Traces of World War II in Norway – Highlights

War actions in Scandinavia constitute a crucial stage in the unfolding of WWII events in Europe. The strategic position of the Scandinavian peninsula was not overlooked by strategists in the Third Reich and the USSR, and by the Western Allies. As a matter of fact, the German invasion of Denmark and Norway took place as early as the Spring of 1940, starting just weeks before the invasion of Holland, Belgium and France.

History & Remains – A Quick Summary

For Germany in WWII, the long and impervious coast of Norway constituted an ideal strong point to carry out raids over the North Sea, Norwegian Sea, the northern Atlantic and the Barents Sea, interfering with resupply convoys from Britain and the US. Especially after the start of the war against the USSR in 1941, the polar routes going to Murmansk – the only non-freezing port on the northern coast of the USSR – were within range of German warships and aircraft operating from the north of Norway. Control over Norway and Denmark meant total control on the access to the Baltic Sea, thus protecting the northern coast of Germany from direct attack by the Western Allies, allowing unimpeded action against the Soviet Union on that sea. Of the greatest importance in the northern European territory was also the abundance of raw materials – mainly metals for industrial production – so desperately needed by the Third Reich.

For the Allies, keeping Scandinavia was an objective of great relevance in the early stages of the war, since this territory could be a convenient springboard to launch attacks against the flat and easy coast of Germany. In the rapidly changing complex alliances and diplomatic relationships of the early stage of WWII (1939-40), Norway and Sweden tried to keep out of the war. Finland fought the Winter War against the USSR (itself one of the results of the Ribbentrop-Molotov pact, albeit not to the knowledge of the Finns), loosing part of its territory and strengthening its link with Germany for some years to come (see this post). The Third Reich attacked Norway by air and sea in April 1940, and help was sought especially in Britain. King Haakon VII of Norway left for exile in England, and the initial battles of WWII between the Reich and the UK were fought – mainly at sea – in proximity of Norwegian ports.

The Atlantic Wall

Possibly the most impressive military trace of WWII in Europe, the Atlantic Wall – a defense line stretching from France to northern Norway – was designed and built in Denmark and Germany, immediately following the successful push of the Third Reich into these Countries. Actually, those are the Countries where the most relevant remains of this interesting trace of war can be found today. A very ambitious project both in purpose and required resources, the Atlantic Wall never reached completion. Despite that, the geography of Norway, with a coastline featuring only limited access to the inland area, allowed to create an effective barrier against a potential enemy landing. Hundreds of gun batteries, complemented with anti-aircraft artillery and radars, constituted a powerful deterrent against any invasion. As a matter of fact, after the unique episode of the Battle of Narvik in the early stages of WWII, no Allied forces ever landed in Norway from the sea for the rest of the war.

A complete visit to all sites of the Atlantic Wall in Norway is a really immense task, due to the number of installations and their geographical remoteness. However, a few impressive highlights can be found in convenient locations, and can be easily visited by everybody. In this post some of them are presented – the colossal battery ‘Vara’, the southern fortified area of Lista, the forts of Fjell and Tellevik near Bergen, and the massive cannons of Austratt.

War Museums

But other fragments of the rich legacy of WWII in Norway can be retraced also away from the preserved installations of the Atlantic Wall. An interesting page is that of naval warfare deployed by the Navy of the Third Reich – the Kriegsmarine – to counter Allied shipping activities. Names like Tirpitz, Scharnhorst and Gneisenau are frequently found in history books as well as in movies or scale model shops, and they are just a few of the mighty vessels linked to the Scandinavian war theater. Dedicated exhibitions can be found in little but impressively rich museums on these topics. In this post, the Tirpitz Museum in Alta, the War Museum of Narvik and the exhibition in the visitor center of North Cape are covered.

Special interest sites

Heroic actions involving the Norwegian resistance organization are proudly remembered all over the Nation. A particularly interesting location being the Rjukan hydroelectric power-plant, which produced heavy water, a key-component in the research leading to the preparation of fissile material. This strategic asset was highly needed by the German nuclear program. On the other hand, its possession by the Third Reich was seen as a clear and present danger by the Allies, who tried to have the plant destroyed in several instances. The Norwegian resistance was clearly much involved in sabotage missions, due to the difficulty in targeting the place through air bombing raids. The power-plant is today a nice museum, covered in this post.

Photographs in this chapter were collected on a visit in August 2022.

Sights

The map below shows the location of the sites mentioned in this chapter. Their listing in the descriptions roughly follows a clockwise sense, starting from the southernmost point of Kristiansand (Vara battery). Red items are in disrepair, whereas blue ones are official tourist destinations.

Navigate this post – Click on links to scroll

Vara Battery – Kristiansand

The Vara battery was built as the core of the strongly fortified area around Kristiansand. Thanks to its position close to the southernmost tip of the Norwegian territory, this port town is still today very busy with passenger and freight traffic from nearby Denmark.

The Third Reich military started to lay sea mines as soon as it gained control of both sides of the Skagerrak strait. The coast around Kristiansand was reinforced with several coastal artillery pieces, and production of a set of special 38 cm caliber guns – called Siegfried -was started by the Krupp ironworks in Essen in 1940. The aim was that of controlling access to the Baltic sea by means of two batteries of long-range naval guns, one to the south in Denmark (Hanstholm, see here), and one to the north in Kristiansand.

The cannons should be capable of revolving by 360 degrees, and special concrete rotundas were prepared for the scope in a location called Møvik, on the southwestern end of the gulf of Kristiansand. The complex morphology of the terrain in this site led to a smaller than desirable area for the battery, where all technical buildings – including ammo storages – had to be built relatively close to one another. These massive constructions alone, built by the same ‘Organisation Todt’ responsible for the implementation of the coastal defense positions all over Europe, make for a remarkable work of engineering, carried out with the help of local builders, working relentlessly around the clock to have these emplacements ready as soon as possible.

In the event, only three of the four Siegfried cannons made their way to the battery in Kristiansand, one being apparently lost when the transport ship carrying it was sunk on the Baltic Sea. Transporting these 110 ton, around 60 ft long barrels by rail from Germany into the narrow valleys of Scandinavia was not an easy task. However, two cannons were test-fired in May 1942, and the third in November the same year.

The battery received the name ‘Vara’, after a high-ranking official killed in Guernsey in 1941.

Battery Vara went through the war without seeing an involvement in any major war action, and was mainly test-fired only. The whole installation, comprising target detection points, analog computers for target aiming, ammo storages – including more than 1.400 shells! – and many other service buildings, was inherited intact by the Norwegian Armed Forces in 1945, similar to many other installations along the coast of the Skagerrak and the North Sea. It was incorporated in the Norwegian coastal artillery between 1946 and 1954, being later placed in reserve having by then become obsolete for Cold War warfare standards. Two cannons were scrapped, whereas one – the only entirely surviving battery Nr. 2 – was luckily kept. The site survived subsequent stages of demolition works over the next decades, but in the early 1990s it was finally re-opened as a museum.

Cannon Nr. 2

Today, the centerpiece of the visit is constituted by a walk around the perfectly preserved building of cannon Nr.2. This bunkerized building is composed of a set of technical rooms, for ammo assembly and storage, as well as for services like Diesel power generators, and an adjoining rotunda, where the big cannon revolved around a pinion, and could be pointed to its target, following instructions from the battery control center. The latter elaborated target data from detection, identification, measuring and range-finding positions scattered around the battery perimeter.

Access to the back of the concrete building is via the original hatch, closed by iron doors. You can see the narrow-gauge railway track leading in. This linked the cannon buildings with the ammo storages around, and allowed to supply the cannon with ammo parts (the explosive cartridge and the shell are not assembled in a single unity for larger cannons, unlike for lighter weapons). The hatch drives you into a long corridor, the backbone of the bunkerized quarters behind the cannon rotunda. Here some shells have been put on the original railway trolley for display.

The cannon building hosted a permanent watch of a few men, which manned it permanently in shifts. A living room with some berths is the only one offering some comfort in the building.

A number of rooms in the bunker are dedicated to the power generator plant. A primary and a back-up generator share the same room. Of special interest are the labels on all machines and mechanisms, proudly made in Germany – in some cases, by brands still existing today.

Electric power was required for the motion of the cannon, besides for smaller appliances like lights and radios. The cannons could make use of the regional grid, but since an unstable supply might have damaged the cannon motors, aiming operations were often carried out on the controlled internal power grid, fed by the generators, and producing an optimal output.

