Military Collections in Sweden – Third Chapter

The rich military tradition of Sweden can be retraced by means of many interesting dedicated collections. Many of them are scattered in the nice southernmost country regions of the Scandinavian peninsula, and make for an interesting detour from the most popular touristic destinations.

As reported in the previous two chapters on the topic (see here and here), the neutrality of Sweden in the major confrontations taking place during the 20th century allowed this northern Country to operate in a unique and original way, especially in terms of military procurement. Besides picking what was actually deemed suitable for their internal needs especially from the West, Sweden managed develop a strong domestic design and manufacturing capability, such to fulfill its own self-defense role in a cost-effective and credible way.

The defense of neutrality was carried out in the air by a strong Air Force, often updated over the years. With the end of communism in Eastern Europe and the collapse of the Soviet Union in the early 1990s, the major threat in the Baltic area came to an end as well, resulting in a major scale-down of this defense force and the disbandment of many military organizations. Correspondingly, memorial museums can be found often close to former airbases. One of them, dedicated to the ‘Scania’ wing F10, in operation since WWII to the early 2000s, is covered in this chapter.

A rather complete collection of aircraft from the entire span of the Cold War can be found in the unusual frame of a private museum, established in the 1960s from the will of the founder to display primarily his own collection of cars. The mix is particularly interesting, witnessing also the close link between Sweden and the vehicle industry of the US, possibly the tightest among all Countries in Europe.

Of course, in the theater of WWII Sweden was politically and geographically in an interesting position as well as later in the Cold War. Its relative proximity to the Third Reich meant it was often overflown by bombers on their way back from missions over mainland Germany. Dogfights and bomber chase missions reached the airspace of Sweden, sometimes ending with either German or Allied aircraft crashing on Swedish territory. An interesting museum covered in this chapter is fully dedicated to the topic.

Photographs in this chapter were taken in the summer of 2024.

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Sights

Ängelholms Flight Museum, Ängelholm

This nice collection of military aviation can be found on the former premises of the air base of Barkåkra (today Helsingborg airport), which has been the home of the 10th Wing ‘Scania’ (aka. F10 or ‘Ängelholm Wing’) between 1945 until the disbandment of the latter in 2002. Established during WWII, the illustrious history of the F10 wing spanned the entire Cold War, reaching into the 21st century. Correspondingly, the Scania Wing was supplied over the years with a rich inventory of aircraft models, ranging from classic fighters of WWII to the more recent SAAB Viggen and Gripen.

The structure of the exhibition, rather compact in size, is composed of two major areas.

In the first, the history of F10 is retraced especially by means of interesting photographs and memorabilia items. Among the pictures, some portray American bomber crews as well as German fighters landed on Swedish territory, which remained neutral during WWII.

In this area are also a few dioramas and reconstructions of typical military scenes, including a medical room, from the earlier days of operation of the Scania Wing. Everyday items, as well as military training and illustrative material, is presented in display cases.

The second major area is where most hardware of the collection can be found – aircraft, engines, vehicles, and much gear from the days of operation of the F10 wing. Among the earliest models acquired by F10 back in the WWII years was – rather interestingly – an Italian fighter, the Reggiane Re-2000 Falco, a batch of which was obtained from Italy in a supply shortage scenario, where especially the US had halted material export to non-allied countries. Pressed into service with the Air Force of Sweden (and specifically also with the F10 wing) as an interceptor with the locally attributed code of J20, this generally adequate machine was powered by a Piaggio P.XI 14-cylinders radial engine (which according to Roman numbering then often employed in Italy translates into P.11), a 1.040 hp model license-made in Italy, and originally a French design by Gnome-Rhone. A Re-2000 is not on display, but a Piaggio P.XI is! This engine has been quite popular in those years in Sweden, ending up also as an interim power plant for the Swedish own SAAB B17C single-engine light bomber/diver (not to be confounded with the homonym American Flying Fortress).

Close by the P.XI is the oldest aircraft on display belonging to the F10, in the form of a FFVS J22. The company FFVS was actually a Swedish state-managed entity, borne in the years of WWII to cope with the wartime supply requirements on one side and the overbooking of the SAAB plants on the other. Introduced during WWII, this rugged fighter was powered by a Pratt & Whitney R-1830, the ubiquitous Twin Wasp, license-built in Sweden by Svenska Flygmotor. The Scania Wing received the J22 model only in 1945, the last propeller-driven aircraft in its inventory. The exemplar on display looks under maintenance, and is possibly in airworthy conditions.

