The Atlantic Wall in Denmark

A pleasant country in northern Europe, Denmark is geographically surrounded by the North and Baltic seas, and shares its only land border with Germany. In the late 1930s, this meant having a very dangerous dictatorship as the only neighbor, and no possible direct help coming by land from other allies. Without natural defenses against and attack from the south, the Kingdom of Denmark was militarily occupied basically in one day, on April 9th, 1940. This happened through a joint operation carried out by the land, air and naval forces of Nazi Germany.

A quick historical overview

The interest of Germany in controlling Danish territory was mainly strategic. It served as a springboard to attack Norway further north. The latter was in itself more interesting to the economy of the Third Reich, as it was rich of natural resources, including raw materials not available in Germany. These were so needed by the Führer, who was dreaming of making Germany independent from international supply trade.

Furthermore, controlling both Denmark and Norway meant control over the eastern coast of the North Sea, and a chance to control the only access to the Baltic Sea. The USSR was not a declared enemy before 1941, but withdrawing from the mutual cooperation pact with Stalin – signed in a hurry just days before the invasion of Poland in September 1939 – at some point, and openly attacking Russia, had been in the mind of the Führer since he first put on paper his worrying geopolitical thoughts. By controlling the Baltic, Hitler could control sea trade to non-freezing ports of the USSR, which in 1940 had already taken over Estonia, Latvia and Lithuania in agreement with Germany.

As a matter of fact, the conquer of Norway was not without significant losses for Germany. This was also the result of Britain starting to militarily oppose Germany. The two countries had been already at war since September 1939, but without any serious confrontation having taken place for months.

Since then, the British – and later also the American – threat from the west had to be faced through the fortification of the western coast of the Third Reich, which by the end of the summer of 1940 extended roughly from the Pyrenees in southern France to Kirkenes in northern Norway. This highly visionary task was taken up very seriously by the German military-economic machine, and produced the ‘Atlantikwall’ – which translates pretty obviously into the ‘Atlantic Wall’. This long defensive line had to be built all along the coast, and was mainly based on a catalog of standardized reinforced concrete constructions, to be reproduced in great numbers. Construction was coordinated by the main contractor, the German ‘Organization Todt’, which made extensive use of subcontracted local companies in the various occupied states where construction had to take place.

Despite the majority of the elements in the line were reinforced barracks for troops watching the coastline, ammo and supply storages, command and communication bunkers, canteens, and other service buildings, there were of course also a number of heavier constructions. These included coastal gun batteries, to counter attacking ships, lighter gun batteries, to stop troops attempting a beach landing, aiming stations, to adjust the line of fire of gun batteries, anti-aircraft guns to defend the line from air attacks, and some technical buildings serving as bases for advanced radar systems. The latter were among the most useful and widespread items along the line, as German technology developed fast during the war, to produce powerful detection systems against air and sea menaces.

Needless to remember, similar to many pharaonic works conceived by the Führer and his entourage, the Atlantic Wall was never completed, and it failed to spare the Third Reich from total annihilation. The once-modern military installations along the western coast of Europe soon became obsolete, as war changed face at a quick pace following WWII, with new weapons and techniques. Furthermore, the front line of the new Cold War shifted geographically to the middle of Europe. A tangible sign of enemy occupation, the massive bunkers of the Atlantic Wall met different destinies depending on the country. However, albeit only rarely preserved, thanks to their bulkiness and sturdy make, they are in most cases still visible.

About this post

Being the first land along the western coast to fall under German control, work on the Atlantic Wall started in Denmark earlier than anywhere else. Today extensive traces of the line are still pointing the shores of the North Sea.

A few focal points are preserved as first-class museums. These include the strongholds of Hirtsthals and the huge battery at Hanstholm, in Northern Jutland. The latter had been designed around a cluster of four monster coastal guns, to the aim of controlling the passage through the Skagerrak channel, providing access to the Baltic Sea. A twin battery – Vara – was built to the north of the strait in Norway.

Closer to the German border, the area of Blavand – featuring also the famous ‘Tirpitz battery’ in its arsenal – is another example of a partly preserved portion of the line. Bangsbo fort in Frederikshaven has been partly refurbished and opened as a museum, after being used by the Danish military for a while. There you can find one of the few remaining examples of an Atlantic Wall installation with its original guns still in place.

Smaller strongholds, opened as smaller scale museums or left to more adventurous explorers, often feature unique special constructions, which justify a detour at least for more committed war historians. These include the Skagen battery, the disguised bunkers in Thyboron, and the complicated Stauning battery, built on two opposite coasts of a closed firth.

All these sites – and a few more – are covered in this post, which is based on photographs taken in August 2019. Denmark is officially protecting the installations of the Atlantic Wall as historical buildings – unlike France, for instance – so visiting even abandoned sites maybe rewarding, especially if they are out of the mainstream touristic routes. Unfortunately, many bunkers now closer to crowded touristic areas have been damaged by vandals.

Sights

Map

The sites covered in this post are listed on the following map. Sites opened as museums are pinpointed in red, wild sites are marked in blue.

The sites are listed in the post following the coastline of Jutland from its southwestern end.

Navigate this post – Click on links to scroll

Blavand – Shore Battery & Military Area

Located about 50 miles north of the German border along the coast of the North Sea, the small town of Blavand sits on a promontory protruding towards the sea, and protecting the access to the port town of Esbjerg – still today a major commercial port of Denmark.

The area of Blavand saw the construction of an incredible number of Atlantic Wall elements, which grew up in more instances during the war years.

Close by the parking ahead of the lighthouse on the very tip of the promontory, you can find trailheads leading to the southern and western shores of the promontory.

The southern shore makes for a typical North Sea landscape – an endless sand beach. What makes it different from others is the number of light bunkers placed along the shoreline. Despite little imposing, this model – type ‘F’ – was purpose built for the wide shores of Denmark in 1944, in view of a potential enemy beach landing. These firing positions were armed with machine guns, and placed at pre-determined intervals – about 1’500 ft – matching their accuracy range.

Many bunkers are slowly sinking in the sand, and only small parts of them can be seen emerging from the ground.

Others have been turned into strange sculptures, adding a horse head and tail.

Under favorable tide conditions, you may enter some of the bunkers. There you can appreciate their simple structure, with a defensive embrasure by the entrance (looking towards the coast) and loopholes to the sides of the firing chamber.

On the beach close to the lighthouse you can find a very big bunker with a wide hollow cave on the inland side, which used to support a searchlight.

Along the western shore you can find more massive bunkers. These include four former coastal gun batteries. These heavier constructions have assumed strange attitudes, after sinking in the sand somewhat irregularly over the years.

Looking towards the inland from the beach, you can spot an aiming/fire control positions, with a distinctive bulbous roof and a long curved slot on the facade.

Your walk along the northern shore may be interrupted by safety warnings concerning mine threat. As a complement to the defensive potential of the Atlantic Wall, extensive minefields were set up on most of the Danish beaches. This turned into a big issue soon after WWII, when an extensive demining action had to be carried out.