Beside the generator room, the air conditioning plant (not for comfort, but to slightly pressurize the bunker in order to repel and pump-out poisonous or exhaust gas), the Diesel tank and the water tank for cooling the generator can be seen in adjoining rooms.

To the far end of the corridor, a radio room was used to maintain a link with the battery command post, located more than 1 mile away from Vara battery. Actually, by design the electric signals to orient the cannon could be given by the control post, and the radio communication system was there for backup.

On the other side of the corridor with respect to the generator rooms – i.e. towards the cannon rotunda – are four adjoining rooms, used to store the components of the explosive cartridges and shells. The shells and cartridges prepared for firing were moved via a crane to a tray, and from there sent side-wards to the rotunda, where they were loaded on a trolley. The cranes, trays and slots linking these rooms to the rotunda can be found around the area of the bunker closer to the rotunda.

The cranes moved along tracks hanging from the ceiling. These tracks had some switch points, allowing to allow the crane to move across different rooms in the bunker.

Inside these rooms, today you can find much original material of special interest. Specimens of high-explosive (yellow) and armor-piercing (blue) shells are displayed. The weight of the shells was around 800 kg, where the cartridge could feature different weights, roughly from 100 to 200 kg.

The top range of these cannons and shells was around 43 km. Smaller 500 kg shells could alternatively be fired by Siegfried cannons, with a longer range of 55 km. Furthermore, the cannon could be test-fired during drills with smaller caliber shots, by reducing the bore of the cannon. This was a very useful feature, since the estimated loss of barrel metal due to attrition was a staggering 0.25 kg per shot, implying a life of the barrel of only around 250-300 shots, firing with sufficient accuracy. Shooting smaller shells allowed to spare barrel wear and extend the time between overhauls of the cannon.

The sealed canisters for the explosive cartridges, with original markings in German, can still be seen piled in a room!

More material on display includes a rare example of fire direction computer. Actually, that on display is smaller than the one originally used for the long-range cannons of Vara battery, but it provides a good idea of the level of sophistication of this mechanism. Data like target distance, velocity, orientation, wind speed and direction, etc. were set as input to this analog computer, producing fire direction variables to point the cannon. An incredible masterpiece of engineering and craftsmanship, this type of computer is difficult to find in museums, and allows to appreciate the level of development of warfare back in the 1940s.

Data including range of the target was found with the help of special instrumentation. A stereoscopic range-finder was installed in the battery command post, with an arm of 12 m, which allowed good accuracy for very distant targets – required for the long range of the cannons of Vara battery. Smaller instruments with the same principle are displayed in one of the rooms.

Among the special features of this bunkerized building are the restored, original writings from German times, as well as a one-of-a-kind painting made by a Soviet prisoner of war.

From the bunkerized room, you can get access to the rotunda. Cartridges put on trolleys moved along a circular railway track all around the rotunda. This way, cartridges could be taken to the cannon whatever the direction it was pointing. Once to the base of the cannon turret, the explosive charge and the shell were lifted separately by means of two special elevators, up to the level of the gun shutter.

An impressive feature of the rotunda is the ring cover for the circular railway. In order to protect the railway passage from above, while allowing the cannon to rotate, a roof made of thick metal scales was implemented. When revolving around the pinion, the cannon turret would automatically lift the scales on its passage. The sound of the scales being lifted and released while the cannon body was revolving must have been really an experience!

Pictures can hardly tell how big the cannon turret is!

Following an exploration from beneath, you can exit the bunker building, climb up to the level of the barrel, and finally enter the turret.

Here the back of the barrel dominates the relatively large firing chamber. The shutter has been left open, so you can see the sunlight through the barrel.

The shell and explosive charge were received from the two elevators on a special tray, and here they were finally aligned one before the other. Somewhat in contrast to the top-notch technology level of the installation, the cartridge had to be pushed from the back into the barrel by hand. A long wooden stick was used for the task. Actually, it was so long that it protruded from the back of the cannon turret, thus requiring a small hatch to be pierced in the metal armor correspondingly. On one side of the barrel, instrumentation for measuring the pointing direction is still in place.

Air-pumping mechanisms can be clearly seen, similarly to communication phones to the back and top of the room.

Cannon Nr. 1

The position of cannon Nr.1 was prepared unusually close to that of Nr.2. As said, this was due to the limited available area on the uneven coast section where the battery was put in place. However, Nr.1 never received a cannon. Conversely, it was modified later in the war, when experimenting with cannon protection from air-dropped high-yield bombs. The rotunda was capped with a very thick concrete roof, sustained by sidewalls which limited the side-wards rotation of the cannon to 120 degrees.

The rotunda can be walked freely. The central pinion is still in place. Inside, the ceiling is covered in original metal panels. The round corridor for the trolleys can still be seen, but there is no access left to the bunkerized part.

The firing position can be climbed, and from the elevated top you get a great view of the battery and of the area ahead of it.

Other buildings

Following the railway around the site is a great way to find what remains today of the original installation. There are two bulky ammo storages. These were reportedly more thickly armored than usual, in view of a higher risk of getting hit, due to the unusual proximity with the cannons – designated targets for the enemy.

Furthermore, other smaller buildings are scattered around, which may have served as storage for lighter weapons.

The positions of cannons Nr. 3 and Nr. 4 have been largely demolished, and access is permanently shut to the bunkerized part. However, you can easily climb to the top level, to get a nice view of the rotunda.

Visiting

Vara is in the top-five list of the most famous surviving installations of the Atlantic Wall in Europe, and a visit to this destination is in itself a good reason for a detour to Norway for war historians and like-minded people. Due to its proximity to the port of Kristiansand, just minutes apart by car, and the relatively easy-to-reach location in the most populated part of Norway, it is also a top destination for any tourist in the area. As a matter of fact, the place is run as a top-level museum, with great reception capability, and is visited by thousands of visitors per year.

Visiting can be performed on a self-guided basis, with an explanation leaflet which allows to get much from your visit, especially if you are not new to installations of the Atlantic Wall (which are mostly standardized, despite Vara having really oversized guns!). A tour of the main features – cannon Nr.2 and the building of Nr.1 – may take 1 hour at least, for an averagely interested person. For an in-depth visit and a quick tour of the premises including other remains, more than 2 hours are needed. Thanks to the exceptional level of conservation and the explanation of whatever is on display, the visit is not boring and may be very rewarding even for younger people.

Large parking on site, picnic tables and warm reception are available – as usual in Norway! Website with full information here.

Nordberg & Marka Batteries – Farsund

Located in the southwestern corner of the Norwegian territory, about 100 miles south of the port of Stavanger, the municipality of Farsund encompasses a number of small coastal villages, around the landmark represented by the lighthouse of Lista.

Two batteries were set up by the German occupation forces as part of the Atlantic wall, both fully operative by 1942. The northern one is called Nordberg fort, where the southern one, very close to the shore line, is known as Marka fort. Between the two, the Germans installed a full-scale airbase, with a runway of roughly 1.5 km, complemented by hangars and shelters largely standing today. Following the end of WWII and the withdrawal of the German military, all these installations were converted for military use by the Norwegian armed forces, which also developed the original airfield into a more modern airbase by stretching the runway.

Today, Nordberg fort is a museum. The German Navy was in charge of the station, which had as centerpieces three 150 mm cannons, with a range of around 23 km. The cannons have been scrapped (with the exception of a lighter piece of Russian make). However, the firing positions are still there, linked by a semi-interred trench.

You can see also the original control point for the battery, developed by the Norwegians more recently, and the concrete base for a radar antenna originally on site.

Several original buildings for services – canteen, hospital,… – are still there, making for a an interesting opportunity to see how this installation looked like back in the 1940s.

The Marka fort was assembled around six 150 mm guns, located very close to the sea, grouped in two batteries of three firing positions each. A huge bunkerized command post was built in the premises of the fort. Today, after the Norwegian military left at the end of the Cold War, the Marka battery is basically a ghost site, despite being still in a relatively good shape.

The control bunker is especially interesting, since you can access the top level and watch the sea from the very same room and windows originally used by the German Navy troops! The general arrangement of the bunker is similar to other command posts you can find on the Atlantic Wall – especially in Denmark (see here).

The positions for the coastal guns can be reached close to the control bunker. They are uncovered round areas, slightly below the level of the ground, framed by a circular reinforced sidewall.

More Atlantic Wall remains, like bunkers, foundations for radar stations, or emplacements for lighter guns, can be  be found scattered in the area of Farsund – which kept its military site status well after the Germans had left.