Next on display is a SAAB J29 Tunnan, with its distinctive barrel-shaped fuselage enshrouding the single, centrifugal flow jet engine. The F10 wing transitioned to jets in 1946 with the early SAAB J21R and the British-supplied DeHavilland DH100 Vampire (named J28R in Sweden). The Tunnan was provided to the F10 wing in 1953, and there it remained until 1963, while more advanced models were becoming available. The engine of the J29 was a DeHavilland Ghost, manufactured under licence in Sweden by Svenska Flygmotor under the name RM2B – an example is on display.

Close to the tail cone of the Tunnan is also a DeHavilland Goblin engine, originally employed on the Vampire.

The longest-lasting workhorse in F10 service has been the SAAB J35 Draken. An exemplar of the J version, the most updated and last (with the actual modification taking place in the late 1980s), is on display. The distinctive bulge for the IR seeker under the fuselage, appearing from the modern F version on, can be checked out from very close.

Interestingly, the Draken is presented with an exemplar of the Rb-28 missile hanging from an underwing pylon. This is a SAAB-modified version of the US-designed Hughes AIM-4D Falcon, an air-to-air missile conceived as an anti-bomber weapon, but hastily pressed into service against Vietnamese MiGs during the Vietnam war, under the wings of the Phantom, and proving very ineffective in the dogfighting role. For the Soviet bomber interdiction role of the Draken, this missile platform was deemed more effective, and it was retained for service for decades in Sweden.

Other missiles, rockets and guns (including a dismounted Aden 30 mm cannon) pertaining to the warload of the Draken are on display as well, together with an interesting console for missile signal testing.

Ahead of the Draken is a memorial wall, and ahead of it is a Rolls-Royce Avon jet engine, displayed as an instructional cutaway – including both the turbomachinery and the afterburning component. License-built in Sweden by Svenska Flygmotor as RM6C, this was the engine of the Draken.

The F10 wing received the SAAB J37 Viggen only after the collapse of the USSR in 1993, marking the beginning of the last, post-Cold War chapter in the history of the unit. Quite elusive due to its adoption only by Sweden, albeit rather successful in its intended roles, an exemplar of this machine can be found in this collection. Specifically, this is a photo reconnaissance version named SF37. Lacking a radar, this model typically operated on reconnaissance missions in a flight of two, together with a radar-supplied SH37 variant.

The Viggen can be neared and checked out entirely with ease, thanks to its positioning on a pedestal. The photo-reconnaissance payload is on display. Under the left wing is a SAAB Rb-04 anti-ship missile. This Swedish own design was conceived for countering invasion starting from the sea. With a radius of 25 km and active radar homing, its warhead was sufficient for knocking out an enemy cruiser with a single hit.

The collection of the Scania Wing also includes the SAAB SK60 trainer, a successful trainer employed for decades, and inducted into the F10 inventory during the 1990s, when the wing took over the basic training role from the F5 wing. Similarly, an ubiquitous Bell 204 (Hkp 3B according to Swedish naming) can be found on display, as it was employed within the F10 for rescue and logistics/transport duties.

Close to the Viggen are further interesting exhibits. One is on the wartime bases (krigsflygbaser, see this post), with models and original signs from one of them.

Another is about weather forecasting within F10. It includes electronic hardware, an entire room with original consoles, and weather balloons, still today employed to carry atmospheric sounds.

A display is dedicated to pilot’s protection helmets, survival kits and ejection seats. Not only in Sweden, the latter have been in the focus of a major technological development over the years of the Cold War. Ejecting from a fast jet in the 1950s was reportedly a highly-risky business, since even when the maneuver was technically successful – i.e. such to take the pilot out of the aircraft alive – the ejection-induced acceleration alone was more than enough to cause serious injury, usually to the spine. Over the years, multi-stage ejection was implemented, allowing for a more gradual maneuver, which albeit remaining lightning-fast, does not inflict so harsh a treatment to the pilot’s body as in the past.