Furthermore, part of the Blavand promontory is occupied by a military firing range. When training exercises are taking place, special warning lights are lit and flags are raised, to delimit the territory where you should not venture.

In the dunes slightly inland from the shoreline, it is possible to find another big number of bunkers. They are not always visible from the distance, and entrance is in most cases from one side only – the only side emerging from the sand.

A very distinctive item is the colossal platform for a ‘Mammut’ type long-range anti-aircraft radar. This used to be operated by the Luftwaffe, whereas other bunkers in Blavand – like elsewhere along the Atlantic Wall – used to be run by other branches of the Germany military.

The base for the radar is in itself a rather complex bunker, with several cavities and extensive piping, once needed for power cables feeding the antenna, as well as other wiring.

Close by, a smaller radar base bunker used to be operated by the German Navy. Also here, holes and passages for cables can be found in the walls and roof.

It is noteworthy how many bunkers feature traces of original decorations, like painted walls, fake wallpaper, frescoes and small frieze lines. This is typical to many other installations of the Atlantic Wall.

Metal hardware can be found in the form of a bulky aiming turret emerging from a bunker.

In another instance, a mortar mouth pops out from the ground.

The underground bunker underneath the latter can be explored with some difficulty – there are also quite annoying bats inside -, but it reveals an aiming wheel with original markings in a reinforced concrete dome!

An interesting sight nearby the lighthouse is the tower once supporting a ‘See Riese’ radar. The protruding arms once sustained a wooden platform for military operators.

Getting there and moving around

The area of Blavand is rather extensive and rich of diverse installations, so notwithstanding the general bad shape of most of the bunkers, visiting may easily take 3-4 hours for a committed tourist, getting inside most of the items. A good starting point is the free parking by the lighthouse, provided you come early especially in summer, cause it tends to get more and more crowded along the day.

Blavand – ‘Tirpitz’ Coastal Guns

Despite at least some of the bunkers on the shores of Blavand being in a relatively good shape, there is a part of the Atlantic Wall which is officially preserved as a museum. This is one of the two unfinished bunkers intended to support a set of massive 38 cm coastal guns.

These guns – four, two for each bunker – were originally intended to be put on board battleship Gneisenau. The latter got damaged in port, and the guns were diverted to coastal use. The decision to build the Tirpitz battery to protect the port of Esbjerg came relatively late during the war, in 1944. As a result, construction of the battery supporting structures was not completed when the war ended, and the four never installed guns were scrapped – except one, which can be admired in Hanstholm (see below).

The name ‘Tirpitz’ attributed to this battery is of uncertain origin, and sometimes this installation is also referred to as ‘Vogelnest’.

The museum has been built only in the southernmost bunker. The installation is very modern (and crowded), and it has been designed as a thematic museum in five sections. Two of the most interesting are about the Atlantic Wall and its impact on local life, and on the extensive mining and demining operations on the shores of Denmark.

Other sections are related to amber trade and local seamen activities.

Finally, you can get access to the base of the gun turret. Photographs are bad here, due to very poor lighting and limitations on camera use.

You can see a central round dome, surrounded by an external corridor. Traces of a post-war explosion can be noticed looking at the metal part of the construction.

Outside of the museum you can find a cannon cut in pieces, plus rigs used for construction. The bulky concrete arms protruding from the roof were meant to support the crane for mounting the cannons.

With a five minutes walk from this bunker, you can get to the northern battery. This is not preserved, and the entrances have been bricked up. Yet you may better appreciate the size of the bunker from this exemplar than from the one turned into a museum.

Getting there and moving around

The museum is located east of Oksby along Tane Hedevey, a local road connecting Blavand to Esbjerg. There are signs along the road, and a large parking ahead of the entrance. The museum is very modern, and may turn very crowded in summer. Website with full information here. You can visit on your own with an audio-guide. The visit to the military-related sections may take about 1 hour.

Adding a walk to the northern battery will take further 20 minutes at most, as there is no chance to step in.

Stauning Battery

Construction of this battery started in the second half of 1944, and consequently it was only partially completed before the end of the war. The geography of the Stauning battery is rather peculiar. The intended design was based on four coastal guns to be placed on the inland side of the Ringkobing firth – basically a lake with a channel-like small mouth connecting it to the sea. On the other coast of the firth, i.e. very close to the North Sea in Hvide Sande, the aiming station for the battery was finally built.

In the event, only one of the reinforced concrete gun positions reached completion, whereas the other three cannons were kept on basic, not reinforced aprons. The gun bunker is the only exemplar of this model built along the Atlantic Wall, and was designed around a 19,4 cm gun manufactured in France.

Located far from the shore in a secluded area of the countryside, this battery is in a relatively good shape, and thanks to the hard soil its position has not drifted since it was installed. You can even walk on top.

More elements are scattered in the bushes and over the private pasture nearby. Among them, a firing position presumably for anti-aircraft or light field guns, and corresponding ammo storages.

There is also a reinforced concrete barrack or command post. This can be toured inside, revealing some metal piping still in place.

Traces of gun concrete platforms – likely gun firing positions – blown up after the war can be seen, similar to many smaller cubic buildings of uncertain purpose.

A couple of unattractive half-interred ‘living bunker’ can be found too, another design present only in Denmark – the type was named ‘Falkenhorst III’. Inside, traces of original wall paintings can be easily spotted.

There is actually a fire direction post of some sort in this part of the battery too. This is a square-based concrete booth, with an adjoining living bunker.

The aiming position in Hvide Sande is rather easy to find, on top of a mound close to the city center. There are actually two concrete accesses on the eastern side of the hill. The one closer to the top gives access to the metal dome you can spot on top of the mound.

Climbing up to the dome is possible along a rusty ladder, going through a narrow vertical passage. Once there you can see the mounting of a telescope for measurements. There are side slots looking outside, and an original marked wheel to provide measurements. You can also spot small foldable wooden tables (or perhaps jump-seats).

Downstairs, there are a few panels explaining the history of the battery.

The second concrete entrance gives access to a ‘living bunker’ for the troops, with explanatory panels on the history of the place.

Getting there and moving around

The inland part of the Stauning battery with the gun station is located close to Stauningvej 55. You may park your car not far north from this address, on a wide lot close to the entrance of a local residential area. Most notably, this battery is about .5 miles from the beautiful Danish Museum of Flight (see this post). Exploring the battery may take 1-1.5 hours, as the place is totally wild and inconvenient to visit.

The Hvide Sande point is on the northern rim of the channel linking the firth to the North Sea. You can see the mound close by a major round about, where road 181 meets Troldbjergsvej. There are several parking options nearby. The place is technically not abandoned, but there was no ticket/staff, and it was totally dark when I visited. You would better take a small torch with you.

Sondervig

Just as an example of how extensive the construction of the Atlantic Wall was in Denmark, you may have a look to the beach in Sondervig, where people spending the day by the sea are accustomed to the view of the monstrous German bunkers pointing the shore.

Getting there and moving around

You may find a parking spot in Sondervig and access this famous touristic beach by foot.

