Soviet Nuclear Bunkers in the Czech Republic

History – In brief

After the end of WWII and the collapse of the Third Reich, the territory now belonging to the Czech Republic fell on the Soviet side of the Iron Curtain. Together with today’s Slovakia, it formed the now disappeared unitary state of Czechoslovakia. Despite laying right on the border with the West – including Bavaria, which was part of West Germany and NATO – communist Czechoslovakia enjoyed a relative autonomy from the USSR, until the announced liberally-oriented reforms of the local communist leader Dubcek in the spring of 1968 triggered a violent reaction by the Soviet leader of the time, Leonid Brezhnev (see here). About 250’000 troops from the Warsaw Pact, including the USSR, landed in the Country. As a result, the Soviets established a more hardcore and USSR-compliant local communist regime, and largely increased their military presence.

Similar to the German Democratic Republic (see here for instance), Hungary (see here) or Poland (see here), since then also in Czechoslovakia the local national Army was flanked by a significant contingent of Soviet troops, who left only after the entire Soviet-fueled communist empire started to crumble, at the beginning of the 1990s.

Consequently, for the last two decades of the Cold War, Czechoslovakia was a highly militarized country similar to other ones in the Warsaw Pact (see here). Its geographical position on the border with the West meant it received supply for a high-technology anti-aircraft barrier (see here). Two major airbases in Czechoslovakia were taken over for use by the Soviets and strongly potentiated (see here).

Soviet Nuclear Depots in Czechoslovakia

Beside conventional forces, also nuclear warheads were part of the arsenal deployed in this Country. Where in the late 1960s Soviet strategic nuclear forces were already mostly based on submarine-launched missiles and ICBMs ground-launched from within the USSR’s borders, tactical forces were forward-deployed to satellite countries, to be readily operative in case of war in Europe. Missile systems like the SCUD, Luna (NATO: Frog) and Tochka (NATO: Scarab) were deployed to the Warsaw Pact, supplying either the local Armies or the Soviet forces on site. Typically armed with conventional warheads, these systems were compatible with nuclear warheads too, making them more versatile, and of great use in case of a war against NATO forces in central and western Europe (see here).

Irrespective of their employment by a local national Army or a Soviet missile force, nuclear warheads were kept separated from the rest of the missile system for security, and invariably under strict and exclusive Soviet control. Bunker sites were purpose built in all components of the Warsaw Pact for storing nuclear warheads – see page 46 of this CIA document, showing with some accuracy the location of the corresponding bases.

Granit– and Basalt-type bunkers were typically prepared on airfields or artillery bases, for short-term storage of soon-to-be-launched nuclear weapons. Instead, top-security Monolith-type bunkers (the triangles on the map in the CIA document) were intended for long-term storage of nuclear ordnance.

Monolith-type bunkers were built by local companies on a standard design in the Soviet military inventory, and were implemented in satellite Countries in the late 1960s. Czechoslovakia received three such sites, which took the names Javor 50, by the town of Bílina, Javor 51, close to Míšov, and Javor 52, close to the town of Bělá pod Bezdězem. All three locations are in the north-western regions of today’s Czech Republic.

The Soviet military started withdrawing the nuclear warheads from satellite Countries in 1989, months before the collapse of the wall in Berlin. As for Czechoslovakia, by 1990 all nuclear forces had been moved back to the USSR. Following the end of the Cold War, Monolith-bunkers – similar to most of the colossal inventory of forward-deployed military installations formerly set up by the Soviet Union – were declared surplus by the Countries where they had been implemented.

These primary relics of the Cold War have known since then different destinies. Some of them have been hastily demolished, and together with their associated fragments of recent history, they have almost completely disappeared into oblivion. Luckily, a few are currently still in private hands, and still in existence (see here and here) – specimens of recent military technology, and a vivid memento from recent history, when the map of Europe looked very different from now. Two can be visited, of which one is Javor 51, in the Czech Republic, the main topic of this post. This has been turned into the ‘Atom Museum’, which has the distinction of being the only Monolith-type site in the world offering visits on a regular schedule (the other open site is Podborsko, in Poland, covered here, which is open by appointment).

Also displayed in the following are some pictures of the now inaccessible site Javor 52 in former Czechoslovakia. Photographs were taken in 2020 (Javor 52) and 2022 (Javor 51).

Sights

Javor 51 – The Atom Museum, Míšov

An exceptionally well preserved and high-profile witness of the Cold War, the nuclear depot Javor 51 is a good example of a Monolith-type installation. These bases were centered around two identical semi-interred bunkers for nuclear warheads.

When starting a visit, you will soon make your way to the unloading platform of bunker Nr.1. The shape of the metal canopy, and the small control booth with glass windows overlooking the platform are pretty unique to this site. The metal wall fencing the unloading area is still in its camo coat outside, and greenish paint inside. Caution writings in Russian are still clearly visible. Concrete slabs clearly bear the date of manufacture – 1968. This site was reportedly activated on the 26th of December, 1968.

Even the lamps look original. Some of the – likely – tons of material left by the Soviets on the premises of this site has been put on display ahead of the massive bunker door.

The opening mechanism of the latter is a nice work of mechanics. Four plugs actually lock or unlock the door. They can be moved by means of a manual crank, or likely in the past via an electric mechanism (some wiring is still visible). The thickness of the doors is really impressive (look for the cap of my wide lens on the ground in a picture below for comparison!).

Each bunker had two ground-level entrances to the opposite ends, each with two blast-proof doors in a sequence. Warheads were transported by truck, unloaded beside the entrance of one of the two bunkers, and carried inside through the two doors, which constituted an air-tight airlock.

Today, you can see the inside main hall of the bunkers from the outside during a visit. This was likely not the case in the days of operation. The opening procedure required a request signal to travel all the way to Moscow, and a trigger signal traveling in the opposite direction. Once past the first (external) door with the warhead trolley, that door was shut, and the procedure was repeated for the second door, giving access to the inside of the bunker.

A security trigger told Moscow when the door was open. It can still be seen hanging from top of the door frame.

Once inside, you find yourself on a suspended concrete platform. The warhead trolley had to be lowered via a crane – still in place – to the bottom of the cellar ahead, i.e. to the underground level. The stairs now greatly facilitating visitor’s motion around the bunker were not in place back then, and descending to the underground level for the technicians was via a hatch in the floor of the suspended platform, and a ladder close to the side wall.

On the platform, an original Soviet-made air conditioning system can be seen – with original labeling – and signs in Russian are on display on the walls.

The platform is also a vantage point to see the extensive array of heat-exchangers put along a sidewall of the central hall – atmosphere control was of primary importance for the relatively delicate nuclear warheads. Each of them traveled and was kept in a pressurized canister. However, also the storage site was under careful atmospheric control.

To the opposite end of the bunker, the inner tight door of the second entrance can be clearly seen, ahead of another suspended platform. The warheads left the bunker for maintenance (they might have left also for use, but this never happened, except possibly on drills) from that entrance, which had a loading platform outside for putting the warheads on trucks (this can be better seen in other Monolith sites, like Urkut in Hungary, or Stolzenhain in Germany).

Down on the lower level, the main bunker hall gives access to one side to four big cellars, where the warheads spent their time in storage, and to the other sides to technical rooms. The pavement in the storage cellars features the original metal strongpoints, used to anchor the trolleys for the warheads to the ground. This was in case of a shockwave investing the site in an attack, to avoid the trolleys moving and crashing against one another. The original hooks with spherical joints to link the trolley to the strongpoints are also on display.

The storage cellars today have been used to display informative panels, with many interesting pictures and schemes. These include some from major sites connected with the history of nuclear weaponry in the Soviet Union (like from the test site of Semipalatinsk) and the US (like the Titan Museum near Tucson, AZ, covered in this post).

A few former technical rooms are used to store much original technical gear. This ranges from spare parts, tools and personal gear like working suits left by the Soviets (most with signs in Russian), to items ‘Made in Czechoslovakia’ or even radiation detectors from Britain and the West, gathered here for display and comparison.

Some of these spare parts are wrapped and sealed in Russian, looking like they were cataloged back in the time of operations.

In the main hall, many rare vintage pictures retrace the presence of Soviet military forces on this site as well as others in Czechoslovakia. Magnified copies of rare pictures portray the trucks, canisters and the very warheads likely involved in transport and storage in Javor 51. Actually, much mystery exists around the deployment of nuclear ordnance by the USSR outside its borders (not only to Czechoslovakia). Historical and technical information today made available, even to a dedicated public, is very limited, making this chapter of Cold War history even more intriguing.

Again in the central hall, cabinets for monitoring the nuclear warheads can be seen hanging from the walls, painted in blue. Each warhead used to be stored in a canister, which was periodically linked to these cabinets to check the inner atmosphere, temperature, etc., in order to monitor the health of its very sensitive content.

A large part of the technical/living rooms has been preserved in its original appearance. You can see parts of an air conditioning system, a big water tank, a toilet, a now empty bedroom for the troops. The bunker was constantly manned inside by typically six people, who operated in shifts. They did not sleep there, nor used the toilet much due to poor drainage. However, these facilities were used in drills, and were intended for the case of real war operations, when the bunker might have been sealed from the outside.

The electric cabinets take a dedicated room, like the huge air filters and pumps (Soviet made), installed to grant survival of the people inside the bunker in case of an attack with nuclear weapons or other special warfare. Clearly, the level of safety in the design of the bunker stemmed from the fact that it was considered by the Soviet as a a strategic target for NATO forces.

The last technical rooms host a big Diesel generator, supplied with air from the outside, and a big fuel tank in an adjoining room. Many labels bear writings in Russian, but the generator appears to be made in Czechoslovakia. The bunker was linked to the usual electric power grid of the region, and the generator was intended for emergency operations, in case the grid was lost or the bunker was isolated.

From the technical area, it was possible to access or exit the bunker, via a human-size airlock. The innermost tight door can be seen painted in yellow, with a locking mechanism resembling that of the major tight doors for the missile warheads. Outside the airlock, climbing three levels of ladders was required to get to the surface. This was the normal access to the bunker for the military technical staff, except when warheads arrived or left the storage (this was made via the major entrances, as explained).

Back outside, the second bunker, Nr.2, can be found at a short distance from the former. Nr.2 is being prepared for an exhibition on technology. At the time of writing, it can be toured except for the technical/living rooms. It is in a very good condition, and allows to get similar details as the previous Nr.1 on the construction of this type of facility – including the heating/air conditioning system.

The blue cabinets for plugging the canister for routine status checking and maintenance can be found also in Nr.2 in good shape.

Clearly visible here are the doors closing the technical areas and the warhead cellars. The latter were monitored for security just like the external airtight doors of the bunker, each with a sensor telling controllers whether the cellar was locked or not.

The airlock is covered in soot, possibly the result of a fire. Ahead of the entrance, the unloading platform is very interesting, having a unique set of light doors which had to be opened to allow trucks to come in. The concrete part of the platform appears slightly off-standard, with a short lateral concrete ramp, giving access to the main platform from one side. Parts of missiles – original – are being gathered in this area for display.

Monolith sites include two bunkers, which are the core of a strongly defended fenced area. In Javor 51, fences except the external one have been removed for the safety of visitors (rusty barbed wire can be very dangerous). These can still be found in other similar installations (see here). Similarly, the troops and technicians working on site lived in purpose-built housing, segregated from local communities. In Javor 51, this housing still exists, but cannot be visited.

Leaving the place, you can visit the nice visitor/gathering center, and even find some interesting souvenirs!

Getting there and visiting

All in all, the Atom Museum prepared at Javor 51 is a top destination for everybody interested in the history of the Cold War, nuclear warfare, Soviet history, military history, etc.

Credit goes to the owner of the place, Dr. Vaclav Vitovec, who is leading this remarkable preservation effort, and is a very knowledgeable and enthusiastic guide to the site for those visiting. Dr. Vitovec is also the owner of the border museum in Rozvadov, covered in this post.

The Javor 51 site is actually fairly well known at least to a dedicated public, having been visited by historians, scientists and notable figures – including Francis Gary Powers, Jr., who is very active in preserving the history of the Cold War.

The commitment of the museum’s managers is witnessed also by the nice website (also in English), where you can sign-up for a visit on pre-arranged days – as of 2022, all Saturdays in the warm season – or contact the staff for setting up a personalized visit. It is nice to see a good involvement by the local population (the great majority of visitors on regular visits are Czech), including many from younger generations. The exhibits tell much on the peaceful use of nuclear energy, and this is a major topic in the guided tour in Czech. Actually, the Czech Republic has a strong nuclear tradition, with many power plants in use, and a commitment for the development of nuclear energy in the future.

The location is around 25 miles southeast of Plzen, or 60 miles southwest of Prague. Easy to reach by car. The exact address is Míšov 51, 33563 Míšov, Czechia. Full info on their website. Visiting on a normal scheduled visit is on a partly-guided basis, meaning that you will get an intro (in Czech) of around 40 minutes, than you will be allowed to access the bunkers and visit on your own, for all the time you like. You might end up spending more than 2 hours checking out the site and everything is in it, if you have a special interest for the topic. Dr. Vitovec is fluent in English, and can provide much information upon request.

Javor 52 – Bělá pod Bezdězem

The Monolith-type site Javor 52 has been willingly demolished, likely by the Government of the Czech Republic, as it was the case for most other similar (or more in general, Soviet-related) sites in Poland and Germany.