A top exhibit on display is an original cockpit from a SAAB J35 Draken, employed for training purposes. The cockpit is very well preserved, thoroughly described by explanatory panels nearby, and it can be boarded to give you a feeling of the functionality of the onboard systems, as well as of the ergonomics of the cockpit.

Two more training aircraft are included in the exhibition, a SK61 and SK50, both single-propeller machines employed for basic training.

Additionally, the last type in service with the F10 has been the SAAB JAS39 Gripen (from 1999 until disbandment), which is here represented by means of the first serial production machine of the first version (‘A’). This exemplar was actually never pressed in air force service, but it was employed as a test bed for multiple operations, including test firing of missile ordnance in the early 2000s.

Additional dioramas in this compact but rich collection include op-rooms from various ages.

An interesting exhibit is a relatively well-preserved Rolls-Royce Merlin piston enigine, originally powering a British Avro Lancaster bomber which sank south of Trelleborg in the Baltic Sea, presumably early in 1945 after a bombing run over Germany.

Finally, on the outside it is possible to find a British Bristol Bloodhound Mk II missile. This SAM supplied a squadron of F10 wing, complementing the air defense role in proximity to the airbase.

Getting there and visiting

The name of the museum in the local language is Ängelholms Flygmuseum, which translates into Ängelholm Flight Museum. It is located on the southwestern border of the former airbase of Ängelholm, easily reachable at the address Drakenvägen 5, 26274 Ängelholm. This town is 15 mi north of Helsingborg along the E6 highway.

Large parking ahead of the entrance. Nice shop with books, toys and gadgets by the ticket office. The museum facility is rather compact, yet a visit may easily take 1.5 hours for an interested subject, when carefully checking out all items on display and taking pictures. Descriptions are in double language, Swedish/English, allowing for an informative visit even if you are from abroad.

Professional website with full information here.

Museum of Forced Landings, Morup

The Museum of Forced Landings (in Swedish language the museum is named in a rather different way, ‘Morups Samtidsmuseum’) is a one-of-a-kind collection of remains and traces from air crashes or forced landings taking place during WWII in Sweden. Run by a lively group of dedicated enthusiasts, the display is extremely well-crafted, offering not just an array of many and diverse relics from aircraft wrecks, but for each of them a complete synopsis of the story behind that specific flight – and the crewmen who were on board.

Furthermore, in my case I was accompanied by a very knowledgeable English-speaking gentleman for the entire duration of my visit, making the experience even more engaging.

The exhibition starts with a display of general maps of the crash or forced landing sites. A sharp increase towards the end of the war is evident, due to the increase in the number of bombing raids over the center of the Third Reich. The crashed aircraft are mostly from the US and Britain. When hit over Germany but still airworthy, Allied crews attempted an escape to neutral Sweden, to avoid capture by the Germans.

Of course, Sweden was a neutral country, hence all grounded crews, irrespective of their nationality, were interned, albeit in more than decent conditions, especially compared to German or Soviet prison camps.

A map of the internment location in Sweden is presented as well. Clearly, also German aircraft crash-landed in Sweden. Crews of opposing nationalities were interned in totally different locations. Rare photographs from these sites are on display.

Then, one by one, the display cases describe each a notable forced landing, retracing its timeline, and showing some relics from the wreckage, as well as personal items belonging to the crew. Nice detailed scaled models and dioramas of the accident complete the reconstruction.

Among them are a German Messerschmitt Bf110 attack aircraft, with a fragment of the canopy as well as other parts on display, Norwegian training aircraft, a German Junkers Ju-52 transport, with an entire control column put as an exhibit.

The bombsight, radio and other instrument goggles belong to a German Heinkel He-111 bomber landed on ice.

One of the plots documented in the deepest detail is that involving Lt Edward E. Phillips, of USAAF 354th fighter group, which flew escort missions over Germany from Baxton, England, with North American P-51 Mustang fighters. On the 15th of April 1944, on return from a mostly failed bombing mission over Germany in bad weather, Lt. Phillips aircraft was chased north by a Bf109. He was hit over southern Sweden, bailed out but the parachute failed to deploy. He was killed instantly, and his aircraft impacted soft terrain and sank so deeply due to its own energy that it almost disappeared into the ground – and there it remained for 40 years. In the 1990s an excavation attempt was carried out by the future crew of the museum, uncovering substantial remains of the aircraft, including many parts, cockpit gauges, machine guns, an entire landing gear leg, and more.