Thyboron

The coastal battery at Thyboron has a unique place in the panorama of Atlantic Wall buildings. Here a sort of sample list of possible deceptive techniques were tested on otherwise normal bunkers. The usual constructions pointing the shore have a strange appearance here, thanks to the imaginative talent of a Danish architect – who turned out to be a spy working for the Allies.

At least two gun batteries bear a special roof, resembling that of a house. Also thanks to erosion, they now have even odder shapes, resembling some Star Wars spaceship.

An observation bunker bears a tiled roof. Surprisingly, an apparently original fragment of telegraph wire can be found inside.

Given the position of the bunkers – lying isolated on a deserted beach – it’s pretty difficult to suppose this kind of deception was ever effective…

There are also some more straightforward constructions around, some of them in a relatively good shape. The cusped lintels above most doors and openings are typical to elements of the Atlantic Wall in northern countries, and are made for protecting the passages against snow and icing rain.

Just inland from the ‘sample list’, you can find a large underground bunker, somewhat difficult to access – it is sinking in the sand. Conspicuous traces of original wall painting and even writings in German can be found on the walls.

The message in German is a warning message, telling to stay away of the walls in case of bombardment. This warning sign is rather ubiquitous in Danish bunkers.

Close to the the city center – and actually a part of the Coastal Center, a museum for children dedicated to the life along the western coast of Jutland – it is possible to find another bunker deceived as a wooden house! This deception technique is far more convincing than those on the shore…

Getting there and moving around

To visit the bunkers on the shore you can reach a convenient public parking at the southern end of Vesterhavsgade, southern Thyboron. Visiting these bunkers may take about 45 minutes for a committed tourist. To get to the Coastal Center you may follow the signs and park at your convenience ahead of the building. The deceived bunker can be seen from the outside of the museum, so getting the ticket is not needed if you are not interested in the rest of the installation.

Extra feature – Sea War Museum, Thyboron

Thyboron has a prominent place in WWI history, being the Danish village closest to the area of the Battle of Jutland, one of the very few naval battles of that war, and one of the top-ranking in history for the number of vessels and tonnage involved, and for the casualties – almost 9’000 seamen were killed.

The battle was fought between two major formations of the the German Kaiser on one side and the King of England on the other. Started almost by chance, as the two opposing factions appeared on the same sector unaware of each other, the fighting was so intense that cannon fire was heard along the shores of Thyboron for many hours. The battle ended with a tactical defeat on the British side, but the Kriegsmarine of the Kaiser avoided any other serious clashes with the British for the rest of the war – in this sense, this was a British strategic victory.

Today, a monument dedicated to those who perished in the Battle of Jutland occupies a wide area over a promontory in northern Thyboron, close by the Coastal Center (see above).

A nice museum dedicated to sea war has been put in place nearby. On the exterior you can find old mines, torpedoes and even parts of relics taken from the bottom of the sea.

Inside you can find many unique artifacts, including cannons, insignia, and everyday items from ships taking parts to the Battle of Jutland.

Also unique are parts of early submarines dating from WWI, recovered from the sea thanks to novel investigation and capture technologies.

The museum is at large dedicated to naval battles and ventures of WWI. A section is dedicated to the most modern sea archaeology techniques.

Outside of the museum, you may spot a few Atlantic Wall bunkers as well, likely converted into more modern military installations in a post-WWII period. They are apparently run as museums, but they were closed when I passed by.

Getting there and moving around

The Sea War Museum is located very close to the Coastal Center in central Thyboron. Dedicated free parking right ahead of the entrance. Visiting may take about 1.5-2 hours for more committed subjects, despite the small size. The museum is stacked with extremely interesting details, the exhibition is rich and well made. Really an interesting detour for anybody interested in sea war. Website here.

Agger

Agger is located north of the Thyboron Channel, and can be reached with a five minutes ferry ride from nearby Thyboron. The long, windy, wild and distressing beaches south of the village of Agger are not really welcoming, nor easy to visit. Yet here you can find some unique and imposing elements of the Atlantic Wall.

These include a firing control bunker of the Navy. A feature often found also elsewhere, you can see some of the concrete bunkers are made of joined blocks. Light can be seen coming from the thin slots between the blocks in some occasions.

Another special construction here is the support tower for a ‘Seetakt’ radar. The tall concrete tower is assembled together with a bulkier concrete base.

The assembly has slipped to the shoreline, and today it can be neared only in favorable tide conditions. Furthermore, it is sitting in a banked attitude, making it looking really derelict.

Thanks also to a rather bad weather, these elements of the Atlantic Wall looked really eerie when I visited!

Getting there and moving around

The Agger site is wild and not signaled. The area is part of a national preserve, and part of the endless beach is a stage for kites, surfing activities and other beach sports. There is an official parking at the western end of Lange Mole Vej, less than five minutes by car from the ferry terminal to Thyboron. From there you should go to the beach and walk north for about 15 minutes to get to the tower, the highlight of the show.

You may spot it from the distance. I could not get in the tower due to unfavorable tide conditions, but visiting inside may not take much time, for the expected condition is not good, with little left to see.

Hanstholm

The Hanstholm battery is one of the most developed of the entire Atlantic Wall. As pointed out in the introduction, together with the sister site ‘Vara’ in Norway – about 80 miles north – this battery was centered on four massive 38 cm cannons, installed to obstruct surface passage through the Skagerrak, and de facto controlling the access to the Baltic Sea.

An initial battery based on less powerful 17 cm coastal guns was put in place as soon as 1940. The gigantic 38 cm guns arrived only later and were tested, but never used in action. The metal parts of the firing stations, including the turrets and guns, were eventually scrapped in the early 1950s. Over the years, this huge installation, with more than 300 bunkers fell largely into private hands, and today many former storage bunkers are used as warehouses for machinery and goods by local owners.

Nonetheless, battery Nr.3 has been turned into a modern museum, after being largely refurbished to its original splendor. As such, it is a one-of-a-kind museum, with thousands of visitors per year. Two more turrets and a number of bunkers are left to explorers. While they are not actively maintained, they are still in a rather good shape, and responsible exploration is even supported with some indications.

The area of the Hanstholm is almost 4 square miles. In order not to get disoriented, a good starting point is the museum in and around turret Nr.3. There you are greeted by a pretty unique 38 cm cannon! This is actually from the Tirpitz battery (see above), but it is exactly the same item once installed in Hanstholm. The size is really remarkable, especially when compared to more modest and usual 15 cm coastal guns, on display.

The modern museum offers a quick recap of the history of the place, with memorabilia including everyday items, letters, maps and original weapons.

Once you are done with that, you can get access to the underground part, where you first meet the ammo storage rooms, on the side of a long corridor aligned along a narrow gauge railway track. This was used to connect the firing stations – i.e. the four bunkers with the guns – to larger ammo storages scattered around the are of the fort.

There are two major adjoining rooms along the corridor, each dedicated to a different part of the cartridge. The piercing part – the ‘bullet’ – and the exploding fuse were kept separated from each other. This is similar to naval guns, and typical to larger calibers. The complicated railings hanging from the roof were made to allow moving the parts of the cartridge by means of movable cranes.