However, it was hard to get completely rid of any trace of an installation so bulky and reinforced. Therefore, some remains can still be found and explored.

Some technical buildings still in use close to the bunkers may have been there from the days of operation.

Getting close to the bunker area, traces of the multiple fences originally around the site can be found, either in the trees or in the vicinity of unmaintained roads. Wooden or concrete posts with fragments of barbed wire are clearly visible. Also reinforced concrete shooting points can be spotted in the wild vegetation.

As typical, two bunkers were erected on site, and similarly to Javor 51 (see above), in Javor 52 they are aligned, with the entrances all along the same ideal orientation.

The bunkers in Javor 52 have been interred, so that they are now hardly noticeable from the outside, except to a careful eye. Looking inside the eastern one, it is possible to get a view of the open doors of the main airlock, providing a distant view of the inner main hall.

Descending through the lateral human-sized airlock is not possible except for a short length, from a concrete manhole on top of the bunker.

The western bunker is in a better general condition, and the main hall still retains a pretty unique writing in Russian. The ladder descending from the suspended platform has been substituted with a posthumous, regular ladder. Much metalwork has disappeared though, including the heat exchangers, the crane, and the tight doors.

Between the bunkers, a concrete pool can be found – still watertight! – with a function which is hard to guess. A pool for civil use was installed in Stolzenhain (and reportedly also in Javor 52, but I had not the time to watch out for it), but this was in the low-security of the site, far from the bunkers.

Getting there and moving around

Access to this place is possible without violating any property sign, but is clearly not encouraged. Going unnoticed is made tricky by the presence of a public facility nearby – a shelter for foreigners and some education activity. Parking out of sight is possible along the road 27235, north of the complex and to the west of the road – trailheads and corresponding parking areas can be found there. Check out some satellite map to find a way to the exact location of the bunkers – their respective entrances are approximately here (eastern bunker) and here (western bunker).

I visited the site in 2020, and the entrances appeared very dangerous and easy to seal in a permanent way. I do not have any further update, but would suggest to go prepared to find definitively interred and totally inaccessible bunkers.

Javor 50 – Bílina – Quick note

As of 2020, the site of Javor 50 is in a peculiar state of ‘conservation’. The place is closed to the public, but entering would be basically unimpeded, since the external fence to the former military base is mostly collapsed and interrupted. The Soviet quarters insider still have much to offer – including writing in Russian, a scheme of the base, and much more. Likely, the bunkers are also still in a relatively good shape.

Much surprisingly though, somebody is living there with watchdogs, in miserable conditions, keeping visitors out. It is likely that an official visit may be booked by getting in touch with the municipality, since it appears that the site is not used for anything. However I was not successful in connecting with anybody there, therefore I have no suggestion on this point. The of the main entrance is here.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

JFK’s Last Trip to Fort Worth and Dallas

The murder of President Kennedy in Dallas on November 22nd, 1963 is possibly one of the most well-known news stories from the 20th century. Since then, most theories put forward by both the official prosecutors and wannabe investigators after the crime never appeared completely acceptable.

The main defendant, Lee Harvey Oswald, was shot dead by likely-mafia-affiliated Jack Ruby, two days after Kennedy had been shot. This happened before any court hearing of Oswald, who always protested his complete innocence.

But Oswald was spotted on the crime scene, and his life before that fatal day had not been normal in any respect. Grown up a very poor man from the New Orleans, he enlisted in the USMC, spent years in Japan, changed home at a high pace in the continental US, between New York and Louisiana, learned Russian, applied for Soviet citizenship, established himself in an fantastic flat in Minsk, Belarus (see this account about Minsk), at the height of the Cold War, married a lady from the USSR, moved back to the US with his wife and their baby, collaborated with  communist movements in America while living of nothing in the south of the Nation, appeared in Cuba and Mexico in the years of the Kennedy administration, and finally decided it was time to kill President Kennedy, accused by a part of the military and political establishment of being excessively left-leaning during his years at the White House.

Maybe this man materially acted alone on the day of the shooting – something strongly adversed by many eyewitnesses and even scientists and analysts, based on ballistics – but with a curriculum so pointed of oddities, especially for the geopolitical situation of the 1950s and early 1960s, it is hard to imagine he was not part of something bigger.

An excessive number of pretended coincidences in the reconstruction by the investigators have largely discredited the official theories, in turn creating a mystery around the actual crime.

As time is passing and people involved are disappearing, chance to find the truth about the intricate plot behind the assassination are waning. Yet this unsolved crime has fueled decades of controversy, with tens if not hundreds of books written, as well as TV series and blockbuster movies produced – and it is still an intriguing topic for many, who come to see the famous Dealey Plaza in Dallas, where the shooting took place, making the local museum in the Texas School Book Repository one of Texas’ five all-time most visited attractions.

Being in the exact place where the famous Zapruder movie was recorded produces of course a strong impression. Yet there are more places in Dallas and Fort Worth related to the famous last visit of JFK to this major industrial focus of the nation, which albeit less impressive than the actual crime scene, may be interesting to find and visit for the most committed visitors.

This post portrays some of the most famous and of the least known places connected with Kennedy fateful 1963 trip to Texas. Photographs were taken in summer 2018.

Map

This map reports the focal points of President Kennedy’s visit to Texas on November 21st-22nd, 1963.

Kennedy flew in and out Fort Worth from Carswell AFB (now NAS Fort Worth reserve base), arriving on November 21st, and departing in the morning of November 22nd to Dallas Love Field – a very short hop for Air Force One.

You can see places in Fort Worth and Dallas connected with both the actual and scheduled route of Kennedy’s visit (blue placeholders), plus the route of the motorcade from Love Field to Dealey Plaza and back (blue line), with a stop at Parkland Memorial Hospital, where JFK was pronounced dead at 1:00 pm, November 22nd.

Orange placeholders are locations connected with the shooting – where JFK was (surely) hit, famous spots on the crime scene, etc.

The movements of L.H. Oswald have been partly reconstructed by the prosecutors, where some have been ascertained based on sightings by witnesses. These are shown in yellow and red respectively on the map. Red placeholders show the location of Oswald sightings or places connected with his story.

Green placeholders show the positions of notable monuments connected with the assassination of President Kennedy.

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Sights

Sights are listed going along the time-line of the days of JFK’s visit.

Hotel Texas (now Hilton) & JFK Tribute, Fort Worth

President Kennedy spent the night between November 21st and 22nd in the Texas Hotel, located on Main Street in central Fort Worth. Today this nice, early 1920s building is still there, listed among historic landmarks. It has changed hands more times in the last decades, and is now run by Hilton, with the name Hilton Fort Worth. Built on the opposite side of the square where the convention center is located, it is still today a primary business hotel in town.

In the square ahead of the hotel is a monument dedicated to JFK, with a statue and citations. This was the location of the last public speech the President gave, before breakfast on November 22nd.

Later on that day, he held a scheduled speech in a hall of Hotel Texas, before going to Carswell AFB (now NAS Fort Worth), west of downtown, to board Air Force One to Dallas Love Field. Air Force Two soon followed.

Dealey Plaza, Dallas

Monuments in Dealey Plaza

The curious composition of white colonnades and pergola-shaped monuments in Dealey Plaza is the result of an architectural master plan for the area, completed in 1940.

Despite the weird aura that will enshroud the square for many years to come, the composition is actually very nice, with two opposing fountains ahead of the colonnades welcoming you when entering the square from Main Street. This is exactly what the motorcade did, turning right on Houston Street and first left on Elm street, where JFK was hit (see map).

The pergola on the ‘grassy knoll’

The northernmost part of the composition in Dealey Plaza is a curved white pergola, placed on top of a knoll, at an elevation of roughly 10 ft above the road. This is a vantage point for watching Elm street, which starts descending gently from Houston Street towards the railway triple underpass. It was here that Zapruder was standing, together with many eyewitnesses, shooting his now super-famous video (see map).

You can get a 360° view from close where Zapruder was standing from this video.

Here you see an example photo sequence of a car passing by along Elm Street, following the same route of the presidential motorcade.

A crowd was standing also on the southern side of Elm Street, at the level of the road, from where the pergola and the wooden fence on top of the grassy knoll can be seen very clearly. Looking uphill towards Houston Street, you can see the Texas School Book Repository, and the half-open window from were somebody fired at the motorcade.

‘X-marks’ on Elm Street

Two white X-marks have been painted on the ground where, based on official investigation and findings, President Kennedy was hit, while his motorcade was driving along Elm Street.

The first is located immediately after the crossing with Houston Street, where the motorcade turned left. The pictures below shows the window on the sixth floor of the book repository from the spot of the hit (actually behind a tree), and the wooden fence under the trees on top of the grassy knoll. The wooden fence has been indicated by many as the position of a second shooter, and some have sustained they saw shots coming from there.

Taking into account the elevation from the ground of the window on the sixth floor of the book repository, the total distance to this first X-mark is similar to that from the fence. Yet the trajectory of a shot from the fence would have come dangerously close to Zapruder and all folks between the knoll and the sidewalk.

The second X-mark, that of the fatal shot to the President’s head, is located further west. Looking from here again to the window on the sixth floor and to the fence, it is apparent that the latter spot would be a far easier point for shooting – very close -, while on the other hand recording a hit from the former would be a real challenge.

Close by the X-mark corresponding to the fatal shot, the National Historic Landmark placard of Dealey Plaza has been placed on the sidewalk.

You can get a clear impression of how fast everything must have happened watching this video of my car running along the route of the motorcade, from Main Street down to under the triple underpass.

The wooden fence on top of the ‘grassy knoll’

The fence on top of the grassy knoll divides the grass on the northern end of Dealey Plaza from a parking area on the side of the book repository. The elevation over Elm Street and the little distance from it, makes this place a good spot for targeting a car passing on the position of the second X-mark – that corresponding to the fatal shot.

To the back of the fence, the old railway switching tower from the 1910s played a part in the mystery. On the morning of the assassination, Lee Bowers was on service in the tower. He reported to the prosecutors that about 15 minutes before the shooting he had noticed a car slowly circling in the parking. At the time of the shooting two figures were standing by the fence, and he saw fire and smoke coming from their position. He provided details about the cars and an these men.

Lee Bowers died in a car crash without witnesses in summer 1966, when he gently launched his car out of the road while driving alone in the countryside somewhere near Midlothian, south of Dallas.

The triple underpass

This Art Deco railway bridge, dating from older times than the monuments in Dealey Plaza, is another good vantage point for a comprehensive sight of the stage of the assassination.

It has been supported that a witness standing on the grass south of Elm Street and close to the underpass was wounded by a fragment of the curb, produced by a bullet hit. This might have been a missed shot.

Texas School Book Repository & Sixth Floor Museum, Dallas

The building of the book repository, located on the northern side of the crossing between Houston and Elm, has been taken over by the city government for administrative functions. A museum has been opened on the sixth floor, from where shots were allegedly fired against the motorcade.

The museum is very modern. After paying by the entrance, you are given an audio-guide and you are directed to an elevator going up to the sixth floor.

You can walk along a nice exhibition mostly based on tons of photographs and reproductions of original documents, papers, agencies, documents, dossiers, and so on. Before showing the chronicle of events during the last trip of JFK and the events of the assassination, you are told about the general political and social situation in the years of Kennedy administration, so as to reconstruct the big picture and the meaning of this trip. There was much criticism about it, and you can see some unwelcoming headlines from newspapers, telling about a tense political situation in Texas. There are several videos playing loop.

Of course, an accurate reconstruction of the shooting is the main topic of the exhibition. Frames from the many videos recorded by the witnesses allow to have an almost second-by-second account of the last minute in the life of JFK.

Far less known than others are some pictures of the motorcade taken seconds after the shooting, when the cars accelerated under the triple underpass, with men of the secret service bent over the wounded President. Witnesses on the opposite side of the underpass had not noticed the shooting, and they were probably stunned watching the motorcade rushing away.

There is a dinner set from the scheduled luncheon Kennedy was heading to, prepared in the Dallas Trade Mart. A picture of the announcement of the assassination to the attendees of the luncheon waiting for the President is particularly striking. Detailed maps are displayed of the motorcade route, of the movements of L.H. Oswald, and of the emergency rooms of the Parkland Memorial Hospital where JFK, Vice President Johnson and Governor Connelly were given medical assistance.

A highlight of the museum is the area around the corner window from where shots were fired. An accurate reconstruction of the exact position of the boxes around the shooter’s position has been set up, based on photographs from the time.

Access to the window is interdicted, but you can get an idea of the view enjoyed from there from the third window from the corner.

Further items of interest include cameras and video recorders used by the witnesses, and a detailed map of the standpoints of most witnesses who made a video recording, or did take pictures.

An area of the exhibition is dedicated to Oswald, his arrest and his murder in the Police headquarters, which took place on November 24th, 2 days after JFK was killed. You can see copies of official documents, a ring belonging to L.H.Oswald, and the suit worn by Detective Jim Leavelle – the man portrayed in the video of the assassination of L.H. Oswald by Jack Ruby, leading Oswald out. At the time of writing, Texas-borne Jim Leavelle, borne 1920, is one of the few living primary witnesses of that dramatic episode.

Finally, the place where the old rifle used to fire at the motorcade from the window was found soon after the shooting, with Oswald fingerprints, has been reconstructed with the same accuracy of the firing position.