A link was established by the local crew with the former wife of the man in the US, and the story hit the news. A memorial was inaugurated on the location of the crash.

Another American aircraft with a story to tell is a Consolidated B-24 Liberator. This time the aircraft managed to crash land under control, and the entire crew of 10 was saved and interned. Sgt Robert C. Birmingham, part of the crew, visited the locations of his adventure in Sweden more than once with his family.

More accidents described in the display involve British and German aircraft.

In an adjoining room, an impressive collection of quality scale models reconstruct many of the aircraft in service within the Air Force in Sweden, including details such as different celebration markings and camo coats. Among the artifacts and memorabilia items on display in this part is an autographed photo of WWII German ace Günther Rall.

In another small hangar is an interesting addition to the collection, mostly centered on aircraft engines. Engines from crash-landed aircraft, significantly damaged but undergoing a display-oriented cleaning and refurbishment, make for an unusual and interesting sight.

Outside is also a small collection of classic cars in pristine conditions.

Getting there and visiting

The museum is called ‘Morups Samtidsmuseum’ in Swedish language. It can be found right along the road N.768 about 6 miles north of the coastal town of Falkenberg, 0.25 miles north of the small town of Morup. The exact address is X9MP+84 Morup.

A visit may take about 1 hour, more when stimulating further telling by the very enthusiastic crew of the association running the museum.

Please note that no credit cards are accepted, only cash is – unless you are entitled to employ electronic payment methods allowed for citizens or residents of Sweden.

The website, partially under construction as of spring 2025, can be found here.

Credit for directing me to this hidden gem goes to Martin Steffen, from Sweden.

Svedino’s Automobile and Aviation Museum, Ugglarp

This unusual exhibition originates from the own collection of Lennart Svedfelt, a prominent Swedish stage and TV entertainer borne in 1924 and known as ‘Svedino’. The man started purchasing cars and planes for the purpose of collecting them, in an era when a similar activity was hardly heard of. In 1961 he opened his collection as a permanent display, the first museum dedicated to cars in Sweden. Over the years, and even following his passing, the museum continued to grow, reaching more than 100 cars and 40 aircraft on display today!

Even though this is not an eminently military museum, despite the cars being beautiful civilian cars, most aircraft on display are military machines, including some remarkable items – therefore, Svedino’s perfectly fits within this chapter!

The cars on display make for a really unique collection, in and out of Sweden. A remarkable feature is especially the number and uniqueness of US-made cars from the inter-war period between WWI and WWII. In a first building, these include models by Chevrolet, Buick, Dodge, Nash, Oldsmobile, and more!

Also some classic models from European manufacturers, like Opel, are on display. A special rarity is an Adler Trumpf from 1934. Adler, a German company from the 19th century active in the manufacture of petrol engines, operated in the car market for a relatively short time, roughly coincident with the Third Reich period. They made cars in the intermediate price segment, with good success. The company changed business following WWII, making Adler cars interesting collectible items representing car-making from a specific era.

As expected from a Swedish museum, a full array of classic Volvo is on display! These include small trucks and saloons, and interesting models like the PV36 from the inter-war period. Similar to the PV830 and the iconic PV444 from the immediate post-WWII years, an influence of the contemporary American designs is undeniable in all these models.

Also on display are more modern vehicles employed as state cars. An interesting item is a very old Gräf & Stift, an Austrian luxury sedan from before WWI, salvaged from the bottom of a Swedish lake after spending there more than 40 years, and acquired by the museum.

Two interesting cars on display are personal designs from the early 1950s. In Sweden it was possible at that time to introduce privately-built cars, provided they could sustain a compliance check. An example of a fantasy car, with a rather aggressive design and physically assembled from parts of other cars, is on display. It was never completed nor allowed on the road. Another example, designed and made by the son of the industrialist Wennberg, reportedly roamed around all over the 1950s! This unique exemplar is on display with ‘factory markings’ HW.