In action, the bullets and fuses were loaded on a slide, and from there on trolleys which would enter the turret from below. Today, as the turret is not there any more, the trolleys are in an open air corridor, apparently without any sense. It is noteworthy that the inscriptions and frescoes are all original, albeit refurbished.

The structure of the firing station and of the Hanstholm fort can be better appreciated from the drawings and models below.

A second part of the firing station is the bunker for the complement of men needed to operate this complicated cannon. The place was permanently watched, with shifts spending the night in underground quarters. Those pertaining to firing station Nr.3 have been refurbished, and provide a vivid impression of the original appearance. There are sleeping and living quarters, as well as large, military style showers and toilets.

There is also a complete power station, with two Diesel generators, a mechanics shop, water tanks and more.

Out of the Nr.3 firing station you are encouraged to tour at least part of the site along a series of prescribed trails. Among the items you meet on this tour is one of the ammo storages. It is not dissimilar from the ammo storage part of the firing station. The ammo parts were loaded on a railway car passing through, and from there moved towards the gun turret.

There are also many smaller storage and service bunkers, some bearing interesting original inscriptions inside.

The Hanstholm fort was defended by field cannons and anti-aircraft guns. Emplacements for the latter can be spotted around in more instances.

Another suggested part of the visit is firing station Nr.4, which is not really preserved, but is not in a generally bad shape either. You can get in only if you have a torchlight. Visiting may offer something very similar to Nr.3, except everything is more derelict – but for this reason, may be more authentic.

In the living part, you can find inscriptions in German and traces of the original wall paint. With a general knowledge of the plan from the visit to Nr.3, you may easily recognize the corresponding rooms – power station, toilets, living rooms, etc.

To get to the ammo storage part, you can walk along the round corridor outside. No trolleys left here, differently from Nr.3.

Inside the ammo storage rooms, you notice that the inscriptions have been largely canceled for some reason, but the slides as well as the frescoes above them are still there.

Still part of the suggested itinerary, you can find a control station, in a rather bad shape, and more interestingly a very peculiar building, located on top of a cliff.

This was a fire direction station. Due to the high-tech nature of the Hanstholm battery, fire direction worked on what can be considered archaic computers! The building has many floors. There is provision for a permanent team of technicians, hosted in living and sleeping quarters downstairs.

The top floors used to host the computing machines, which were fed by measurements from instruments mounted in metal domes, facing on the roof of the building. The room for the computing machines is rather dark, and due to the black walls it is difficult to see anything even with a torch.

The Hanstholm site offers several ancillary bunkers open to the public. Among them, one for a generator, supplying the whole fort in case of a grid failure.

Another bunker is an ammo storage, with a big concrete arch outside, for a moving crane operating above railway cars. Narrow gauge railway tracks can be seen still today in this part.

The pivot in the middle of firing station Nr.2 has been interred after the war, but the living/sleeping quarters for the troops and the ammo storage parts can be visited, albeit they are not connected any more by a direct passage.

A visit to this firing station is very interesting, for writings are in a generally better shape than in Nr.4, even though this too has not been refurbished.

In the ammo storage part, writings are especially abundant. You can see also traces of the original telephone wiring.

The last firing station, Nr.1, is not accessible, even though not interred.

As said, there are many other bunkers an remains around, which are typically not accessible, especially the farther you go from the museum. They are now largely on private land and used for something else.

Getting there and moving around

The Hanstholm strongpoint is a must for everyone interested in the Atlantic Wall! The museum is modern, completely accessible, with a convenient parking and all usual facilities. Website here.

The refurbished part is basically only firing station Nr.3, but many other bunkers, like the fire control center, as well as firing stations Nr.2 and 4 are open for explorers, and they have not been spoiled by vandals. You need to go with a torchlight and proper clothing, but the visit may be very rewarding.

Many more bunkers around are closed to the public, as they are now private property and used for other purposes.

Due to the enormous size of the area, visiting may easily turn into a full-day or even multi-days business for an enthusiast. For the general public, a visit to the museum and one of the trails may take a 2-3 hours depending on the level of interest.

Hirtshals

Similar to Hanstholm (see above), the area of Hirtshals was soon selected by the Wehrmacht for a coastal fortification, thanks to its strategic position overlooking the mouth of the Skagerrak strait.

The first four 105 mm field guns were positioned here as soon as summer 1941. They occupied open-air concrete aprons, which still today bear trace of the original camouflage paint and deceptive net.

A peculiarity of this fort is its extensive network of trenches, which connect all the battle stations to the living quarters for the troops and the service buildings, like the canteen-bunker and the hospital-bunker.

On top of the steep cliff dropping to sea level, you can find the bunkers for the guns. These were moved from the open aprons in 1944, into purpose built reinforced concrete firing positions. A special feature here is the steep flight of stair giving access to the gun area from behind. This construction was made necessary by the particular morphology and rock type of the cliff.

You can spot significant traces of the original camo paint, and the letters ‘St’ on many walls, meaning ‘Ständig’, i.e. resistant in German. These letters were used to mark those buildings capable of sustaining shelling and bombing raids.

A bulbous roof allows to easily recognize the fire direction station.

A more rare item in Hirtshals is the base for the ‘See Riese’ radar. This is a hexagonal concrete hollow platform. The bunker underneath it would serve to host a Diesel power generator.

Back from the coastline, you may enjoy a long exploration of the trenches and of the many restored bunkers. Many bear original markings and paintings.

In some rare cases, you can also find original decorative paintings, likely made by the soldiers stationed in the bunkers.

Restored bunkers include a ‘living bunker’, but many other installations are in good conditions, like interred shelters, ammo storages, etc. Traces of cables, armored doors – some of them with glass lights – and telephone wires can be found in many bunkers.

Furthermore, in Hirtshals you have the chance to get a bird’s eye view of the fort, by climbing on top of the local lighthouse!

Getting there and moving around

The Hirtshals site is an open-air museum. There are technically opening times, but the area is not fenced, so if you are looking for a visit to the exteriors, you can walk around freely at any time. The museum has a website here, and guided visits are offered in many occasions. Many bunkers were closed when I visited, and they might be visible only with a guide. Some other bunkers are open and lighted, whereas the majority are basically left to explorers – open and not lighted – but rather accessible and very easy to visit, maybe with the help of a small torch. There is not a clear entrance (the area is not fenced), nor permanent staff on the site.

There are explanatory signs for basically all of the bunkers, in double Danish/German language.

The parking is ahead of the lighthouse, which is a different entity and operates with opening times you can find here. The parking is large and free. Climbing on top of the lighthouse is possible at a small fee – apparently only Danish Crowns cash accepted.

Together with a climb on top of the lighthouse, the visit may take from 1.5 to 3 hours, depending on your level of interest.

Skagen

The Skagen area is mostly famous for its location on the very tip of the Jutland peninsula, the natural northern end of continental Europe, and ideally as the geographical point where the North Sea and Baltic Sea join together. The long and quiet shores there and the population of seals contribute to making Skagen a prominent touristic attraction, often crowded with visitors from Denmark and abroad.