Parkland Memorial Hospital, Dallas

After the shooting, the motorcade accelerated keeping on the scheduled route (see map). It is noteworthy that the Trade Mart, where JFK should have had lunch, is not far from the Parkland Memorial Hospital, which is between the Trade Mart building and Love Field (see map).

President Kennedy and Governor Connelly were quickly drawn into emergency rooms, whereas soon-to-be-president Lyndon B. Johnson received medical attention in another area.

Officer Tippit’s Murder Scene, Dallas

Soon after he was spotted in the Texas School Book Repository minutes after the shooting, L.H. Oswald left for home. Initially caught in the traffic after taking a bus, he moved around pointlessly not far from Dealey Plaza, finally taking a cab to go home. He got off some blocks past his house, where he returned by foot (see map). He soon left, and at about 1:15 pm, 45 minutes after the assassination of JFK, he reportedly killed police officer Tippit in a quiet residential area. The place is marked by a placard (see map).

Lee Harvey Oswald was arrested less than an hour later, on account of Tippit’s murder. Only hours after his arrest, during the night of November 22nd, he was accused of the assassination of President Kennedy.

Texas Theater, Dallas

After shooting officer Tippit, Oswald left along Jefferson Boulevard, presumably walking to the Texas Theater. This movie theater, with a flamboyant front facade, used to be owned by Howard Hughes, and it was the first in Texas with air conditioning.

L.H. Oswald was arrested at about 1:50 pm, about ten minutes after he had entered the theater, 1 hour and 20 minutes after the murder of JFK.

JFK Memorial Plaza, Dallas

A monument to President Kennedy, designed by Philip Johnson, was erected in 1970 one block east of Dealey Plaza (see map). The monument, made of concrete, resembles an empty tomb.

Getting There and Moving Around

The JFK monument in Fort Worth is in a public park, as well as the JFK memorial in Dallas. They can be neared at all times.

Dealey Plaza is regularly open to car traffic, as you can see from the videos above. Parking is possible in the many public parkings around the area. Once there, you can move around freely at all times.

I drove along all the route of Kennedy’s motorcade, which except for a few closed roads can be done still today. Very nice indeed, as you will cross beautiful downtown Dallas. Of course, you can follow the route of Kennedy’s car in Dealey Plaza, as shown in the videos above.

The Sixth Floor Museum at Dealey Plaza is a world-class, up-to-date museum, and one of the most visited attractions in Texas. Website here.

Plokstine – A Preserved Nuclear Missile Site in Lithuania

While almost all nuclear sites you can find in European Countries once beyond the Iron Curtain are today totally abandoned and fairly unaccessible, there exists a perhaps unique exception. The Plokstine site in northwestern Lithuania has been selected around 2010 for complete refurbishment with the help of public money, and in 2012 it has opened its doors as a museum. Located in a beautiful natural setting crowded with hikers – namely Zemaitija National Park, a national recreation area around Plateliai lake – it has quickly grown to international fame, and is now recording several thousands visitors per year, with guided tours in multiple languages – including English – offered on a regular basis during the warm season.

What is today an intriguing tourist destination, used to be part of a large Soviet installation for launching ballistic missiles armed with nuclear warheads. It is worth mentioning that Lithuania was a ‘Soviet Socialist Republic’ in the realm of the USSR, i.e. not just a satellite country of the Soviet Union, but part of it. Actually, this small country on the shores of the Baltic Sea, on the extreme western border of Soviet territory, was an ideal location for deploying weapons to hit European targets from within the Union. Furthermore, the Plokstine forest was – and still is – a little populated area, where construction works for a large top-secret military facility for storing and operating offensive cutting-edge hi-tech warfare would go likely unnoticed.

The missile complex was completed in December 1962, in the years of Khrushchev and Kennedy. The Plokstine site comprises of four interred silos and an extensive underground command station in the middle – the ensemble constituted a so-called ‘Dvina’ launch complex.

The ‘Dvina’ site in Plokstine was actually the last part of the missile base to be built. Two more sister surface sites, with four launchpads each, had been completed one year before, just west of the nearby village of Saiteikiai. These surface sites were similar to those you can find in Latvia (see this post), a neighbor country where unfortunately the last remaining ‘Dvina’ site was demolished in 2017, but abundant traces of the Soviet presence can still be found.

All three launch complexes in this region were designed around the R-12 missile. The R-12U missile was actually used in the underground ‘Dvina’ complex, slightly different from the surface-launched R-12. This weapon was better known by its NATO designation – SS-4 Sandal – and was a 2.3 megaton, single warhead, single stage nuclear missile. It reached true international notoriety before the base in Plokstine was activated, for this was the type deployed to Cuba in the missile crisis of 1962. Coincidentally, part of the staff transferred to Cuba in the days preceding the crisis was from the same rocket regiment of the Red Army (the 79th) stationed in Plokstine. Sandal missiles from here were reportedly transferred in complete secrecy to Cuba, via the port town of Sevastopol in Crimea in that occasion.

The base remained operational until the last missile – by then obsolete – left in 1978.

The Baltics were the first republics to leave the dying Soviet Union, openly defying the military authority of neighbor Russia. After the collapse of the Union and the end of communism in Europe, these three states – which historically do not belong to Russian culture – quickly joined the NATO and European Union, to escape Russian influence as much as possible. Most Soviet military installations were shut down and abandoned, and have been for two decades an interesting destination for explorers and war historians (see this post for many examples). Later on, most sites have been slowly demolished or converted into something else. Really a few of them have been preserved for posterity.

In this post you can find photographs from the Cold War Museum now open in the former ‘Dvina’ site of Plokstine, from a visit in 2017. Close to the bottom, you can find a few further photographs from a previous visit made by appointment in 2009, before the site was selected for renovation – these may be more appealing for Soviet-aura lovers!

Sights

What can be visited today is all in the area of the old ‘Dvina’ complex. The complex is mainly composed of four interred silos, covered by heavy steel & concrete bulged covers, placed on the four corners of a square. These gigantic caps are the most prominent components of the site from the outside. Today, an observation deck has been erected on the south of the area. From there, you can appreciate the distinctive plan of the ‘Dvina’ complex, with an access road terminating in a loop touching all four armored silo covers.

The weight of each cover is told to be around 100 tonnes, as it was armored to withstand a nuclear explosion. The covers would be pulled sideward with a sled mechanism, to open the silos before launch. Unmovable missile launch complexes, like the ‘Dvina’ site in Plokstine, were easy and attractive targets for western weapons, thus requiring a very strong defense barrier. Similar considerations led the design of the Titan missile sites in the US, which albeit more powerful and capable of a greater range, are roughly from the same era (see this post).

To get near the silos or get access to the museum, you need to pay a ticket and join a guided tour. The visit includes a tour of the Cold War Museum, which has been prepared inside the rooms of the former control center. The tour will start from the visitor center, a new modern building. You will soon go through a specimen of the original fences which ran around the ‘Dvina’ complex, and which included barbed wire and high-voltage electrified lines. Close by, you can find traces of original unarmored constructions, likely service buildings. The missile site was operated by more than 300 troops stationing in a number of smaller centers in the area around the complex.

The guide will lead you along a walk around the surface part of the complex, where you can see the construction of the caps from very close. The metal part is very rusty, but the concrete cover has been refurbished and looks like new – a pretty unusual sight, for connoisseurs of Soviet military relics!

Access to the underground missile service and control center is via a small metal door, right in the middle of the square formed by the four silos.

A few rooms in the control center today host the exhibitions of the Cold War Museum. A room displays a quick time-line of the Cold War, since the end of WWII to the end of the USSR. In the adjoining rooms you can find propaganda items

Another room is about defense against nuclear threat. This is interesting, with many artifacts like dosimeters and medical tools, plus easily readable instructions of ‘dos and don’ts’ in case of nuclear attack.

Another room is about the evolution of weapons over the Cold War decades, with original material from the time, including heavier tactical weapons.

The exhibition is modern, small but not superficial, and may appeal to any public, including children. Besides the exhibits, you can appreciate the relatively small size of all rooms and connecting corridors in the former control center.

As you are driven next to the missile operation part, you can find a scale model of the ‘Dvina’ complex and a cut-out of a R-12U silo, together with a map of the relatively few missile sites in Lithuania – from the map, it can be argued that, for some reason, many more sites were prepared in nearby Latvia.

Resting quarters for the troops and a communication station with original electronic gear have been reconstructed based on original footage and pics. Communication with the military headquarters was clearly an essential task – it was the only way an order to launch could be issued – and the serviceman on duty was responsible for assuring a permanent link with the chain of command. In other words, he was instructed not to leave his headphones under any circumstances, during a several hours-long shift!

On the sides of the corridors you can see holes for the extensive network of cables and pipes. Further on, you meet the most ‘hardware’ part of the exhibition. First, the original diesel-fueled power generator has been refurbished and is standing in its original room. The underground complex was designed not only to withstand a nuclear blast, but also to provide shelter for all servicemen for several days following an attack. This meant air filters, food, water, technical supplies and of course electrical power, were all essential assets. Oil for the generator was stored in a container in an adjoining room.

Finally, you get access to one of the four silos. You need to go through a tight door opened on the wall of the concrete structure of the control center. Writings in Cyrillic can be spotted on the walls in this area. From there, you will see the cylindrical shape of the metal structure of the silo from the side. This metal canister is really big, the ‘Dvina’ silos featured a much greater diameter than the SS-4 missile they were built for. This was somewhat different from their US counterpart (see this post), where the missile diameter fits the size of the silo without much margin.

You can get access to the silo via the original hatch, cut in the metal wall close to the rim on top of the silo, just beneath the external cap. Going through this hatch is incredibly difficult – it is extremely narrow, much longer than the size of a human step, and tilted upwards! It is hard to understand why the Soviets built it in a size so small – this applies to the control center too, for all corridors are really narrow and the ceiling in the rooms is so low you may easily need to bend forward! For those who don’t want to try the original entry to the silo, there is now a non-original door cut in the side of the canister.

The inside of the silo can be observed from an original service deck, immediately under the external cover. From here you can clearly appreciate the size of the construction – the missile was more than 70 ft long, and sat here in a vertical position. The SS-4 was among the first missiles to make use of a storable liquid propellant, which allowed it to stay in almost-launch-ready conditions for a prolonged time, if resting in a silo. Nonetheless, the time for opening the armored caps was about 30 minutes, which meant this was not exactly quick to launch. The understructure of the armored caps can be clearly appreciated from inside the silo.

Photographs Before Restoration Works – Ghost Base

When I visited this site for the first time in 2009, it was open only by appointment. Unfortunately, I had only a compact camera at the time, and the very low light inside plus a rainy day outside, meant I could take only a few acceptable pictures.

However, they provide an idea of the state of the ‘Dvina’ complex before it was decided to reconfigure it as a museum.

As you can see, the armored silo caps were in a worse shape than today, yet not heavily damaged. The barbed wire fence around the four silos was probably original Soviet.

Inside, the control rooms were basically empty, except for some communist emblems and flags. Green wall paint and Cyrillic writings could be found even at the time, so what you see today is likely original. The generator, whilst in bad shape, was there.

The silo could be accessed only via the original hatch, and except for the partial darkness, its appearance is similar today.

It is out of doubt that the ‘Soviet ghost aura’ of the base was somewhat lost in the restoration process, yet credit must be given to the effort of the local government in preserving a rare and relevant trace of military history through an expensive restoration process.

Getting there and moving around

The Cold War Museum (Šaltojo karo muziejus in the local idiom) is located in the Zemaitija National Park, northwestern Lithuania, east of lake Plateliai. Access is via the road 2302. The place is totally accessible and well advertised locally. Visiting the outside of the armored caps and inside is possible only with a guided tour, offered in many languages including English, and lasting about 50 minutes. No fee is required for climbing on top of the observation deck. Full information through the official website here.

A Walk in Kiev – From Medieval Town to Post-Soviet Metropolis

Founded as a trading post back in the 5th century in the Ostrogoth region on the far eastern border of the Roman Empire, Kiev later grew to become the capital of the first ‘Rus’ in early medieval times. The ‘Rus’ embraced a vast territory between todays Eastern Europe, the Caucasus and Western Russia. Centuries later, after a war lost against the Mongols and having changed hands more than once, it finally became part of the Czarist Empire.

In Soviet times, Kiev was the capital of the second largest Socialist Republic of the Union, i.e. the Ukraine. This large and fertile land, not subject to the exceptionally harsh winters typical to the majority of Russian territories, features a long coast with several port towns on the Black Sea, and since the Bolshevik Revolution and the Russian Civil War, it accounted for a good share of the population and workforce of the USSR.

Despite being kept in great consideration by the Soviet central government for its economic and military value, the Ukraine was among the fiercest opponents of the Bolshevik revolution back in the years of Lenin and the Russian Civil War. Some top-ranking Soviet leaders actually came from this Country, but that it remained separated from Russia even in Soviet times was not just by chance.

As a matter of fact, after the collapse of the USSR, the Ukraine immediately left for independence, entering a very difficult transitional phase, which is basically still lasting today. The general weakness of all recent presidential administrations, the claims of ownership over the former national industries and natural resources by private owners, and substantial border controversies with Russia, have produced living conditions for the population which are much lower than for other ex-USSR countries like Russia, the Baltics or Belarus.

