visiting historical Reims, I suggest not moving your car, as the museum can be easily reached with a short 5 minutes walk from Porte de Mars, right on the northern edge of the center. Website here.

Berlin-Karlshorst – Deutsch-Russisches Museum

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Soon after the end of the war and the division of Berlin, with the district of Berlin-Karlshorst falling under Soviet rule, the Soviets converted the building where the capitulation was signed for hosting their headquarters. After the birth of the communist German Democratic Republic (GDR) at the end of the Forties, the place was turned into a museum.

Besides the very room where the document was signed, you can find some dioramas dating back to the first years of the museum, as well as a specifically designed foyer and a stained glass window portraying the statue of the Soviet Soldier in Treptower Park – dating from the same late Stalin’s era.

More recently, the museum has been refurbished and enlarged with very interesting and well prepared exhibits, including many memorabilia items, findings and relics not only from the events of May 1945, but more in general from WWII and the less known eastern front.

Compared to the museum in Reims, this is much broader and richer, going well beyond the preservation of the room and the evocation of the last stage of the war.

Getting there and moving around

The museum is in a nice residential area in southern Berlin. This is not a touristic area, so you’d better go there only if you are interested in this specific museum, cause there is not much else to see. Yet if you are interested in WWII and especially to the eastern front, I would say this absolutely a must – all in all, there is not so much information in the touristic areas of Berlin about WWII, so this might fill the gap.

Anyway, the exact location is Zwieseler Strasse 4. This can be reached with bus 296 from the S-3 station Karlshorst or from U5 stop Tierpark. Alternatively, from S-3 Karlshorst it is a walk of about ten minutes. Finally, if you are going by car – the most convenient way – there is a parking right in front of the building. Website here.