What people going there may not expect is the presence of a number of massive firing positions from the years of the German occupation! These are concentrated along the eastern coast, and include firing position for 120 mm coastal guns, overlooking the Skagerrak strait.

There are also a fire control bunker, which has drifted to the shoreline, as well as radar support bunkers.

Unfortunately, these installations have been left to the elements and – most sadly – to vandals. Except for their huge size, there is not much left to appreciate.

But there is more related to the Atlantic Wall in Skagen. A former hospital bunker has been partly refurbished and converted into a very interesting smaller museum on the local battery.

Inside, you can first appreciate the special size of the doors and corridors, made to allow moving stretchers around.

Put on display are several items related to the history of the Skagen fortress. There are uniforms from the time, photos from the years of operations, and everyday items left over by the Wehrmacht.

Some of the rooms have been reconstructed, and provide a vivid impression of the original appearance.

Among the exhibits are also some relics from a downed British aircraft.

Getting there and moving around

Visiting the Skagen battery is easier from the small parking Hvide Fyr, Fyrvej, 9990 Skagen. This parking is free. Going on the Baltic shore from the parking means a five minutes walk along a prepared path. A quick walk with a look to the abandoned battery would take about 20 minutes.

You may either walk to the tip from there, or better move your car to shorten the walk, going to the huge dedicated parking area where the road N.40 ends. This parking is not free.

You will find the Skagen Bunker-Museum in the former hospital bunker immediately to the southwestern side of the parking. Website here.

Visiting may take about 30-45 minutes, an interesting small detour from the local natural attractions.

Bangsbo

Comparatively less fortified than the North Sea coast, the eastern cost of Jutland is the place of a primary military and commercial port named Frederikshavn. This is also a starting point for travelers going to Norway from central Europe.

Here the Germans installed one of the few strongpoints on this side of the peninsula. What makes the so-called Bangsbo fort unique among the Atlantic Wall installations is the fact that three of the four original guns in the coastal battery are still in place!

The main area of Bangsbo fort, where the coastal battery is located, can be found to the south of the town, and is somewhat similar to Hirtshals (see above). Both are located on top of a cliff, with a significant area to the back dedicated to command, living and service bunkers.

Today, some of these bunkers have been completely refurbished. These include the command bunker for the local commander of the Kriegsmarine (the German Navy). This is super-interesting, with many artifacts from the time, from military gear to swastika-marked dishware, from maps to photographs of general Rommel – who superintended the construction of the Atlantic Wall – visiting the installation, and much more.

Much interesting is especially the reconstruction of the command/meeting room.

Scattered over the premises of the military area are cannons and several strange items, like a tank turret intended to be placed on top of a defensive Tobruk.

There are a refurbished hospital bunker and reconstructed living quarters.

The firing control post roughly at the center of the area is another highlight, having been completely refurbished, with plenty of Nazi insignia and original material.

To the back of the bunker are a living and command area, whereas the front part is an observation deck.

The firing positions with guns are numbered from Nr.1 to 3. They are based on 15 cm coastal guns, installed in 1944, replacing older and smaller pieces.

The guns can be walked around. The cartridge supply slides to the back of the firing chamber are still in place.

Guns Nr. 1 and 3 are similar, whereas the central gun was taken from a Danish cruiser cannibalized by the Germans in Kiel during the war. Today, it bears a greenish paint.

There used to be a fourth cannon with a field of fire of 360 degrees. Trace of a platform can be seen, as well as an anti-aircraft gun.

The fort shares a border with an active military area, so a part of the original installations cannot be visited. Others are open only for those visiting on guided tours. These include a radar-supporting station. Others can be entered, but are basically empty.

A minor part of the Bansgbo fort is located north of Frederikshavn. It is a partially preserved anti-aircraft firing station. This was made of four firing places and a central fire direction point. The latter is still visible at least from the outside.

One of the anti aircraft guns is also in place. The rest of the installation has been filled with land and made inaccessible.

Getting there and moving around

The major part of Bansgbo fort can be found south of Frederikshavn. It can be accessed from Bakkevej, which ends with the parking of the museum. Website here. The area can be walked and accessed with a ticket. There are picnic facilities and a small shop. Guided tours are offered at pre-defined times, see the website. You can get a good impression even by walking around on your own, but some bunkers can be accessed only with a guide. I did not join a guided tour, and all the pictures above are from a self-guided visit.

The site is not huge, but very interesting thanks to preservation efforts. It may easily deserve a 2 hours visit.

The anti-aircraft site is located north of Frederikshaven, and can be reached from Nordre Strandvej. You may park on the large free parking made for the local beach. This smaller installation may be visited in 10-15 minutes without a ticket.

Stalin in Georgia

The republic of Georgia, located on the Caucasian isthmus between the Black Sea and the Caspian Sea, was founded in the turmoil following the collapse of the Czarist Empire during WWI. Located on the border with Turkey, at that time this region tried to untie from neighbor Russia, and proclaimed a libertarian socialist state.

Following the seizure of power by Lenin and the Bolsheviks, producing a devastating civil war which would go on raging all over the former Russian-controlled territory well into the 1920s, Georgia lost its independence, being sucked into the Soviet Union, similar to many other nations sharing a border with Russia – like Armenia, Azerbaijan, Belarus, Latvia, etc.

A country with a remarkable wealth of history, inhabited since when traces of mankind started to appear on earth, with a deeply rooted Christian culture since centuries, a strong independence movement started to show in Georgia already in the 1980s, when the Soviet system was still destined to last for long in the eyes of many western observers. This independence feeling would culminate in the republic of Georgia leaving the USSR months before its actual end, already in early 1991. Since then, the country is openly hostile to Russia, and the formation in the early 2000s of two de facto Russian-backed independent states – South Ossetia and Abkhazia – over the sovereign territory of Georgia witnesses a mutual state of tension between Tbilisi and Moscow, still lasting today.

Despite this, and almost paradoxically, the Georgian individual possibly best known to the general public and to the world is an eminent communist character, a one-of-a-kind contributor to the history of the USSR and of the world – and someone would say, the most authentic incarnation of a communist leader – Stalin.

While Georgia, most comprehensibly, is striving to delete every tangible trace of the Soviet era – from statues to symbols and pieces of architecture – a few notable exceptions include some of Stalin-related relics in the country. In Gori, Stalin’s hometown, the house where Stalin was born is preserved under a bombastic Soviet-era canopy. Nearby, a unique museum dedicated to the Soviet leader, opened back in the late 1950s with a display of incredible memorabilia, is reportedly the most successful attraction in town, with crowds of visitors still today.

In an old district in Tbilisi you can find another unique point of interest – the so-called Stalin Printing House Museum. It was in this unapparent house that young Stalin operated as a pro-communist clandestine agitator in the early 20th century, well before the Bolshevik revolution in Russia.

This post covers these Stalin-related remains in the man’s home country, with photographs taken in summer 2019.

Sights

Joseph Stalin Museum – Gori

Stalin’s hometown, where he was born in 1878, is dominated by a scenic ancient fortress, sitting on top of an isolated mound. At the time of Stalin’s birth, that was also the geographic center of the town. When Stalin became… Stalin, his birthplace was turned into a place of pilgrimage, and a new purely-Soviet master plan was implemented in the city, creating a new gravitational center around the modest house of his parents.