In a second adjoining building, a really valuable collection of even older cars, dating from earlier than 1930, is on display. Also here most items in the collection are from the US, a really rare sight on this side of the ocean! Looking at the elaborated labels of these oldies, made by Ford, Anderson, Seneca, and thinking of the craftsmen who personally assembled them back in the America of the early 1900s is really thought-provoking!

Among the most unique cars on display is a Pierce-Arrow from 1918, sitting alongside a Haynes from the same year.

Moving on to another adjoining hall, here cars are on display alongside a few classic planes from the first half of the 20th century. A DeHavilland Moth, a Götaverken GV-38 seaplane (a licence-built Rearwin Sportster, a US design), as well as a German Klemm Kl-35 and a Focke-Wulf FW-44 designs, are on the list together with more light airplanes and a few engines.

The latter include an original Rolls-Royce Goblin and Avon, respectively from a DeHavilland Vampire and a SAAB Draken, both in service with the Air Force of Sweden during the Cold War.

A focus of the exhibition is on the memory of a pioneer of Swedish aviation industry, Enoch Tulin, who is the author of many ‘firsts’ in the aeronautical history of this Country – the largest aviation workshop to date before WWI (with 900 employees), the first air mail service, the first air rescue mission, and more. A graduated engineer, flight instructor and early aerobatic pilot, Tulin died in an airplane crash in 1919, after gaining unquestioned prominence in many fields of aeronautical industry and operation in his era.

A final adjoining hall concludes the oldest part of the exhibition premises. Here the spotlight is on a few fighters from the Cold War era, namely a SAAB J29 Tunnan, two DeHavilland Vampire, and even a SAAB J35 Draken.

The latter is really a unique exemplar. As can be guessed by the monstrous red and white spine on the nose cone, typical to experimental aircraft and not a feature of the production machine, the one on display is actually the first prototype!

Another curious item is a Soviet-made Kamov Ka-26 helicopter. Alongside the helicopter is a vintage advertisement from 1975, written in Swedish, and made by Aviaexport, a Soviet agency for the commercialization of Soviet aeronautical products abroad. Borne as an import-export, Aviaexport acted also as a recipient of foreign certification rules, spreading the growing body of western aeronautical regulation within the Soviet design bureaus, to the aim of keeping the quality standard to a level sufficient for commercialization in foreign countries. Actually, thanks to Aviaexport the Kamov Ka-26 received a type certification in Sweden, which allowed its commercialization and regular employment there. Aviaexport is still existent in today’s Russia.

Interspersed between closely-packed aircraft are more cars, including a beautiful Jaguar Mk V and an East-German Trabant, as well as aircraft engines.

A massive Wright Cyclone R-3350 is among them – the power plant of the Lockheed Constellation and Douglas DC-7, often considered the pinnacle and swansong of American piston power, this massive 1.2 tons, 18 cylinders engine produced 3.700 hp of shaft power!

Svedino’s aircraft collection is mostly hosted in a modern hall added more recently beside the original museum’s building. The first item on display is an original Junkers Ju-52! This aircraft is among those license-built in Spain. It operated for some time as far as in California in the 1970s, being later transferred to Ireland, and finally here. The camouflage and markings reenact those of a Third Reich’s Luftwaffe machine force-landed in Sweden during WWII. The cockpit of the Ju-52 has been reproduced separately, to allow checking it without boarding this precious aircraft.

As expected for a Swedish aircraft collection, the most prominent models which have served in the local Air Force are represented. These include a SAAB J32B Lansen, a Cold War attack aircraft from the 1950s, a SAAB SK60 trainer, and a SAAB J35 Draken – a production machine, not a prototype like in the previous hall.

These aircraft are presented alongside their engines. The Swedish licence-built version of the Rolls-Royce Avon, named RM6A, powered the Lansen and later the Draken.

The latest addition to the SAAB heritage on display is the J37 Viggen, here presented in the nice and distinctive camo coat of the Air Force of Sweden. This is presented alongside its mighty engine, the RM8A, a modified version of the Pratt & Whitney JT8D turbofan.

Additionally, a display of an open nose cone allows to see the arrangement of the radar antenna of the Viggen.