All these pieces of national history are reflected in Kiev, a very large city where you hear echoes from all the eras of its complicated past. This chapter presents a quick account of the highlights of Kiev’s heritage from older and newer times, providing also an impression of how this town is evolving today. Photographs were taken in spring 2018, and portray a bit of everything, from spectacular Orthodox temples to gigantic Soviet statues, cannons from WWII, the Chernobyl Museum, panorama views of the city and more!

Map

The map below shows the location of everything described or portrayed in this post.

Pictures were taken mostly in central Kiev, itself a pretty extensive area, served by public transport, but more quickly and efficiently explored by taxi. As of today (2019), the cost of life for a visiting westerner is incredibly low, so even taking a taxi for every shift is not inconceivable.

Of course, there are some parts of the central district which are interesting to explore by walk, and if you are a well-trained type you might simply spend your day walking from a destination to the other – getting a more complete view of the city center, and avoiding traffic jams which constantly plague the city.

I really enjoy driving, but in Kiev I would not suggest moving around with a car on your own, cause traffic is really a nightmare, traffic flows are fuzzy and chaotic, so you may be easily wasting your time, letting aside the chance of accidents and damage to your car.

The central districts appear reasonably safe, so you may relax and move around by foot, taking all the pictures.

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Sights

Saint Sophia’s Cathedral

If you want to start you exploration with a true masterpiece, then head directly to the very central Saint Sophia’s Cathedral. This glorious church and monastery founded around the year 1000 AD was renewed and modified over the centuries, but the main features of the central church have remained basically unaltered since its origin.

Access to the monastery grounds are via the tall bell tower. You can also climb upstairs, very much advised to enjoy a very good view of Kiev’s central districts, including the nearby church of Saint Michael.

Looking farther, you can appreciate the size of the outskirts of the city, which is really extensive. The typical Soviet/post-Soviet amenity of the most peripheral districts is readily apparent. There is also a plant looking like an oil power plant, with giant red and white chimneys, right in town.

The majestic river Dnepr can be barely seen from here, looking east.

From the outside the church in the monastery – resembling the plan of Saint Sophia’s Cathedral in Constantinople – is a masterpiece, but the mosaics inside are really unmissable.

Unfortunately, taking pictures inside is strictly forbidden (many guards around).

Saint Andrew’s Church & Ministry of Foreign Affairs

A quick detour to the east from the alley connecting Saint Sophia’s to Saint Michael’s Cathedral, Saint Andrew’s Cathedral is a nice example of Czarist Rococo style. Unfortunately the church was undergoing renovation inside at the time of my visit.

On the way from Saint Andrew’s Cathedral to Saint Michael’s Cathedral you can find a Soviet monolith, today the Ukrainian Ministry of Foreign Affairs. The building, with a line of prominent columns aligned ahead of the façade, was built over a terrain formerly part of Saint Michael’s Monastery.

Saint Michael’s Cathedral

This beautiful church, with distinctive golden domes, was reconstructed in its baroque form in the late 1990s, after it had been completely demolished in the 1930s, among the darkest hours of Stalin’s communist dictatorship. The ancient mosaics which adorned the original church, dating back to the Byzantine period, were transferred to major museums of the USSR before demolition took place.

The accurate reconstruction work has produced a beautiful ensemble, with a church in the middle, a tower over the main gate, and several smaller buildings. The contrast between the blue façade walls and the golden roof produces a very nice chromatic effect.

Friendship of Nations Monument

Descending towards the river from Saint Michael’s Cathedral, you soon reach an artery of the city called Kreshchatyy, and a typical soviet building – the Ukrainian House, today a congress center. This artery leads to the central Independence Square.

Next to the Ukrainian House you can find the head of short promenade leading to a balcony with a gorgeous view of the Dnepr. Going there, you pass under an arch, framing some sculptures including a – strangely – moderate soviet memorial, the Friendship of Nations Monument.

The size of the Dnepr is impressive. The balcony is a vantage point for a panorama view of the northern and eastern districts of Kiev.

Governmental District

Taking to the south from the Friendship of Nations Monument you get access to an extensive city park. Immersed in this park are the residence of the President of the Ukraine – Marijnsky Palace. This is a fancy blue and cream palace, with a nice Italian-style garden ahead of it. It is still working, so it is usually off-limits for tourists. A great panorama to the east can be seen from besides the palace.

Next to the presidential residence you can find the small Parliament Building.

On the border of the park you can find the International Hotel Kiev, part of the soviet heritage. The park is pointed with many soviet statues and memorials, as well. To southern end of the park you meet the area of the old arsenal. The metro stop there resembles some of the stations in Moscow.

Further south you come to  what is probably one of the most popular area among tourists, you meet more soviet buildings, including old soviet hotels.

Monument to the Unknown Soldier

The southern end of the governmental district is marked by the nice area on top of a cliff rapidly descending to the river. Here you will find the sober Monument to the Unknown Soldier. The focus of the monument is an obelisk with an eternal flame nearby. Access to the obelisk is via an alley with commemorative slabs along the sides.

The obelisk is constantly guarded by the military. The area is quiet and nice to stay. The panorama to the east is again really gorgeous.

Immediately south of the obelisk, it is possible to see a monument to the victims of the Holodomor Genocide. This was a famine intentionally caused by Stalin in the year 1933, in support of the industrial development plans. By conveying all the food to the cities with industrial plants, and simultaneously prohibiting any movement to Soviet citizens among districts within the Union, Stalin and the Soviet Government set the stage for one of the worst famines in European history, causing millions of victims among farmers and the rural population. The rural population of the Ukraine was among the most hit by this move.

Pecerska Lavra Monastery

This is probably the best known monument in Kiev. This immense monastic complex is basically a citadel, with several churches scattered over a large area descending towards the river. Besides the churches, it is possible to find several buildings with refectories, dorms and more, plus an incredible museum with some incredible treasures from ancient times.

The churches date from different epochs, and some have been altered over the years. The most prominent, nearby the entrance, is in baroque style, with a tall tower ahead of it.

The size of the monastery is really striking, and it is very lively, with religious services and related activities often taking place.

The archaeological museum with its golden treasure is surprisingly rich and valuable.

A less usual feature of the monastery is an Orthodox church dating from the late Czarist age, late 19th-early 20th century. It reflects the typical innovative style of the time, without departing from the classical subjects of the Orthodox iconography.

One of the most famous features of the Lavra is the catacomb with the mommies of the monks. This is really impressive, cause the tunnels are very narrow and dark, and you go there with a small candle. Taking pictures is strictly forbidden, and technically very difficult, due to the low light of the place.

Looking south from the beautiful area of the Pecerska Lavra Monastery, you can spot the most prominent Soviet monument in Kiev – the Motherland Monument.

The Local Conflicts Museum

Accessing the area dominated by the immense statue to the Motherland from north, you find some damaged military vehicles. These are Russian vehicles requisitioned by the Ukrainian military in the course of the recent tensions which led to the annexation of the Crimea – a former Ukrainian territory – by Russia. The vehicles on display are Russian-made and Russian-operated relics, found on Ukrainian soils.

As the explanatory panels tell you, they are a proof of unauthorized military actions carried out by Russian troops on the territory of the Ukraine. As of today, the Ukraine and Russia are not openly fighting, but they are not friends.

The Local Conflicts Museum is actually a wonderful collection of military vehicles, tanks, cannons, missiles, a few aircraft and even a submarine and an armored train. They are all from the Soviet weapons arsenal, and despite the name of the museum, there is even a ballistic missile among them.

The collection is split in two parts. One is on display over an apron which can be freely accessed. In this part you can see a few classic Soviet tank designs, rocket launchers and an attack helicopter Mil Mi-24.

The second part is located nearby, but it is somewhat more secluded, and can be accessed only with a small fee. Here you meet first a few aircraft, including a Lisunov Li-2, a license-built Soviet copy of the Douglas C-47.

There are a few attack aircraft from various ages (you can find many more in the beautiful air museum in Kiev, see here, a must-see for every aviation enthusiast), but what will probably capture your attention is a mighty SS-4 Sandal missile. This strategic missile type, also known as R-12 in the Soviet inventory, was the key element of the Cuban crisis. Before that, its deployment was planned in the last years of the Eisenhower administration also in the German Democratic Republic (see here). This was a major asset for the USSR in the years of the Kennedy administration, and was deployed in large numbers within the borders of the Soviet Union – preferably next to the borders, due its relatively limited range (see here).

Nearby the missile, you can find its launch gantry, which was anchored to the ground through a metal crown. This is what you find in todays Germany, the scant traces of the planned deployment of this system out of the USSR (see here). Another exemplar of this iconic missile with its gantry tower can be found in an excellent museum close to Minsk, Belarus (see here).

An impressive array of cannons with different calibers, a small submarine and an armored railway car with turrets – a similar one can be found in the Parola Tank Museum in Finland (official website here).

Also on display is a tactical nuclear missile with its movable canister truck.

Motherland Statue

This iconic statue is actually one of the youngest WWII monumental memorials of the USSR. Despite being planned soon after the end of the Great Patriotic War in the early Cold War period, it was not until the early 1980s that this metal colossus was built and inaugurated, at the presence of the then-Soviet leader Leonid Brezhnev.

The statue stands on a very nice natural stage, on top of a cliff dominating a wide panorama with river Dnepr in the middle.

The area around the monument forms a WWII memorial. There is provision for a big eternal flame, which despite the name is not constantly operating due to the massive gas flow needed for feeding it. Scattered around are some interesting groups of sculptures celebrating the efforts and the final victory of the USSR in WWII.

The foundations of the Motherland Statue host a nice crypt with the names of thousands of soldiers and civilians fallen in the battles over the Ukrainian territory during the Great Patriotic War (which is WWII for the USSR).

Besides the slabs with the names carved in them, there is very nice and sober mosaic decoration on the ceiling.

You can get access to the crypt visiting the Ukrainian State Museum of the Great Patriotic War.

Ukrainian State Museum of the Great Patriotic War

Similar to other museums dedicated to the Soviet actions in WWII you can find in Moscow and Minsk, this collection is a true must-see for anybody with an interest in the topic. The museum right under the Motherland Statue, with access from the front of the monument (official website here). In the case of the museum in Kiev, the totally Soviet construction adds to the value, with red stone and bronze lamps and ceiling decoration adding to the atmosphere.

Before you get access to the original collection, you can see in the hall of the museum, and in a few small rooms nearby the entrance, material from the recent Russian-Ukrainian confrontation.

The original collection is on two floors. There are uniforms, flags, many weapons, military gear, personal diaries, maps, passports and military papers. What is especially striking is the abundance of German material from the time, with tons of swastikas, Nazi insignia, original uniforms and more.

There is a small collection of rare Nazi daggers. Other interesting items include an Italian-issued certificate of merit, given to a Soviet soldier fighting in the Italian resistance movement.

There are clearly also many Soviet artifacts from the time, including original newspapers, books autographed by Stalin, and more. There is also the wreck of a downed Soviet aircraft.

On the top floor you get access to the collection through a monumental wall with metal sculptures.

Further Nazi and Soviet gear, uniforms, medals and papers are on display here. There is a diorama portraying the battle of Berlin, and even some Japanese war material – the USSR fought against the Japanese Empire especially in the months between the collapse of the Third Reich and the end of WWII in 1945.

Before you come to the crypt under the Motherland Statue (described above) in the dome on top of the museum, you can visit also a more modern commemorative display, with black and white pictures of people involved in the war.

Independence Square

This is the geographical and symbolic center of Kiev. This large square is crossed by a major road, with massive Soviet apartment or office buildings, which splits it in two.

On one side there are a few similar buildings creating a curved theatrical set. Looking closer, they are adorned with Soviet iconography, hence probably dating back to Stalin’s years. You may also notice they are not so well-kept – this applies in general to all buildings around the square, producing a strange ‘disorder feeling’.

There are traces of an original gate, from older times and misaligned with respect to the main axis of the square.

On the other side, the square is dominated by the monster Soviet building of Hotel Ukraine. This is preceded by a kind of modern mall, flanked by classical buildings probably dating back to an older era.

The district around the square is rich of older – pre-Soviet – buildings, making for an interesting stage for a relaxed walk.

To the south of the square you can find a group of particularly striking examples of Art Nouveau from the late 19th-early 20th century. Some of them are really world-class masterpieces, like the famous Chimera House, with sea monsters, animals and various strange creatures haunting the house.

Golden Gate

A few minutes walking from Independence Square you can find the so-called Golden Gate, which is a reconstruction of one of the medieval gates of the city. The appearance of Kiev was greatly altered following its evolution in the centuries, leading to the disappearance of the walls and gates of the ancient city. The famous Mussorgsky theme closing the Paintings of an Exhibition is dedicated to the ‘Gate of Kiev’ – this monuments provides an idea of the real size an shape of such a gate.

In the district around the monument there are examples of buildings from many ages and architectural styles. Soviet emblems are featured on many facades.

Chernobyl National Museum

Kiev is located less than 70 miles from Chernobyl power-plant. As a secondary effect of the increased popularity of Chernobyl as a tourist destination – as a result of the recent encapsulation of the ill-fated plant into a hi-tech protective armor increasing safety for visitors – Kiev has become a crossroads for international tourists.

The Chernobyl National Museum (official website here) has the function of a documents center for the accident, with rare artifacts taken away from the exclusion zone, papers and recordings from the time of the accident (1986), models of the power-plant and the contaminated area, and more.