The long axis which drives you from the major access road and the railway station south of the city to the house follows an almost north-south direction. A typically Soviet alley – straight, too wide and with mostly sad-looking buildings to the sides – links a bridge over the local river to to the house, going through a square with the town hall, built in a Soviet classicist style. A tall statue of Stalin used to stand on the side of the square, and it was torn down only in the 2000s.

Closer to the house, the alley bifurcates into a ‘Y’. Between the arms of the ‘Y’ you can find a garden with fountains and flowers.

To the far end of the garden, the small half-timbered house where Stalin’s parents used to live is preserved under a Soviet-style canopy.

Stalin’s parents were not well-to-do, and they actually rent the house, where they occupied only one room. Back in the 19th century, it was just one in a row of similar buildings. Following the radical reshaping of the area for celebrating the Soviet leader, the whole neighborhood was completely demolished, and only this block was left.

On the side and front facade of the house are marble signs in Russian and Georgian. The ceiling of the canopy features a stained glass light, with hammer and sickle signs by the corners.

To the back of the birthplace you can find a smaller statue of Stalin. Considering his generally acknowledged status as a bloody communist dictator, similar open air statues have been removed almost everywhere in the world – this is one of the few remaining exceptions (another being in Belarus, but most likely apocryphal – look for Stalin’s line museum here).

The most conspicuous building in this celebratory installation is the actual Joseph Stalin Museum, which occupies a pretty large palace in Stalinist style. The master plan dates back to the final years of Stalin, and its realization was carried out during the 1950s.

The building is interesting from an architectural viewpoint, and features a colonnaded porch giving access to a main entrance hall.

The latter is rather formal, with another colonnade and a perspective leading through a staircase to a mezzanine. In the focus of the perspective you can see another statue of Stalin. Every particular in the architecture here is extremely Soviet – grim, menacing, heavy.

The ticket and toilets can be accessed to the sides of the hall on the ground floor, which acts also as a meeting point for groups – but guided visits are not compulsory, you can tour the museum on your own.

Upon reaching the first floor, you meet two busts of Stalin, and a couple of interesting paintings, portraying the young Josip Vissarionovich Dzugansvili – Stalin’s its real name – as a student talking to his class mates at the seminary of Tbilisi, and later as grown-up, well-established Stalin talking to his collaborators.

The museum is composed of a few big halls. The first rooms retrace Stalin’s personal story, and are based on a mix of documents, original or reproduced, newspapers, paintings and photographs. The latter are often reproductions, often magnified – since when he was not yet famous he mostly appeared in group photographs.

Here you learn about his humble origins, and you can see the photographs of his parents, his early school reports and the first known photographs of Josip as a young boy.

A rather brilliant pupil, he was granted access to the Orthodox seminary in Tbilisi – which back then was called Tiflis – where he moved to attend lectures and to grow to become a priest. Some works of poetry from the time, published on local newspapers in Georgian, are part of the exhibition.

Something went wrong at that time, as he got excessively fascinated with the leftmost socialist theories, spread by several authors including Lenin. A rare naive portrait of his meeting with the principal of the seminary, when he was expelled for his unacceptable and dangerous views, is part of the collection.

This was the beginning of a militancy period, when he became known to the department of internal affairs of the Czar due to open subversive propaganda activities. He worked irregularly, publishing clandestine works in Tbilisi (see about his printing house below), holding open-air meetings in port town Batumi, and so on.

Finally, he was arrested and deported by the Czar to inland Russia. As his fame grew, he was tasked with some role in the apparatus of the clandestine political formations headed by Lenin – the factions against the Czar and even in the socialist area were many, and the intricate civil war that followed the 1917 revolution was also the result of the struggle for power of these opposing forces.

Between internment periods, he started traveling to the capital – St. Petersburg. He also met Lenin in Tampere, Finland, a country politically bound to the Russian empire until 1917. Photographs and documents from the time, a suitcase and models of the houses where Stalin resided can be found in this part. Busts including one of Stalin as a young agitator, pretty rare and likely taken from the few portraits from the time, are also parts of the collection.

Again following a historical timeline, you can find more documents and portraits of a grown-up yet young man of the apparatus. It is well known that Lenin, after the 1917 revolution, saw Stalin as a potential problem for the future of the Party. A copy of Lenin’s ‘testament’, telling his comrades to get rid of Stalin, is on display in the exhibition. As a matter of fact, Lenin’s illness and demise in 1924 started a period of transition.

Stalin, by 1922 general secretary of the communist party of the USSR, fought and won against all other members of the communist party, making his appointment in the government the most powerful. He managed to maintain his role until his death in 1953, reigning as an unopposed tyrant at least since the end of the 1920s, when he prevailed over his most strenuous opponent, Trotzkij.

As he started to gain power, official portraits started to appear, both paintings and photographs. These pieces of the collection are also interesting, for not many portraits of Stalin have survived in official displays, after he was condemned by his political heirs.

Also books from his speeches and prints from his personal history, to be distributed to the general public, are displayed here.

Prominence in the communist party of the USSR gained a special status also to Stalin’s family. His mother had a decent place to live, and his son payed a visit more than once – this is the subject of some portraits. A porcelain set from Stalin’s mother household is on display.

Curious artifacts in this part of the museum include a desk from some communist office of the time of Stalin’s purges.

As a marshal in WWII – the Great Patriotic War of 1941-1945 as it was known in the USSR – Stalin reached international recognition and world fame. His ability as a general is open to critics, for he managed to kill most of the most experienced staff in the purges of the 1930s, and appointed generals – mostly like Hitler – based on their political attitude. It is questionable whether without substantial help from the then-allies of the Soviet Union (Britain and the US) a victory against Germany could have been reached, despite a disproportionate number of casualties in the rows of the Red Army. However, the final march to Berlin, which gained him control over half of Europe, raised him to the level of a world leader. The exhibition reflects this recognition, with books by Stalin translated in several languages, gifts from generals of the Red Army – including an authentic monstrosity donated to the museum by WWII hero General Zhukov in the 1960s – and many pictures from the war years.

A showcase is dedicated to Stalin’s sons and heirs. He had five sons, from two wives and other women, and his descent is still existent today.

A corner hall hosts a kind of monumental installation, a small Soviet monument not among the best of the kind. Made of lighted reproductions of photographs, it is a kind of recap of Stalin’s triumphs and special moments.

The next hall concludes the climax, and is really unique. It is a circular room padded with black leather panels. At the center of a circular colonnade you can see at the level of the ground one of the few – apparently 12 – original reproductions of Stalin’s head from his death mask.

Thanks to the special installation featuring a strong symmetry and a special lighting, the head is really magnetic.

Stalin died at 75 in March 1953 in undisclosed circumstances, possibly to the hand of somebody in his entourage. Some paintings from his funeral can be seen around the room, together with a model of the mausoleum of Lenin on the Red Square in Moscow, where Stalin was interred for a few years, until removed when finally condemned by his party – note the writing in Cyrillic ‘Lenin – Stalin’ on the mausoleum, later reverted to ‘Lenin’ only.