An interesting display case hosts the instrument panels, radar and reconnaissance gear of the Lansen, Draken and Viggen, as well as a collection of flight helmets and pilot’s gear, showing the evolution of this technical material over time.

But the collection of Svedino’s is not limited to aircraft in service in Sweden. A Lockheed F-104 Starfighter from the Air Force of Denmark is on display, next to a Gloster Meteor early twin jet. The blue exemplar on display is a former factory demonstrator originally employed by Gloster, and later sold to Sweden for target towing (in a batch of seven aircraft).

A rarity to be found close by is a Percival P.66 Pembroke, a twin-engined multi-purpose transport from the early 1950s, employed for training and passenger transport within the Air Force. Manufactured in Britain in just 128 exemplars, this type was mostly sold abroad to Western-European Countries and in Africa. Sweden originally got a batch of 16.

Another British type on display is a Hawker Hunter, which was actually employed by Sweden as a stop-gap model in the late 1950s, waiting for the completion of the design and the entrance into service of the J35 Draken.

Another Soviet addition to the collection is a MiG-21. A Cold War veteran, this exemplar is Soviet-built, and served in Hungary until 1982 and later in the Latvian SSR.

A recent addition to the exhibition is a Douglas Skyraider! Possibly overshadowed by the illustrious career the type enjoyed in the US Armed Forces, a part of the history of this massive attack aircraft is about Sweden. Some 13 exemplars were actually purchased by Sweden for target towing in the mid 1960 from Britain, which had got a larger batch from the US. The exemplar on display is an AD-4W, the early warning version of the Skyraider. It is currently (2024) being refurbished.

Among the biggest additions to the aircraft collection is actually an English Electric Canberra. As typical to this type, employed by the British for the first, high risk overflights of the Countries of the Soviet bloc before the high-performing Skunk Works aircraft became available, the Canberra (including its modified Martin version in the US) was employed for quintessentially Cold War signal intelligence missions opposite the Soviet Union. Two exemplars were employed also in Sweden from the early 1960s until the mid-1970s, and one of them is that on display.

A curious item also on display is a one-off design which won a competitive call of the Aviation Engineering Association in Stockholm in 1988, and which was later actually built by its designers. Unfortunately, it was eventually never tested due to one of the owners need to quit for health issues when the aircraft was undergoing a certification test for obtaining airworthiness. The name of the prototype is LLS-1.

Scattered among the aircraft are more engines, radars, consoles, simulators, and more aircraft than described, making for an overall very rich and interesting visit.

Getting there and visiting

Svedinos Bil & Flygmuseum – this is the name of the museum in the local language – can be found in a nice countryside 15 miles north of the port town of Halmstad. The exact address is SE-311 69 Ugglarp.

The premises are rather compact, with a large parking ahead of the entrance. Fresh cookies, homemade sandwiches and cakes are available for a light lunch in the exotic lobby, matching in style with this unusual collection.

A visit may take 2 hours for an interested subject. Most items are described with modern panels in double language Swedish/English, making the visit very informative. The website with logistical information is here.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

Navigate this post – click on links to scroll

Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

The Estonian Aviation Museum

A nice and lively university town in the heart of the Estonian countryside, Tartu has really something for every kind of tourist – including those interested in aviation history. The Estonian Aviation Museum, or ‘Eeesti Lennundusmuuseum’ as they write it in the tricky local idiom, boasts a substantial and heterogenous collection of aircraft preserved in exceptionally good condition, which will not leave indifferent even the most knowledgeable aviation expert.

Having being for long a socialist republic in the realm of the Soviet Union – and today sharing a border with Russia – Estonia had access to massive surplus reserves after the end of the Cold War, so it is no surprise that Soviet aircraft are well represented in an Estonian museum. This already might appeal to western tourists, for the exotic, menacing silhouettes of MiGs and Sukhois are not often to be found except in less accessible spots in the former Eastern Bloc. Yet some more unexpected and rare models have been added over the years, including some SAAB aircraft from Sweden which are authentic collectibles.

The following photographs cover almost every plane that was there in summer 2017.

Sights

Most part of the collection has been preserved in a cleverly designed structure, made of small open-walled hangars with translucent canopies. The aircraft are illuminated by natural light, helping much when taking pictures, but they are not exposed to direct sunlight, rain or snow, which tend to damage both metal and plexiglas on the long run. Furthermore, the lack of doors and frames allows you to move around freely, and the place is not suffocating nor excessively warm.