Visiting

The museum of Nordberg keeps some of the buildings on the respective site open. However, the majority of the site is open 24 hours, and can be walked freely. A visit may take about 1 hour. A convenient parking can be found right ahead of the modern and welcoming visitor center, from where you can effortlessly reach most of the points of interest in this installation. Website with full information here.

The site of Marka – not part of any museum – can be approached at any time with some walking in the rural area along the coast line. A good starting point for an exploration is here, where you can leave your car and move along an easy trail to the command bunker and the gun rotundas about 0.5 miles west.

Fjell Fortress – Bergen

Bergen was a strategic base of the German Navy, which received a fortified submarine deck among the largest, most active and longest lasting in the history of WWII. The complex morphology of the territory around this port town allowed to effectively protect the access by means of a network of nine firing emplacements. One of them – Fjell – was of exceptional power and range.

It was built between 1942-43 diverting one of the batteries of battleship Gneisenau, which had been damaged beyond repair by an air raid while in port at Kiel (Germany). The battery was composed of three 28 cm guns in a single turret. The latter was very compact in design, a real masterpiece of naval engineering, but nonetheless it featured a rather tall substructure, with all that was needed to operate the guns – protruding from the relatively sleek top of the turret, surfacing on the ground.

Placing this special battery in Fjell required carving the rocky coast, creating a cylindrical underground pit, inside coated with concrete, to host the turret. The turret, an assembly of around 1.000 tonnes with the guns on top, was then transported up to this elevated site, and lowered into the pit. The battery was test fired in the mid of 1943. It acted as an effective deterrent, and reportedly never used in combat.

The battery was incorporated in the Norwegian coastal defense after WWII, and sadly scrapped in 1968, since by then obsolete, but not yet considered an historical landmark.

Clearly, the battery was in the middle of an off-limits military area in wartime, where bunkers for several services and for the the troops, at least two radar antennas and many emplacements for lighter defensive weapons were installed to protect the battery from ground and air attacks.

Today, the bunker-pit where the turret used to rest is the centerpiece of a visit to the site. Starting from the visitor center on top, where the guns used to be, you can descend to the base of the cylindrical pit – roughly 30 ft in diameter and 75 in depth! Here you can see the rooms originally employed for storing the explosive cartridges and the shells for the cannons. These were supplied on trolleys and slides, and sent inside the metal turret, to be lifted up to the level of the cannons for firing.

Most of the original German mechanical and electrical systems is still there to see, including wiring, phones, cranes, trolleys, and examples of shells and cartridges.

Back then, you got access to these storage areas from an entrance on the same level (i.e. not from the top of the turret, but from the base). You can see this entrance, as well as the curved corridor leading from the gate to the ammo storage area. Here, examples of sea mines and other war material can be found. The corridor has narrow-gauge railway track, which was used for resupplying the ammo storage from outside.

The corridor is curved, and firing positions are strategically placed to cover it, in order to counter enemy intrusion.

The bunker gives access to the living quarters for the troops. These are well preserved, and feature brick walls to help insulating the inside from the wet rock of the walls and ceilings.

Services, like toilets, sauna, washing machines and more, are original from the German tenancy. Especially the water basins appear very stylish, a good example of German design from the era.

Besides the main turret bunker, as said the Fjell site offers other constructions on a vast area, which can be checked out from the outside – also since the premises are at least formally military grounds still today.

The road reaching the site from the parking, gently climbing uphill, is reportedly the original main access to the Third Reich site. An interesting tank-stopping device can be seen to the lower end of the road – heavy stones on top of light pillars on the sides of the road. The pillars could be blown, and the stones would fall cutting the road, in case of a potential intrusion.

Visiting

The fort of Fjell, about 15 miles west of central Bergen, is professionally run as a museum. Parking is only possible to the base of the cliff where the turret used to stand. From there, a 0.8 miles road climbs to the entrance. The scenic location and the nice rural area around make for an enjoyable walk. Visiting inside is only possibly on guided tours, offered also in English (an possibly other languages). A small restaurant can be found on top, where an observation deck has been built in place of the battery.

The location of the parking is here. A visit may take around 45 minutes, excluding the time needed to climb uphill and descend to the parking. Website with full information here.

Tellevik Fort – Bergen

The coastal fort of Tellevik, on the eastern head of the Norhordland Bridge, 15 miles north of Bergen, was part of the lighter defense artillery put in place by the German military to defend any access by water to Bergen. The battery was built by order of the Third Reich, profiting from the forced labor of Soviet prisoners of war.

Lighter howitzers were enough to cover the narrow water passages in proximity of the town. The elevation of the emplacement is low, slightly above the water surface.

The battery of Tellevik was centered on two such howitzers, placed on open-top positions. The two guns can be seen still today, on round concrete firing positions. The giant bridge today largely obstructing the field of sight was not there at the time of the German occupation.

The site displays also a concrete trench, connecting the firing positions with a command post for the battery.

A monument to Norwegian seamen victims to sea mines laid by the German to protect the access to Bergen is concurrently located on the site of the Tellevik battery.

Visiting

Tellevik is an open air memorial, which can be walked freely 24/7. It can be reached by inputting these coordinates to a GPS navigation app.

A visit may take about 15 minutes, a nice detour from exceptionally crowded downtown Bergen.

Austrått Fortress – Austrått

Similar to Bergen, the major port of Trondheim was a strategic base for the German Navy. Protected by a long firth, the port was an ideal base for submarines and warships, to intercept convoys in the North Sea, Norwegian Sea, the Atlantic Ocean and the Barents Sea. Correspondingly, a number of coastal forts was prepared by the German occupation forces to counter any unauthorized access to the waterways leading to Trondheim.

The most powerful and impressive of these batteries is the Austratt Fort. Similar to the fortress of Fjell near Bergen (see above), Austratt received one of the turrets of the ill-fated battleship Gneisenau, damaged while moored in Kiel, in February 1942. A control and aiming position was put in place a few miles apart along the coast, whereas the battery was surrounded by an off-limits area, stuffed with bunkers for the troops, ammo storage bunkers, and lighter guns for protection against an attack by land.

A major difference between the two ‘sister sites’ of Fjell and Austratt is that in the latter the cannons are still there!

Following the installation of the turret, test fired in September 1943, the fort saw little action, acting as a deterrent, and effectively preventing any serious intrusion by the Allies towards Trondheim from the sea. After the demise of the Third Reich, the fort was taken over by the Norwegian coastal defense, stricken off in 1968, and restored as a museum in the early 1990s.

The cannons are on top of a hill. From the outside, the massive three-barreled turret is really impressive in size!

The barrels can be seen besides the original range-finder – with its impressive arm, granting good measuring accuracy even at a large distance from the target. This item, with its bell-shaped cover, was originally part of the control point, located southwest of the battery, in a location currently very close to an active base of the Norwegian Air Force (Orland).

Despite access to the the firing chamber being possible through a hatch to the back of the turret, the tour follows the way a shell would travel from storage to firing. Hence you start your tour from an entrance to the side of the hill, at the same level of the bottom of the cylindrical tower supporting the guns. This metal tower was taken from the Gneisenau together with the cannons, and put in a pit carved in the rock for the purpose in Austratt.

Access through the side of the hill is protected by a smaller gun. Once inside, you find yourself in a curvy corridor, with a narrow-gauge railway track for the trolleys needed to carry the shells and cartridges inside. A firing position behind an embrassure points against the entrance, for further protection of the site against an intrusion.

The bunker in Austratt – but the same happened to many installations of the Atlantic Wall in Norway – was plagued with severe humidity problems. Immediately besides the entrance, a room with a water basin is fed by natural water dripping from the ceiling and from the rocky walls around.

Original machines for tooling, put in place for maintenance purposes back in the Third Reich years, are still there and working. Similarly, a primary and a backup Diesel generators supplying the fort are still in place, with all ancillary plants, like big Diesel and water tanks for cooling. This is original machinery too, as witnessed by the tags of the mechanical components, all made in Germany.

Living quarters were at the bottom level too. Trying to supply some comfort, the rocky walls were covered with bricks and wood, especially against humidity. These rooms have been partly refurbished with a good resemblance to the original ones. They include the kitchen and some of the sleeping quarters for the troops. However, since humidity was really extreme, troops spent limited time here especially for sleeping, and provisional barracks were built outside of the installation instead.