The next hall is dedicated to international relationships, displayed through photographs, memorabilia and the plenty of gifts Stalin received in his years as a communist dictator.

There are presents from Georgia and other Soviet republics, and from international delegations. The latter were from both the eastern bloc – Eastern Germany, Poland, China – and most strikingly from the West, and even from NATO countries like France and Italy!

Back to the top of the staircase, you get access to one of the highlights of the exhibition. In a final room you find on display the original furniture of Stalin’s office at the Kremlin. There is a desk with an armchair, a sofa, and a set of smaller chairs. Stylistically not very appealing, this furniture is of course of great historical relevance.

Close by, more unique items are on display in two showcases – Stalin’s personal belongings. There are a few cigars – now decomposing to age – some cigarettes, a cigarette box, a ruler, two pipes, a pen, a chessboard, a hand-written message to a friend, and some other trinkets. Finally, there is a military uniform, with boots and coat.

When you have got intoxicated by the Soviet aura of this place, you can finally get out and visit the last item in the park, Stalin’s personal railway car. This was actually used by Stalin, who did not like flying, to travel around the Union and abroad. He went to Teheran and Jalta conferences during WWII in this car.

The car is special in having a bullet-proof armor all around – which produces a weight comparable to that of a Diesel railway engine… – and some special services, like a bathtub, a personal studio and a meeting room.

Stalin’s ‘memorial park’ in Gori is really a one-of-a-kind museum, of exceptional interest for people interested to his period and his historical figure. You may be surprised by the very existence of this place, primarily because of the well-known and heavy responsibility of this man in mass-murders and misconduct as a head of state, and also because it is located in Georgia, a country openly hostile to Russia and its hard political domination, implemented through the institution of the Soviet Union. It is one of the expressions of the contradictory attitude of most peoples touched by the USSR – including Russians – towards that era. It remains a thought-provoking collection of historical value though – gifts from international delegation from the West are a vivid memory of the recognition obtained by this mass-murderer during his lifetime. They are particularly instructive about how propaganda can draw international consensus to the most unthinkable subjects.

Getting there and moving around

Getting to Georgia from the West will be hardly for Gori alone. Despite the nice, well-kept town center, with the castle and several refurbished churches and alleys, and of course the Stalin-related part, there are far more significant places to visit in Georgia, at least if you are coming from far away to this relatively hard-to-reach angle of the world. Yet Gori is located in a convenient position along the major road and railway connecting Tbilisi to Kutaisi and the coast of the Black Sea, which makes for an ideal one-day or even half-day stop.

The town is a good place to sleep, for there are a number of guesthouses and restaurants, and it does not look derelict or unsafe, differently for instance from more prominent Kutaisi. The whole Stalin-themed park, with the birthplace, museum and railway car, is rather compact, and not big, so visiting may take from 1.5 to 3 hours, depending on your level of interest. This is the main attraction in town. Strangely, I could not find an official website – this is strange for most labels are translated also in English, and there is even some merchandise, so the place is run as a modern museum. However, Google or TripAdvisor timetables were correct at least when I visited.

Plenty of public parking space around the museum.

In town there is also a war museum dedicated to the Great Patriotic War (covered here), as well as other non-communist themed attractions.

Joseph Stalin’s Underground Printing House Museum – Tbilisi

This museum was opened in Soviet times in the place of a house where young Stalin spent some time as a political agitator. His main activity related to this place was printing clandestine material.

Access it through modern Soviet buildings, with a hall which unfortunately cannot be visited.

The house is presented inside a small garden. There are two light buildings, a half-timbered house and a smaller hut.

The two are connected by a deep underground passage. This double access to the underground was of great help to evade controls by Czarist authorities. The main underground hall is original.

Possibly intended as a food cellar, it was used to store a 19th century printing machine – made in Augsburg, Germany, as witnessed by the rusty but still readable factory label!

The half-timbered house is apparently a Soviet-era reproduction of the building originally in place. It is a two-rooms house, very similar to Stalin’s birth house in Gori (see above). The two rooms have been furnished with a few berths and tables, to provide an idea of the original look, and with tons of artifacts from Stalin’s and Soviet times.

These include portraits, photographs, books and emblems. There is also a model of a similar clandestine print house in Baku, Azerbaijan.

All in all, this place has a historical significance as Stalin’s early headquarter, and as a Soviet place of pilgrimage. Differently from Stalin-themed park in Gori, it has been basically forgotten – it is kept open by aged volunteers.

Getting there and moving around

The museum is located at the following GPS coordinates – 41.690454, 44.829999. It is located west of Tbilisi city center, at a walking distance from it, but the walk is not recommended for the neighborhood is nothing special. Going by car or taxi is more time-efficient. Public parking on the street available around the block.

There is no official website to my knowledge. Entrance is by cash only, free offer. See Google for opening times, which are mainly in the central hours of the day. You can visit on your own, but one of the local enthusiasts running the museum will likely provide some information, and there is also a basic leaflet in English. Visiting may take about .5 hours.

War Museums in Moscow

People visiting Moscow from abroad usually spend much of the time in the Kremlin and the nearby districts, where they can find many cultural attractions, as well as fashion stores, great hotels and restaurants. Among the features of Russia’s capital city less known to the average tourist are the many monuments and museums dedicated to war history, which in some cases host extremely interesting exhibitions and artifacts from various ages, which would tell the visitor as much as the most prominent attractions in town.

Three I could visit in person are cited in this post, all of them easily reachable with the usual metro rail in a few minutes from the downtown.

The following photographs were taken during a visit to Moscow in September 2015.

Central Museum of the Armed Forces

This is a purely Soviet installation Cold War buffs will definitely like very much… Despite the old-fashioned website – which after all contributes to the picture of a Soviet-state-owned company… – the building was built following WWII, better known in Russia as the Great Patriotic war of  1941-1945. On the outside, besides the entrance there are a missile and a tank. Once inside you immediately find yourself in a large two-levels hall, dominated by a sculpture of Lenin and a huge mosaic wall, plus paintings of battles and other war-themed scenes all around.

From soon after your arrival, you get to grips with the only real ‘problem’ of this installation, where – just like many others touristic sights in Russia – everything – including the escape plan in the event of fire… – is written in Russian only. So, from the viewpoint of history, you’d better go prepared if you want to get the most from this exhibition, for you won’t find any understandable written information, unless obviously you understand some Russian.

There are several halls in the museum, related to historical moments from WWI up to the present day. A first notable room presents a lively reconstruction of a WWI trench fight, with lights and sounds.

The path through the museum follows the course of history, including the revolution, which put an end to WWI for Russia. Then follows WWII. I have to say I never found a collection of Nazi artifacts so rich as the one preserved here in any other place I visited. Literally hundreds of items, from propaganda posters to flags and banners, weapons, medals, papers,… Also present in due quantity are flags and banners of the Soviet Union, as well as Soviet uniforms, weapons and medals from the age of WWII.