The aircraft are basically all from the Cold War era, but some of them have outlived the end of the USSR and were retired more recently. The portraits are grouped here roughly based on the nationality of the manufacturers or aircraft mission.

Designs from the US

The American production is represented in this museum firstly by a McDonnell Douglas F-4 Phantom II, operated by the West-German Luftwaffe. The General Electric J79 turbojets have been taken out of the airframe, so you can see them separately.

A pretty unusual sight, also the antenna and electronic group in the nose cone have been taken out and are on display. This Phantom is a F-4F, a version specifically developed for West Germany from the basic F-4E. The former inventory number was 99+91.

Another iconic model on the menu is a Lockheed F-104 Starfighter, formerly from the Italian Air Force. This exemplar is actually an Italian-built ‘S’ version, and among the latest to be retired by the Aeronautica Militare. The engine, again a J79, is on display elsewhere in the museum. An unusual crowd of instruction and warning stencils populate the external surface of the aircraft.

Soviet Military Models

The majority of the aircraft on display were designed in the Soviet Union or other countries of the Warsaw Pact.

Two aggressive aircraft include a MiG-21 and a MiG-23. The first, present here in the colors of the Polish Air Force, is a MiG-21bis Fishbed, the latest development of this fast delta-wing fighter/light-interceptor.

Possibly one of the most ubiquitous fighters of the jet age, the MiG-23 Flogger is part also of this collection. The aircraft you see in the pictures is a MLD variant, representing the last upgrade of this iconic fighter, which was also the basis for the very successful MiG-27 design.

It bears the markings of the Ukrainian Air Force, therefore it is likely an ex-USSR aircraft. The engine is sitting besides the aircraft, and two rocket canisters are placed beneath the fuselage, close to the ventral GSh-23 twin-barreled cannon.

A less usual sight is a MiG-25 Foxbat, a super fast interceptor/recce aircraft. Conceived in the late Fifties when the race for speed was in full swing, it was developed into a high performance platform to counteract the threat of the SR-71 Blackbird. It was built around two massive Tumansky R-15 afterburning turbojets, rated at a pretty high wet thrust of 110 kN, resulting in an incredible top speed around Mach 3.2! The aircraft is pretty sizable, and you can appreciate that looking at the picture of the main landing gear – search for the cover of my Canon wide lens close to the ground and compare sizes!

The menacing silhouette of this huge bird, with red stars on the vertical fins and a bare metal fuselage, will likely make relive in you an ‘Iron Curtain feeling’!

One which will not go unnoticed is a Polish Air Force Sukhoi Su-22M4 Fitter in a flamboyant, very colored livery. This massive fighter-bomber represents the export version of the Su-17M4 built by the USSR for domestic orders.

Despite the shape, roughly similar to that of the MiG-21 also on display, the size of this aircraft is much bigger – you might think of Su-22 as a case for a MiG-21…

Soviet bombers are represented by a pretty rare Sukhoi Su-24 Fencer, which is today still in service in Russia. The example on display bears the markings of the Ukrainian Air Force, meaning it was once a Soviet aircraft.

This massive twin-engined beast outsizes all other military aircraft on display. The aircraft is on display with three support tanks under the fuselage and the inner wing pylons.

A less common sight is a Yakovlev Ya-28P Firebar, a long-range intercept version of this multi-role platform from the early Sixties. This design is very interesting, with a four-points undercarriage and a very long nose cone, where a radar system for a target-tracking and missile guidance system was located. The two turbojet engines are mounted in cigar-shaped underwing pods. The relevant sweep of the wing suggests a significant speed capability, yet many variants of this aircraft were developed to exploit also its good range performance. The antenna originally placed in the nose cone is on display besides the aircraft, which bears original Soviet markings.

Soviet Transport Aircraft

Two aircraft which could not find their way in covered shelters mainly due to their bigger size, are a Tupolev Tu-134A-3 and a Yakovlev Ya-40. Both can be accessed, so you can get a view of the inside, including the cockpits.