Hygienic services were reportedly extremely advanced compared to Norwegian standards of the time. Fully working toilets, lavatories and showers were taken as a blueprint by the Norwegian Army after the war. The electric water heater put in place in the Austratt battery was apparently among the first installed in the whole Country – it can still be seen.

Explosive cartridges, fuses and shells arriving from the bunker entry you have walked through at the beginning of your tour would be eventually lifted upstairs. Shells, either high-yield explosive or armor-piercing, would be stored in a chamber featuring cranes hanging from the ceiling, used to put the shells on trolleys. These trolleys transported the shells to the lower level of the turret. The chamber where the shells were stored is physically separated by the turret by means of a concrete wall.

Tight compartments are often found in war bunkers of the Atlantic Wall, and this can be explained by the fact that the deadliest effect of an enemy shot (either a cannon shell from a warship, or an air-dropped bomb) would be that of an overpressure wave (shockwave), capable of killing many in just moments. Overpressure effects can be effectively reduced by putting physical obstacles on the way the shockwave would travel – walls, tight doors, etc. – or by forcing it into smaller passages, like hatches or smaller doors and windows. Therefore, bunkers like Austratt are built in rather small rooms, connected only through narrow hatches and doors.

Again in the storage chamber for the shells, extensive writing in German can be found on many of the mechanisms and electric plants. Everything is original and exceptionally well conserved, just like the Germans had just left!

The lowest level of the turret, where the shells would arrive from the storage chamber to be loaded on elevators going to the upper levels, is a masterpiece of engineering. The technical problem here was that of connecting the slides from the storage chamber, which are anchored to the ground, to the receiving slides on the turret, which could pivot around 360 degrees. The designer of the turret solved the issue by placing an intermediate ring, revolving independently, and capable of connecting the fixed slides from the storage chamber to the revolving platform on the turret. The extremely compact size of the overall design, originally prepared for fitting into a warship, and the elegance and precision of the mechanism resemble those of a pocket watch from the 1920s more than a cannon!

On the turret, you can see three elevators for the three barrels, which were therefore fed independently.

Going upstairs, you meet the storage room for the explosive cartridges. These used to be stored in sealed canisters on display, original from the time. This storage room is placed to the side of the corresponding level in the turret, in a similar fashion to the shells storage below.

Climbing up one more level inside the turret, you reach a platform with the motors for moving the battery around its vertical axis, and for lifting or lowering the three monster barrels. The motion involved high-pressure mechanisms, rather complex and requiring many valves and extensive piping.

To the back of each of the barrels, you can see a large empty volume for recoil. The battery rested on a ball bearing – one of the pretty sizable metal balls is on display.

Finally, the firing chamber can be found on the top level in the turret. Here the shells and cartridges were received, aligned and loaded from the back into the barrels by a pushing mechanical arm. Three independent mechanisms were put in place for the scope in the firing chamber.

To the front of the battery, instrumentation for aiming can be found, with writing in German. Also radio positions are there.

Battery fire could be triggered by a single man, sitting to the back of the turret in front of a control panel with three independent triggers.

You can exit the turret from the hatch to the back of the turret, concluding your tour. In the video below you can see a portrait of the battery from the air, made with a drone.

All in all, similar to the Vara battery (see above), Austratt is in an exceptional state of conservation in the Norwegian and European panorama of artillery engineering from WWII, and a visit may be super-interesting for any public.

Visiting

Despite being relatively close to Trondheim on a map, as usual in Norway, Austratt is a more than two hours drive from the town, and reaching requires taking at least one ferry. However, as noted, this location is a pinnacle in the Atlantic Wall, and surely deserves a visit for technicians and non-technical public as well, and of course for the kids.

Access to the exterior is possible at any time, but visiting inside is only possible on guided tours. The guide is very knowledgeable and makes the visit interesting also for a technically-minded public. The visit inside may take around 1 hour, more if you make questions and show some interest. Convenient parking by the gate of the fort, easy access to the area around the battery. Moving inside can be requiring for non-fit people.

Website with full information here.

Arctic Circle & North Cape

As pointed out in the introduction to this chapter, Norway is rich of memorials from WWII. Even close to some of the attractions in this wonderful Country which are must-see stops for other reasons, features recalling memories from war actions are offered to a curious eye.

Two notable examples are the visitor center of the Arctic Circle along the E6, as well as that of North Cape.

Scandinavia has been a bloody and extremely active theater of war all along WWII, and Norway was directly involved in significant war actions since the first year of the conflict. As a matter of fact, most of the impressive line of fortifications constituting the Atlantic Wall was erected by deploying forced laborers, typically prisoners of war from the Eastern Front, primarily including Russians, other people from the USSR, and Balkan prisoners.

Soviet troops attacked the northernmost German-occupied region from the North, together with the Finns, after the latter negotiated a separate peace with the USSR in late 1944. The retreating Germans opposed a fierce resistance, and it was in this latest stage of the war that most physical damage to towns and installations was caused in Norway, since German troops were ordered to burn up all positions they had to leave.

These facts explain the many Soviet monuments and war cemeteries scattered especially in the northern part of Norway still today – commemorating Soviet soldiers fallen either in war actions or as prisoners of war in the harsh conditions of northern Norway.

One such monument, albeit overlooked, is prominently placed besides the visitor center of the Arctic Circle.

The interest of Germany for Norway was primarily for its strategic position, which became an asset of special value after the start of the war against the USSR in mid-1941. The convoys feeding vital material to the USSR from Britain and the US had to go to Murmansk (see here) and the Kola Peninsula, i.e. over the Barents Sea. This was conveniently controlled by the German occupants, operating from the Norwegian coast.

In the visitor center of North Cape some panels are dedicated to this topic, showing an impression of the structure and routes followed by Allied convoys going to the USSR.

Detailed panels with maps and pictures recall the last battle of the German battleship Scharnhorst, which was confronted by the group of the British battleship HMS Duke of York, in an epic battle relatively close to North Cape. The massive German battleship, deployed to Norway with Tirpitz (a sister ship of the famous Bismarck) to block the resupply traffic to the USSR, was hit several times and finally sunk in the freezing last days of 1943. The battle was posthumously named ‘Battle of North Cape’. A detailed scaled model of the German battleship is similarly on display in the visitor center.

Visiting

The visitor center of the Arctic Circle on the road E6, with a small Soviet monument, can be found here. The monument is open 24/7.

The visitor center of North Cape is… at North Cape! The inside can be accessed during opening times, and the tables with information on WWII convoys and battles are on an underground mezzanine. Website with full information here.

War Museum – Narvik

The port town of Narvik was founded in the 19th century as a commercial base for exporting iron ore from Sweden. A small town by the sea, surrounded by steep-climbing mountains, and in a remote location well north of the Arctic Circle, Narvik was turned for about two months into a though theater of war for the Germans, following their occupation of Norway.

It was here that the British started a battle to stop the German push to the north, as soon as the 10th of April 1940, basically at the same time as the Germans had reached the town during their conquering campaign.

What resulted was a complex, multi-stage operation, lasting until early June 1940.

At first, the British fleet mounted a naval attack, carried out with a flotilla of five destroyers. This force clashed with the local German complement of ten destroyers. The British operation met with mixed success, and was finally repelled by the German navy operating in the narrow waters around Narvik, at the price of two destroyers on each side – plus several cargo ships destroyed in the battle. Three days later, on the 13th of April, a new force, composed of the British battleship HMS Warspite and 9 destroyers, launched another assault, resulting in the complete loss of the German destroyers fleet in the region – German warships were either sunk or scuttled.

The Germans however kept control of the town. A mixed force of British, Polish and French troops, together with the Norwegians, started an operation to conquer the town by land. The operation was successful, and the German troops had to retreat along the coast, away from Narvik. However, the start of the Battle of France – the invasion of France by the Third Reich – on the 10th of May, 1940, resulted in a rapid loss of priority of Narvik as a strategic target for the Allies. It was decided in Britain to withdraw from Norway, and to evacuate all previously landed military forces from Narvik. The town fell under German control on June 8th, basically concluding the conquer of Norway by the Third Reich.

The Allied landings around Narvik in 1940 where the first on the European continent in WWII, carried out without the participation of the US, more than three years before operations in southern Italy or Normandy.

The town of Narvik is still today an active commercial port of primary relevance in the region. The heritage of war actions is preserved in a purpose-installed museum, modernly designed and easy to visit.

On a first floor, the naval operations around Narvik are described by means of technological 3D board with virtual projections – very nice and lively. Around the board, memorabilia from the British and German warships taking part to the operations back in the Spring of 1940 have been put on display.