Among the weirdest items on display, some specimen of mutated plants and trees, a mommy of a mutated animal, and photographs of similar subjects.

Another area of the museum is actually a memorial for those who perished, suffered a severe health condition or were deported for safety reasons after the accident. The latter happened to a number of smaller villages, including the now well-known Pripyat, which has turned into one of the largest ghost towns in the world.

There is also a quick pictorial overview of the Fukushima accident.

The district where the museum is located, north of Saint Andrew’s Cathedral, features several old-fashioned and classical buildings from pre-Soviet times, and Art Nouveau buildings as well.

Yet some Soviet monsters are scattered around the district, like market buildings and university buildings – don’t forget Kiev used to be a capital of a Soviet Republic!

A Few Remains of Nazi Grandeur in Germany

Architecture is possibly one of the disciplines where the ringleaders of the Nazi dictatorship invested most, for it provided a direct mean to display and impose their ‘new aesthetics’ to the German people and to foreign visitors from abroad.

The victory of the Allies in WWII wiped out the Nazi apparatus, but nowhere as in Germany did the new post-war leadership take the  deletion of all traces of the Third Reich so seriously. Even in museums of military history – there is an excellent example in Ingolstadt,  Bavaria, perhaps one of the most beautiful museums on the topic in Europe – there are just a handful of Nazi insignia. Swastikas, Nazi uniforms, weapons and memorabilia can be found to an incredibly greater extent elsewhere in Europe, especially in Britain, or in museums in the US. They are really also abundant in the countless exhibitions about the Great Patriotic War – WWII for Russians – in the former USSR, and generally beyond the Iron Curtain.

Concerning architecture, especially in Berlin many buildings of all ages were totally demolished as a result of US/British air raids, and during the last battle for the city opposite the Red Army. Similarly, the town centers of many larger towns were severely damaged. In the reconstruction process, little care was taken in keeping trace of this dark page of the German history, and the reborn downtown districts assumed in many cases a new face, where 1950-styled buildings shared the stage with medieval cathedrals and public schools from Bismarck’s time – pretty much nothing from the 1930s.

Yet of course some creations of Hitler’s architects have come to these days. Despite the evil ideology behind them, some are remarkable works of art, displaying a clear relationship with functionalism, typically found through various interpretations also in many realizations of great architects of the Thirties, in the US as well as all around western Europe. Examples are those buildings connected with infrastructures, like airport terminals or railway stations – much needed in the post-WWII period, and preferably restored instead of being demolished. More items of this kind survive than possibly of any other from Hitler’s era in todays German cities. A majestic example is the terminal of the now closed Berlin-Tempelhof airport.

Most of the surviving buildings hold a public function – like departments of the government or sport arenas. In a very few cases, buildings strongly connected with the devious ideology of the Third Reich have been preserved – albeit not greatly publicized – as museums. A first notable example is the complex around the Zeppelin Field in Nuremberg, with the unfinished huge congress hall for the conventions of the Nazi Party. A second one is the disturbing ‘spiritual center’ of the infamous SS in Wewelsburg.

This chapter collects a few photographs from these three places. Of course, it is far from a complete review of the architectural heritage of the 1930s and 1940s in Germany. It just provides an insight on a relatively unknown group of relics from Hitler’s era in Germany.

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Sights

Berlin-Tempelhof Airport Terminal

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Possibly the most complete and grandest example of Nazi architecture, the airport terminal of Berlin-Tempelhof is interesting both from an architecture standpoint and for its historical significance. The terminal was designed and built in the late 1930s and completed in 1941, greatly enlarging a preexistent construction.

At that time, nothing comparable existed in the world. The terminal is more than a mile long. It was built with a direct access from the land-side buildings directly to the long side of a narrow hangar on the air-side, which basically ran all along the terminal. Considering the small size of the aircraft of the day, this ‘hangar-terminal’ configuration could be exploited to simultaneously load and unload a high number of flights, with operations taking place directly in, or just outside, of a covered hangar. During WWII, parts of the hangar were used to manufacture military aircraft, exploiting forced laborers from a concentration camp prepared nearby for the purpose.

But the features of the terminal turned also extremely handy during the Berlin blockade of 1948-49, when Stalin tried to force his former western Allies to withdraw from Berlin by cutting off the western sector of the city. The western Allies set up the famous airlift, supplying the western sector with basically everything that was needed for a population in the order of a million, for 15 months! Tempelhof was the major airport in Berlin – the other being the British airbase in Gatow, near Potsdam – and laid in the American zone of the city. Thanks to its peculiar structure, it could manage the immense flow of goods flown in by more than 1’000 flights per day.

In the Cold War years, the airport was operated as a logistic base by the US forces. In the meanwhile, the construction of a larger airport – with a smaller terminal, but longer runways – was started at Tegel, and this was promoted to the main airport of West Berlin for civil air traffic. State flights still were operated in and out of Tempelhof, President Reagan’s Air Force One 27000 notably operating from Tempelhof on a famous state visit in 1982. After the German reunification the airport went on working as a civil airport, but the relatively short runways and noise issues led to its closure in 2008.

Sadly, today this glorious airport has been turned into another city park. It is rather difficult to use it for the scope though, as all the cement and asphalt of the apron, runways and taxiways are still there, there are no trees, and the terminal is an imposing presence on one side. Moreover, it is really a surplus for a city like Berlin, scattered with plenty of beautiful and immense green areas. The terminal building has not yet found a new occupation, and is basically a well-guarded ghost. Plans for reopening it as a convention center are apparently consolidated in 2022, but renovation works are going on still at very low pace.

Most recently, a small but well-designed, mainly pictorial exhibition has been located in the old terminal building, retracing with beautiful historical pictures, technical schemes and essential explanations the history of Tempelhof Airport.

Pictures from the year 2015 – but luckily not much had changed in 2022, the date of my latest visit – show the main building giving access to the terminal on the northwestern corner of the airfield still in a rather good shape. The empty parking ahead of the passenger entrance with nobody around gives a lunar aura to the place.

The neat lines of this part of the building deceive its actual size. From a former visit still in the days of operation – year 2006 – you can notice the roomy check-in hall, right beyond the main entrance.

Close by one of the glass entry doors you can spot a memorial to General Lucius Clay, the American mind behind the Berlin Airlift.

The grand perspective leading to the entrance is really an architectural masterpiece. Also noteworthy is a series of covered passages leading to lateral courtyards to the sides. These service passages are not visible when approaching the terminal from the distance, preserving the general sense of order without renouncing to the functionality of the construction.

There are two surviving marble eagles from Hitler’s time, on the front walls of the buildings to the sides of the main perspective.

The eagle head ahead of the parking is from the eagle sculpture originally standing on top of the main façade in Hitler’s times. That eagle was taken away after the capture of the city and the end of the war. The head went to the Army Academy in West Point, NY as a spoil of war, and was returned after the German reunification.

Moving along the wings of the building you can appreciate the size of the construction, really uncommon for Europe in the Thirties. The quality of all materials is also really striking. Their cost must have been really high.

To the extreme northeastern tip of the building you can spot some former radio installations, likely connected with air traffic control or military operations. From there you can get access to the former air side of the airport. At the time when the pictures were taken it was possible to walk around freely, but unfortunately not close to the hangar. Most recently, a branch of the Allied Museum in Berlin has taken responsibility for a preservation effort, and is keeping the place off-limits, opening it to the public on rare guided visits in German only – but I could not join in any of them.

There is also a historical propliner ahead of the iconic ‘Berlin Tempelhof’ sign on top of the hangar. Anyway, walking on the apron and runways produces a ‘history was made here’ feeling, and it is worth trying! Again, a few shots from the days of operation show the hangar from inside the terminal building. Historical pictures from local panels show the use of the hangar for the production of aircraft and technical parts.

As said, a recent exhibition of special interest for getting an accurate historical perspective, retraces the timeline of the airfield, since its pre-Third Reich era, through the colossal redesign in the shape we see today carried out in Hitler’s time, and down to the Cold War era, when Tempelhof had a crucial role in the Berlin Airlift, and was operated for long as a regular city airport.

Remarkably, in April 1945 the airfield fell in Soviet hands – since the Soviet Army conquered Berlin – and was later ceded to the US, following the Potsdam agreements in July 1945, which split the capital of the Third Reich in four sectors. It is likely Stalin regretted his own ‘fair-play’ concerning Tempelhof at the time of the Airlift, just a few years later…

A picture portraying general Keitel, in custody, arriving at Tempelhof to sign the instrument of surrender in the Soviet headquarters (see here) together with other top-ranking Nazi officers, shows a Lisunov Li-2 in the background. This was the licensed Soviet copy of the Douglas C-47. Also interesting the demolished German fighters found on sight by the conquerors.

The US, having taken control of the field, organized open-days for the general public once per year – reportedly, mostly appreciated by the local population.

Actually, the years corresponding to the sealing of the Inner Border (see here), from the Berlin crisis of 1961 (which saw the construction of the Berlin Wall) until specific accords partially reopening the land borders especially to Westerners in the early 1970s, were those of the most intense activity for Tempelhof – reaching West Berlin was more convenient by flight. But soon after, the better infrastructure of Tegel, with longer runways and less surrounded by high-rise buildings, took over most of the airline connections to Berlin. Tempelhof went on hosting state flights, general aviation flights, and commercial flights to a lower scale. There was also a permanent presence of US Army forces.

Evoking pictures include one with Willy Brandt greeting general Clay, and much later, President Reagan and the First Lady on a state visit in 1987. In another, you see one of the former Third Reich top-ranking staff Albert Speer – who also contributed to the design of Tempelhof – leaving for Western Germany by flight, following release after serving a long sentence in the prison of Spandau. He had been sentenced in Nürnberg.

The closure on grounds of noise issues, as noted, left the infrastructure unused for some years. Plans for re-opening as a convention/exhibition centers have been prepared as of 2022, and partial updating works are being carried out.

Getting there and moving around

The former airport is not far from downtown Berlin, around 3 miles south from the Brandenburg Gate in the former western sector of the city. Access to the terminal is from Tempelhofer Damm. Parking is possible along this major alley, or on the many roads around the airport – parking is rarely a problem in Berlin. Be ready to walk though, as usual when touring an airport.

Access possible also with public means of transportation. The front terminal can be easily reached from the U6 stops ‘Platz der Luftbrucke’ or ‘Bhf Paradestrasse’. Access from the east is easier from the U8 stops ‘Boddinstrasse’ or ‘Leinenstrasse’. There is finally an S-bahn station on the southwestern corner of the airfield – ‘Bahnhof Tempelhof’ – where U6 meets with several S-bahn lines.

My last visit to the place dates back to 2022, and as the area was undergoing renovation with a consolidated plan for changing its role and shape – and some works having started in the southernmost part of the terminal building.

Anyway, at the time of this visit the terminal was closed to the public, with limited chances to visit inside on guided tours. The only chance to access the terminal is for the small – yet totally recommended – photo exhibition. The latter can be reached to the left of the main facade of the terminal building. Website with contacts and timetables here.

Touring the exterior is possible on your own, and there are also a few descriptive panels along the perimeter. There are multiple entrances to the former air side, which is a public park with many people around.

Nazi Party Rally Grounds, Nuremberg

Nuremberg is an ancient imperial city in the heart of Germany, taken over as the symbolic capital of the ‘new kingdom’ by the theorists of the Nazi doctrine, due to its historical significance in German history. This town became the focal point of Hitler-led Nazi Party (NSDAP is the acronym of the party name in German language) well before the fateful general elections of 1933, when Hitler was elected chancellor of the German Republic. Among the activities of the NSDAP since the Twenties was a yearly rally, where for a few days all sections of the party met in Nuremberg for a series of group activities, including political speeches, commemoration of the fallen soldiers of the German wars, sport, camping, dining, etc.

In the years preceding Hitler’s raise to power, these rallies took place in the Luitpoldhain Park, to the southeast of the town center. The park had at its center the Hall of Honor, a memorial to the soldiers of German Wars, erected at the end of the Twenties. Today, leaving behind some construction works carried out by the NSDAP in the 1930s – including a massive Luitpold Hall and a tribune, today completely demolished – the place has regained its commemorative function, and is still used as a nice and sober city park. Yet historical photographs of Hitler celebrating the fallen German comrades ahead of the very monument you can see today produce a strange feeling.

In the years of the dictatorship, the rallies turned into a megalomaniac ostentation of power, with hundreds of thousands participating in the reunions. Correspondingly, the area involved in these parades was greatly enlarged, and a plan was made to realize a group of dedicated buildings.

The most famous of them, thanks to the historical movies of the parades recorded at the time, is the Zeppelin Field. This was a parade ground designed from scratch by Nazi architects. The white tribune with the huge swastika on top, in the background of an immense, perfectly ordered and disciplined public, crowding the arena and listening to the voice of the Führer, is one of the permanent symbols of the Third Reich monstrous machine. Actually, the same tribune is the subject of another very famous movie, where the swastika is blown up with dynamite after the capture of the city of Nuremberg by US troops, marking the end of the Nazi rule in Germany.

The tribune and the constructions along the perimeter of the Zeppelin Field underwent major post-war deconstruction works, as the area came to host a car racing circuit and later a rather minimal sporting ground. What remains of the building is still rather massive, yet the top colonnade is gone, and as of 2016 the place looked little guarded and partly abandoned – eventually making it even grimmer! You can be on the exact podium where Hitler stood in his golden days admiring his evil creation.