The Tu-134 twin jet, with its distinctive glass bulge in the nose ahead of the cockpit, has been for long a ubiquitous aircraft in the USSR and in many countries of the Eastern Bloc. The exemplar on display was taken over by the Estonian company Elk Airways, created after Estonia left the USSR.

Notwithstanding this, the aircraft betrays its Soviet ancestry and ownership in every particular, from the all-Cyrillic writings to the hammers and sickles here and there, from the design of interiors to the exotic cockpit, painted in a typical lurid Soviet green and with prominent unframed black rubber fans for ventilation.

The Yak-40 is an interesting three-jet executive/small transport aircraft. The one on display went on flying for at least some good 15 years after the collapse of the wall in Berlin.

The internal configuration features an executive room ahead of a more usual passenger section and tail galley. The style of the cabin and of the pure analog cockpit is really outdated for todays standards!

A rugged workhorse still flying today in many countries is the Antonov An-2, a single propeller, radial-engined, biplane tail-dragger transport. There are two of them in the collection. One is under a shelter and can be boarded. The interiors are very basic, but the visibility from the cockpit is very good especially for a tail-dragger with an engine on the nose.

Swedish Aircraft

An unusual chapter in air museums except in Sweden is that of SAAB aircraft, which are represented in this collection by two iconic models, a Draken and a Viggen, and an extremely rare, very elegant Lansen. All are in the colors of the Royal Swedish Air Force.

The Saab 35 Draken features a very distinctive double-delta wing, and was developed in the Fifties for reaching a high supersonic speed. The design turned out to be pretty successful, and was operationally adopted primarily as a fighter by Sweden and other European countries as well.

The one in the collection is painted in a bright yellow livery. The infra-red pod under the nose cone of this aggressive attack aircraft looks like the lidless eye of an alien!

The Viggen is a an attack aircraft from the late Sixties, developed for the domestic military needs into some sub-variants. With the JA 37 version displayed here, the Viggen went on to constitute the backbone of the intercept fleet of neutral Sweden, and was retired only in the early 2000s. The aerodynamic configuration features a prominent canard wing, and the Viggen was notably the first in such configuration produced in significant numbers.

The most unusual of all three SAAB designs on display is surely the SAAB 32 Lansen. A very neat design from the Fifties, loosely recalling the Lockheed P-80 and the Hawker Hunter, the Lansen was a jet fighter of the early Cold War developed specifically for Sweden and gaining a good success. The ‘E’ version on display was converted from the original fighter variant (‘B’) for the ECM role, and kept flying almost until the end of the 20th century. The green painting of the Royal Swedish Air Force is really stylish, definitely adding to an already elegant design.

Soviet Surface-to-Air Missiles (SAM)

Curiously enough, an extensive collection of SAMs is part of this rich collection. All major missiles from SA-2 to SA-6 are represented, some of them in multiple exemplars. The size of these missiles, especially the oldest, is really striking. They are stored outside, besides some cases for missile transportation, deployable radar antennas, and what appears to be a flak cannon from Hitler’s Germany – a bit of an outsider…

Jet Engines

Many of the engines of the aircraft on display have been taken out of the corresponding airframes and put on display besides the plane where they used to belong, or in a dedicated part of the museum together with others. The J79 belonging to the Italian-built F-104 can be recognized from the Italian plaques on many components.

Many soviet engines bear markings in Cyrillic, and one of them, a larger turbofan which does not fit in any bird on display, has been cut to show all components.

More…

More aircraft in the collection include some Mil and Kamov utility helicopters, a BAe Hawk of the Finnish Air Force and other trainers mainly from countries of the Warsaw Pact, some of them now on the civilian register.

A further notable aircraft is a Dassault Mirage IIIRS from the Swiss Air Force – with multi-language French and German stencils all over.

There are also some anti-aircraft guns, armored vehicles, tanks, and other curios items to whet your appetite!

Getting There and Moving Around

The museum can be reached 10 miles south of central Tartu on road 141, about 15 minutes by car from there. There is a free parking area nearby the entrance. As remarked, the collection is well-kept and somewhat publicized locally. There is a website with all information in English. The time required for visiting may vary from 45 minutes for a quick tour to 2.5 hours for photographers and those with a specific interest in the matter.