They include an original Nazi eagle from one of the ships. Since the campaign around Narvik included also air and land operations, war traces including parts of aircraft, guns, mortars, machine guns, first-aid kits and many uniforms are also on display.

Uniforms are from the many corps which took part to those actions – they are British, German, Polish and even French.

On a second floor, you are offered displays of artifacts retracing other aspects of WWII in Norway. These include land mines – put in place by the Germans along the coast, similar to Denmark, to impede Allied landings – an Enigma coding machine, Third Reich memorabilia, a section of the Tirpitz armored hull, radio machinery supplied to the resistance, as well as personal items belonging to former prisoners of war.

Finally, on the last floor heavier weapons are put on display, including torpedoes, light armored vehicles and more, even for post-WWII times.

Visiting

The battle of Narvik is one of the best known from WWII in Norway, and the little museum in the town center duly retraces its timeline, through an elegant exhibition, sufficiently rich to satisfy even the most exigent experts, but not so extensive to be boring for the general public. A really well designed museum, surely worth a visit, which may last from 30 minutes to 1 hour depending on your level of interest.

The location is right besides the town hall, and can be found here. Parking opportunities on the street nearby. Website with information here.

Tirpitz Museum – Alta

The German battleship Tirpitz was laid down as the only sister ship to the well-known Bismark. Eventually, she underwent developments which made her the heaviest battleship built in Europe. Her actions were concentrated along a limited time frame, between January 1942 and November 1944, when she was finally sunk by British Lancaster bombers, making use of Tallboy high-yield bombs.

She spent her operative life along the coasts of Norway, where she constituted an effective deterrent against a sea-launched Allied invasion, and was employed tactically against resupply convoys going to the USSR.

Tirpitz was a strategic target for the Allies, which tried to get rid of her by no less than seven war operations, meeting with limited success until the last one.

With an armor more than 30 cm thick, Tirpitz was marginally maneuverable especially at lower speed, but the hull was very difficult to penetrate, and the four turrets and eight 38 cm barrels, plus twelve side-shooting 15 cm barrels, complemented by many more defensive weapons, made it a dangerous asset against land and sea targets.

The ship capsized and sunk in shallow water in the bay of Tromso, and following the end of the war, she was largely dismantled. Original pieces of the ship could be collected, as well as some personal belongings from the crew. Some more were taken out from the water over the years.

The museum in Alta is dedicated to the memory of the ship, and offers an extremely rich collection of items connected with Tirpitz. Furthermore, by means of memorabilia items, it retraces the history of the war years in the northernmost region of Norway – Finnmark. The reason for installing the Tirpitz Museum in Kåfjord, near Alta, is bound to the fact that the battleship was based here for a period, as witnessed by some historical pictures. The museum has a rich guestbook, which includes top-ranking military staff from several Countries.

The small museum is home to some of the finest and largest scales models portraying Tirpitz. The level of detail and the accuracy of the reconstruction is really stunning.

Some smaller diorama models portray scenes from the life onboard, or details of special interest. An unusual one portrays the capsized hull of the ship, following the sinking!

Besides the scale models, original instrumentation, shells, wooden slabs from the deck, and more parts of the ship are put on display.

A room is dedicated to the operations carried out against the battleship. The ship was reportedly attacked several times without substantial damage. One of the attacks was carried out by the British, recurring to mini-submarines. Among the artifacts on display are the decorations to the men involved in these operations.

Extremely interesting artifacts in the museum include material from the crew, taken away after the sinking over the years – sometimes found in the area as recently as the year 2000.

These include typewriters, cutlery with swastika emblems, musical instruments, sport suits with prominent Third Reich insignia, and many personal belongings.

In one case, the cabinet or wallet of a crewman revealed cash and stamps from the time.

Among the countless items in this exhibition are original material – including radio stations – employed by the resistance movements in Norway, as well as light weapons, uniforms and decorations of the Soviet troops who operated in the Finnmark region, helping in repelling the Germans in the last stages of WWII.

On the outside, the anchor and parts of the armor of Tirpitz can be seen, together with an official memorial stone.

Visiting

The museum is located some five miles from Alta, in the small settlement of Kåfjord. It is hosted in a single, small wooden building – possibly a former canteen – to be found here, with a small parking nearby. A website with full visiting information is here.

Visiting the museum may take from 30 minutes to 1 hour depending on your level of interest.

Vemork Hydroelectric Power Plant & Heavy Water Facility – Rjukan

The nuclear program of the Third Reich is still today a matter for researchers, since – mysteriously enough – most documentation disappeared by the end of the war. Among the ascertained facts were the excellence of nuclear scientist in Germany at the time on the one hand, and the total lack of adequate quantities of raw material, or plants for processing it, to actually build real nuclear weapons on the other.

The latter is witnessed by the great strategic value attributed to the plant in Rjukan, hidden in a scenic deep valley in the region of Telemark, in southern Norway, about three hours by car from Oslo. A hydroelectric plant there – the exact name is Vemork power-plant – was employed to produce heavy water through a dedicated electrolysis separation process, which requires huge amounts of energy. Heavy water is a key component for the production of Plutonium – in turn required for atomic weapons – in heavy-water reactors.

Also the Norwegians understood the value of the plant. As soon as the winds of war started blowing from Germany in early 1940, heavy water then in storage was taken away to France, and later to Britain following the invasion of France by the Third Reich.

After Norway had been occupied by the Reich, the plant was at the center of three sabotage operations. Extremely risky and partly ending in disaster, these operations were carried out both by Norwegian and British staff, parachuted from Britain.

It took until 1944 to mortally hit the plant, well protected by its own natural setting. Two dedicated bombing raids carried out by US bombers damaged the plant beyond repair – at least in the late war scenario, when the Third Reich reaction capacity was weakening every day. The final act in the Norwegian heavy water saga was the sinking of the small boat – named Hydro – loaded with the reserve of heavy water from Vemork, having just started its trip to Germany on Lake Tinn.

The plant was again in business in the years after the war, and remained operative until the early 1990s, involved in production of various chemicals.

Today, it is a much visited museum. Actually, the most impressive part of the plant is that of the hydroelectric turbines. Aligned in a single immense hangar, these now silent giant machinery send glimpses of the original, fashionable early-1900 industrial style.

Some of the turbines and generator assemblies – manufactured by AEG, as witnessed by the labels – are really huge.

A suspended platform allows to capture with a bird’s eye the entire hall. Here you can see also completely analog control panels, again in a very elegant style from the era.

Visiting

The museum in Vemork can be reached in less than 3 hours driving from central Oslo. The power-plant can be approached walking from the parking (here) over a suspended bridge crossing the deep valley. The area is very scenic. The highlight of the show is the hall with the power turbines. A visit may take from a few minutes to more than 1 hour for more interested subjects.

A website with full information can be found here.

Spomenik – Iconic Modern Art from Tito’s Yugoslavia

Soon after the end of the war Tito and the Communist Party of Yugoslavia started a fight against the Soviet Union to escape Stalin’s direct control – a fight where they succeeded, creating in Yugoslavia a unique, truly communist dictatorship totally under Tito’s power, and not just another soviet satellite country.

To make differences from the USSR more apparent, artistic production, often representing an internationally recognized value for a country on the international stage, needed to part from the rhetoric of socialist realism of Stalin’s years. New, original aesthetics were sought, capable of expressing the modernity of Yugoslavia, while being not free from the control of the State, celebrating and promoting unity in a country which had never enjoyed national unity – something later reflected in the bloody split of the 1990s.

Tito’s aesthetic views for the new post-WWII Yugoslavia are greatly reflected in the project for the realization of an array of hundreds of monuments, to be designed and erected in locations scattered over the whole territory of the former Federal Socialist Republic of Yugoslavia. These monuments go under the name of ‘spomenik’ – an internationally known word in the local idiom, simply translating into ‘monument’.

Most of these spomeniks commemorate some bloody facts of the Second World War – most often a local battle between Yugoslav communist partisans and the German Wehrmacht, or the Italian Army of the ‘Duce’, but also clandestine congresses of local subversive communist groups, mass murders by the Axis invaders, and so on. The realization of the project, sometimes fueled by the local interest to keep the memory of a historical fact of regional relevance, but in any case coordinated by the Communist Party, took a long time span, with most of the monuments designed and built over the 1960s and 1970s, before Marshall Tito died (1980).