The final and most prominent part of the plan is the congress hall of the NSDAP. Like most of the gigantic construction project for the area, this building was never completed, yet it reached a rather advanced state of completion. It is a U-shaped, three floors building, clearly inspired to the ancient Roman architecture. It should have been the building for the congresses of the NSDAP.

Today, this is the only preserved building of the complex, and hosts an extremely interesting museum and documentation center on the history of the Nazi Party and of the rallies. Really an interesting insight in the aesthetics of Hitler’s era and in the strange history of this strange political movement, which has been instrumental in shaping the face of todays Europe – and possibly of the world. Surely worth visiting.

A somewhat off-topic note, yet fitting in this chapter, concerns the hall of the Nuremberg Trials. These post-war trials were held in Nuremberg soon after the end of the war, mainly because of the significance this city had gained for the NSDAP. The courthouse, used as such also under the Nazi dictatorship, survived the war rather undamaged. Today, it is home to the Memorium, a very interesting museum documenting the trials from an anecdotal perspective, as well as from a more elevated viewpoint, describing its significance for international law – it was the first time an international conflict ended up in a trial.

Besides the museum, which is mainly centered on panels and photographs, you can see the famous Courtroom 600, where the trials took place. This was a bit altered since the years of the trials, yet some peculiar features, like the artistic doors, are exactly those you can see in the famous video recordings from the time.

Getting there and moving around

The area of the NSDAP rallies can be found about 2.5 miles southeast of the historical district of Nuremberg, Bavaria. It can be conveniently reached by car, or with public transport. Tramway line 8 departs the central railway station and has several stops in the area of interest. The S-bahn station ‘Nurnberg-Dutzenteich’ is 0.3 miles from the congress hall.

Today the area is mainly green, with much room for relaxing with a good walk. There are some explanatory panels with maps outlining the scheme of the Nazi master plan, including the buildings which were actually erected, those which were later demolished, and those which were just planned.

The centerpiece is the museum ‘Dokumentationszentrum Reichsparteitagsgelände’, in the unfinished congress hall. Despite the distance from downtown Nuremberg, this is a major attraction for foreign visitors, hence the museum is prepared for large crowds. Visiting is possible with an audio-guide in many languages, and it is really worth the time and price. Website here.

The Memorium Nuremberg Trials, is hosted in a still active section of the Courthouse and is conveniently reachable by car of with the U-bahn U1, stop ‘Bärenschanze’, about 1 mile west of the historical town center. It can be visited on a self-guided basis, with audio-guides in many languages. This exhibition is really well designed and very interesting, and may take a couple of hours for a complete exploration. Yet due to the relative absence of tangible ‘hardware’ it may turn out unbearable for smaller children. Website here.

Spiritual Headquarter of the SS, Wewelsburg

The castle of Wewelsburg is connected to one of the most obscure aspects of the Nazi ideology – magic practices. The castle was founded centuries before the advent of the Nazis. Soon after the rise to power of the NSDAP, the head of the SS Heinrich Himmler got fascinated by the triangular perimeter of the castle, which appears to point towards the North. This is nothing special for a normal mind, but the SS  were the treasurers of the German race culture, and they were trying all the time to establish a solid link between basically themselves and the ancient settlers of Greenland – the Thule people – described in some legends as the most ancient northern population. This was instrumental in sustaining that the world belonged to the SS, which had been there since before everyone else.

This apparently silly idea represented for this group of fanatics a sufficient motivation to trigger a world war, were they saw themselves as the leaders of a liberation movement, regaining a rightful control over Europe (just to start) to the German race, after centuries of undue occupation by other races.

Wewelsburg gained more and more importance as the Nazis started preparing for war. The northern tower of the castle was declared the center of the world, and the heart of the SS soul. The School of Wewelsburg represented the spiritual leadership of this military organization, which enjoyed a surprising independence – and an extensive budget – even in the suffocating bureaucratic apparatus of Hitler’s political dictatorship. As such, Wewelsburg came in the middle of a visionary master plan, where it had to be at the center of a circular construction with a radius of 1 kilometer. Construction works started on this project, satellite concentration camps for forced laborers being opened on site for the purpose. The work did not develop much though, due to the intervening war events and things evolving differently from the Nazi plans.

The castle underwent some modifications under the SS. It was generally refurbished to host regular reunions of the comrades of the School of Wewelsburg, with SS-themed furniture which can be seen in the local museum devoted to this incredible story.

Furthermore, the northern tower was largely modified inside, with two round rooms appearing one above the other on two levels. The top one was completed as the ‘Room of the Black Sun’. It is centered on a mosaic pavement with a swastika motif. A disk made of pure gold, disappeared after the war, represented the sun in the center of the pavement, and marked the very center of the world.

The bottom room is basically a crypt, receiving little light from the outside, and resembling a chapel. At the center of the room you can find a basin like in a baptistery. All around there are little stands, possibly provisions for thrones. On top of the vault, just beneath the sun in the top room, there is a rare stone sculpture of a swastika.

The real use of these rooms is rather mysterious. It seems likely that Himmler with the School of Wewelsburg wanted to create a kind of ‘elite of the elite’ in the SS. The crypt might have been a place for ritual initiation ceremonies, and the top hall a kind of meeting area for the group. Selected officials and intellectuals of the SS met regularly in Wewelsburg, but basically no documentation exists of the content of these meetings. Yet the well-known mental inclination and conviction of the components of the group, the symbolic significance of the Wewelsburg site for these people and the temple-like setup of the northern tower suggest some sort of esoteric ritual might have taken place here.

The area reportedly fell into disrepair soon after WWII, and even worse, conceived by some as the shrine of the still alive ‘spirit of the SS’, it rapidly became the stage of black masses, magic practices and satanic rites. To contain the drift, the top hall was turned into a Christian chapel and an altar was put in place. This was later removed when castle opened as a museum on local history, a youth hostel and more recently as part of a very interesting museum and documentation center about the SS.

Getting there and moving around

The castle of Wewelsburg is located on top of a cliff in the homonym village, about 8 miles southwest of the medieval town of Paderborn, immersed in a beautiful north-German landscape. It appears to be about 2 miles south of the Paderborn-Lippe local airport. The castle can be conveniently reached by car, parking available nearby the entrance.

There are several exhibitions, including a museum about the ancient history of the castle, a documentation center and museum on the SS, which provides access to the Northern Tower and its mystery rooms, and a space for temporary exhibitions – at the time of my visit, there was one on the racial aspects of Nazi ideology. All museum are very modern and extremely interesting. There is also a hostel right inside the castle.

The site is really interesting to visit and a good destination for a nice half-day trip for everyone. Yet despite the nice panorama and the pleasant 16th century architecture, the association of the castle with dark activities in the dark years of Himmler and the SS makes this castle mysterious and somewhat grim, adding to the experience.

Aalto’s Highlights in Finland

Possibly one of the worlds best-known architects from the 20th century, Alvar Aalto – together with his wife Aino, also an architect – enjoyed a great popularity since the beginning of his working career. He began with experimental works mostly based on mixing and harmonizing many styles from different ages and countries – especially Italy, a Country the Aalto couple visited for the first time during their honeymoon, and which they fell in love. In the last 1920s with the birth of the functional style Aalto became a herald of this new architecture, which he mixed with an instinctive and very personal vein, resulting in something really original and easily identifiable. Aalto’s creations usually feature a great care for any detail, making any room in his buildings natural to use for its intended function.

Aalto’s work is of course well represented in his Finnish mother country, a nation which always acknowledged him as a great artistic personality and which he never left for long.

This short post presents some of the highlights of Aalto’s production in Finland. While far from complete, the sites listed here may offer already an idea of the diversity of the functions of Aalto’s buildings.

Photographs were collected on a visit to Finland in August 2017.

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Sights

Villa Mairea, Noormarkku

Surely one of the best known creations of Alvar Aalto, this beautiful mansion was built in 1938 for the Gullichsen family, owner of a successful wood pulp business and paper factory. This was not the only work commissioned to Alvar and Aino Aalto by this family.

This residential building was designed in Aalto’s typical interpretation of functional-organic architecture. The great variety of the materials and the attention to all details both inside and outside is also typical to this architect, which in this case could work without any relevant budget constraints.

The mansion is immersed in a young forest, in the hilly countryside north of Pori, close to the western coast of Finland.

The front façade features a small covered porch leading to the door.

Access to the slightly overhead garden is through a pergola on the northeastern corner of the house. The garden features a large swimming pool, a fireplace and a dinner table.

The large windows can be removed completely to transform the large ‘double living room’ occupying most of the ground floor into an open space communicating directly with the garden and nature around.

The windows are pretty heavy though, and this technological feature was used only rarely.

Visiting

The villa is still property of the Gullichsen family, and sometimes used for vacation or party time by the owners. Tours are arranged through a local guide by permission of the owners on a semi-regular schedule. You will need to make a reservation through their website for visiting, picking one out of the available dates. Payment is due on the day of visit, credit cards accepted. Parking is possible close to the villa. Unfortunately, on regular tours it is not possible to take pictures of the inside, and only the ground floor can be visited. Anyway getting a view from inside will add value to your visit, so it is highly recommended. The guided tour of the inside takes about 45 minutes.

Finnish Glass Museum, Riihimäki

This beautiful museum traces the history of Finnish glass design. While not an ancient tradition in this Country, Finland has reached in the 19th and 20th century a great fame in this field.

A first part of the museum is dedicated to the evolution of the techniques for glass manufacture.

Then follows a huge collection of glass artifacts produced in Finland in various ages and for different purpose. Among them, there are also some very famous designs by Alvar and Aino Aalto, as well as other Finnish designers.

Visiting

The museum is a famous attraction and can be reached quite easily. All information here. The visit may take 1 to 2.5 hours depending on your level of interest. The sight of all those glass artifacts is captivating even for those with little interest for design and art!

Säynätsalo Town Hall

Another well-known masterpiece, the complex in the small town of Säynätsalo was built in the years 1949-52 to host the local town hall, a public library as well as some private business. Red bricks cover the exterior, which is articulated in two main buildings designed around an inner courtyard for pedestrian access.

The inside of the city hall building presents a series of smaller rooms on the main level, aligned along a corridor opening on the courtyard. Anything from the chairs to the door handles and lamps was designed by Aalto, making the ensemble really harmonious.

The upper floor is present only in a square-based corner tower, and here you find the main hall. It is very tall, but lighting is through narrow windows and together with the colors of wood and brick, it induces a sense of calm, warmth and concentration.

Visiting

Today the town hall is not used for this function any more. Actually there are some small businesses like a bistro and a bed and breakfast in it. Yet the place is preserved mostly as it was, and a good part of the main level and the former town hall can be visited. Visits are offered on a regular basis at least in summer. Website here.

Muurame Church, Muurame

The church of Muurame is one of the last ‘eclectic’ works of Aalto (1929), in an age when modernism was already spreading among avantgarde architects. The inspiration from Italian architecture is pretty evident, testifying on the close bond between Aalto and the Italian architectural heritage.

The location on top of a small hill is pretty suggestive.

Visiting

Not well signaled unless you come very close, the exact address is 7 Kirkkotie, 40950 Muurame. The place is only open for ceremonies. I was very lucky as I happened to pass by when a marriage was just going to be celebrated, so I could get a quick view of the sober, elegant interior. The exterior can be neared without problems all the time. Official website in Finnish here.

Jyväskylä

The town where Alvar Aalto spent his youth did receive much in return from its illustrious citizen. Surely one of the most prominent examples of social architecture is the main campus of the local University – today one of the three top-ranking educational institutes in Finland.

Several buildings were designed as the backbone of this campus between 1951 and 1958. The inspiration came again from classical architecture, especially Greece, as Aalto’s view was that of reproducing the basic plant of an acropolis. Among the buildings in the campus probably the most notable are the library and the teacher’s training school nearby.

A very nice scenery is constituted by the sports ground, with a series of low-profile buildings around it forming a really proportionate ensemble, like the stage of a theater.

Another notable building by Aalto is the city theater, completed after the death of the architect based on his design, and the former building of the Police department nearby, conceived to somewhat deceive the role of the institution making it look somehow less ‘martial’ than its usual function may imply. An older design close to the city center is that of the building of the Trade Unions, closer to the eclectic period of the designer.

Finally, a unmissable highlight in town is the Alvar Aalto Museum. Designed by the architect, it hosts a nice collection of prints, drawings as well as pieces of furniture tracing the evolution of Aalto’s style with many interesting details.

Jyväskylä benefits from a generally fortunate setting – here are some photographs of the lake and some new buildings in town.

Visiting

A visit to Jyväskylä with the museum and a walk along a trail touching all Aalto’s works may take from a half to a full day. A website suggesting a trail with links to the pages of the corresponding attractions is here. The University campus is still in use, like the theater and the building of the Police – today an office building. As a result, visiting the interiors may be tricky. Despite that, a walk in the campus and in the city center together with a visit to the Alvar Aalto Museum may fully justify a detour to this lovely town.

Rovaniemi

The town of Rovaniemi was totally destroyed by the retreating German Army in the closing stages of WWII – the so called Lapland War. As a result, construction work could be carried out without the constraints typically bound to the presence of an older neighborhood. Alvar Aalto was tasked with the design of a new city center, featuring a city hall, a theater – ‘Lappia-talo’ – and a public library.