Probably the most notable items from the time are the red banner raised on the Reichstag in Berlin – the corresponding b/w photograph is today one of the symbols of the end of WWII – and an original metal eagle with a swastika, probably taken from the Reichstag or the Reichkanzlei. The flag and the eagle are put together in a kind of monumental installation in a large central hall, celebrating the victory of the Soviet Union in the Patriotic War.

An old coat and a hat belonging to Stalin are also part of the exhibition.

Moving on to the Cold War period, a first focus is on the early history of the Soviet atomic program, leading to the detonation of the first nuclear asset in 1949, and to the testing by the Soviets of the largest thermonuclear device ever. Many models and some documentation are available – I could not understand the details, in that occasion I really regretted having no knowledge of Russian! The development of strategic missiles is covered next, including the much connected race to space.

The highlight of this part of the exhibition – at least for western visitors – may be the wreck of Francis Gary Powers’ aircraft, downed in 1959 by a SAM, basically a Soviet invention, during an illegal flight over the territory of the USSR ordered by the CIA. A large part of the fuselage and of the wings can be seen, with technical labels in English. Also part of the ejectable seat and other parts of this Lockheed U-2 are packed together somewhat inelegantly. Some original papers and maps the pilot had with him at the time of the accident are exhibited, together with many photographs. Extremely interesting.

Approaching the last stage of the Soviet Union, scale models, mockups and parts of larger nuclear missiles are presented. Also the war in Afghanistan is mentioned and the more contemporary war actions in Chechnya and other theaters following the collapse of the USSR are outlined and artifacts and photographs showcased. A window from the relic of the ill-fated Kursk submarine remembers this more recent tragedy – together with a monument on the outside to the right of the entrance.

Finally, the backyard is full of interesting items like missiles, gantries, heavy vehicles, tanks and so on. Unfortunately, it started raining heavily at the time of my visit, so photographs were not possible.

All in all, I would say one of the best museums in Europe on the topic of 20th century war history, and probably the best on Russian/Soviet operations in the 20th century. The presentation may be perceived as antiquated for todays standards, nonetheless this may be appreciated by people who are not totally new to this piece of history and who are more interested in seeing valuable and unusual ‘hardware’. I would recommend at least a full hour for the interested visitor, extendable to 1.5 hours rather easily including a detailed visit to the outside exhibition.

Getting there and moving around

The museum is not far north from downtown Moscow, less than .2 miles from Dostoyevskaya metro stop (line 10). The building can be approached walking along ul. Sovetskoy Armii, on the side of the park. The neighborhood is decent and safe, I had no bad feelings visiting alone.

Museum of the Great Patriotic War

Moscow is scattered with monuments remembering the Soviet effort and the victorious outcome of WWII, but the focal point of the celebration is the park at Poklonnaya Hill with the museum of the Great Patriotic War. The park is an extensive area, built around a perspective leading to the top of the hill, where the museum can be found (website here). This is hosted in the curved building behind the very tall spine which can be seen from the distance.

Approaching from the east, from the famous Kutuzovski Prospekt where many important political players of the USSR used to live, including Brezhnev, it is possible to spot first a huge arch, just in the middle of the road, and departing from it the perspective leading to the hill, just to the left of the Prospekt. To the left of the hill as well as beyond the spine there is a park with several smaller installations remembering war actions involving the USSR and more recently Russia, and following WWII. It is also possible to find there an exhibition with cannons, armored vehicles and other warcrafts.

The museum, accessible from the front of the circular building, is intended basically to celebrate the heroism of the Red Army in the war against Germany. It acts as a place of remembrance for the many who never came back, and during my visit there I coincidentally could assist to a ceremony with high ranking military staff celebrating the 70th anniversary of the end of WWII.

Inside the most notable items are huge and very vivid dioramas – I must say, very well made, especially for the age – reconstructing some scenes from some especially dramatic battles of the war against Nazi Germany.

In the crypt it is possible to find the very interesting ‘Hall of sorrow’, a more modern monument to the fallen soldiers, with many crystal drops hanging from the ceiling, representing the tears of Mother Russia. These should be really many, with a proportion to the number of soldiers actually lost in the conflict.

The exhibition of artifacts includes a selection of items from various moments and fronts of the war. I could not tour this part freely because of the above mentioned ceremony, but what I could see was interesting. Unfortunately, I could not see the Hall of fame.

Above all, the plan of the whole installation and the Soviet style adopted, not so bombastic in this case, are extremely interesting. Touring the museum may take less than 45 minutes. If you are interested in moving in the park, you may need more. Distances here follow monumental proportions, so monuments are not really close to each other as they might seem on a map.

Getting there and moving around

The area can be reached easily from Park Pobedy metro stop on line 3. The perspective leading to the museum starting from the arch (and from the metro station) is about .6 miles long.

Museum-Panorama ‘The battle of Borodino’

You can find this museum very close to the Museum of the Great Patriotic War described above. The theme of the exhibition is here the battle of Borodino during the war against Napoleon and the French Army.

Borodino is located about 80 miles west of Moscow. There the advancing French Army faced the full power of the Russian Army. Napoleon himself was present and led war operations, while Kutuzov and Bagration, the top-ranking generals of the Tsar, were among the strategists on the Russian side. The battle was a prototypical battle of the time, with wild fire from cannons, infantry and cavalry, all in the arena. It turned out very cruel, taking a huge death toll on both parts. As a matter of fact, the Russian Army, which had constantly retreated avoiding the contact with the French until that great battle, continued back towards Moscow, which was finally abandoned and set on fire as Napoleon’s Army was reaching it. On one side, the Russians failed to stop the French at Borodino, on the other they set for the French a deadly trap – the French did not quit chasing the Russians until the winter of 1812 finally struck when they were infinitely far from home with no active supply lines, nor food nor resupply storages at hand. The season killed basically 9 out of 10 on the French side, triggering the end of Napoleon’s dreams of power.

The museum was recently refurbished in a modern key, with a detailed description of some moments of the battle on wide screens and interactive panels – again, unfortunately all in Russian. Uniforms, weapons and artifacts add to the visit, but the highlight here is the beautiful panorama painting. This is similar to the cyclorama in Gettysburg, PA, and it is a more than 300 ft long circular painting vividly depicting some important moments in the battle of Borodino. As you can learn from the website, the painting was made in 1912 (before the Soviets) to celebrate the 100th anniversary of the battle. The building was renovated in 1962.

The visit may not take much, especially if you are not interested in the war against Napoleon, but I would suggest going there even only for the uniqueness of the installation as well as  for its artistic significance. In any case, the visit may not take more than 45 minutes, especially if you don’t understand Russian.

Right behind the museum it is possible to see the wooden hut where Kutuzov and his staff discussed and decided for the destruction of Moscow in order to jeopardize the plans of the French to find a shelter there for the approaching winter season.

Getting there and moving around

The museum can be reached easily from Park Pobedy metro stop on line 3, like the Museum of the Great Patriotic War. From the metro stop you can walk west on Kutuzovsky Prospekt, and you will soon find the museum on the left (northern) side of the road, about .2 miles from the station.