Besides the historical significance bound to the events they commemorate, two facts make spomeniks an interesting target for curious travelers. The aesthetics of these monuments is often non banal, showing an attention to details and an artistic sensibility which is not usual to communist-ruled countries. In this sense, spomeniks sometimes stand out as very original, interesting – and pretty massive… – works of art. Secondarily, as the events they commemorate often took place in remote areas, spomeniks can be found in incredible natural spots of the former territory of Yugoslavia, immersed in the wilderness or in the middle of a gorgeous natural scenery, not easy to reach and isolated from civilization.

After the end of communism and following the secession wars of the 1990s in the Balcans, many spomeniks fell into disrepair. Today, some of them have been refurbished, while others have been completely demolished, reflecting a mixed feeling of the local population towards this artistic heritage. A good share of them has been simply left behind, gaining the typical ‘ghost aura’ of the architectures of former communist countries.

For hunters of historical relics, spomeniks are double-attractive – not only are they tangible traces of a bygone communist dictatorship with unique traits, but they stand out for their often severe appearance, like traces of a mysterious alien civilization, now long gone.

This chapter presents a handful of these monuments, which you can find along an ideal itinerary connecting the capital cities of todays republics of Montenegro, Serbia, Bosnia & Hercegovina and North Macedonia. These are just a very small set out of the total, yet some of them are among the most famous and artistically valuable. Furthermore, except those in North Macedonia, they can be reached without any substantial detour from the major roads connecting Podgorica, Belgrade and Sarajevo, thus making for an interesting ‘side visit’ on your way from one of these nice cities to the next, on a cultural trip to the area. Similarly, many spomeniks in North Macedonia can be found close to touristic locations. Photographs were taken during two visits, a week-long tour in Spring 2019 (Montenegro, Serbia, Bosnia & Hercegovina) and a long week-end in late Summer 2019 (North Macedonia).

If you are interested in a deeper analysis on the history and art behind spomeniks, or you are looking for a more complete directory of these monuments, please refer to this great resource site.

Map

The following map shows the detailed location of all the spomeniks listed in this post. I personally checked all of them, so the location is very precise. As you will notice, most of them are fairly easily accessible from major or paved roads. Some of them will require a little bit of walking from a parking area to the monument itself.

Navigate this post – click on links to scroll

Sights

Kolašin, Montenegro

This spomenik is actually a one-of-a-kind example of ‘spomen-dom’, i.e. a monument not designed just to be admired from the outside, but conceived as a building, to host meetings and services inside. The site is right in the central square of the village of Kolašin, in the southeast of Montenegro not far from the Serbian border. This town has been a vital center of the anti-fascist resistance in WWII, when the territory was first subjugated by the Italians, and later by the Germans.

The spomenik was designed and built under the supervision of the renowned architect Marko Mušič in the early 1970s. Its age is especially reflected in the use of gray concrete for most of the visible structure. The triangular shape dominating the highest part of the building may recall the typical shape of the traditional houses built in the area – chalet-type, with a triangular roof – or even the tops of the Dinaric Alps all around.

Being a building more than a monument, this spomenik is rather big. Today, the village is an active skiing center, thanks to the great position in the mountains. The spomenik is being used for administrative functions, and blends effectively in the central square of the village. Yet its appearance is today so-so, and maintenance is clearly not enough to preserve it for long. As a matter of fact, inspite of the architectural value which gained it a place in books of architecture, a long future for this spomenik is reportedly not assured.

Getting there and moving around

The spomenik is easily reachable right in the city center of Kolasin, a small town with some up-to-date touristic structures for the winter season – the location is really gorgeous. Free parking all around the central square. You can walk around the spomenik without restriction, but stepping inside is possible only compatibly with the local administrative functions.

Berane, Montenegro

Possibly one of the most elaborated spomeniks, the monument in Berane was built on the spot of an ancient Turkish fortress, now totally gone, in a secluded location immersed in a forest close to this contended town. In the close vicinity of the spomenik, nine students suspected of being part of the resistance were executed by the Italians in 1941. The town of Berane changed hands several times during WWII, and it is estimated that about 6’000 people were killed in the area in the military and para-military actions over the war years.

The spomenik, designed by the Serbian designer Bogdan Bogdanović, was inaugurated in 1977 on a small grassy field, a really nice spot in the forest. It is mainly composed of a more than 50 ft tall conical dome, with a number of massive dark stone slabs delimiting a regular curved perimeter around it. These slabs are carved with interesting symbolic ideograms, telling – among other things the story – of a local clan.

Today, despite its relative remoteness with respect to the town center, the place is actively maintained, frequented by the locals, and in a definitely good shape. Thanks to the secluded position, as well as to the inscriptions in a fantastic archaic language, this spomenik is very mysterious and particularly fascinating – it resembles a megalithic alignment, or a setting from the Lord of the Rings!

Getting there and moving around

The spomenik in Berane cannot be approached by car directly. You will need to face a steep climb uphill on a well-prepared and maintained trail. A 10 minutes walk uphill is needed for a well-trained person. The location has been used for local concerts and commemorations, and is carefully maintained as a park area.

Ostra, Serbia

This spomenik was built on the site of a battle which took place between opposing factions of locals – some of them collaborating with the Axis forces – in 1943. This was just an episode in the larger confrontation between these groups, taking place in the area of the nearby center of Cacak. Notably, the soviet Red Army contributed to the struggle in the last stages of the Axis occupation period, obviously on the side of the local communist partisans.

The monument, designed by Miodrag Živković and Svetislav Licina, was inaugurated in 1969, and was composed of a concrete slab with an inscription in Cyrillic, and a perspective leading to the focal point of the spomenik – an abstract aluminum sculpture, with a sober appearance, pointing diagonally towards the sky. By looking closely to this monument, you can see stylized human faces in the side of it. The metal sculpture is located on top of a hill, with a very scenic view of the surrounding hills.

Despite the metal sculpture being today still in a fairly good condition, the original appearance of the site has been heavily altered by the building an Orthodox church between the concrete commemorative stone and the prominent sculpture. This happened around 2010. Strangely enough, at the time of my visit the church was not open, with parts of furniture provisionally stored ahead of the main door, giving a bad sense of neglect.

Clearly, a church built right in the middle of the spomenik area means that there is not a particular good feeling about this monument. Also the inscriptions by the entrance of the perspective are largely spoiled, with many letters now missing. Yet somebody put flowers by the metal sculpture, which is not heavily spoiled by writers.

All in all, despite the bad general shape and the strong alteration, the location dominating the area and the imposing, sober appearance of the aluminum part is particularly suggestive, and makes for good photo opportunities.

Getting there and moving around

Accessing this spomenik is rather easy. The road reaching the top of the hill is a local asphalt road, which does not pose any special difficulty. Close to the church there is a small parking area, and the metal monument can be reached from there walking on a flat, open grassy area.

Kragujevac, Serbia

What you can find in Kragujevac is not just one spomenik, but a huge and very nice city park with several monuments scattered around. Construction of this park was started by an official decree back in the early 1950s, on the site of the major massacre of Kragujevac. This bloody episode is one of the worst suffered by the civilian population in occupied Yugoslavia, when by the order of the Nazi governors, more than 2’300 from the local population – selected based on race, political views or religion – were systematically killed in a field. The general governor of Yugoslavia responsible for issuing the order – which can be traced back to the German OKW in Wünsdorf – was later trialled for this in Nürnberg after WWII.

The park is still today very well-kept, interdicted to road traffic and only open for walking. Several spomeniks can be found scattered over the park, together with a museum dedicated to the massacre close to the main road access. One of them, and likely the oldest, is the monument called ‘Pain and Defiance’, dating from 1959.

The most famous, and one of the most internationally well-known, is dedicated to pupils and teachers killed in the massacre. It was designed by architect Miodrag Živković in a distinctive ‘V’-shape, about 25 ft tall and 45 long. Despite looking granite, it is made of almost-white concrete. On the face of the monument, it is possible to spot the shapes of human faces and figures. This monument was inaugurated in late 1963.

Located on a gentle slope on the side of a grassy valley, this spomenik occupies a really nice and quiet spot. The nice and peaceful walk leading to it encourages remembrance.

Getting there and moving around

The park is a very well-kept city park, crossed by a few roads which are interdicted to general traffic – basically no cars can enter, I guess these roads can be accessed by car only on special commemorations or similar occasions. Parking is easy close to the museum – itself a rather distinctive construction. A big map of the site can be found on a post close to the parking area (see pics above), and several signs allow you to tour the park, meeting the many monuments according to your interests. Reaching the ‘V’-shaped monument from the main access involves a 10-15 minutes walk along a perfectly prepared road.