The buildings were erected in multiple stages between the Sixties and the Eighties, after the death of the architect. The ensemble is very harmonious and nice to walk, not intimidating as mostly usual for similar buildings especially in the US.

A possibly more famous building in Rovaniemi – not by Aalto – is the Arktikum, built in 1993 and hosting some local museums.

Visiting

The civic center is still used for its original function. At the time of my visit it was closed for Sunday. A website in Finnish with information on the history of Aalto’s building in the northernmost region of the Country, including his works in Rovaniemi, can be found here.

Helsinki

Aalto’s contribution to Finland’s capital city has its most visible example in the Finlandia House, or ‘Finlandia-talo’ in the local idiom. This long and flat building is located close to the parliament and was built in 1971, among the last works of the architect. It is a ‘social event’ building, hence it hosts a theater, conference rooms and areas for exhibitions.

The inside is on two main floors. As usual with Aalto’s buildings, despite the size, which for the case of the Finlandia house can be appreciated from outside looking at the length of the eastern façade, you don’t feel disoriented nor overwhelmed especially once inside.

All details of the furniture have been designed with the building. Unfortunately, I could not visit the upper floor thoroughly for a congress was taking place there.

The building has a historical significance, for it was here that the Helsinki Accords involving the US, USSR and most European Countries of the time – including those belonging to the Soviet sphere of influence – were elaborated and signed in 1976, forcing an evolution of espionage and repression systems in communist Countries.

Further buildings by Aalto include the House of Culture – or ‘Kulttuuritalo’ -, inaugurated in 1958. It is composed of two main blocks with a theater and offices. The blocks are fused together by a covered passage and a low building with a connecting corridor, so they appear as an ensemble.

Originally built for the questionable cultural and propaganda activities of the local Communist Party, the complex has been used for long now as a popular rock concert venue.

An example of business architecture is the Headquarter of the Social Insurance Institution – known with the abbreviation ‘Kela’ in Finnish. The effort of the designer to avoid creating an imposing, bulky and intimidating building inspite of the narrow streets around, and the need to host rooms and offices for about 1000 people, is evident. The façade is broken and made partly modular, the height of the building is reduced as much as possible, and the horizontal lines of the windows tend to evidence the horizontal dimension. The volume is made lighter by including an open porch at the level of the entrance. The warm tones of the materials produce a sense of calm, yet preserving the sobriety of the appearance, where there are no decorations nor any curved line.

Visiting

The Finlandia House is located in central Helsinki and used for congresses, concerts and exhibitions. Having a walk around and inside is possible without particular restrictions except during official events. It is also possible to take a guided tour of the venue, information here.

Similarly, part of the House of Culture can be accessed most of the time without prior notice, but full visits are offered at least in summer on a regular basis. Information here.

As far as I know, the ‘Kela’ building is not open to the public, but it is possible to have a look around and come close to it without restrictions. The location is nearby the northwestern corner of the Olympic Stadium.

Paimio Sanatorium

Probably the best-known work of Aalto’s production, the hospital in Paimio is unanimously regarded as a milestone in the history of modern architecture. The hospital was built in 1933, and used as a sanatorium for tuberculosis and later as a general hospital.

Today it is a rehab center owned by the University of Turku, which is not far away on the coast and where Aalto had his studio. Visiting the inside is usually not possible, but you can walk around the complex without being disturbed. The location deep in the countryside, far from any crowded town and away from traffic, is really suggestive and peaceful.

The central building for patients is the most distinctive – a tall, flat and narrow wing where the rooms are aligned along a long angled façade looking south. The main wing is connected to other blocks – for surgery, administration, etc. – through a central volume where the entrance to the building is also located.

The complex of the hospital is completed by a series of residential buildings for the staff. These are small examples of residential functional architecture, not designed to be luxurious, and still inhabited today.

Visiting

As far as I know, visiting is not possible inside. The outside can be toured de facto, even though I guess the land around the hospital belongs to the hospital, so you’d better avoid attracting too much attention. The hospital is a bit tricky to find, cause it is not advertised as an attraction and it is well out of the village of Paimio. The GPS coordinates to reach the entrance are 60°27’53.0″N 22°43’54.4″E.

The Estonian Aviation Museum

A nice and lively university town in the heart of the Estonian countryside, Tartu has really something for every kind of tourist – including those interested in aviation history. The Estonian Aviation Museum, or ‘Eeesti Lennundusmuuseum’ as they write it in the tricky local idiom, boasts a substantial and heterogenous collection of aircraft preserved in exceptionally good condition, which will not leave indifferent even the most knowledgeable aviation expert.

Having being for long a socialist republic in the realm of the Soviet Union – and today sharing a border with Russia – Estonia had access to massive surplus reserves after the end of the Cold War, so it is no surprise that Soviet aircraft are well represented in an Estonian museum. This already might appeal to western tourists, for the exotic, menacing silhouettes of MiGs and Sukhois are not often to be found except in less accessible spots in the former Eastern Bloc. Yet some more unexpected and rare models have been added over the years, including some SAAB aircraft from Sweden which are authentic collectibles.

The following photographs cover almost every plane that was there in summer 2017.

Sights

Most part of the collection has been preserved in a cleverly designed structure, made of small open-walled hangars with translucent canopies. The aircraft are illuminated by natural light, helping much when taking pictures, but they are not exposed to direct sunlight, rain or snow, which tend to damage both metal and plexiglas on the long run. Furthermore, the lack of doors and frames allows you to move around freely, and the place is not suffocating nor excessively warm.

The aircraft are basically all from the Cold War era, but some of them have outlived the end of the USSR and were retired more recently. The portraits are grouped here roughly based on the nationality of the manufacturers or aircraft mission.

Designs from the US

The American production is represented in this museum firstly by a McDonnell Douglas F-4 Phantom II, operated by the West-German Luftwaffe. The General Electric J79 turbojets have been taken out of the airframe, so you can see them separately.

A pretty unusual sight, also the antenna and electronic group in the nose cone have been taken out and are on display. This Phantom is a F-4F, a version specifically developed for West Germany from the basic F-4E. The former inventory number was 99+91.

Another iconic model on the menu is a Lockheed F-104 Starfighter, formerly from the Italian Air Force. This exemplar is actually an Italian-built ‘S’ version, and among the latest to be retired by the Aeronautica Militare. The engine, again a J79, is on display elsewhere in the museum. An unusual crowd of instruction and warning stencils populate the external surface of the aircraft.

Soviet Military Models

The majority of the aircraft on display were designed in the Soviet Union or other countries of the Warsaw Pact.

Two aggressive aircraft include a MiG-21 and a MiG-23. The first, present here in the colors of the Polish Air Force, is a MiG-21bis Fishbed, the latest development of this fast delta-wing fighter/light-interceptor.

Possibly one of the most ubiquitous fighters of the jet age, the MiG-23 Flogger is part also of this collection. The aircraft you see in the pictures is a MLD variant, representing the last upgrade of this iconic fighter, which was also the basis for the very successful MiG-27 design.

It bears the markings of the Ukrainian Air Force, therefore it is likely an ex-USSR aircraft. The engine is sitting besides the aircraft, and two rocket canisters are placed beneath the fuselage, close to the ventral GSh-23 twin-barreled cannon.

A less usual sight is a MiG-25 Foxbat, a super fast interceptor/recce aircraft. Conceived in the late Fifties when the race for speed was in full swing, it was developed into a high performance platform to counteract the threat of the SR-71 Blackbird. It was built around two massive Tumansky R-15 afterburning turbojets, rated at a pretty high wet thrust of 110 kN, resulting in an incredible top speed around Mach 3.2! The aircraft is pretty sizable, and you can appreciate that looking at the picture of the main landing gear – search for the cover of my Canon wide lens close to the ground and compare sizes!

The menacing silhouette of this huge bird, with red stars on the vertical fins and a bare metal fuselage, will likely make relive in you an ‘Iron Curtain feeling’!

One which will not go unnoticed is a Polish Air Force Sukhoi Su-22M4 Fitter in a flamboyant, very colored livery. This massive fighter-bomber represents the export version of the Su-17M4 built by the USSR for domestic orders.

Despite the shape, roughly similar to that of the MiG-21 also on display, the size of this aircraft is much bigger – you might think of Su-22 as a case for a MiG-21…

Soviet bombers are represented by a pretty rare Sukhoi Su-24 Fencer, which is today still in service in Russia. The example on display bears the markings of the Ukrainian Air Force, meaning it was once a Soviet aircraft.

This massive twin-engined beast outsizes all other military aircraft on display. The aircraft is on display with three support tanks under the fuselage and the inner wing pylons.

A less common sight is a Yakovlev Ya-28P Firebar, a long-range intercept version of this multi-role platform from the early Sixties. This design is very interesting, with a four-points undercarriage and a very long nose cone, where a radar system for a target-tracking and missile guidance system was located. The two turbojet engines are mounted in cigar-shaped underwing pods. The relevant sweep of the wing suggests a significant speed capability, yet many variants of this aircraft were developed to exploit also its good range performance. The antenna originally placed in the nose cone is on display besides the aircraft, which bears original Soviet markings.

Soviet Transport Aircraft

Two aircraft which could not find their way in covered shelters mainly due to their bigger size, are a Tupolev Tu-134A-3 and a Yakovlev Ya-40. Both can be accessed, so you can get a view of the inside, including the cockpits.

The Tu-134 twin jet, with its distinctive glass bulge in the nose ahead of the cockpit, has been for long a ubiquitous aircraft in the USSR and in many countries of the Eastern Bloc. The exemplar on display was taken over by the Estonian company Elk Airways, created after Estonia left the USSR.

Notwithstanding this, the aircraft betrays its Soviet ancestry and ownership in every particular, from the all-Cyrillic writings to the hammers and sickles here and there, from the design of interiors to the exotic cockpit, painted in a typical lurid Soviet green and with prominent unframed black rubber fans for ventilation.

The Yak-40 is an interesting three-jet executive/small transport aircraft. The one on display went on flying for at least some good 15 years after the collapse of the wall in Berlin.

The internal configuration features an executive room ahead of a more usual passenger section and tail galley. The style of the cabin and of the pure analog cockpit is really outdated for todays standards!

A rugged workhorse still flying today in many countries is the Antonov An-2, a single propeller, radial-engined, biplane tail-dragger transport. There are two of them in the collection. One is under a shelter and can be boarded. The interiors are very basic, but the visibility from the cockpit is very good especially for a tail-dragger with an engine on the nose.

Swedish Aircraft

An unusual chapter in air museums except in Sweden is that of SAAB aircraft, which are represented in this collection by two iconic models, a Draken and a Viggen, and an extremely rare, very elegant Lansen. All are in the colors of the Royal Swedish Air Force.

The Saab 35 Draken features a very distinctive double-delta wing, and was developed in the Fifties for reaching a high supersonic speed. The design turned out to be pretty successful, and was operationally adopted primarily as a fighter by Sweden and other European countries as well.

The one in the collection is painted in a bright yellow livery. The infra-red pod under the nose cone of this aggressive attack aircraft looks like the lidless eye of an alien!

The Viggen is a an attack aircraft from the late Sixties, developed for the domestic military needs into some sub-variants. With the JA 37 version displayed here, the Viggen went on to constitute the backbone of the intercept fleet of neutral Sweden, and was retired only in the early 2000s. The aerodynamic configuration features a prominent canard wing, and the Viggen was notably the first in such configuration produced in significant numbers.

The most unusual of all three SAAB designs on display is surely the SAAB 32 Lansen. A very neat design from the Fifties, loosely recalling the Lockheed P-80 and the Hawker Hunter, the Lansen was a jet fighter of the early Cold War developed specifically for Sweden and gaining a good success. The ‘E’ version on display was converted from the original fighter variant (‘B’) for the ECM role, and kept flying almost until the end of the 20th century. The green painting of the Royal Swedish Air Force is really stylish, definitely adding to an already elegant design.

Soviet Surface-to-Air Missiles (SAM)

Curiously enough, an extensive collection of SAMs is part of this rich collection. All major missiles from SA-2 to SA-6 are represented, some of them in multiple exemplars. The size of these missiles, especially the oldest, is really striking. They are stored outside, besides some cases for missile transportation, deployable radar antennas, and what appears to be a flak cannon from Hitler’s Germany – a bit of an outsider…

Jet Engines

Many of the engines of the aircraft on display have been taken out of the corresponding airframes and put on display besides the plane where they used to belong, or in a dedicated part of the museum together with others. The J79 belonging to the Italian-built F-104 can be recognized from the Italian plaques on many components.

Many soviet engines bear markings in Cyrillic, and one of them, a larger turbofan which does not fit in any bird on display, has been cut to show all components.

More…

More aircraft in the collection include some Mil and Kamov utility helicopters, a BAe Hawk of the Finnish Air Force and other trainers mainly from countries of the Warsaw Pact, some of them now on the civilian register.

A further notable aircraft is a Dassault Mirage IIIRS from the Swiss Air Force – with multi-language French and German stencils all over.

There are also some anti-aircraft guns, armored vehicles, tanks, and other curios items to whet your appetite!