Kosmaj, Serbia

Possibly one of the most iconic of all spomeniks, the Kosmaj monument is located on top of a hill, and partly visible from quite a distance, emerging from the treetops. The location was chosen as the foundation site of the Kosmaj partisan detachment, who contributed substantially to the resistance efforts against German occupation forces, with thousands effectives killed or wounded.

The monument was designed by sculptor Vojin Stojić, and unveiled in 1971.

The sinister shape of this monument, looking like an alien creature landed on top of the hill, on an isolated spot far from civilization, may strongly appeal to hunters of weird places. What further adds to the ‘mystery aura’ of the place is the fact that, while generally not in a bad shape and far from rotting, the monument appears somewhat forgotten – far from everything, little maintained or looked after.

Another impressive feature which is rarely captured by photographs, is that this object is about 90 ft tall! Access is via a poorly maintained stair, or by a little longer access walkway. Getting closer, you have a clearer impression of its gigantic size. The five concrete pinnacles composing the monument and making for a spiky whole from the distance, are actually separated from each other. The monument appears to change shape continuously as you walk around and under it, making it very interesting to watch from different angles.

Considering the remote, silent location, the late evening time of my visit, and the wind blowing in the trees, this was possible the most mysterious and magnetic of the spomeniks I could see on this trip!

Getting there and moving around

Due to its size and prominence, the Kosmaj spomenik was conceived as the focal point of an area for war commemorations, as well as for more widely themed social events. The area on top of the hill comprises a football field, a playground and parking areas. All this today is far less used than in the communist era, and its ‘ghost appearance’ adds greatly to the mystery aura of the place. The spomenik can be accessed along a one-way loop road, going around the top of the hill. Today you can freely get access to this road and get very close to the spomenik with your car. The monument can be finally reached via a poorly maintained, short concrete staircase, or via a longer walkway. I would say access is of course very easy. The location is also reasonably close to Belgrade, with a modern highway connecting the area with the Serbian capital city.

Avala, Serbia

This monument stands out of the crowd of the Yugoslavian spomeniks for it is not built to commemorate an event of WWII, but instead it remembers the fatal crash of a passenger flight, which occurred in approach to Belgrade. The year was 1964, and the flight was carrying 22 Soviet war veterans, who had participated in the ‘Liberation war’ of Yugoslavia against the Germans, from Moscow to a commemoration ceremony to be held the following day. The cause of the accident was never clearly determined, but it was likely due to a technical mishap.

The bronze spomenik you can see today was designed by sculptor Jovan Kratohvil on the very location of the crash, and inaugurated in 1965 on the first anniversary of the fatal accident. The names of the war veterans who perished are recorded on a stone.

This monument is more modest in size than most famous spomeniks, and the good quality of materials, its proportion and the great view over the hills leading to Belgrade – the famous Avala tower, with its famous panoramic deck, is less than a mile from here – make for a very nice and scenic ensemble. Furthermore, the mint state of conservation is really noteworthy.

Getting there and moving around

This spomenik can be reached along the same loop road going to the Avala WWI memorial and to the Avala tower with its panoramic view. There is a small parking nearby, and access is via a short staircase which is already part of the monument. The monument is well cared for, and the area is rather busy with local and international tourists.

Kadinjača, Serbia

The scenic spot where this extensive monumental ensemble has been arranged was the setting of one of the first battles between the partisan army – a group called the ‘Workers’ Battalion’ – and the German Wehrmacht. The latter was trying to reach the town of Užice, giving shelter to the top ranking staff of the Liberation army, including Marshal Tito. The battle was finally lost by the partisans in 1941, but they allowed the local population and the partisan commanders to flee the area, before the Germans troops poured in.

The area of the final fight was selected for a national monument as soon as 1952. A plain obelisk was put in place. Years later, in 1979, a huge monument designed by Miodrag Živković was unveiled at the presence of Tito, with a huge crowd attending.

The plan of the monument has its focus in the old prismatic monument of 1952. Around it, an interesting ensemble was added in 1979, with an amphitheater on one side, and two sets of granite and concrete abstract sculptures on the other.

A first group of sculptures, with very stylized human faces emerging from the sides and on top of the stones, constitute a first circle.

A second group is made of massive white slabs, culminating in one loosely resembling an armor pierced by a bullet. The installation is about 300 ft long, and the ‘pierced armor’ piece is about 45 ft tall. Yet the group is well proportioned and blends perfectly in the panorama around it.

The great state of conservation is testified by a modern multi-language placard with explanations about the history of the place. The spomenik is complemented by a museum and by a few weapons permanently displayed outside – themselves a memorial of the battle fought in the area.

This is a popular tourist destination, on the road going to nearby Visegrad (in Bosnia & Hercegovina), with its famous ancient Ottoman bridge.

Getting there and moving around

This spomenik is difficult to miss, visible from quite afar and perfectly accessible from a major road. Extensive parking ahead of the museum. Walking around does not pose any particular difficulty.

Tjentište, Bosnia & Hercegovina

Really an iconic masterpiece in the panorama of Yugoslav spomeniks, the monument in Tjentište benefits also from the fantastic location in the mountain range marking the border between Bosnia & Hercegovina and the republic of Montenegro. The proportions of the scenic views of this mountainous area are really more typical to the Americas than Europe!

This famous ‘winged’ monument is located on the area of a bloody battle fought in spring 1943, when the Axis force attacked some partisan groups commanded directly by Marshal Tito, in a deliberate attempt to kill their commander, hoping that in so doing they would succeed in undermining the rebel force. In the ensuing battle of Sutjeska around 7’000 besieged partisans were killed, but Tito finally was able to escape the area.

This battle acquired a special, almost mythological meaning in the history of communist Yugoslavia. A first commemoration stone – actually a mass grave for some thousands partisans – was put in place already in 1958, whereas the huge spomenik you see today, designed by Miodrag Živković, was unveiled in 1971 at the presence of Tito, who reportedly put much personal attention on the realization of this very monument.

The two massive concrete wings are enriched by human faces, only sketched and arranged so to form the roots of the wings themselves. Looking closely, you realize that the two monoliths are different from one another. Furthermore, their irregular, strongly 3D shape makes them look different depending on the point of view.

The monument is located half way on an ascending slope. Going further uphill you meet a termination point of the perspective, where the names of several partisan brigades are recorded. Looking down to the wings, you see them taking yet another shape!

This monument blends really well with the majestic scenery around. While being a sober and proportioned work of art, it is at the same time massive and sinister. The ensemble is really an artistic masterpiece, yet it bears some authentic ‘Yugoslav-communist style’ marker, making it a somewhat paradoxical ‘official communist ghost’!

On the side of the perspective leading to the winged monument, there is another spomenik – actually a ‘spomen-dom’ – which is known for hosting commemoration inscriptions and rare war-themed artistic frescoes, which were unfortunately damaged in the 1990s wars.

While in the years of Tito this was one of the most visited national monuments in the Country, its fame went down dramatically with the end of communism and with the following wars of secession, which struck heavily in this uninhabited valley reaching to ill-fated Sarajevo. With this in mind, the main perspective and the winged monument are surprisingly well kept, and they are gaining further popularity among relic-hunters, thanks to the undeniable charm of this spomenik. There are reportedly several other less prominent spomeniks in the area of the 1943 battle, including the ‘spomen-dom’, but unfortunately I had not the chance to investigate further about their state of conservation.

Getting and there and moving around

Getting there is possible along a national road going from Sarajevo to central Montenegro. Free parking is available at the base of the perspective leading to the winged monument. Getting closer to the latter involves climbing a flight of stairs. To get to the far end of the perspective you will need to climb another conspicuous flight of stairs. The winged spomenik is very well kept, and the area is really scenic – today it is a national park -, really justifying a detour from Sarajevo, or choosing this road to go to Montenegro from the Bosnian capital city.

Obadov Brijeg, Montenegro

This spomenik is an example of smaller designs, which constitute the majority of these monuments around former Yugoslavia.

The ‘bird-like’ monument in Obadov Brijeg, not far from the famous Orthodox monastery of Ostrog – built in the side of a mountain ridge nearby -, commemorates the victorious fight against the retreating Germans in fall 1944 of a coordinated force of local partisans troops, British artillery and Allied aircraft.

The spomenik was designed by the renowned architect Slobodan Vukajlović, and unveiled in 1974.

Unfortunately, as of today, this small monument appears little respected – mostly used as a roadside dump by travelers.

Getting there and moving around

Totally easy to reach if you are traveling north on the M18 road. The site is immediately visible when passing by, it is easily accessible thanks to a small rest area nearby, but unfortunately not well maintained and even dangerous to come close to, due to the garbage around it.

Golubovci, Montenegro

This monument by the local architect Vukota Tupa Vukotic was erected in 1974 close to the airport of Podgorica, the capital city of Montenegro, which received the name of Titograd in the years of communist Yugoslavia. This happened in recognition of its sacrificial role in the years of WWII, when after the Germans took over control of the area conquered by Italians, following the end of fascism in Italy in 1943, the city was stricken by heavy Allied aerial bombing, causing its almost complete destruction.

Podgorica was strategically located along a communication route going to the occupied territories of Albania and Greece, and for this reason the German Army was particularly present in the area – thanks to the airbase already in place in WWII. As a result, attrition with local partisans caused further casualties.

The monument commemorates the action of the partisans in the area. The abstract sculpture is sober and well proportioned. Besides the focal point – the sickle-shaped object in the middle of the construction – there are metal panels with a more traditional iconography, portraying battle scenes, as well as writings and tombstone-like stone panels.

The ensemble is located in residential area very close to the airport, and is actively maintained, so it has a sober, not derelict aspect.

Getting there and moving around

Very easy to reach along a major local road on the western side of the airport. Parking nearby is easy, and there are no major obstacles impeding access. The monument is well-kept and cared after.

Barutana, Montenegro

This spomenik honors the many losses experienced by the population from the area west of Podgorica in the Balcan wars, WWI and WWII. Three distinct monuments based on the same design are located on the side of an ascending path, leading to a double terrace on top of the monument.

Half of the double terrace features a full-scale amphitheater, with small granite seats forming a nice ensemble. The focal point of the double terrace is a torch-like sculpture about 30 ft tall, made of several separated adjoining components.

Between the torch-shaped sculpture and the amphitheater there is a stage. The object was created for meeting purposes, especially for schools but more generally for social events. Traces of the lighting for night performance can be still be seen.

This nice ensemble was completed in 1980 after a five-years-long construction work. The design is due to the local architect Svetlana Kana Radević.

Unfortunately, the place is not maintained any more, and while still in a relatively good shape – sufficiently far from downtown Podgorica to be spared misuse and vandalism – it is apparently falling into oblivion. This adds to the ‘communist ghost’ aura of the place, which you can perceive also in plain sunlight!

Getting there and moving around

This spomenik can be spotted from the road going from Podgorica to the coast. It is located immediately on the side of the road, but the only feature you see when driving by is the torch-like monument – vegetation is hiding the base of the monument. There are three small access roads, and once there you find a large parking area. The monument is not degraded – no garbage around – but it is clearly in need of restoration works. The stairway gently ascending to the top terraces are consumed and will be soon unserviceable.

Botun, North Macedonia

The Botun monument commemorates the struggle of the local partisans from all over the area, known as Debarca. This is located northeast of Ohrid, a very nice touristic town on the coast of a beautiful lake, close to the border with the Republic of Albania. The combatants from this area managed to liberate the area from the Italian-backed occupying forces in Spring 1943, well before Italy surrendered to the Allies in 1943. The Wehrmacht then retook control of the region until 1944, when communist partisans finally repelled the Germans.

This rather unique episode is celebrated through a rather simple monument, apparently composed by two stone wings or flames, surrounding a central body bearing a commemorative inscription.

Unfortunately, the monument is in complete disrepair, the pavement basically disintegrating due to poor maintenance.

The overgrown vegetation hides luckily hides small deposits of garbage. Yet the location in the deep of a wild valley makes it potentially interesting as a stop along a major road.

Getting there and moving around

The Botun monument is easily reached along the E65, connecting Ohrid Airport to the north and Skopje. It is immediately on the side of the road, easier to access when driving south. There is small parking space at the level of the road where the small access roads depart to the monument apron. The site is not maintained, but not difficult to access or tour either.

Struga, North Macedonia

The spomenik in the town of Struga, on Ohrid Lake, designed by Vojislav Vasiljević, was delivered in 1974. It commemorates the more than 300 casualties in the Macedonian ranks from the Struga area during WWII. The area fell under control of the Italian-backed kingdom of Albania until mid-1943, when after a short independence it was occupied by the Germans.

The monument is rather simple, but differently from the majority of spomeniks it is located right in the city center. The composition, made of a small mound with access stairs and a white spike on top of it, is rather difficult to miss.

On one side of the monument, abstract in nature, a rather kitschy representation of an infantry charge has been added possibly in a later stage.

There is also a side commemoration panel with writings in Cyrillic. The monument has been reportedly refurbished in 2019, and its appearance is consequently good (apart from small vandal printing on the sides you can see in the pictures).

Getting there and moving around

Reaching the monument is possible by foot. It is located in the middle of the town, on Marshal Tito square. You may leave your car in one of the many parking areas around central Struga and walk along the river to get to the monument.

Oteševo, North Macedonia

Little is known of this monument, unveiled in 1973 on the side of a hill overlooking Prespansko Lake, on the border between North Macedonia, Albania and Greece. The architects are Jordan Grabul and Boro Josifovski.

The area appears to be a former touristic location for lakeshore activities. Today it is still very nice from a natural standpoint, yet the touristic centers – hotels, camping area, … – from the communist era are now closed, and make for a mysterious setting.

The spomenik resembles a flame, put on top of a stone stair. You can see an original inscription, as well as a star decoration in the base of the flame. On one side you can still find a flagpole.

The monument is in a so-so condition. It is sufficiently far from the road to having been spared major vandalism. The staircase is in a relatively good condition, and vegetation is not excessively overgrown. On the other hand, it is apparently not of great interest for the local population, which do not advertise it at all.

Getting there and moving around

The monument can be reached very easily from the road R1307 in Oteševo. The village is rather unapparent, and the monument is shrouded in the vegetation. You may notice the stair access from the road. Parking at the base of the stairs is difficult, but you may find a parking place ahead of the gate of the nearby camping site – as of 2019, apparently largely abandoned.

Kruševo, North Macedonia

This spomenik is possibly one of the best known in and outside of former Yugoslavia. This is somewhat paradoxical, as the monument came out with significant delay and after much controversy. On the other hand, maybe its fortune especially after the end of communism is partly due to its dedication – it was built to celebrate a huge uprising of the local population against the Turks in 1903, led by a local school teacher named Nikola Karev, settled in blood by an entire army of the Ottoman empire.

The lack of an immediate link to WWII events and communist-led struggles generated some criticism, but this actually came after some years were spent trying to find a compromise concerning the design itself. The architects, Jordan and Iskra Grabul, despite a proven communist faith, had a very hard time with the state commission who had issued the design.

The monument was finally unveiled in 1974, on a hill just out of the Krusevo village. It is composed of a gently ascending access road, with small monuments resembling broken chains. A first stop along the access road is a kind of open air crypt, with protruding cylinders bearing the names of places and people linked to resistance actions in the history of Macedonia. Apparently, no one from WWII years is included.

At the end of the road, on top of the hill, you can find a small open-air theater surrounded by curved walls decorated with colored tiles and sculptures.

The axis of the theater is aligned with the main body of the monument, a very peculiar construction, roughly spherical, with many tubular protrusions pointing radially from the surface. Whatever the intended meaning, it looks like a virus or something else from a biology book. Access to the sphere is through an inclined footbridge leading to a door.

During my visit, the door was unfortunately locked closed. Inside you can find the grave of Nikola Karev, as well as interesting wall reliefs.

Another interesting feature are the four stained glass windows. Colored with different palettes, the light produces nice reflections inside the spomenik. Luckily, something can be seen also from the outside in a sunny day.

One of the most celebrated spomeniks – even portrayed on local currency notes and recently photographed in international reviews – this item is maintained in perfect conditions as a national shrine, and social events like music festivals are held on its premises.

Getting there and moving around

Accessing this spomenik, aka ‘Macedonium’ is easy to the far end of the village of Krusevo. Thanks to its official role, it boasts a large parking ahead of the access road, with some explanations on dedicated panels. Beware of a big museum just on the other side of the parking – it is dedicated to a local music star prematurely died in an accident, it is not linked to the spomenik.