Getting There and Moving Around

The museum can be reached 10 miles south of central Tartu on road 141, about 15 minutes by car from there. There is a free parking area nearby the entrance. As remarked, the collection is well-kept and somewhat publicized locally. There is a website with all information in English. The time required for visiting may vary from 45 minutes for a quick tour to 2.5 hours for photographers and those with a specific interest in the matter.

Soviet Leftovers in Latvia

Similar to the neighbor republics of Estonia and Lithuania, Latvia was occupied by the Soviets a first time in 1939 and again in 1944, when after some years of occupation by Hitler’s forces the Red Army started to successfully repel the German Wehrmacht from within Russia back towards Poland and central Europe. Differently from other European Countries later to become satellites of Moscow’s central communist power, the three ‘Baltic States’ were directly annexed to the Soviet Union.

History – in brief

As a matter of fact, the process of annexation was not a very peaceful one. Having had already a short but intense experience of the Stalinist dictatorship as a consequence of the Ribbentrop-Molotov pact before the German invasion in 1941, as soon as it became clear that Stalin’s forces would regain power hundreds of thousands from the Baltics left the Country for abroad, while the communist regime rapidly started to put in practice its deadly ideas, with the collectivization of all private activities, abolition of free elections and non-communist associations, and the imprisonment and deportation of all who disagreed with this plan.

The reason for the different fate of these Countries – annexed – with respect to those of central Europe – which became satellites of the USSR – may be understood on one side looking further back in history – the territories of the three republics had been for long under the direct influence of the Russian Empire. On the other hand, as testified by the relevant military presence in these areas since immediately after the beginning of the Cold War, the government of the USSR considered the Baltic region of high strategic value. Taking control of the coast of the Baltic States, and also thanks to the annexation of the region of Hanko in Finland, the USSR could protect the access to the Gulf of Finland and Leningrad, profit from military and commercial ports which do not freeze in winter and deploy strategic military resources – especially aircraft and missiles – within range of most European capitals.

Bases for all branches of the military flourished in all three new Soviet Socialist Republics. Soon after the fall of the Wall in Berlin, Estonia, Latvia and Lithuania were the first of the USSR states to declare independence from the Union in 1990 – almost two years before the actual collapse of the USSR – following massive protests which unveiled the high level of intolerance for the Soviet rule. As a result of the withdrawal of Soviet/Russian forces, these three small republics found themselves in control of many military installations, totally disproportioned to the new size and needs of the new states, and making for a not-so-welcomed memento of many decades of hardship – as a matter of fact, some measures to limit the spread of Russian influence in culture and politics have been implemented in all three states, which also joined NATO and the European Union as soon as possible.

Sights

The attitude assumed towards the huge military assets left from the Cold War has been slightly different in the three republics. All three are basically getting rid of them, Estonia being the quickest – not much remains there of the many missile bases, and the once prominent strategic air base in Raadi has been totally closed down and partially converted into a museum on national history. Until some years ago many missile sites remained in quite a good shape in Latvia, but most of them have been actively demolished in recent years, including the most iconic Dvina silo sites – as of 2017 the job was completed and no Dvina complex remains in Latvia. Yet visible remains of surface bases and many ghost towns and bunkers are reportedly still there, and while some can be visited ‘officially’ as museums, many are left to urban explorers and archaeologists, while some hardware like warehouses and service buildings has been reused by local companies for storing logs, gravel and other raw materials. Lithuania bolsters possibly the last surviving Dvina missile complex in Europe, which has been turned recently into a museum on the Cold War, totaling 20’000 visitors per year. The demolition process is perhaps slower there.

Prisons constitute non-military but possibly more disturbing leftovers from the communist era. There are some in the Baltics – as basically everywhere in the former eastern bloc including Eastern Germany – all opened as museum, and in one instance also partially turned into a curious and evoking ‘jail hotel’.

This post presents some highlights and examples of remains from the Cold War era from both military and non-military sites in Latvia. Photographs were taken in 2017, during a visit to this lively and nice country in Northern Europe.

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Zeltini Nuclear Missile Base

This missile base is one of the best conserved in the three republics. The storage and launch complex was originally built for the R12 liquid fueled, 2.3 Megaton single-warhead nuclear missile, known in the West as SS-4 Sandal. This missile system – the same deployed to Cuba in 1962 – was pretty modern for the end of the Fifties, yet it lacked the extra range required to reach strategic targets in Europe from deep within Russia. This made the Baltic region very interesting for the military, and a place of election for installing missile complexes in that age.

The base of Zeltini is one of three missile launch sites around the town of Aluksne, in northeastern Latvia. This base was updated and kept in an active state until the end of the Soviet Union and the withdrawal of the Red Army towards Russia, who obviously carried away all the weapons and technical rigs. Soon after, the locals started to take away anything of any value, including extensive piping, cables, any metal and so on, leaving basically the empty buildings and bunkers. More recently, as typical also to other such places in Latvia, private businesses were allowed on the premises of the former installation. A timber storage and processing facility today occupies the area where the nuclear warheads used to be stored, separate from the missiles.

The complex in Zeltini could accommodate four missiles in two couples of neighbor storage bunkers, built about .3 miles apart, and launch them from two twin surface launch pads. At least two launch pads can be seen today. They are large flat area with a pavement made of concrete slabs, recognizable by a steel crown on the ground with an approximate diameter of 5-6 feet. This was used to anchor the low gantry holding the 72 ft long missile in vertical position when being readied for launch.

One of the pads is in the center of the best preserved part of the site – the southeastern one -, but the position of the missile gantry is today occupied by a pretty big head of Lenin, reportedly moved here from Aluksne after the end of communism, sparing it from being blown up.

The grounds around this launch pad are rich with interesting bunkers, which once hosted support machinery and control gears, including anything necessary for missile servicing, launch preparation and control.

There are bunkers of basically two types – smaller ones with a single entrance on one side of a cusp-roofed tunnel and a lower height, and bigger ones, much roomier, longer, and with doors on both sides of the barrel-vaulted tunnel.

A ubiquitous feature of these missile complexes are concrete T-shaped frames planted in the ground. These were used to carry miles of pipings at the time when the base was active.

Aligned with the main axis of the launch area it is possible to spot the corresponding missile bunker ‘N.3’, which is unfortunately locked. The construction and size are like those of the bigger support bunkers, the only visible difference being the slightly wider doors on the front façade, and the absence of a back door on the other end of the bunker.

Many traces of plaques with mottos and citations in Russian from Lenin & Co. can be found on the exterior of the bunkers, whereas tons of ‘Warning!’ signs and other technical information are painted in the inside.

A second launch pad can be seen in the in the northwestern part of the military grounds – with no Lenin’s head. Here traces of stripes on the ground for easing maneuvers or indicating the place to park ancillary rigs – like generators, gas tanks,… – can still be seen. Also here the corresponding ‘N.2’ missile bunker is locked.

In a land strip where nature is growing wild between the two main launch areas, it is possible to spot a little bunker with a kind of concrete sentry-box. This was presumably a storage bunker for light weapons, a small reinforced shelter for watchmen, or something similar. Wooden shelves can still be found inside.

Another interesting sight is what appears to be a ‘living bunker’. This is half interred, with small doors on both ends and a sequence of rooms aligned on a long corridor. The center room is the biggest, and may be a canteen or something alike. There are traces of a decorated white and blue linoleum pavement, but there are also very unique frescoes on the walls. These include an artist impression of the SS-4 Sandal missile and also of the typical mushroom-cloud produced by a nuclear explosion!

A conspicuous part of the Zeltini base is the command area with living quarters for the troops. This is the part you see first when entering the base. The buildings here are totally abandoned and possibly dangerous to access.

There is not much left inside, but relevant remains of plaques with inscriptions and artistic drawings can be found on the walls outside. A highlight of the area is a former small park with a typical communist monument – a distinctive feature of all Soviet bases. The small park is a bit creepy, there are still benches around a former flowerbed, and a rain shelter, all now emerging from a field of nettles! The monument is basically a long wall with the silhouette of a stylized head. The inscription is fading, but the face painted on the red head can still be seen.

Getting there and moving around

The former missile base of Zeltini can be easily found driving on the P34, about 1.2 miles west of the town, exactly where P44 leaves from P34 to the north. There is also an official sign on the P34 pointing the way in. The area is preserved to some extent, and some of the former connection roads inside can be seen on Google Street View, yet the grounds are unfenced and there are no opening times. You can go in and move with your car, the only risk is that of getting a flat due to the road not being very clean.

Close to the head of Lenin there is also an explanatory panel with some quick notes and a basic map. A museum can be found in Zeltini, which was not opened when I visited, and they reportedly offer also guided tours of the place. This might be interesting especially for those less used to exploration activities, and possibly also to get access to the missile bunkers, which are usually closed. I couldn’t arrange a guided visit though, so I don’t know what they are offering on guided tours.

Some timber companies work in the former base, and you should not interfere with their operations, nor intrude in those parts of the base which are now used by them. Apart from this, this installation is rich of interesting sights and not much risky nor too big or difficult to explore, and it will make for a good 2 hours (minimum) exploration even visiting on your own, without accessing the locked or forbidden parts.

Note: Nearby Dvina Missile Site, Tirza – Completely Destroyed

There used to be other two ‘sister sites’ of the Zeltini complex in the area around Aluksne. One was in Strautini, a design very similar to the one in Zeltini. To my information this has ceased operations but is still today part of a military installation, so it cannot be approached. The second one was built in Tirza, and it was a Dvina site, i.e. a complex of four interred silos built for a suitably modified version of the R12 missile, called R12U. This kind of missile site started to be installed in 1964. Standing to the Google map of early 2017 the Tirza site should have been still in relative good shape. Unfortunately, in very recent times the local government hit very hard, having the site totally destroyed, flooded and buried under a monumental pile of land. The photographs below show what remains of this site – literally nothing.

Even though the silo may have represented an uncomfortable reminder of the relatively recent occupation by the Soviets, as the only remaining site of the kind in the country it should have deserved possibly a different treatment – similar to the site in Siauliai, Lithuania, recently turned into a museum on the Cold War. Another option – probably the most obvious – would have been to leave the site to nature, as it happened in most cases to former Soviet installations scattered around Europe, at no cost and without any relevant risk for the local population – the site in Tirza was extremely remote, hidden deep in the trees, far from the main road and from any village of appreciable size, in a part of the country of limited touristic interest. Only those interested, like explorers and historians, would have looked for it. The choice of the government, which judging from the proportions of the demolition work must have implied the use of a very relevant amount of money for the job, appears really hard to justify – especially in face of an infrastructure system still well below the European standard.

Anyway, as a practical suggestion, don’t waste your time trying to reach the Tirza site – Dvina missile complexes are not to be found in Latvia.

Skrunda Military Ghost Town

Located in the hilly countryside of southwest Latvia, about 50 miles from the port town of Liepaja, the area around the village of Skrunda has been for long a primary strategic site for the USSR. Due to the geographical position on the northwestern border of the Union, this place was selected for the construction of an early warning radar device – a system capable of detecting incoming enemy ballistic missiles, leaving enough time for deploying countermeasures and for retaliatory actions. The type built in Skrunda was called Dnestr-M, and was the first early warning system type deployed by the USSR. Actually, the Skrunda radar site, codenamed RO-2, was the first to become operative in 1971, marking the foundation of the entire Soviet ABM (anti-ballistic missile) system. This was just a component of a series of similar sites intended to cover the entire border, constituting a ‘invisible fence’ against missile attacks from the US and their Allies.

Early warning radar systems are not just small radar antennas like those you can see in airports. Instead they are very (very) big and powerful systems, digesting a huge flow of electric energy to stay alive, and where all the required hardware – including the antennas – is often stored in suitably designed, tall and imposing buildings. The RO-2 system was made of two Dnestr-M fixed antennas, each assembled in a special construction 650 ft long and 250 ft tall!

The staff required for running the facility and all connected businesses was numerous, so a military village was built anew in Skrunda deep in the years of the Cold War just a few miles north of the old town. The village was intended for troops, technicians and their families. The relevance of the Skrunda site is testified also by the selection of that area for the installation of another antenna of the type Daryal-UM, with a range of almost 4’000 miles, 1’000 more than the Dnestr-M system. The decision was taken in the late Eighties, and the Daryal-UM system in Skrunda was never operative.

Following the collapse of the USSR an agreement was made between the governments of Latvia and Russia to gradually phase out the early warning systems in Skrunda, which had to be kept under Russian administration for some more years. As a result, the village of Skrunda was inhabited until 1998 by Russian troops.

After the demolition of all early warning hardware formerly agreed upon and the withdrawal of the Russian army, the military town of Skrunda was left in a state of disrepair. The Latvian government tried to sell the property in more instances, while some of the worst conserved buildings have been demolished. More recently the local municipality took control of the area, and there are plans to find a new function for the remaining part of the ghost town. Also the Latvian army is active on it. In the meanwhile you can tour this ‘domesticated’ ghost town – which can be accessed officially paying a small fee at the entrance – you are even given a map of the site!

The fact that you pay for a visit takes away much of the ghost-town-aura typical to other similar places in the former Eastern Bloc – here you know you are not alone. Nonetheless, what makes this place impressive is the size of the buildings, now totally empty, and the imposing ensemble they form together.

Besides the residential buildings, the bulkiest and more numerous, there are a hotel, a school – which cannot be accessed due to the collapsing roof -, a market and many other services you may expect to find in a typical modern neighborhood.